Catalan rumba: Difference between revisions
Changing short description from "Spanish music genre originating among Barcelona Romani." to "Spanish music genre originating among Barcelona Romani" |
No edit summary Tags: Reverted Mobile edit Mobile web edit |
||
| Line 4: | Line 4: | ||
The '''Catalan rumba''' ({{lang-ca|rumba catalana}}, {{IPA-ca|ˈrumbə kətəˈlanə|IPA}}) is a [[genre of music]] that developed in [[Barcelona]]'s [[Romani people in Spain|Romani community]] beginning in the 1950s and 1960s. Its rhythms are derived from the Andalusian [[flamenco rumba]], with influences from [[Cuban music]] and [[rock and roll]]. |
The '''Catalan rumba''' ({{lang-ca|rumba catalana}}, {{IPA-ca|ˈrumbə kətəˈlanə|IPA}}) is a [[genre of music]] that developed in [[Barcelona]]'s [[Romani people in Spain|Romani community]] beginning in the 1950s and 1960s. Its rhythms are derived from the Andalusian [[flamenco rumba]], with influences from [[Cuban music]] and [[rock and roll]]. |
||
The Catalan rumba originated in the Romani communities in the [[Gràcia]], ''carrer (street) de la Cera del Raval'' and [[Hostafrancs]] neighborhoods. The [[Romani people in Spain|Romani community]] in those neighborhoods |
The Catalan rumba originated in the Romani communities in the [[Gràcia]], ''carrer (street) de la Cera del Raval'' and [[Hostafrancs]] neighborhoods. The [[Romani people in Spain|Romani community]] in those neighborhoods originate in Andalucía, is Spanish speaking, and the outcome by the heavy Andalusian diaspora in Barcelona during this period. |
||
The genre is based in a fusion of Catalan-Andalusian [[flamenco]] singing and the Afro-Cuban [[claves]]. It is in {{music|time|4|4}} time, and consists of vocalists and handclaps, accompanied by [[guitar]], [[bongos]], and [[güiro]]; later groups also incorporate [[timbales]], [[conga drums]], small percussion instruments, [[piano]], [[wind instruments]], [[electric bass]], and [[electric keyboard]]. |
The genre is based in a fusion of Catalan-Andalusian [[flamenco]] singing and the Afro-Cuban [[claves]]. It is in {{music|time|4|4}} time, and consists of vocalists and handclaps, accompanied by [[guitar]], [[bongos]], and [[güiro]]; later groups also incorporate [[timbales]], [[conga drums]], small percussion instruments, [[piano]], [[wind instruments]], [[electric bass]], and [[electric keyboard]]. |
||
Revision as of 14:04, 20 August 2023
 | This article includes a list of general references, but it lacks sufficient corresponding inline citations. (August 2012) |
| Catalan / Valencian cultural domain |
|---|
The Catalan rumba (Template:Lang-ca, Template:IPA-ca) is a genre of music that developed in Barcelona's Romani community beginning in the 1950s and 1960s. Its rhythms are derived from the Andalusian flamenco rumba, with influences from Cuban music and rock and roll.
The Catalan rumba originated in the Romani communities in the Gràcia, carrer (street) de la Cera del Raval and Hostafrancs neighborhoods. The Romani community in those neighborhoods originate in Andalucía, is Spanish speaking, and the outcome by the heavy Andalusian diaspora in Barcelona during this period.
The genre is based in a fusion of Catalan-Andalusian flamenco singing and the Afro-Cuban claves. It is in 4
4 time, and consists of vocalists and handclaps, accompanied by guitar, bongos, and güiro; later groups also incorporate timbales, conga drums, small percussion instruments, piano, wind instruments, electric bass, and electric keyboard.
Among the most important early artists in the genre were Antonio González "El Pescaílla", Peret, Josep Maria Valentí "El Chacho", followed by the duo Los Amaya. In the 1970s, Gato Pérez rejuvenated the Catalan rumba. An important medium for diffusion of this genre were cheap cassette tapes sold at gas stations.[1] In the 1980s and 1990s, the Gipsy Kings and Los Manolos brought their spirit to Catalan rumba. 13 rumba songs were played as the final act of the 1992 Summer Olympics closing ceremony.
Recently, popular groups in the genre have included Gitano Family, Ai, ai, ai, Sabor de Gràcia, Estopa, El Chinchilla, Melendi, Muchachito Bombo Infierno, Gertrudis, and La Troba Kung Fú. Most recently the genre has been adopted by Brazilian singer Flávia Coelho.[1]
Bibliography
- Peret, l'ànima d'un poble.,[2] by Cèlia Sànchez-Mústich. Edicions 62 (2005)
- Gato Pérez.,[3] by Juan Marcos Ordóñez Diví, Ediciones Júcar (1987)
References
- ^ Arenas, Guillermo (16 August 2019). "Las cintas de casete pasan de la gasolinera a la Biblioteca Nacional". EL PAÍS RETINA (in Spanish). Retrieved 23 May 2020.
- ^ Fancelli, Agustí (5 March 2005). "Peret, de memoria". El País. Retrieved 5 August 2015.
- ^ Gato Pérez. ASIN 8433420712.
External links
| Styles | ,_Martin_Style_3-17_(1859)_-_C.F._Martin_Guitar_Factory_2012-08-06_-_011.jpg) | ||||||
|---|---|---|---|---|---|---|---|
| Music by region | |||||||
| Music by genre | |||||||
| Music festivals | |||||||
| Musical instruments |
| ||||||
| Music ensembles | |||||||