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==film== |
==film== |
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{{short description|2019 documentary film by Richard Lowenstein}} |
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{{use Australian English|date=December 2019}} |
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{{Use dmy dates|date=July 2019}} |
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{{Infobox film |
{{Infobox film |
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| name = Mystify: Michael Hutchence |
| name = Mystify: Michael Hutchence |
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| image |
| image |
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| caption = |
| caption = Theatrical release poster |
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| director = [[Richard Lowenstein]] |
| director = [[Richard Lowenstein]] |
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| producer = {{plainlist| |
| producer = {{plainlist| |
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* [[Maya Gnyp]] |
* [[Maya Gnyp]] |
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* John Battsek |
* [[John Battsek]] |
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* Sue Murray |
* Sue Murray |
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* Mark Fennessy |
* Mark Fennessy |
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| screenplay = |
| screenplay = |
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| story = |
| story = |
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| starring = [[Michael Hutchence]]<br>([[#Synopsis|See below]]) |
| starring = [[Michael Hutchence]]<br />([[#Synopsis|See below]]) |
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| narrator = |
| narrator = |
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| music = [[Warren Ellis (musician)|Warren Ellis]] |
| music = [[Warren Ellis (musician)|Warren Ellis]] |
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* Ghost Pictures |
* Ghost Pictures |
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* [[Passion Pictures]] |
* [[Passion Pictures]] |
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* [[BBC Music]]<ref> |
* [[BBC Music]]<ref>{{cite web | url=https://www.bbc.co.uk/mediacentre/latestnews/mystify-michael-hutchence | title=Media Centre Mystify Michael Hutchence announced by BBC Music and BBC Two|date=26 April 2019| website=[[BBC]] | access-date=5 August 2019}}</ref> |
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}} |
}} |
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| distributor = {{Plainlist| |
| distributor = {{Plainlist| |
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* [[Madman Entertainment]] |
* [[Madman Entertainment|Madman Ent.]] |
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** (Australia) |
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* [[Dogwoof]] |
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* [[Dogwoof]]<br>(International)<ref>[https://www.screenaustralia.gov.au/the-screen-guide/t/mystify--michael-hutchence-2019/34789/ Mystify: Michael Hutchence] (2019) - The Screen Guide - Screen Australia</ref> |
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** (International)<ref>{{cite web | url=https://www.screenaustralia.gov.au/the-screen-guide/t/mystify--michael-hutchence-2019/34789/ | title=Mystify: Michael Hutchence (2019)|date= July 2019| website=[[Screen Australia]] |access-date=5 August 2019}}</ref> |
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}} |
}} |
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| released = {{Film date|df=yes|2019|04|25|[[Tribeca Film Festival|Tribeca]]|2019|07|4|Australia}} |
| released = {{Film date|df=yes|2019|04|25|[[Tribeca Film Festival|Tribeca]]|2019|07|4|Australia}} |
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| runtime = 102 minutes<ref> |
| runtime = 102 minutes<ref>{{cite web | url= https://www.classification.gov.au/titles/mystify-michael-hutchence-0 | title=Mystify: Michael Hutchence |date= July 2019| website=[[Australian Classification Board]] |publisher=[[Department of Communications and the Arts]]|access-date= 28 June 2022}}</ref> |
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| language = English |
| language = English |
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| country = {{Plainlist| |
| country = {{Plainlist| |
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* Australia |
* Australia |
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* United Kingdom<ref |
* United Kingdom<ref name="auto1"/> |
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last=Fuller|date=27 April 2019|url=https://www.screendaily.com/reviews/mystify-michael-hutchence-tribeca-review/5138837.article|title='Mystify: Michael Hutchence': Tribeca Review|website=[[Screen International]]|publisher=Media Business Insight|accessdate=July 2, 2019}}</ref> |
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}} |
}} |
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| budget = |
| budget = |
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| gross = $1.1 million<ref name="auto5">{{cite web | url=https://www.boxofficemojo.com/releasegroup/gr4150809093/ | title=Mystify: Michael Hutchence | website=[[Box Office Mojo]] | publisher=[[IMDb]]|access-date=27 October 2019}}</ref><ref>{{cite web | url=https://www.the-numbers.com/movie/Mystify-Michael-Hutchence-(Oz)|title=Mystify: Michael Hutchence (2019) - Financial Information|date=10 September 2019| website=[[The Numbers (website)|The Numbers]]| access-date=5 December 2019}}</ref> |
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| gross = TBD |
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}} |
}} |
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'''''Mystify: Michael Hutchence''''' is a 2019 [[documentary film]] about the life of |
'''''Mystify: Michael Hutchence''''' is a 2019 [[documentary film]] about the life of musician, actor and singer-songwriter [[Michael Hutchence]], lead vocalist of the Australian rock band [[INXS]]. It is written and directed by [[Richard Lowenstein]] and relies primarily on rare archive footage, [[outtakes]], private [[Camcorder|home video]] and audio commentary provided by friends, ex-partners, band members, record producers and family. |
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An Australian-British venture, the film was co-produced by Ghost Pictures, [[Passion Pictures |
An Australian-British venture, the film was co-produced by Ghost Pictures, [[Passion Pictures]] with [[Madman Entertainment]] and [[Dogwoof]] serving as distributors. It is in association with Baird Films and [[Film Victoria]]. ''Mystify: Michael Hutchence'' had its world premiere at the [[Tribeca Film Festival]] on 25 April 2019, and was theatrically released in Australia on 4 July 2019.<ref name="auto1">{{cite web|first=Graham |
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|last=Fuller|date=27 April 2019|url=https://www.screendaily.com/reviews/mystify-michael-hutchence-tribeca-review/5138837.article|title='Mystify: Michael Hutchence': Tribeca Review|website=[[Screen International]]|publisher=Media Business Insight|access-date=July 2, 2019}}</ref><ref>{{cite web|date= April 2019|url=https://www.tribecafilm.com/filmguide/mystify-michael-hutchence-2019|title=World Premiere Mystify: Michael Hutchence Feature documentary|website=[[Tribeca Film Festival]]|access-date=5 August 2019}}</ref> The film was released in the United Kingdom on 18 October receiving generally positive reviews from critics. |
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The film will be theatrically released in Australia on 4 July 2019 and is scheduled to be released in the United Kingdom on 18 October receiving generally positive reviews from critics.<ref>[https://www.screendaily.com/reviews/mystify-michael-hutchence-tribeca-review/5138837.article Mystify: Michael Hutchence: Tribeca Review] | BY Graham Fuller | 27 April 2019</ref><ref>[https://www.tribecafilm.com/filmguide/mystify-michael-hutchence-2019 Mystify: Michael Hutchence] | Directed by Richard Lowenstein | Feature documentary | 108 Minutes | World Premiere</ref> |
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==Synopsis== |
==Synopsis== |
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''Mystify'' covers the life of INXS lead singer Michael Hutchence |
''Mystify'' covers the life of INXS lead singer Michael Hutchence, featuring private home video and archive footage. During the relationship between Minogue and Hutchence, previously unseen privately shot footage shows them in [[Hong Kong harbour]], on board the [[Orient Express]], and at Hutchence’s home in the [[south of France]]. In the early 1990s an incident occurred while [[cycling]] on holiday in [[Copenhagen]] with then girlfriend [[Helena Christensen]], where Hutchence gets shoved to the ground by a [[Taxicab driver|taxi driver]], hitting his head on the [[curb]] and losing consciousness. According to Christensen, Hutchence was rushed to hospital and woke up determined to leave. The injury resulted in Hutchence having permanent loss of sense of smell and taste as discussed by [[psychologist]] and [[Cognitive neuroscience|cognitive neuroscientist]], [[Rachel Sarah Herz|Rachel Herz]]. Clips show [[Paula Yates|Yates]] and Hutchence in a 1985 interview on [[Channel 4]]'s rock magazine programme ''[[The Tube (TV series)|The Tube]]'' and many years later on ''[[The Big Breakfast]]'' interview in October 1994. Recollections with [[voice-over]]s in the film include Michele Bennett, [[Kylie Minogue]], siblings Rhett and Tina Hutchence, father Kelland Hutchence, stepmother Susie, producer [[Nick Launay]], [[Bono]] and INXS band members; composer and keyboardist [[Andrew Farriss]], guitarist [[Tim Farriss]], bassist [[Garry Gary Beers]] and drummer [[Jon Farriss]]. The film ends with INXS performing at London’s [[Wembley Stadium (1923)|Wembley Stadium]] and the song "Mystify" plays over the credits. |
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==Production== |
==Production== |
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===Development=== |
===Development=== |
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Plans for a [[Biographical film|biographical]] [[drama (film and television)|drama film]] about Michael Hutchence were being developed with a script written by Australian [[film-maker]] Richard Lowenstein. Lowenstein had previously collaborated with Hutchence in ''[[Dogs in Space]]'' and INXS [[music videos]]. The film was to feature an actor as Hutchence, however the idea of casting someone proved very difficult and with the announcement of the miniseries ''[[INXS: Never Tear Us Apart]]'', it made the director switch to an archival documentary.<ref>{{cite web|first=Cameron |
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The film gathered early development support by the [[Australian Broadcasting Corporation]] (ABC), [[Screen Australia]] and [[Film Victoria]].<ref>[https://www.forbes.com/sites/dongroves/2017/02/28/australian-rock-star-michael-hutchence-why-did-he-die/amp/ Australian Rock Star Michael Hutchence:] Why Did He Die? | By Don Groves | Contributor Media & Entertainment | Feb 28, 2017</ref> A [[pitch trailer]] was produced and shown at the 2016 [[Australian International Documentary Conference]] in [[Melbourne]] where [[BBC Music]] took interest.<ref>[https://www.forbes.com/sites/dongroves/2017/02/28/australian-rock-star-michael-hutchence-why-did-he-die/amp/ Australian Rock Star Michael Hutchence:] Why Did He Die? | By Don Groves | Contributor Media & Entertainment | Feb 28, 2017</ref> |
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|last=Adams|date=30 June 2019|url=https://www.heraldsun.com.au/entertainment/documentary-reveals-new-secret-behind-michael-hutchences-death/news-story/67ad5502f502547254de8c9f65977fc9|title='Documentary reveals new secret behind Michael Hutchence's death|website=[[Herald Sun]]|publisher=[[Herald & Weekly Times]]|access-date= 29 July 2019}}</ref> |
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In July 2016, it was announced that a documentary film about the singer-songwriter Michael Hutchence had the official support of INXS band members and manager [[Chris Murphy (manager)|Chris Murphy]], with Richard Lowenstein signed on to direct.<ref>[https://www.billboard.com/articles/news/7446690/inxs-michael-hutchence-documentary UMG and Passion Pictures Set to Produce Documentary on INXS Lead Singer Michael Hutchence:] Exclusive | 7/25/2016 | billboard | by Melinda Newman</ref><ref>[https://www.rollingstone.com/music/music-news/inxs-michael-hutchence-celebrated-in-upcoming-film-doc-249364/ INXS’ Michael Hutchence Celebrated in Upcoming Film Doc] | New feature-length project will trace life and career of alt-rock band’s singer/co-founder who died in 1997 | By Ryan Reed | Rolling Stone | July 25, 2016</ref><ref>[https://variety.com/2016/film/news/inxs-michael-hutchence-documentary-movie-universal-music-group-passion-pictures-1201821994/ INXS Lead Singer Michael Hutchence:] Documentary Movie in the Works | By Leo Barraclough | July 25, 2016</ref><ref>[https://www.news.com.au/entertainment/movies/upcoming-movies/inxs-video-director-richard-lowenstein-gets-green-light-to-direct-michael-hutchence-doco/news-story/8bf861afa7981591fce63a297db0b02f INXS video director Richard Lowenstein gets green light to direct Michael Hutchence doco] | News.com.au | JULY 25, 2016</ref> |
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The documentary film gathered early development funding and support by the [[Australian Broadcasting Corporation]] (ABC), [[Screen Australia]] and [[Film Victoria]].<ref name="auto6">{{cite web|first=Don |
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|last=Groves|date=28 February 2019|url=https://www.forbes.com/sites/dongroves/2017/02/28/australian-rock-star-michael-hutchence-why-did-he-die/amp/|title=Australian Rock Star Michael Hutchence: Why Did He Die? |website=[[Forbes]]|publisher=Forbes Media Integrated Whale Media Investments|access-date= 29 July 2019}}</ref> |
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A [[pitch trailer]] was produced and shown at the 2016 [[Australian International Documentary Conference]] in [[Melbourne]] where [[BBC Music]] took interest.<ref name="auto6"/> |
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The director conducted his first interview in 2010 with U2 lead singer Bono who were on [[U2 360° Tour|tour]] in Melbourne. Band members from INXS were then interviewed and filmed in 2011, gradually building up an archive of footage.<ref>[https://www.theaustralian.com.au/arts/review/keep-me-alive/news-story/6428ffbf27df45c46ea2907b39d707e6 Keep me alive] | Andrew McMillen | The Australian | JUNE 28, 20</ref><ref>[https://www.smh.com.au/entertainment/movies/torn-apart-the-troubled-legacy-of-michael-hutchence-20190625-p520zx.html Michael Hutchence Torn apart:] The troubled legacy of Michael Hutchence | The Sydney Morning Herald | By Karl Quinn | June 28, 2019</ref> |
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In July 2016, it was announced that a documentary film about the singer-songwriter Michael Hutchence had the official support of INXS band members and manager [[Chris Murphy (manager)|Chris Murphy]], with Richard Lowenstein signed on to direct.<ref>{{cite magazine|first=Melinda |
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During the interview process, Lowenstein had decided to record just the audio, having individual interviewees in a dark [[recording studio]]. A total of around sixty people were interviewed.<ref>[https://amp.nine.com.au/article/c99ec79e-dce5-40d6-95f6-e735b1b35c37 New documentary Mystify reveals the real Michael Hutchence:] 'The people who knew him best were the girlfriends' | June 2019 | ''A Current Affair''</ref><ref>[https://www.smh.com.au/entertainment/movies/torn-apart-the-troubled-legacy-of-michael-hutchence-20190625-p520zx.html Michael Hutchence Torn apart:] The troubled legacy of Michael Hutchence | ''[[The Sydney Morning Herald]]'' | By Karl Quinn | June 28, 2019</ref> |
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|last=Newman|date=25 July 2016|url=https://www.billboard.com/articles/news/7446690/inxs-michael-hutchence-documentary|title=UMG and Passion Pictures Set to Produce Documentary on INXS Lead Singer Michael Hutchence: Exclusive |magazine= [[Billboard (magazine)|Billboard]]|publisher=Billboard-Hollywood Media Group|access-date= 29 July 2019}}</ref><ref>{{cite magazine|first=Ryan |
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|last=Reed|date=25 July 2016|url=https://www.rollingstone.com/music/music-news/inxs-michael-hutchence-celebrated-in-upcoming-film-doc-249364/|title=INXS Michael Hutchence Celebrated in Upcoming Film Doc New feature-length project will trace life and career of alt-rock band's singer/co-founder who died in 1997 |magazine= [[Rolling Stone]]|publisher=[[Penske Media Corporation]]|access-date= 29 July 2019}}</ref><ref>{{cite web|first=Leo |
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|last=Barraclough|date=25 July 2016|url=https://variety.com/2016/film/news/inxs-michael-hutchence-documentary-movie-universal-music-group-passion-pictures-1201821994/|title=INXS Lead Singer Michael Hutchence Documentary Movie in the Works|website= [[Variety (magazine)|Variety]]|publisher=[[Penske Media Corporation]]|access-date= 29 July 2019}}</ref><ref>{{cite web |
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|date=25 July 2016|url=https://www.news.com.au/entertainment/movies/upcoming-movies/inxs-video-director-richard-lowenstein-gets-green-light-to-direct-michael-hutchence-doco/news-story/8bf861afa7981591fce63a297db0b02f|title=INXS video director Richard Lowenstein gets green light to direct Michael Hutchence doco|website= [[news.com.au]]|access-date= 29 July 2019}}</ref> |
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The director conducted the first interview (for the biopic research) in 2010 with U2 lead singer Bono who were on [[U2 360° Tour|tour]] in Melbourne. Band members from INXS were then interviewed and filmed in 2011, gradually building up an archive of footage.<ref>{{cite web|first= Andrew|last=McMillen |date=28 June 2019|url=https://amp.theaustralian.com.au/arts/review/keep-me-alive/news-story/6428ffbf27df45c46ea2907b39d707e6|title=Keep me alive |website= [[The Australian]]|publisher=[[News Corp Australia]]|access-date= 29 July 2019}}</ref><ref name="auto4">{{cite web|first= Karl|last=Quinn |date=28 June 2019|url=https://www.smh.com.au/entertainment/movies/torn-apart-the-troubled-legacy-of-michael-hutchence-20190625-p520zx.html|title=Michael Hutchence Torn apart: The troubled legacy of Michael Hutchence |website= [[Sydney Morning Herald]]|publisher=[[Nine Entertainment]]|access-date= 29 July 2019}}</ref> |
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During the interview process, Lowenstein had decided to record just the audio, having individual interviewees in a dark [[recording studio]]. A total of around sixty people were interviewed.<ref name="auto2">{{cite web |
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In October 2017, long negotiations began for the rights to use INXS music in the film, but ended with no deal due to a dispute with Murphy of Petrol Records over the documentary’s ownership in return. This lead the director to produce an edit of the film with no music from the INXS catalogue.<ref>[https://www.smh.com.au/entertainment/movies/torn-apart-the-troubled-legacy-of-michael-hutchence-20190625-p520zx.html Michael Hutchence Torn apart:] The troubled legacy of Michael Hutchence | ''[[The Sydney Morning Herald]]'' | By Karl Quinn | June 28, 2019</ref> |
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|date=June 2019|url=https://amp.nine.com.au/article/c99ec79e-dce5-40d6-95f6-e735b1b35c37|title=New documentary Mystify reveals the real Michael Hutchence: 'The people who knew him best were the girlfriends'|website= [[A Current Affair (Australian TV program)|A Current Affair]]|access-date= 29 July 2019}}</ref><ref name="auto4"/> |
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Eventually, Lowenstein made contact with Hutchence’s daughter Tiger Lily in [[London]], through Susie Hutchence’s advice. Lowenstein flew from Melbourne to London in October 2018 to meet with Hutchence’s daughter, with her support for the documentary. After seeing a rough cut of the film, Tiger Lily got in contact with the bands record label; a deal was struck to use nine INXS tracks.<ref>[https://www.smh.com.au/entertainment/movies/torn-apart-the-troubled-legacy-of-michael-hutchence-20190625-p520zx.html Michael Hutchence Torn apart:] The troubled legacy of Michael Hutchence | ''[[The Sydney Morning Herald]]'' | By Karl Quinn | June 28, 2019</ref> |
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Tapes of archival footage of varying quality were found in the directors [[attic]] lost for twenty years.<ref name="auto4"/> |
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In an interview with ''[[A Current Affair (Australian TV program)|A Current Affair]]'' in June 2019, Lowenstein said: "What I want to leave is a legacy that wasn't the cliché rockstar legacy," He continued: "I saw all these documentations and dramatisations and basically very little had the person that I knew."<ref>[https://amp.nine.com.au/article/c99ec79e-dce5-40d6-95f6-e735b1b35c37 New documentary Mystify reveals the real Michael Hutchence:] 'The people who knew him best were the girlfriends' | June 2019 | ''A Current Affair''</ref> |
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In October 2017, long negotiations began for the rights to use INXS music in the film, but ended with no deal due to a dispute with Murphy of Petrol Records over the documentary’s ownership in return. This lead the director to produce an edit of the film with no music from the INXS catalogue.<ref name="auto4"/> |
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Eventually, Lowenstein made contact with Hutchence’s daughter Tiger Lily (the daughter of Hutchence and [[Paula Yates]]) in [[London]], through Susie Hutchence’s advice. Lowenstein flew to London in October 2018 to meet. After viewing a rough cut of the film, Tiger Lily made contact with the band’s management and record company. A day later, a deal was struck to use nine INXS tracks.<ref name="auto4"/> |
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The [[post-production]] and supervision of the film were completed by United Finishing Artists with the sound mixing done at Soundfirm, Melbourne.<ref>{{cite web |
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|url=https://www.finishingroom.com.au/project/mystify-michael-hutchence/|title=Portfolio - Mystify|website=Finishingroom.com.au|access-date=2 December 2019}}</ref> |
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===Music=== |
===Music=== |
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Composer [[Warren Ellis (musician)|Warren Ellis]] was in charge of the film's music and [[Film score|score]].<ref name="Windsor">{{cite web|first=Harry |
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Composer [[Warren Ellis (musician)|Warren Ellis]] was in charge of the film's music and [[Music score|score]].<ref>[https://www.hollywoodreporter.com/amp/review/mystify-michael-hutchence-1220020 'Mystify: Michael Hutchence' Review] | The Hollywood Reporter</ref> The documentary features various tracks by Hutchence, [[Max Q (Australian band)|Max Q]] with [[Ollie Olsen]] as well as tracks by [[Nick Cave]], [[Nils Frahm]] and hits by INXS. The film includes tracks, such as: "[[Never Tear Us Apart]]" and "[[Sometimes (Max Q song)|Sometimes]]".<ref>[https://www.triplem.com.au/story/the-makers-of-the-forthcoming-hutchence-doco-shared-more-rare-footage-with-the-world-1-126858 The Makers Of The Forthcoming Hutchence Doco Shared More Rare Footage With The World] | 31 Jan 2019</ref> Lowenstein stated that there has been no official soundtrack album released.<ref>[https://www.smh.com.au/entertainment/movies/torn-apart-the-troubled-legacy-of-michael-hutchence-20190625-p520zx.html Michael Hutchence Torn apart:] The troubled legacy of Michael Hutchence | The Sydney Morning Herald | By Karl Quinn | June 28, 2019</ref> |
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|last=Windsor|date=20 June 2019|url=https://www.hollywoodreporter.com/review/mystify-michael-hutchence-1220020|title='Mystify: Michael Hutchence': Film Review|website=[[The Hollywood Reporter]]|publisher=Billboard-Hollywood Reporter Media Group|access-date=July 2, 2019}}</ref> The documentary features various digitally-restored tracks which were remixed by [[Giles Martin]] in [[Dolby Atmos]] supplied by [[INXS]]. Music also included are by Hutchence, [[Max Q (Australian band)|Max Q]] with [[Ollie Olsen]], [[Kylie Minogue]], [[Nick Cave]], instrumentals by [[Ólafur Arnalds]] and [[Nils Frahm]].<ref>{{cite web |
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|url=https://www.box.com/shared_item/https%3A%2F%2Ffanyv88.com%3A443%2Fhttps%2Fdogwoof.box.com%2Fs%2Ftxxbfzw6b4ohaty3c1c3myx29imruk8a/view/494756939809|title='Mystify Dogwoof notes|website=[[Dogwoof]]|access-date=13 September 2019}}</ref> |
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The film includes tracks, such as: "[[Never Tear Us Apart]]" and "[[Sometimes (Max Q song)|Sometimes]]".<ref>{{cite web |
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|date=1 February 2019|url=https://www.triplem.com.au/story/the-makers-of-the-forthcoming-hutchence-doco-shared-more-rare-footage-with-the-world-1-126858 |title=The Makers Of The Forthcoming Hutchence Doco Shared More Rare Footage With The World|website=[[Triple M]]|publisher=[[Southern Cross Austereo]]|access-date=29 July 2019}}</ref> Lowenstein stated that there has been no official soundtrack album released,<ref name="auto4"/> however, a complementary album was released on 5 July 2019 titled ''[[Mystify: A Musical Journey with Michael Hutchence]]''. |
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==Release== |
==Release== |
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The world [[Film premiere|premiere]] of ''Mystify: Michael Hutchence'' took place in [[Manhattan]] at the [[Tribeca Film Festival]] on 25 April 2019, including a live Q |
The world [[Film premiere|premiere]] of ''Mystify: Michael Hutchence'' took place in [[Manhattan]] at the [[Tribeca Film Festival]] on 25 April 2019, including a live Q&A session with the film’s director after the screening.<ref>{{cite web | url=https://www.screendaily.com/reviews/mystify-michael-hutchence-tribeca-review/5138837.article| title='Mystify: Michael Hutchence' Tribeca Review |website=[[Screen Daily]] | date= 27 Apr 2019 |access-date=26 July 2019}}</ref> Over the next few months it played in festivals around Canada, Australia, Czech Republic, Germany and New Zealand, building anticipation: at the [[Hot Docs Canadian International Documentary Festival|Hot Docs]] in Toronto, [[Sydney Film Festival|Sydney]], [[Filmfest München|Munich]] and [[New Zealand International Film Festival|New Zealand Film Festivals]].<ref>{{cite web | url=https://www.screenaustralia.gov.au/the-screen-guide/t/mystify--michael-hutchence-2019/34789/ | title=Mystify: Michael Hutchence (2019)|date= July 2019| website=[[Screen Australia]] |access-date=5 August 2019}}</ref><ref>{{cite web | url=https://indie88.com/watch-a-trailer-for-mystify-the-documentary-about-inxs-star-michael-hutchence/ | first=Isabelle|last=Lopez|title=Trailer for 'Mystify,' the documentary about INXS star Michael Hutchence|date=4 June 2019| website=[[CIND-FM]] |access-date=5 August 2019}}</ref><ref>{{cite web |url=https://www.sff.org.au/program/browse/mystify-michael-hutchence| title=Mystify: Michael Hutchence|date=June 2019| website=[[Sydney Film Festival]]|access-date=5 August 2019}}</ref><ref>{{cite web | url=https://www.rnz.co.nz/national/programmes/nat-music/audio/2018705701/mystify-michael-hutchence-the-tragic-and-intimate-film-on-inxs-s-frontman | title=Mystify: Michael Hutchence, the tragic and intimate film on INXS's frontman | website=[[Radio New Zealand]] |date=25 July 2019| access-date=26 July 2019}}</ref> |
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Advance screenings with Lowenstein in attendance for special Q&A sessions followed in June, at the [[The Astor Theatre, Melbourne|Astor Theatre]] in [[Melbourne]], [[Ritz Cinema, Randwick|Ritz Cinema]] in Sydney and the European premiere held at the [[Karlovy Vary International Film Festival]].<ref>{{cite web |url=https://stack.com.au/film-tv/mystify-michael-hutchence-preview/| title=Mystify: Michael Hutchence – Astor Theatre preview|date= June 2019| website=Stack magazine|access-date=5 August 2019}}</ref><ref>{{cite web | url=https://www.broadsheet.com.au/sydney/event/mystify-michael-hutchence| title=Mystify: Michael Hutchence Q&A Screening|date=24 June 2019| website=[[Broadsheet (website)|Broadsheet]]|publisher=Broadsheet Media|access-date=5 August 2019}}</ref><ref>{{cite web | url=https://www.kviff.com/en/festival-daily-file/2019/202258/ |first= Michael|last=Stein| title=Trapped in the 80s Mystify: Michael Hutchence reveals the complicated figure behind the mythical INXS frontman|date=2 July 2019| website=[[Karlovy Vary International Film Festival]]| access-date=5 August 2019}}</ref> |
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The official [[Film trailer|trailer]] was released on 4 June 2019 and featured the songs "[[Mystify (song)|Mystify]]" and "Never Tear Us Apart" by INXS.<ref>[https://www.nme.com/news/music/watch-first-trailer-new-michael-hutchence-documentary-mystify-2504631/amp Watch the first trailer for new Michael Hutchence documentary Mystify] | nme.com | Nick Reilly | 4 June 2019</ref> |
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An official [[Film trailer|trailer]] was released on 4 June 2019 and featured the songs "[[Mystify (song)|Mystify]]" and "[[Never Tear Us Apart]]" by INXS.<ref>{{cite web |url=https://www.nme.com/news/music/watch-first-trailer-new-michael-hutchence-documentary-mystify-2504631/amp |first= Nick|last=Reilly|title=Watch the first trailer for new Michael Hutchence documentary Mystify - featuring unseen footage|date=4 June 2019| website=[[NME]]|access-date=5 August 2019}}</ref><ref name="Skinner">{{cite web|url=https://www.nme.com/news/music/michael-hutchence-documentary-mystify-trailer-inxs-2546661/amp |title=Watch the new trailer for the Michael Hutchence documentary 'Mystify'|first=Tom|last=Skinner|website=[[NME]]|date=10 September 2019|access-date=13 September 2019}}</ref> |
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It will be released in cinemas in [[Australia]] on 4 July 2019 through Madman Entertainment, and is scheduled to be released in the United Kingdom on 18 October, through Dogwoof.<ref>[https://www.twitter.com/Dogwoof/status/1143515762172354560 Dogwoof] UK release | Twitter | 25 June 2019</ref> |
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It was released in cinemas across [[Australia]] on 4 July and in [[New Zealand]] on 12 September through Madman Entertainment.<ref>{{cite web |url=https://i.stuff.co.nz/entertainment/film/film-reviews/115707115/mystify-doco-looks-at-the-moment-that-changed-michael-hutchences-life|title=Mystify: Doco looks at the moment that changed Michael Hutchence's life|first=Graeme |last=Tuckett |date=11 September 2019| website=[[Stuff.co.nz]] |access-date=13 September 2019}}</ref> |
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Initially the film was screened out of competition during the [[BFI London Film Festival]] on 4 October 2019 at the [[Curzon Mayfair Cinema]]<ref>{{cite web|url=https://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/lff-2019-festival-calendar.pdf | title= BFI London Film Festival|date= 29 August 2019| website=[[British Film Institute]] | access-date=29 August 2019}}</ref><ref>{{cite web|url=https://www.screendaily.com/news/bfi-london-film-festival-unveils-2019-lineup/5142324.article | title= BFI London Film Festival unveils 2019 lineup|date= 29 August 2019| website=[[Screen International]] | access-date=29 August 2019}}</ref> and then released in the United Kingdom on 18 October through Dogwoof. The [[Netherlands]] saw a release on 24 October by Piece of Magic entertainment.<ref name="Skinner"/><ref>{{cite web | url=https://pieceofmagic.com/case/mystify-michael-hutchence| title=Mystify: Michael Hutchence - Piece of Magic| website=Piece of Magic Entertainment|date=September 2019| access-date=13 September 2019}}</ref> In the United States [[Fathom Events]] and [[Shout! Factory]] will theatrically release the film for one-night-only on 7 January 2020.<ref>{{cite magazine | url=https://www.billboard.com/amp/articles/columns/rock/8533060/mystify-documentary-inxs-michael-hutchence| title=Mystify Documentary About INXS Michael Hutchence Will Have One-Night U.S. Theater Showing|date=16 October 2019|first=Tine|last=Benitez-Eves|magazine=[[Billboard (magazine)|Billboard]] |publisher=Billboard-Hollywood Media Group| access-date=16 October 2019}}</ref> |
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===Broadcast=== |
===Broadcast=== |
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In Australia, the documentary was aired by [[ABC Television (Australian TV network)|ABC Television]] during 24 November 2019.<ref>{{cite web | url=https://themusicnetwork.com/screening-dates-set-for-michael-hutchences-mystify-doco-movie/ | title=Screening dates set for Michael Hutchence 'Mystify' doco|date=15 May 2019| website=[[The Music Network]] |publisher=Radio Today Pty Ltd| access-date=5 August 2019}}</ref> Channel [[BBC Two]] aired the film in the UK on 28 December.<ref>{{cite web | url=https://www.bbc.co.uk/mediacentre/proginfo/2019/53/mystify-michael-hutchence| title=Mystify Michael Hutchence Confirmed for BBC Two on 28 December at 9.20pm to 11pm|date=December 2019| website=[[BBC]] | access-date=29 December 2019}}</ref> |
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On 26 April, it was announced the film will be broadcast on British television channel [[BBC Two]].<ref>[https://www.bbc.co.uk/mediacentre/latestnews/mystify-michael-hutchence Mystify: Michael Hutchence] announced by BBC Music and BBC Two | BBC Media Centre | 26 April 2019</ref> |
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===Home media=== |
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It was released on [[DVD]], digital and [[Blu-ray]] disc in Australia by Madman Entertainment on 25 November 2019.<ref>{{cite web|url=https://www.blu-ray.com/movies/Mystify-Michael-Hutchence-Blu-ray/250109/|title=Mystify Michael Hutchence Blu-ray|website=Blu-ray.com|access-date=25 November 2019}}</ref> It contains twelve special features including early days - where they discuss the band’s formation, acting, discussing [[Prague]] where three INXS music videos were filmed and Professor of Psychiatry, Steve Ellen’s analyses into Hutchence’s death.<ref>{{cite web|url=https://www.jbhifi.com.au/products/mystify-michael-hutchence-2019-blu-ray|title=Mystify Michael Hutchence Blu-ray|website=[[JB Hi-Fi]]|access-date=25 November 2019}}</ref> Dogwoof released the film in the United Kingdom and Ireland on 9 December. The extra features include an interview with director Richard Lowenstein and producer Chris Thomas, [[deleted scenes]] and [[theatrical trailer]].<ref>{{cite web|url=https://www.amazon.co.uk/dp/B07VLYSKX4/ref=mp_s_a_1_1?keywords=mystify+michael+hutchence+dvd&qid=1567790970&s=gateway&sprefix=mystify&sr=8-1|title=Mystify: Michael Hutchence DVD|website=[[Amazon.com|Amazon.co.uk]]|access-date=25 November 2019}}</ref><ref>{{cite web|url=https://shop.dogwoof.com/collections/new-releases/products/mystify-michael-hutchence-dvd|title=Mystify: Michael Hutchence DVD|website=[[Dogwoof]]|access-date=8 December 2019}}</ref> It entered the UK Official DVD Chart at No. 98, the week ending 21 December.<ref>{{cite web|url=https://www.officialcharts.com/charts/dvd-chart/20191215/141/|title=Official DVD Chart Top 100|website=[[Official Charts Company]]|date=21 December 2019|access-date=29 December 2019}}</ref> |
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==Reception== |
==Reception== |
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===Box office=== |
===Box office=== |
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''Mystify: Michael Hutchence'' grossed [[Australian dollar|A$]]1.1 million (US$705,044)<ref>{{cite web | url=https://www.the-numbers.com/movie/Mystify-Michael-Hutchence-(Oz)|title=Mystify: Michael Hutchence (2019) - Financial Information|date=10 September 2019| website=[[The Numbers (website)|The Numbers]]| access-date=11 September 2019}}</ref> in Australia and $453,851 in other territories, for a total worldwide gross of $1,158,895.<ref>{{cite web | url=https://www.the-numbers.com/movie/Mystify-Michael-Hutchence-(Oz)|title=Mystify: Michael Hutchence (2019) - Financial Information|date=10 September 2019| website=[[The Numbers (website)|The Numbers]]| access-date=5 December 2019}}</ref><ref>{{cite web | url=https://s3-ap-southeast-2.amazonaws.com/www.if.com.au/wp-content/uploads/2019/09/03092623/AUGUST-2019-SCORECARD.pdf|title=Australian films BO August scorecard|date=2 September 2019| website=[[If Magazine]]| access-date=3 September 2019}}</ref><ref name="auto5">{{cite web | url=https://www.boxofficemojo.com/releasegroup/gr4150809093/ | title=Mystify: Michael Hutchence | website=[[Box Office Mojo]] | publisher=[[IMDb]]|access-date=27 October 2019}}</ref> |
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''Mystify: Michael Hutchence'' grossed A$TBD in Australia and $ in other territories, for a total worldwide gross of $TBD, against a production budget of $TBD. In Australia the film grossed $TBD in its opening weekend in 120 cinemas. |
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====Australia==== |
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In Australia it made A$368,642 (US$257,216) from 114 screens including [[Preview screening|previews]] and festival screenings, in its opening weekend, finishing tenth at the box office grossing A$485,825 ($338,979) in the week ending 7 July.<ref>{{cite web | url=https://mumbrella.com.au/spider-man-far-from-home-takes-10m-across-first-weekend-box-office-587881 | title=Spider-Man: Far From Home takes $10m across first weekend box office | website=[[Mumbrella]] |date=9 July 2019| access-date=22 July 2019}}</ref><ref>{{cite web | url=https://www.if.com.au/bo-report-spider-man-sequel-soars-while-hutchence-documentary-rocks/ | title=BO Report: 'Spider-Man' sequel soars while Hutchence documentary rocks | website=[[If Magazine]] |date=8 July 2019| access-date=22 July 2019}}</ref><ref name="auto5"/> |
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It made another A$179,000 ($125,772) from 79 screens in its second weekend with a 51% decrease from the first week; finishing thirteenth and grossing A$761,000 ($534,167) through 11 days.<ref>{{cite web | url=https://www.if.com.au/bo-report-spider-man-sequel-reigns-as-crawl-and-stuber-crash/ | title=BO Report: 'Spider-Man' sequel reigns as 'Crawl' and 'Stuber' crash | website=[[If Magazine]] |date= 15 July 2019 |access-date=16 July 2019}}</ref><ref name="auto5"/> On its third weekend the film made A$83,000 ($58,678) from 55 screens finishing seventeenth grossing a total of A$893,000 (US$628,874).<ref>{{cite web | url=https://www.if.com.au/bo-report-the-lion-king-roars-while-avengers-endgame-seizes-global-crown/ | title=BO Report: 'The Lion King' roars while 'Avengers: Endgame' seizes global crown|date=22 July 2019| website=[[If Magazine]] | access-date=22 July 2019}}</ref><ref name="auto5"/> After the fourth week of release, the film shown on 61 screens had a total of A$988,000 crossing the A$1 million mark before the following weekend.<ref>{{cite web|url=https://m.the-numbers.com/movie/Mystify-Michael-Hutchence-(Oz)/Australia#tab=box-office | title=Australia Box Office for Mystify Michael Hutchence (2019)|date=29 July 2019| website=[[The Numbers (website)|The Numbers]] | access-date=5 August 2019}}</ref><ref>{{cite web | url=https://www.if.com.au/bo-report-the-lion-king-reigns-as-stephen-amis-sea-shepherd-doc-sails-in/ | title=BO Report: 'The Lion King' reigns as Stephen Amis' Sea Shepherd doc sails in|date=29 July 2019| website=[[If Magazine]] | access-date=29 July 2019}}</ref><ref>{{cite web | url=https://s3-ap-southeast-2.amazonaws.com/www.if.com.au/wp-content/uploads/2019/08/02102944/BO-SCORECARD-JULY-2019.pdf | title=AUSTRALIAN FILMS BO SCORECARD: JULY 2019|date= July 2019| website=[[If Magazine]] | access-date=5 August 2019}}</ref> On its ninth week at the end of August it was played on 10 screens grossing a total of A$1,141,000.<ref>{{cite web | url=https://s3-ap-southeast-2.amazonaws.com/www.if.com.au/wp-content/uploads/2019/09/03092623/AUGUST-2019-SCORECARD.pdf|title=Australian films BO August scorecard|date=2 September 2019| website=[[If Magazine]]| access-date=3 September 2019}}</ref><ref>{{cite web|url=https://www.the-numbers.com/movie/Mystify-Michael-Hutchence-(Oz)/Australia#tab=box-office | title=Australia Box Office for Mystify Michael Hutchence (2019)|date=29 July 2019| website=[[The Numbers (website)|The Numbers]] | access-date=3 September 2019}}</ref> |
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====Other territories==== |
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On its first weekend in New Zealand it made US$8,713 across 21 screens. It made another $1,329 from 7 screens on its second weekend. By its fifth week it had grossed a total of $14,699.<ref>{{cite web | url=https://www.the-numbers.com/movie/Mystify-Michael-Hutchence-(Oz)|title=Mystify: Michael Hutchence (2019) - Financial Information|date=10 September 2019| website=[[The Numbers (website)|The Numbers]]| access-date=11 September 2019}}</ref><ref name="auto5"/> |
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In the United Kingdom it made £62,776 ($81,453) from 8 cinemas with an average of £7,847 ($10,182) per screen in its opening weekend, finishing twelfth at the box office.<ref>{{cite web|url=https://www.boxofficemojo.com/releasegroup/gr4150809093/|title=Mystify: Michael Hutchence | website=[[Box Office Mojo]] | publisher=[[IMDb]]|access-date=27 October 2019}}</ref><ref>{{cite web|url=https://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-weekend-box-office-report-18-20-10-2019.xls|title=BFI Weekend Box Office 18/10/2019 - 20/10/2019 |website=[[British Film Institute]]|access-date=23 October 2019}}</ref> It made another £10,146 ($13,021) in its second weekend, with the film added to 3 screens over the previous week for a total of 11; grossing £79,199 ($101,641) through 12 days.<ref>{{cite web|url=https://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-weekend-box-office-report-25-27-10-2019.xls|title=BFI Weekend Box Office 25/10/2019 - 27/10/2019|website=[[British Film Institute]]|access-date=30 October 2019}}</ref> In its third weekend it made £4,578 ($5,929) shown on 9 cinemas,<ref>{{cite web|url=https://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-weekend-box-office-report-01-03-11-2019.xls|title=BFI Weekend Box Office 01/11/2019 - 03/11/2019|website=[[British Film Institute]]|access-date=7 November 2019}}</ref> and in its fourth weekend the film fell 72% to £1,434 ($1,834) screened at 4 cinemas.<ref>{{cite web|url=https://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-weekend-box-office-report-08-10-11-2019.xls|title=BFI Weekend Box Office 08/11/2019 - 10/11/2019|website=[[British Film Institute]]|access-date=14 November 2019}}</ref> On its fifth weekend it made £1,353, a drop of 6% and on its sixth it made £621 on 3 cinemas.<ref>{{cite web|url=https://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-weekend-box-office-report-15-17-11-2019.xls|title=BFI Weekend Box Office 15/11/2019 - 17/11/2019|website=[[British Film Institute]]|access-date=20 November 2019}}</ref><ref>{{cite web|url=https://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-weekend-box-office-report-22-24-11-2019.xls|title=BFI Weekend Box Office 22/11/2019 - 24/11/2019|website=[[British Film Institute]]|access-date=28 November 2019}}</ref> On its seventh weekend it made £3,139, a 405% increase of over the previous week to have a U.K. box office total of £110,345 ($142,767).<ref>{{cite web|url=https://www.bfi.org.uk/sites/bfi.org.uk/files/downloads/bfi-weekend-box-office-report-29-11-01-12-2019.xls|title=BFI Weekend Box Office 29/11/2019 - 01/12/2019|website=[[British Film Institute]]|access-date=5 December 2019}}</ref> |
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===Critical response=== |
===Critical response=== |
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Upon its premiere at the 2019 Tribeca Film Festival, the film received positive reviews from critics. |
Upon its premiere at the 2019 Tribeca Film Festival, the film received positive reviews from critics. |
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On [[review aggregator]] [[Rotten Tomatoes]], the film holds an approval rating of |
On [[review aggregator]] [[Rotten Tomatoes]], the film holds an approval rating of {{RT data|score}} based on {{RT data|count}} reviews, with an average rating of {{RT data|average}}. The site's critical consensus reads, "Engrossing for casual listeners as well as hardcore fans, ''Mystify: Michael Hutchence'' sheds a poignant light on a life and career cut short by tragedy."<ref>{{cite web|url=https://www.rottentomatoes.com/m/mystify_michael_hutchence|title=Mystify: Michael Hutchence (2019)|website=[[Rotten Tomatoes]]|publisher=[[Fandango Media|Fandango]]|access-date={{RT data|access date|df=dmy}}}}</ref> [[Metacritic]] assigned the film a [[weighted arithmetic mean|weighted average]] score of 73 out of 100, based on 8 critics, indicating "generally favorable reviews".<ref>{{cite web |title= Mystify: Michael Hutchence |url= https://www.metacritic.com/movie/mystify-michael-hutchence |website= [[Metacritic]] |access-date= 10 January 2020}}</ref> |
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In a positive review for ''[[Vogue (magazine)|Vogue]]'', Laird Borrelli-Persson wrote "''Mystify'' is proof that Hutchence was, and is, much loved. Also missed, in excess."<ref>{{cite web|first=Laird| |
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last=Borrelli-Persson|date=8 May 2019|url=https://www.vogue.com/article/michael-hutchence-inxs-an-appreciation|title= A New Documentary on INXS Frontman Michael Hutchence Takes a Writer Down Memory Lane|website=[[Vogue (magazine)|Vogue]]|publisher=[[Condé Nast]]|accessdate=July 1, 2019}}</ref> ''[[Variety (magazine)|Variety]]'' film critic Katherine Turman described it as "While ''Mystify'' in many ways amplifies the tragedy of Hutchence's death, it also goes a long way toward explaining and humanizing it."<ref>{{cite web|first=Katherine| |
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last=Turman|date=26 April 2019|url=https://variety.com/2019/film/reviews/film-review-mystify-michael-hutchence-1203198746/|title='Film Review: 'Mystify: Michael Hutchence|website=[[Variety (magazine)|Variety]]|publisher=[[Variety Media]]|accessdate=July 2, 2019}}</ref> Graham Fuller of ''[[Screen International]]'' called the film a "Stand-out documentary" and wrote, "The densely woven and worshipfully presented archival footage of the INXS frontman, on stage and off, is a reminder that in terms of wild talent and Dionysian sexiness, he belongs in the same company as Mick Jagger, Jim Morrison, and Robert Plant." He concludes: "What lifts it above the majority of documentaries about celebrities and artists is its extraordinary intimacy."<ref>{{cite web|first=Graham| |
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last=Fuller|date=27 April 2019|url=https://www.screendaily.com/reviews/mystify-michael-hutchence-tribeca-review/5138837.article|title='Mystify: Michael Hutchence': Tribeca Review|website=[[Screen International]]|publisher=Media Business Insight|accessdate=July 2, 2019}}</ref> |
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Harry Windsor, writing for the ''[[The Hollywood Reporter|Hollywood Reporter]]'', said: "It should prove essential viewing for the subject's fans: a tender portrait of the man's highs and lows that sheds new light on the broken years that directly preceded his suicide at 37."<ref>{{cite web|first=Harry| |
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last=Windsor|date=20 June 2019|url=https://www.hollywoodreporter.com/review/mystify-michael-hutchence-1220020|title='Mystify: Michael Hutchence': Film Review|website=[[The Hollywood Reporter]]|publisher=Billboard-Hollywood Reporter Media Group|accessdate=July 2, 2019}}</ref> |
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''[[Variety (magazine)|Variety]]'' film critic Katherine Turman described it as "While ''Mystify'' in many ways amplifies the tragedy of Hutchence's death, it also goes a long way toward explaining and humanizing it."<ref>{{cite web|first=Katherine |
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Karl Quinn of ''[[The Age]]'' called the film Lowenstein's "slow-burning labour of love."<ref>{{cite web|first=Karl| |
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last= |
|last=Turman|date=26 April 2019|url=https://variety.com/2019/film/reviews/film-review-mystify-michael-hutchence-1203198746/|title='Film Review: 'Mystify: Michael Hutchence|website=[[Variety (magazine)|Variety]]|publisher=[[Variety Media]]|access-date=July 2, 2019}}</ref> |
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In a positive review for ''[[Vogue (magazine)|Vogue]]'', Laird Borrelli-Persson wrote "''Mystify'' is proof that Hutchence was, and is, much loved. Also missed, in excess."<ref>{{cite web|first=Laird |
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''[[The Australian]]'s'' David Stratton summed up the film as "a terrific documentary, and as complete a portrait of this talented singer as you could wish." calling it "a detailed and revealing portrait"; he rated the film four out of five stars.<ref>{{cite web|first=David| |
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|last=Borrelli-Persson|date=8 May 2019|url=https://www.vogue.com/article/michael-hutchence-inxs-an-appreciation|title= A New Documentary on INXS Frontman Michael Hutchence Takes a Writer Down Memory Lane|website=[[Vogue (magazine)|Vogue]]|publisher=[[Condé Nast]]|access-date=July 1, 2019}}</ref> Graham Fuller of ''[[Screen International]]'' called the film a "Stand-out documentary" and wrote, "The densely woven and worshipfully presented archival footage of the INXS frontman, on stage and off, is a reminder that in terms of wild talent and Dionysian sexiness, he belongs in the same company as [[Mick Jagger]], [[Jim Morrison]], and [[Robert Plant]]." He concludes: "What lifts it above the majority of documentaries about celebrities and artists is its extraordinary intimacy."<ref name="auto1"/> |
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last=Stratton|date=June 29, 2019|url=https://amp.theaustralian.com.au/arts/film/tragic-hero-gets-his-due/news-story/7a326abdd75e981254bf590895e05f3b|title=Tragic hero gets his due|website=[[The Australian]]|publisher=[[News Corp Australia]]|accessdate=July 2, 2019}}</ref> |
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Harry Windsor, writing for the ''[[The Hollywood Reporter|Hollywood Reporter]]'', said: "It should prove essential viewing for the subject's fans: a tender portrait of the man's highs and lows that sheds new light on the broken years that directly preceded his suicide at 37."<ref name="Windsor"/> |
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Leigh Paatsch writing for the ''[[Herald Sun]]'' gave the film 4/5 stars, saying: "Quite wisely, the new documentary Mystify: Michael Hutchence doesn't concern itself with smoothing out all the erroneous wrinkles that have crumpled the late INXS frontman's life story over time."<ref>{{cite web|first=Leigh |
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===Awards and nominations=== |
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|last =Paatsch|date=4 July 2019|url=https://amp.heraldsun.com.au/entertainment/movies/leigh-paatsch/mystify-neither-sanctifies-or-sledges-michael-hutchence/news-story/cd926ed63052c6c2bf464271edaaf329|title=Mystify neither sanctifies nor sledges Michael Hutchence|website=[[Herald Sun]]|publisher=[[Herald & Weekly Times]]|access-date=July 6, 2019}}</ref> |
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Karl Quinn of ''[[The Age]]'' called the film Lowenstein's "slow-burning labour of love."<ref>{{cite web|first=Karl |
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|last=Quinn|date=26 April 2019|url=https://www.theage.com.au/entertainment/movies/new-michael-hutchence-documentary-explores-source-of-his-depression-20190426-p51hji.html|title=New Michael Hutchence documentary explores source of his depression|website=[[The Age]]|publisher=[[Nine Entertainment]]|access-date=July 2, 2019}}</ref> |
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''[[The Australian]]'s'' David Stratton summed up the film as "a terrific documentary, and as complete a portrait of this talented singer as you could wish." calling it "a detailed and revealing portrait"; he rated the film four out of five stars.<ref>{{cite web|first=David |
|||
|last=Stratton|date=June 29, 2019|url=https://amp.theaustralian.com.au/arts/film/tragic-hero-gets-his-due/news-story/7a326abdd75e981254bf590895e05f3b|title=Tragic hero gets his due|website=[[The Australian]]|publisher=[[News Corp Australia]]|access-date=July 2, 2019}}</ref> |
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Vicky Roach from ''[[Daily Telegraph (Sydney)|The Daily Telegraph]]'' gave the film 3 out of 5, saying: "While it’s more visually interesting, there are times when this storytelling device results in a kind of emotional disconnect. And although they corroborate Lowenstein’s version of events, the band’s role in Hutchence’s story feels strangely under-amplified — emotionally and musically." She summed up the film as "A measured, personal, densely woven account of the man behind the myth."<ref>{{cite web|first=Vicky |
|||
|last=Roach|date=June 29, 2019|url=https://www.dailytelegraph.com.au/entertainment/movies/hutchences-women-shape-intimate-look-at-man-behind-the-myth/news-story/d3a9a66d2a3ae94c082e427e14dbe393|title=Hutchence's women shape intimate look at man behind the myth|website=[[Daily Telegraph (Sydney)|The Daily Telegraph]]|publisher=Nationwide News Limited|access-date=July 6, 2019}}</ref> |
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DM Bradley, writing for the ''[[Adelaide Review]]'', said: "Richard Lowenstein’s beautifully sad documentary study of the all-too-short life of his late friend Michael Hutchence is a most moving memorial, and rather more about the man than the music."<ref>{{cite web|first=DM |
|||
|last=BRADLEY|date=July 4, 2019|url=https://www.adelaidereview.com.au/arts/cinema/film-review-mystify-michael-hutchence/|title=Film Review: Mystify: Michael Hutchence|website=[[Adelaide Review]]|publisher=Opinion Media|access-date=July 10, 2019}}</ref> |
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Graeme Tuckett from ''[[Stuff.co.nz]]'' gave the film 3.5 out of 5 stars, saying: "Mystify is unapologetically one for the fans. But, seeing it as someone who thought he didn't particularly care about Hutchence's story, I was moved."<ref>{{cite web|first=Graeme |
|||
|last=Tuckett|date=11 September 2019|url=https://i.stuff.co.nz/entertainment/film/film-reviews/115707115/mystify-doco-looks-at-the-moment-that-changed-michael-hutchences-life|title=Mystify: Doco looks at the moment that changed Michael Hutchence's life|website=[[Stuff.co.nz]]|access-date=14 September 2019}}</ref> Eddie Harrison of ''[[The List (magazine)|The List]]'' awarded the film 4 out of 5 stars, remarking that "Mystify can only be a cautionary tale, yet there's plenty of evidence that Hutchence was an electrifying performer in his prime."<ref>{{cite web|first=Eddie |
|||
|last=Harrison|date=14 October 2019|url=https://film.list.co.uk/article/112061-mystify-michael-hutchence/|title=Mystify: Michael Hutchence review|website=[[The List (magazine)|The List]]|publisher=The List Ltd.|access-date=14 October 2019}}</ref> ''[[Time Out (magazine)|Time Out]]’s'', Philip De Semlyen described it "As the tragedy unfolds, there's a strange solace in seeing this captivating enigma somehow emerging intact", giving it 4 out of 5 marks.<ref>{{cite web|first=Philip |
|||
|last=De Semlyen|date=11 October 2019|url=https://www.timeout.com/london/film/mystify-michael-hutchence|title=Mystify: Michael Hutchence review|website=[[Time Out (magazine)|Time Out]]|publisher=[[Time Out Group]]|access-date=14 October 2019}}</ref> ''[[The Sunday Times]]'' Edward Porter gave it three out of five stars, wrote "There are insights into the gloomy later years, but it's memorable chiefly for its envy-inducing picture of the upside of being a rock star."<ref>{{cite web|first=Edward |
|||
|last=Porter|date=20 October 2019|url=https://www.timeout.com/london/film/mystify-michael-hutchence|title=Film review: Farmageddon; Official Secrets; Non-Fiction; Mystify; Zombieland|website=[[The Sunday Times]]|publisher=[[News UK]]|access-date=20 November 2019}}</ref> |
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===Accolades=== |
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{{Anchor|Awards|Accolades}} |
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{| class="wikitable plainrowheaders unsortable" |
{| class="wikitable plainrowheaders unsortable" |
||
|- |
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|- style="background:#ccc; text-align:center;" |
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! scope="col"| Award |
! scope="col"| Award |
||
! scope="col"| Date of ceremony |
! scope="col"| Date of ceremony |
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! scope="col"| Category |
! scope="col"| Category |
||
! scope="col"| |
! scope="col"| Recipients |
||
! scope="col"| Result |
! scope="col"| Result |
||
!{{Abbr|Ref |
! {{Abbr|Ref.|References}} |
||
|- |
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! scope="row" rowspan="3" align="center"| [[AACTA Awards]] |
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| align="center" rowspan="3"| [[9th AACTA Awards|4 December 2019]] |
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| align="center"| [[AACTA Award for Best Feature Length Documentary|Best Documentary]] |
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| align="center" rowspan="3"| ''Mystify: Michael Hutchence'' |
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| {{nom}} |
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| align="center" rowspan="3"|<ref>{{cite web|title=AACTA Awards 2019: Best Documentary nominees|url=https://mumbrella.com.au/aacta-reveals-nominees-for-its-2019-awards-603574|website=[[Mumbrella]]|date= 23 October 2019|access-date=25 October 2019}}</ref> |
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|- |
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|align="center"| Best Editing {{small|in <br>a Documentary}} |
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| {{Nom}} |
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|- |
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|align="center"| Best Sound {{small|in <br>a Documentary}} |
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| {{Nom}} |
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|- |
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! scope="row"| [[Australian Screen Sound Guild|ASSG]] |
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| align="center"| December 2019 |
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| align="center"|Best Sound for<br> a Documentary |
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| align="center"| ''Mystify: Michael Hutchence'' |
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| {{won}} |
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| align="center"| <ref>{{cite web|title=AFTRS Alumni Recognised at the Australian Screen Sound Guild Awards|url=https://www.aftrs.edu.au/news/2019/aftrs-alumni-recognised-at-the-australian-screen-sound-guild-awards/|website=aftrs.edu.au|access-date=10 January 2020|date=17 December 2019}}</ref> |
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|- |
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! scope="row"| [[BFI London Film Festival]] |
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| align="center"| 2–13 October 2019 |
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| align="center"|Best feature-length documentary <br> {{small|([[Grierson Award]])}} |
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| align="center"| ''Mystify: Michael Hutchence'' |
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| {{nom}} |
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| align="center"| <ref>{{cite web|title=The Documentaries To Watch At The 2019 BFI London Film Festival|url=https://wew.500daysoffilm.com/bfilff2019documentaries/ |website=500daysoffilm.com|access-date=31 August 2019|date=1 September 2019}}</ref> |
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|- |
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! scope="row"| [[Film Critics Circle of Australia|FCCA]] |
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| align="center"| 2020 |
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| align="center"|Best Feature Documentary |
|||
| align="center"| ''Mystify: Michael Hutchence'' |
|||
| {{nom}} |
|||
| align="center"| <ref>{{cite web|title=Film Critics Circle of Australia|url=http://fcca.com.au/previous_awards/2019-awards-nominations/|website=www.fcca.com.au|date=2020|access-date=5 February 2020}}</ref> |
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|- |
|- |
||
! scope="row"| [[Tribeca Film Festival]] |
! scope="row"| [[Tribeca Film Festival]] |
||
| align="center"| 2 May 2019 |
| align="center"| 2 May 2019 |
||
| align="center"| |
| align="center"| Best Documentary Feature |
||
| align="center"| ''Mystify: Michael Hutchence'' |
| align="center"| ''Mystify: Michael Hutchence'' |
||
| {{nom}} |
| {{nom}} |
||
| align="center"| <ref> |
| align="center"| <ref>{{cite web|title=A Cinematic Celebration - Announcing the Feature film lineup for the 2019 Tribeca Film Festival|url=https://www.tribecafilm.com/stories/tribeca-film-festival-2019-features|website=tribecafilm.com|date=2 May 2019|access-date=25 October 2019}}</ref> |
||
|} |
|} |
||
* [[Australian Screen Sound Guild|ASSG]] Best Sound for a Documentary: Robert Mackenzie - Re-Recording Mixer & Sound Designer, Simon Rosenberg - Dialogue Editor, Mick Boraso - Sound Designer, Lynn-Maree Milburn - Additional Sound Designer.<ref>{{cite web|url=http://assg.org.au/2019-assg-awards-winners/|title=2019 ASSG Awards Winners|website=ASSG [[Australian Screen Sound Guild]]|access-date=10 January 2020}}</ref> |
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====Voter nominated==== |
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The film was nominated for Best Music Film at the [[NME Awards]] on 12 February 2020.<ref>{{cite web|last1=Trendell|first1=Andrew|title=NME Awards 2020: Full list of nominations revealed|url=https://www.nme.com/news/music/nme-awards-2020-nominations-2598499?amp|website=nme.com|date=20 January 2020|access-date=21 January 2020}}</ref> |
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==See also== |
|||
* [[List of Australian films of 2019]] |
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* [[List of documentary films]] |
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* [[INXS]] |
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==References== |
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{{Reflist}} |
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==External links== |
==External links== |
Revision as of 20:36, 18 May 2023
start
film
Mystify: Michael Hutchence | |
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Directed by | Richard Lowenstein |
Written by | Richard Lowenstein |
Produced by |
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Starring | Michael Hutchence (See below) |
Cinematography | Andrew de Groot |
Edited by |
|
Music by | Warren Ellis |
Production companies |
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Distributed by |
|
Release dates |
|
Running time | 102 minutes[3] |
Countries |
|
Language | English |
Box office | $1.1 million[5][6] |
Mystify: Michael Hutchence is a 2019 documentary film about the life of musician, actor and singer-songwriter Michael Hutchence, lead vocalist of the Australian rock band INXS. It is written and directed by Richard Lowenstein and relies primarily on rare archive footage, outtakes, private home video and audio commentary provided by friends, ex-partners, band members, record producers and family. An Australian-British venture, the film was co-produced by Ghost Pictures, Passion Pictures with Madman Entertainment and Dogwoof serving as distributors. It is in association with Baird Films and Film Victoria. Mystify: Michael Hutchence had its world premiere at the Tribeca Film Festival on 25 April 2019, and was theatrically released in Australia on 4 July 2019.[4][7] The film was released in the United Kingdom on 18 October receiving generally positive reviews from critics.
Synopsis
Mystify covers the life of INXS lead singer Michael Hutchence, featuring private home video and archive footage. During the relationship between Minogue and Hutchence, previously unseen privately shot footage shows them in Hong Kong harbour, on board the Orient Express, and at Hutchence’s home in the south of France. In the early 1990s an incident occurred while cycling on holiday in Copenhagen with then girlfriend Helena Christensen, where Hutchence gets shoved to the ground by a taxi driver, hitting his head on the curb and losing consciousness. According to Christensen, Hutchence was rushed to hospital and woke up determined to leave. The injury resulted in Hutchence having permanent loss of sense of smell and taste as discussed by psychologist and cognitive neuroscientist, Rachel Herz. Clips show Yates and Hutchence in a 1985 interview on Channel 4's rock magazine programme The Tube and many years later on The Big Breakfast interview in October 1994. Recollections with voice-overs in the film include Michele Bennett, Kylie Minogue, siblings Rhett and Tina Hutchence, father Kelland Hutchence, stepmother Susie, producer Nick Launay, Bono and INXS band members; composer and keyboardist Andrew Farriss, guitarist Tim Farriss, bassist Garry Gary Beers and drummer Jon Farriss. The film ends with INXS performing at London’s Wembley Stadium and the song "Mystify" plays over the credits.
Production
Development
Plans for a biographical drama film about Michael Hutchence were being developed with a script written by Australian film-maker Richard Lowenstein. Lowenstein had previously collaborated with Hutchence in Dogs in Space and INXS music videos. The film was to feature an actor as Hutchence, however the idea of casting someone proved very difficult and with the announcement of the miniseries INXS: Never Tear Us Apart, it made the director switch to an archival documentary.[8] The documentary film gathered early development funding and support by the Australian Broadcasting Corporation (ABC), Screen Australia and Film Victoria.[9]
A pitch trailer was produced and shown at the 2016 Australian International Documentary Conference in Melbourne where BBC Music took interest.[9] In July 2016, it was announced that a documentary film about the singer-songwriter Michael Hutchence had the official support of INXS band members and manager Chris Murphy, with Richard Lowenstein signed on to direct.[10][11][12][13]
The director conducted the first interview (for the biopic research) in 2010 with U2 lead singer Bono who were on tour in Melbourne. Band members from INXS were then interviewed and filmed in 2011, gradually building up an archive of footage.[14][15] During the interview process, Lowenstein had decided to record just the audio, having individual interviewees in a dark recording studio. A total of around sixty people were interviewed.[16][15]
Tapes of archival footage of varying quality were found in the directors attic lost for twenty years.[15] In October 2017, long negotiations began for the rights to use INXS music in the film, but ended with no deal due to a dispute with Murphy of Petrol Records over the documentary’s ownership in return. This lead the director to produce an edit of the film with no music from the INXS catalogue.[15] Eventually, Lowenstein made contact with Hutchence’s daughter Tiger Lily (the daughter of Hutchence and Paula Yates) in London, through Susie Hutchence’s advice. Lowenstein flew to London in October 2018 to meet. After viewing a rough cut of the film, Tiger Lily made contact with the band’s management and record company. A day later, a deal was struck to use nine INXS tracks.[15]
The post-production and supervision of the film were completed by United Finishing Artists with the sound mixing done at Soundfirm, Melbourne.[17]
Music
Composer Warren Ellis was in charge of the film's music and score.[18] The documentary features various digitally-restored tracks which were remixed by Giles Martin in Dolby Atmos supplied by INXS. Music also included are by Hutchence, Max Q with Ollie Olsen, Kylie Minogue, Nick Cave, instrumentals by Ólafur Arnalds and Nils Frahm.[19]
The film includes tracks, such as: "Never Tear Us Apart" and "Sometimes".[20] Lowenstein stated that there has been no official soundtrack album released,[15] however, a complementary album was released on 5 July 2019 titled Mystify: A Musical Journey with Michael Hutchence.
Release
The world premiere of Mystify: Michael Hutchence took place in Manhattan at the Tribeca Film Festival on 25 April 2019, including a live Q&A session with the film’s director after the screening.[21] Over the next few months it played in festivals around Canada, Australia, Czech Republic, Germany and New Zealand, building anticipation: at the Hot Docs in Toronto, Sydney, Munich and New Zealand Film Festivals.[22][23][24][25] Advance screenings with Lowenstein in attendance for special Q&A sessions followed in June, at the Astor Theatre in Melbourne, Ritz Cinema in Sydney and the European premiere held at the Karlovy Vary International Film Festival.[26][27][28]
An official trailer was released on 4 June 2019 and featured the songs "Mystify" and "Never Tear Us Apart" by INXS.[29][30] It was released in cinemas across Australia on 4 July and in New Zealand on 12 September through Madman Entertainment.[31]
Initially the film was screened out of competition during the BFI London Film Festival on 4 October 2019 at the Curzon Mayfair Cinema[32][33] and then released in the United Kingdom on 18 October through Dogwoof. The Netherlands saw a release on 24 October by Piece of Magic entertainment.[30][34] In the United States Fathom Events and Shout! Factory will theatrically release the film for one-night-only on 7 January 2020.[35]
Broadcast
In Australia, the documentary was aired by ABC Television during 24 November 2019.[36] Channel BBC Two aired the film in the UK on 28 December.[37]
Home media
It was released on DVD, digital and Blu-ray disc in Australia by Madman Entertainment on 25 November 2019.[38] It contains twelve special features including early days - where they discuss the band’s formation, acting, discussing Prague where three INXS music videos were filmed and Professor of Psychiatry, Steve Ellen’s analyses into Hutchence’s death.[39] Dogwoof released the film in the United Kingdom and Ireland on 9 December. The extra features include an interview with director Richard Lowenstein and producer Chris Thomas, deleted scenes and theatrical trailer.[40][41] It entered the UK Official DVD Chart at No. 98, the week ending 21 December.[42]
Reception
Box office
Mystify: Michael Hutchence grossed A$1.1 million (US$705,044)[43] in Australia and $453,851 in other territories, for a total worldwide gross of $1,158,895.[44][45][5]
Australia
In Australia it made A$368,642 (US$257,216) from 114 screens including previews and festival screenings, in its opening weekend, finishing tenth at the box office grossing A$485,825 ($338,979) in the week ending 7 July.[46][47][5] It made another A$179,000 ($125,772) from 79 screens in its second weekend with a 51% decrease from the first week; finishing thirteenth and grossing A$761,000 ($534,167) through 11 days.[48][5] On its third weekend the film made A$83,000 ($58,678) from 55 screens finishing seventeenth grossing a total of A$893,000 (US$628,874).[49][5] After the fourth week of release, the film shown on 61 screens had a total of A$988,000 crossing the A$1 million mark before the following weekend.[50][51][52] On its ninth week at the end of August it was played on 10 screens grossing a total of A$1,141,000.[53][54]
Other territories
On its first weekend in New Zealand it made US$8,713 across 21 screens. It made another $1,329 from 7 screens on its second weekend. By its fifth week it had grossed a total of $14,699.[55][5] In the United Kingdom it made £62,776 ($81,453) from 8 cinemas with an average of £7,847 ($10,182) per screen in its opening weekend, finishing twelfth at the box office.[56][57] It made another £10,146 ($13,021) in its second weekend, with the film added to 3 screens over the previous week for a total of 11; grossing £79,199 ($101,641) through 12 days.[58] In its third weekend it made £4,578 ($5,929) shown on 9 cinemas,[59] and in its fourth weekend the film fell 72% to £1,434 ($1,834) screened at 4 cinemas.[60] On its fifth weekend it made £1,353, a drop of 6% and on its sixth it made £621 on 3 cinemas.[61][62] On its seventh weekend it made £3,139, a 405% increase of over the previous week to have a U.K. box office total of £110,345 ($142,767).[63]
Critical response
Upon its premiere at the 2019 Tribeca Film Festival, the film received positive reviews from critics. On review aggregator Rotten Tomatoes, the film holds an approval rating of No Wikidata item connected to current page. Need qid or title argument. based on No Wikidata item connected to current page. Need qid or title argument. reviews, with an average rating of No Wikidata item connected to current page. Need qid or title argument.. The site's critical consensus reads, "Engrossing for casual listeners as well as hardcore fans, Mystify: Michael Hutchence sheds a poignant light on a life and career cut short by tragedy."[64] Metacritic assigned the film a weighted average score of 73 out of 100, based on 8 critics, indicating "generally favorable reviews".[65]
Variety film critic Katherine Turman described it as "While Mystify in many ways amplifies the tragedy of Hutchence's death, it also goes a long way toward explaining and humanizing it."[66] In a positive review for Vogue, Laird Borrelli-Persson wrote "Mystify is proof that Hutchence was, and is, much loved. Also missed, in excess."[67] Graham Fuller of Screen International called the film a "Stand-out documentary" and wrote, "The densely woven and worshipfully presented archival footage of the INXS frontman, on stage and off, is a reminder that in terms of wild talent and Dionysian sexiness, he belongs in the same company as Mick Jagger, Jim Morrison, and Robert Plant." He concludes: "What lifts it above the majority of documentaries about celebrities and artists is its extraordinary intimacy."[4] Harry Windsor, writing for the Hollywood Reporter, said: "It should prove essential viewing for the subject's fans: a tender portrait of the man's highs and lows that sheds new light on the broken years that directly preceded his suicide at 37."[18]
Leigh Paatsch writing for the Herald Sun gave the film 4/5 stars, saying: "Quite wisely, the new documentary Mystify: Michael Hutchence doesn't concern itself with smoothing out all the erroneous wrinkles that have crumpled the late INXS frontman's life story over time."[68] Karl Quinn of The Age called the film Lowenstein's "slow-burning labour of love."[69] The Australian's David Stratton summed up the film as "a terrific documentary, and as complete a portrait of this talented singer as you could wish." calling it "a detailed and revealing portrait"; he rated the film four out of five stars.[70] Vicky Roach from The Daily Telegraph gave the film 3 out of 5, saying: "While it’s more visually interesting, there are times when this storytelling device results in a kind of emotional disconnect. And although they corroborate Lowenstein’s version of events, the band’s role in Hutchence’s story feels strangely under-amplified — emotionally and musically." She summed up the film as "A measured, personal, densely woven account of the man behind the myth."[71] DM Bradley, writing for the Adelaide Review, said: "Richard Lowenstein’s beautifully sad documentary study of the all-too-short life of his late friend Michael Hutchence is a most moving memorial, and rather more about the man than the music."[72]
Graeme Tuckett from Stuff.co.nz gave the film 3.5 out of 5 stars, saying: "Mystify is unapologetically one for the fans. But, seeing it as someone who thought he didn't particularly care about Hutchence's story, I was moved."[73] Eddie Harrison of The List awarded the film 4 out of 5 stars, remarking that "Mystify can only be a cautionary tale, yet there's plenty of evidence that Hutchence was an electrifying performer in his prime."[74] Time Out’s, Philip De Semlyen described it "As the tragedy unfolds, there's a strange solace in seeing this captivating enigma somehow emerging intact", giving it 4 out of 5 marks.[75] The Sunday Times Edward Porter gave it three out of five stars, wrote "There are insights into the gloomy later years, but it's memorable chiefly for its envy-inducing picture of the upside of being a rock star."[76]
Accolades
Award | Date of ceremony | Category | Recipients | Result | Ref. |
---|---|---|---|---|---|
AACTA Awards | 4 December 2019 | Best Documentary | Mystify: Michael Hutchence | Nominated | [77] |
Best Editing in a Documentary |
Nominated | ||||
Best Sound in a Documentary |
Nominated | ||||
ASSG | December 2019 | Best Sound for a Documentary |
Mystify: Michael Hutchence | Won | [78] |
BFI London Film Festival | 2–13 October 2019 | Best feature-length documentary (Grierson Award) |
Mystify: Michael Hutchence | Nominated | [79] |
FCCA | 2020 | Best Feature Documentary | Mystify: Michael Hutchence | Nominated | [80] |
Tribeca Film Festival | 2 May 2019 | Best Documentary Feature | Mystify: Michael Hutchence | Nominated | [81] |
- ASSG Best Sound for a Documentary: Robert Mackenzie - Re-Recording Mixer & Sound Designer, Simon Rosenberg - Dialogue Editor, Mick Boraso - Sound Designer, Lynn-Maree Milburn - Additional Sound Designer.[82]
Voter nominated
The film was nominated for Best Music Film at the NME Awards on 12 February 2020.[83]
See also
References
- ^ "Media Centre Mystify Michael Hutchence announced by BBC Music and BBC Two". BBC. 26 April 2019. Retrieved 5 August 2019.
- ^ "Mystify: Michael Hutchence (2019)". Screen Australia. July 2019. Retrieved 5 August 2019.
- ^ "Mystify: Michael Hutchence". Australian Classification Board. Department of Communications and the Arts. July 2019. Retrieved 28 June 2022.
- ^ a b c Fuller, Graham (27 April 2019). "'Mystify: Michael Hutchence': Tribeca Review". Screen International. Media Business Insight. Retrieved 2 July 2019.
- ^ a b c d e f "Mystify: Michael Hutchence". Box Office Mojo. IMDb. Retrieved 27 October 2019.
- ^ "Mystify: Michael Hutchence (2019) - Financial Information". The Numbers. 10 September 2019. Retrieved 5 December 2019.
- ^ "World Premiere Mystify: Michael Hutchence Feature documentary". Tribeca Film Festival. April 2019. Retrieved 5 August 2019.
- ^ Adams, Cameron (30 June 2019). "'Documentary reveals new secret behind Michael Hutchence's death". Herald Sun. Herald & Weekly Times. Retrieved 29 July 2019.
- ^ a b Groves, Don (28 February 2019). "Australian Rock Star Michael Hutchence: Why Did He Die?". Forbes. Forbes Media Integrated Whale Media Investments. Retrieved 29 July 2019.
- ^ Newman, Melinda (25 July 2016). "UMG and Passion Pictures Set to Produce Documentary on INXS Lead Singer Michael Hutchence: Exclusive". Billboard. Billboard-Hollywood Media Group. Retrieved 29 July 2019.
- ^ Reed, Ryan (25 July 2016). "INXS Michael Hutchence Celebrated in Upcoming Film Doc New feature-length project will trace life and career of alt-rock band's singer/co-founder who died in 1997". Rolling Stone. Penske Media Corporation. Retrieved 29 July 2019.
- ^ Barraclough, Leo (25 July 2016). "INXS Lead Singer Michael Hutchence Documentary Movie in the Works". Variety. Penske Media Corporation. Retrieved 29 July 2019.
- ^ "INXS video director Richard Lowenstein gets green light to direct Michael Hutchence doco". news.com.au. 25 July 2016. Retrieved 29 July 2019.
- ^ McMillen, Andrew (28 June 2019). "Keep me alive". The Australian. News Corp Australia. Retrieved 29 July 2019.
- ^ a b c d e f Quinn, Karl (28 June 2019). "Michael Hutchence Torn apart: The troubled legacy of Michael Hutchence". Sydney Morning Herald. Nine Entertainment. Retrieved 29 July 2019.
- ^ "New documentary Mystify reveals the real Michael Hutchence: 'The people who knew him best were the girlfriends'". A Current Affair. June 2019. Retrieved 29 July 2019.
- ^ "Portfolio - Mystify". Finishingroom.com.au. Retrieved 2 December 2019.
- ^ a b Windsor, Harry (20 June 2019). "'Mystify: Michael Hutchence': Film Review". The Hollywood Reporter. Billboard-Hollywood Reporter Media Group. Retrieved 2 July 2019.
- ^ "'Mystify Dogwoof notes". Dogwoof. Retrieved 13 September 2019.
- ^ "The Makers Of The Forthcoming Hutchence Doco Shared More Rare Footage With The World". Triple M. Southern Cross Austereo. 1 February 2019. Retrieved 29 July 2019.
- ^ "'Mystify: Michael Hutchence' Tribeca Review". Screen Daily. 27 April 2019. Retrieved 26 July 2019.
- ^ "Mystify: Michael Hutchence (2019)". Screen Australia. July 2019. Retrieved 5 August 2019.
- ^ Lopez, Isabelle (4 June 2019). "Trailer for 'Mystify,' the documentary about INXS star Michael Hutchence". CIND-FM. Retrieved 5 August 2019.
- ^ "Mystify: Michael Hutchence". Sydney Film Festival. June 2019. Retrieved 5 August 2019.
- ^ "Mystify: Michael Hutchence, the tragic and intimate film on INXS's frontman". Radio New Zealand. 25 July 2019. Retrieved 26 July 2019.
- ^ "Mystify: Michael Hutchence – Astor Theatre preview". Stack magazine. June 2019. Retrieved 5 August 2019.
- ^ "Mystify: Michael Hutchence Q&A Screening". Broadsheet. Broadsheet Media. 24 June 2019. Retrieved 5 August 2019.
- ^ Stein, Michael (2 July 2019). "Trapped in the 80s Mystify: Michael Hutchence reveals the complicated figure behind the mythical INXS frontman". Karlovy Vary International Film Festival. Retrieved 5 August 2019.
- ^ Reilly, Nick (4 June 2019). "Watch the first trailer for new Michael Hutchence documentary Mystify - featuring unseen footage". NME. Retrieved 5 August 2019.
- ^ a b Skinner, Tom (10 September 2019). "Watch the new trailer for the Michael Hutchence documentary 'Mystify'". NME. Retrieved 13 September 2019.
- ^ Tuckett, Graeme (11 September 2019). "Mystify: Doco looks at the moment that changed Michael Hutchence's life". Stuff.co.nz. Retrieved 13 September 2019.
- ^ "BFI London Film Festival" (PDF). British Film Institute. 29 August 2019. Retrieved 29 August 2019.
- ^ "BFI London Film Festival unveils 2019 lineup". Screen International. 29 August 2019. Retrieved 29 August 2019.
- ^ "Mystify: Michael Hutchence - Piece of Magic". Piece of Magic Entertainment. September 2019. Retrieved 13 September 2019.
- ^ Benitez-Eves, Tine (16 October 2019). "Mystify Documentary About INXS Michael Hutchence Will Have One-Night U.S. Theater Showing". Billboard. Billboard-Hollywood Media Group. Retrieved 16 October 2019.
- ^ "Screening dates set for Michael Hutchence 'Mystify' doco". The Music Network. Radio Today Pty Ltd. 15 May 2019. Retrieved 5 August 2019.
- ^ "Mystify Michael Hutchence Confirmed for BBC Two on 28 December at 9.20pm to 11pm". BBC. December 2019. Retrieved 29 December 2019.
- ^ "Mystify Michael Hutchence Blu-ray". Blu-ray.com. Retrieved 25 November 2019.
- ^ "Mystify Michael Hutchence Blu-ray". JB Hi-Fi. Retrieved 25 November 2019.
- ^ "Mystify: Michael Hutchence DVD". Amazon.co.uk. Retrieved 25 November 2019.
- ^ "Mystify: Michael Hutchence DVD". Dogwoof. Retrieved 8 December 2019.
- ^ "Official DVD Chart Top 100". Official Charts Company. 21 December 2019. Retrieved 29 December 2019.
- ^ "Mystify: Michael Hutchence (2019) - Financial Information". The Numbers. 10 September 2019. Retrieved 11 September 2019.
- ^ "Mystify: Michael Hutchence (2019) - Financial Information". The Numbers. 10 September 2019. Retrieved 5 December 2019.
- ^ "Australian films BO August scorecard" (PDF). If Magazine. 2 September 2019. Retrieved 3 September 2019.
- ^ "Spider-Man: Far From Home takes $10m across first weekend box office". Mumbrella. 9 July 2019. Retrieved 22 July 2019.
- ^ "BO Report: 'Spider-Man' sequel soars while Hutchence documentary rocks". If Magazine. 8 July 2019. Retrieved 22 July 2019.
- ^ "BO Report: 'Spider-Man' sequel reigns as 'Crawl' and 'Stuber' crash". If Magazine. 15 July 2019. Retrieved 16 July 2019.
- ^ "BO Report: 'The Lion King' roars while 'Avengers: Endgame' seizes global crown". If Magazine. 22 July 2019. Retrieved 22 July 2019.
- ^ "Australia Box Office for Mystify Michael Hutchence (2019)". The Numbers. 29 July 2019. Retrieved 5 August 2019.
- ^ "BO Report: 'The Lion King' reigns as Stephen Amis' Sea Shepherd doc sails in". If Magazine. 29 July 2019. Retrieved 29 July 2019.
- ^ "AUSTRALIAN FILMS BO SCORECARD: JULY 2019" (PDF). If Magazine. July 2019. Retrieved 5 August 2019.
- ^ "Australian films BO August scorecard" (PDF). If Magazine. 2 September 2019. Retrieved 3 September 2019.
- ^ "Australia Box Office for Mystify Michael Hutchence (2019)". The Numbers. 29 July 2019. Retrieved 3 September 2019.
- ^ "Mystify: Michael Hutchence (2019) - Financial Information". The Numbers. 10 September 2019. Retrieved 11 September 2019.
- ^ "Mystify: Michael Hutchence". Box Office Mojo. IMDb. Retrieved 27 October 2019.
- ^ "BFI Weekend Box Office 18/10/2019 - 20/10/2019". British Film Institute. Retrieved 23 October 2019.
- ^ "BFI Weekend Box Office 25/10/2019 - 27/10/2019". British Film Institute. Retrieved 30 October 2019.
- ^ "BFI Weekend Box Office 01/11/2019 - 03/11/2019". British Film Institute. Retrieved 7 November 2019.
- ^ "BFI Weekend Box Office 08/11/2019 - 10/11/2019". British Film Institute. Retrieved 14 November 2019.
- ^ "BFI Weekend Box Office 15/11/2019 - 17/11/2019". British Film Institute. Retrieved 20 November 2019.
- ^ "BFI Weekend Box Office 22/11/2019 - 24/11/2019". British Film Institute. Retrieved 28 November 2019.
- ^ "BFI Weekend Box Office 29/11/2019 - 01/12/2019". British Film Institute. Retrieved 5 December 2019.
- ^ "Mystify: Michael Hutchence (2019)". Rotten Tomatoes. Fandango. Retrieved No Wikidata item connected to current page. Need qid or title argument..
{{cite web}}
: Check date values in:|access-date=
(help) - ^ "Mystify: Michael Hutchence". Metacritic. Retrieved 10 January 2020.
- ^ Turman, Katherine (26 April 2019). "'Film Review: 'Mystify: Michael Hutchence". Variety. Variety Media. Retrieved 2 July 2019.
- ^ Borrelli-Persson, Laird (8 May 2019). "A New Documentary on INXS Frontman Michael Hutchence Takes a Writer Down Memory Lane". Vogue. Condé Nast. Retrieved 1 July 2019.
- ^ Paatsch, Leigh (4 July 2019). "Mystify neither sanctifies nor sledges Michael Hutchence". Herald Sun. Herald & Weekly Times. Retrieved 6 July 2019.
- ^ Quinn, Karl (26 April 2019). "New Michael Hutchence documentary explores source of his depression". The Age. Nine Entertainment. Retrieved 2 July 2019.
- ^ Stratton, David (29 June 2019). "Tragic hero gets his due". The Australian. News Corp Australia. Retrieved 2 July 2019.
- ^ Roach, Vicky (29 June 2019). "Hutchence's women shape intimate look at man behind the myth". The Daily Telegraph. Nationwide News Limited. Retrieved 6 July 2019.
- ^ BRADLEY, DM (4 July 2019). "Film Review: Mystify: Michael Hutchence". Adelaide Review. Opinion Media. Retrieved 10 July 2019.
- ^ Tuckett, Graeme (11 September 2019). "Mystify: Doco looks at the moment that changed Michael Hutchence's life". Stuff.co.nz. Retrieved 14 September 2019.
- ^ Harrison, Eddie (14 October 2019). "Mystify: Michael Hutchence review". The List. The List Ltd. Retrieved 14 October 2019.
- ^ De Semlyen, Philip (11 October 2019). "Mystify: Michael Hutchence review". Time Out. Time Out Group. Retrieved 14 October 2019.
- ^ Porter, Edward (20 October 2019). "Film review: Farmageddon; Official Secrets; Non-Fiction; Mystify; Zombieland". The Sunday Times. News UK. Retrieved 20 November 2019.
- ^ "AACTA Awards 2019: Best Documentary nominees". Mumbrella. 23 October 2019. Retrieved 25 October 2019.
- ^ "AFTRS Alumni Recognised at the Australian Screen Sound Guild Awards". aftrs.edu.au. 17 December 2019. Retrieved 10 January 2020.
- ^ "The Documentaries To Watch At The 2019 BFI London Film Festival". 500daysoffilm.com. 1 September 2019. Retrieved 31 August 2019.
- ^ "Film Critics Circle of Australia". www.fcca.com.au. 2020. Retrieved 5 February 2020.
- ^ "A Cinematic Celebration - Announcing the Feature film lineup for the 2019 Tribeca Film Festival". tribecafilm.com. 2 May 2019. Retrieved 25 October 2019.
- ^ "2019 ASSG Awards Winners". ASSG Australian Screen Sound Guild. Retrieved 10 January 2020.
- ^ Trendell, Andrew (20 January 2020). "NME Awards 2020: Full list of nominations revealed". nme.com. Retrieved 21 January 2020.
External links
- Official website
- Template:BFI Explore
- Mystify: Michael Hutchence at IMDb
- Mystify: Michael Hutchence at Rotten Tomatoes
84
Wham! in China: Foreign Skies | |
---|---|
Directed by | Lindsay Anderson |
Produced by | |
Starring | |
Edited by | Nigel Galt |
Music by | |
Production companies |
|
Distributed by | CBS/Fox Video |
Release dates | 28 June 1986 (Wembley Stadium)[1] |
Running time | 60 minutes |
Country | United Kingdom |
Languages | English, Mandarin |
Wham! in China: Foreign Skies is a 1986 documentary film about the English pop duo Wham! consisting of George Michael and Andrew Ridgeley. It follows Wham! on their 10-day visit to China during the 1985 world tour.[2] The film is a British venture produced by Big Boys Overseas Limited and CBS Records, with CBS/Fox Video serving as distributor.[3][4] Directed by Lindsay Anderson and produced by Jazz Summers, Martin Lewis and Simon Napier-Bell.[5] Wham! made history in China by being the first Western pop act to visit the country.[6][7] Wham! in China: Foreign Skies had its world premiere at the farewell concert held at London’s Wembley Stadium on 28 June 1986.
Production
Development
Manager Simon Napier-Bell’s negotiation for the two performances took over 18 months. Napier-Bell used cunning tactics to sabotage the efforts of rock band Queen to be the first to play in China: he made two brochures for the Chinese authorities – one featuring Wham! [Michael] as "wholesome", and one portraying Queen lead singer Freddie Mercury in typically flamboyant poses. The Chinese opted for Wham!.[8][9]
In December 1984 Wham! set out for their second concert tour, The Big Tour a commercial success, which promoted primarily their second studio album, Make It Big. The concept of filming Foreign Skies began when producer Martin Lewis was busy directing the 1985 documentary about Julian Lennon, titled Stand by Me - A Portrait of Julian Lennon. During a Wham! performance in February 14, 1985 at the Beacon Theatre in New York, he met the duo’s co-manager Jazz Summers and discussed the possibility of filming the China tour.[10] When Lewis had permission for the film, it took two weeks to prepare the 35-member international crew, including transportation of a sound desk and super 16 camera equipment.[11]
British director Lindsay Anderson was engaged to accompany Wham! to China in April 1985. The second leg in East Asia began with two concerts in Hong Kong, before moving to China with a concert at the Workers' Gymnasium in Beijing on 7 April in front of 12,000 people. They also played a concert on 10 April in front of 5,000 in Canton. The two concerts were played without compensation, however Wham's visit to China attracted huge media attention across the world.[12][13]
Post-production
The film created by Strathford Hamilton and Andy Morahan was shot over two weeks, was then edited over summer and autumn 1985 in London. Anderson called his one-hour and 18 minute film If You Were There.[14] In the final stages of editing, Anderson was dismissed in October 1985 by Wham!'s management, the editing team quit, and the film was entirely re-edited, renamed and released as Wham! in China: Foreign Skies.[15]
Music
The soundtrack used in the film was taken from the albums Fantastic and Make It Big. The documentary features some concert footage and studio cut excerpts of the following tracks:[16]
- "Bad Boys"
- "Club Tropicana"
- "Blue"
- "Wake Me Up Before You Go-Go"
- "Ray Of Sunshine"
- "Young Guns (Go For It)"
- "Careless Whisper" (concert footage)
- "Everything She Wants" (concert footage)
- "Like A Baby"
- "If You Were There"
- "Runaway"
- "Love Machine"
Release
The world premiere of Wham! in China: Foreign Skies was shown at London’s Wembley Stadium on large video screens on Saturday 28 June 1986 before The Final began.[17] With an audience of 72,000; this set a record for the largest audience at a film premiere.[18]
Home media
It was released on VHS, Betamax and LaserDisc in October 1986. The documentary has yet to be issued on DVD and only one track "Blue (Live In China)" from the film has been officially released on their studio album Music from the Edge of Heaven. In the United States the video retailed at $19.98 and debuted at number 8 on Billboard's Top Music Videocassettes chart, for the week ending 25 October 1986 and climbed to number 4, two weeks later.[19][20] As the video started to climb up the chart, and for the week ending 6 December 1986, it reached number 1, replacing The #1 Video Hits by Whitney Houston.[21] Wham! in China: Foreign Skies was the sixteenth best-selling music videocassette for 1986.[22] It was present on the top 20 chart for a total of 17 weeks until February 1987.[23] The video was certified gold in April 1987 by the Recording Industry Association of America (RIAA) for shipment of 50,000 copies.[24]
Charts and certifications
Charts
Charts (1986) | Peak position |
---|---|
US Top Music Videocassettes (Billboard)[25][26] | 1 |
Certifications
Region | Certification | Certified units/sales |
---|---|---|
United States (RIAA)[27] | Gold | 50,000^ |
* Sales figures based on certification alone. |
Credits
|
|
External links
- ‹The template AllMovie title is being considered for deletion.› Wham! in China: Foreign Skies at AllMovie
- Template:BFI Explore
- Wham! in China: Foreign Skies at IMDb
- WHAM! in China - Foreign Skies at Rotten Tomatoes
86
Concert by Wham! | |||||||
Location | Wembley, London, England | ||||||
---|---|---|---|---|---|---|---|
Venue | Wembley Stadium | ||||||
Associated albums | The Final, Music from the Edge of Heaven | ||||||
Date(s) | 28 June 1986 | ||||||
Duration | six hours[28] | ||||||
No. of shows | 1 | ||||||
Guests | Elton John, Simon Le Bon | ||||||
Attendance | 72,000 | ||||||
Wham! concert chronology | |||||||
|
The Final was the farewell concert by English musical duo Wham!. It was held at Wembley Stadium, London on Saturday 28 June 1986.[29][30] A total of 72,000 people attended the event, which included support artists and special guests, such as Elton John.[31]
Background
Wham! had announced the breakup in 1986.[32] During late February Michael was a guest on the talk show Aspel & Company, he announced that Wham! were to break-up and were to perform one last show.[33][34]
During production rehearsals for the Wembley concert, Wham! performed two warm-up shows in aid of Capital radio’s “Help a London Child” charity on the 23rd and 24th of June at the Brixton Academy in London.[35][36]
Synopsis
The first ever public viewing of the Wham! in China: Foreign Skies documentary film was shown on large screens on either side of the stage.[37][38] This set a record for the largest audience at a film premiere.[39]
At 7.35pm an eight-minute introduction to "Everything She Wants" began from behind a huge black curtain which had "The Final" on it in huge white letters. It opens to reveal Michael - dressed in leather, black jeans, wearing sunglasses and dancing in sync with two other dancers. Ridgeley, Shirley and Pepsi come to the stage. Ridgeley took off his long black coat and strolled up the walkways to take off his black gloves. "Club Tropicana" then follows. "This is the best thing I've ever looked at". Michael explains, "We've got four years of thank-yous to say this evening... and I know we're going to enjoy saying them. So let's get started!".[40] "Heartbeat" and "Battlestations" was performed.[41]
Afterwards, it was "Bad Boys", Pepsi and Shirlie made a brief appearance wearing bouffant wigs, included was "If You Were There". A large white piano was wheeled on stage, Elton John was dressed in Ronald McDonald make-up and costume, a shiny red wig, a red nose, a stripey red t-shirt and yellow dungarees.[42] Guitarist David Austin joins and "The Edge of Heaven" begins. Michael splits the audience into three groups and gets each group to sing a section. They perform John’s 1973 hit "Candle In The Wind".[43][44] "Credit Card Baby", "Like A Baby", "Love Machine", "Where Did Your Heart Go?" all followed in quick succession. Pausing before a cover of Carly Simon’s "Why" is performed.[45] Wham! begin their festive single "Last Christmas". Michael got the audience to do the "Wave" and everyone holds up the orange side of their programmes. It transfers into "Wham! Rap".[46] After the ballad "A Different Corner" and "Freedom" end, they disappear for a short while and come back for "Careless Whisper" and "Young Guns". George ran around the stage and then it is "Wake Me Up Before You Go-Go". Wham! come back to do the encore, their last song, "I'm Your Man". They are alone on stage. Michael then takes off his black jacket and Ridgeley is in suede with denim flies. Lights flash around, Elton John joined again and this time has a pink mohican.[47] Simon Le Bon (of Duran Duran) made a surprise entrance on stage.[48] Wham! embrace, the moment is captured on the large screens.[49][50]
Opening acts
Set list
- "Everything She Wants"
- "Club Tropicana"
- "Heartbeat"
- "Battlestations"
- "Bad Boys"
- "If You Were There"
- "The Edge of Heaven"
- "Candle in the Wind" (ft. Elton John)
- "Credit Card Baby"
- "Like A Baby"
- "Love Machine"
- "Where Did Your Heart Go?"
- "Why"
- "Last Christmas"
- "Wham Rap! (Enjoy What You Do)"
- "A Different Corner"
- "Freedom"
- "Careless Whisper"
- "Young Guns (Go For It)"
- "Wake Me Up Before You Go-Go"
- Encore
21. "I'm Your Man" (ft. Elton John / Simon Le Bon)
Date
Date | City | Country | Venue | Attendance | Tickets |
---|---|---|---|---|---|
Sat 28 June 1986 | London | England | Wembley Stadium | 72,000 | £13.50 |
Source:[53]
Personnel
Guests
|
85
Tour by Wham! | |||||||
Location | United States, Canada | ||||||
---|---|---|---|---|---|---|---|
Associated album | Make It Big | ||||||
Start date | August 23, 1985 | ||||||
End date | September 10, 1985 | ||||||
No. of shows | 9 | ||||||
Supporting acts | The Pointer Sisters, Chaka Khan, Katrina & the Waves | ||||||
Attendance | 200,000[54] - 302,568[55] | ||||||
Box office | US $8.6 million[56] ($24.36 in 2023 dollars)[57] | ||||||
|
Whamamerica! (also advertised as Make It Big Tour ‘85) was a concert tour by English musical duo Wham!,[58] launched due to the success of their 1984 certified multi-platinum studio album Make It Big, which sold four million copies in the United States by the end of the year.[59] The tour spanned three weeks between August and September 1985, comprising nine shows across North America.[60]
Overview
The Whamamerica! tour began in late August 1985. It went around the United States, opening at Poplar Creek Music Theater in Illinois in the Midwest, then heading across the border to Canada and all the way down the West Coast to northern and Southern California, south to Texas and then back east to Philadelphia and Detroit. Michael’s look had changed with his hair cut to a shorter length and the colour being close to his natural darker shade. He also had a new designer stubble and larger earrings, a leather jacket and fingerless gloves. Their last ever live US performance was at the Pontiac Silverdome in Detroit.[61] They had played to over 200,000 fans.[62]
Opening acts
- Katrina and the Waves (Los Angeles, Oakland, Miami and Philadelphia)[63]
- The Pointer Sisters (Toronto, Oakland, Miami)[64]
- Chaka Khan (Los Angeles, Philadelphia)[65][66]
Set list
Philadelphia
|
Tour dates
Tour dates as printed in the official Whamamerica ‘85 tour programme.[67]
Date | City | Country | Venue |
---|---|---|---|
North America[68] | |||
Fri 23 August 1985 | Hoffman Estates, Illinois | United States | Poplar Creek Music Theater[69] |
Sun 25 August 1985 | |||
Wed 28 August 1985 | Toronto | Canada | CNE |
Fri 30 August 1985 | Los Angeles | United States | Hollywood Park[70] (Attendance: 50,000)[71] |
Sun 1 September 1985 | Oakland, California | Alameda County Stadium | |
Wed 4 September 1985 | Houston | Southern Star Amphitheater[72] | |
Fri 6 September 1985 | Miami | Miami Baseball Stadium | |
Sun 8 September 1985 | Philadelphia | Vets Stadium | |
Tue 10 September 1985 | Pontiac, Michigan | Pontiac Silverdome |
Personnel
- George Michael - lead vocals
- Andrew Ridgeley - Guitarist
84-85
World tour by Wham! | |||||||
Location | (15) United Kingdom, (7) Japan, (6) United States, (5) Australia, (2) China, (2) Hong Kong, (2) Ireland | ||||||
---|---|---|---|---|---|---|---|
Associated album | Make It Big | ||||||
Start date | December 4, 1984 | ||||||
End date | April 10, 1985 | ||||||
No. of shows | 39 | ||||||
Supporting act(s) | Gary Crowley | ||||||
|
The Big Tour was the second concert tour by English musical duo Wham!, launched in support of their multi-platinum second studio album Make It Big with over six million units sold in the US alone.[73] The tour spanned 4 months between December 1984 and April 1985, comprising 39 shows across the UK, Ireland, Japan, Australia, United States, Hong Kong and China. Wham! made history in China and achieved worldwide publicity by being the first Western pop act to visit the country.[74][75]
Overview
The Big Tour opened at Whitley Bay Ice Rink on 4 December. The venue was small due to no other venues being available in the north east, they were booked for two more shows between concerts in Glasgow, Dublin and Leeds. Just as the UK portion of the tour was in its stride, George Michael hurt his back during a performance and the band had to cancel five consecutive shows which were put back until February and March. They continued the UK leg with shows in Wembley Arena during the Christmas period to around 50,000 fans during which “Last Christmas” reached number two in the UK Singles Chart.[76]
The new year began the tour in Japan performing in the Fukuoka Sunpalace with other dates in Osaka, Nagoya, Tokyo and Yokohama. In Australia, five shows followed in Melbourne and Sydney before continuing in the United States, with a sellout concert at the Palladium in front of 4,400 in February 1985.[77] Wham! returned to the United Kingdom with earlier dates having been rescheduled.
Following a month break, the tour resumed in Hong Kong on 2 April 1985. The 10-day visit to China was the first by a Western pop group.[78] The excursion was a publicity scheme devised by Simon Napier-Bell (one of their two managers—Jazz Summers being the other). It began with a concert at the Peoples' Gymnasium in Beijing (then Peking) in front of 13,000 people. They also played a concert in front of 5,000 in Canton. The two concerts were played without compensation.[79] Wham!'s visit to China attracted huge media attention across the world. Napier-Bell later admitted that he used cunning tactics to sabotage the efforts of British rock band Queen to be the first to play in China: he made two brochures for the Chinese authorities – one featuring Wham! fans as pleasant middle-class youngsters, and one portraying Queen lead singer Freddie Mercury in typically flamboyant poses. The Chinese opted for Wham!.[80]
"The first feeling was of failure, there was no way we could communicate. And when we actually found out what had gone on [with people being told not to dance] I was just furious. Obviously, I felt responsibility at the time to represent my generation from the west in a good light and pop music in a good light."[81]
— George Michael reflecting on the China visit in 1986
Recordings
A documentary film was shot over two weeks in April and edited over summer and autumn 1985 in London. The whole China visit was documented by British film director Lindsay Anderson and producer Martin Lewis in their film Wham! in China: Foreign Skies released in 1986.[82] The first ever public viewing of Foreign Skies was shown on large video screens on Saturday 28 June 1986 at the farewell show "The Final".[83]
Support acts
Set list
Japan[84]
|
Beijing, China
|
Tour dates
Tour dates as printed in the official Big Tour 1984-85 tour programme.[85]
Date | City | Country | Venue |
---|---|---|---|
Europe[86] | |||
Tue 4 December 1984 | Whitley Bay | England | Ice Rink |
Wed 5 December 1984 | Glasgow | Scotland | Apollo |
Thur 6 December 1984 | |||
Sat 8 December 1984 | Dublin | Ireland | R.D.S. |
Sun 9 December 1984 | |||
Tue 11 December 1984 | Whitley Bay | England | Ice Rink |
Wed 12 December 1984 | |||
Fri 14 December 1984 | Leeds | Queens Hall | |
Edinburgh | Scotland | Ingliston | |
Bournemouth | England | International Centre | |
Birmingham | N.E.C. | ||
Sun 23 December 1984 | London | Wembley Arena | |
Mon 24 December 1984 | |||
Wed 26 December 1984 | |||
Thu 27 December 1984 | |||
Asia[87] | |||
Tue 8 January 1985 | Fukuoka | Japan | Fukuoka Sunpalace |
Thu 10 January 1985 | Osaka | Festival Hall | |
Fri 11 January 1985 | Gymnasium | ||
Sun 13 January 1985 | Nagoya | Civic Assembly Hall | |
Wed 16 January 1985 | Tokyo | Budokan | |
Thu 17 January 1985 | Yokohama | Gymnasium | |
Fri 18 January 1985 | Tokyo | Budokan | |
Oceania[88] | |||
Tue 22 January 1985 | Melbourne | Australia | Melbourne Sports and Entertainment Centre |
Wed 23 January 1985 | |||
Thu 24 January 1985 | |||
Sat 26 January 1985 | Sydney | Sydney Entertainment Centre | |
Sun 27 January 1985 | |||
North America[89] | |||
Mon 4 February 1985 | Los Angeles | United States | Palladium |
Tue 5 February 1985 | Oakland, California | Kaiser Convention Center | |
Thu 7 February 1985 | Dallas | Bronco Bowl | |
Wed 13 February 1985 | Philadelphia | Tower Theatre | |
Thu 14 February 1985 | New York City | Beacon Theatre | |
Sat 16 February 1985 | Boston | Orpheum Theatre | |
Europe[90] | |||
Sat 23 February 1985 | Edinburgh | Scotland | Ingliston Royal Highland |
Tue 26 February 1985 | Birmingham | England | N.E.C. |
Wed 27 February 1985 | |||
Fri 1 March 1985 | Bournemouth | International Centre | |
Sat 2 March 1985 | |||
Asia[91] | |||
Tue 2 April 1985 | Hong Kong | British Dependent Territory | Coliseum |
Wed 3 April 1985 | |||
Sun 7 April 1985 | Beijing | China | Workers' Gymnasium |
Thu 10 April 1985 | Canton | Sun Yat-sen Memorial Hall |
Denotes cancelled concert dates that were rescheduled |
Box office score data
Venue | City | Attendance / Capacity | Gross |
---|---|---|---|
Palladium | Los Angeles | 4,400 / sellout | $57,402[92] |
Henry J. Kaiser Convention Center | Oakland, California | 7,182 / sellout | $97,032[93] |
Bronco Bowl | Dallas | / | $ |
The Tower | Philadelphia | 2,971 / sellout | $36,565[94] |
Beacon Theatre | New York City | / | $ |
Orpheum Theatre | Boston | / | $ |
Total | ' / ' | $ |
Personnel
|
|
83
Local tour by Wham! | |||||||
Location | United Kingdom | ||||||
---|---|---|---|---|---|---|---|
Associated album | Fantastic | ||||||
Start date | October 9, 1983 | ||||||
End date | November 30, 1983 | ||||||
No. of shows | 29 (30 scheduled) | ||||||
|
Club Fantastic Tour (also advertised as Club Fantastic ‘83 Tour) was the debut concert tour by English musical duo Wham!, launched in support of their first studio album Fantastic (1983). It was sponsored by Fila sportswear and spanned two months from October to late November, comprising 30 sold out shows across England, Scotland and Wales.[96][97]
Background
Wham! announced a tour in August. Their co-manager Simon Napier-Bell had a plan to raise some revenue; if little money was to be made from records, then it was time for the duo to get on the road, with a 30-date tour of the UK. He managed to get a £50,000 sponsorship deal with the sportswear manufacturer Fila, with George Michael and Andrew Ridgeley wearing the company's clothing on stage throughout the tour.[98]
Halfway through the tour Michael lost his voice and had to cancel ten consecutive shows with concerts pushed back and rescheduled.[99]
Concert synopsis
The show started with Michael entering the stage right-side in yellow Fila sports gear, and Ridgeley entering the stage left-side in red Fila sports gear while the band played "Bad Boys". Pepsi and Shirlie, backing singers and dancers, ran on stage for "Club Tropicana".[100]
Ridgeley then announced the next song, "Blue", a slow love ballad. He held a plectrum in his mouth and shook hands. They then sang "Wham Rap!", dancing as a foursome. They continued with "A Ray Of Sunshine", which ended the first part of the set.[101]
During the break a screen appeared and the crowd were shown family photos such as Ridgeley in pyjamas, and a young Michael in glasses. A mixed compilation of the group's music videos was played.
Then Michael sang "Careless Whisper" to a backing track on his own. He and Ridgeley changed into white Wham! singlet T-shirts and sang "Bad Boys". "Love Machine" followed, then "Nothing Looks The Same In The Light". "Come On" ended the set, with the two playing a mock game of badminton, occasionally whacking a shuttlecock out to the crowd.[102]
The encore was "Young Guns" with the duo wearing camp cowboy outfits, "Wham Rap!" with them wearing white, and finally Chic's 1979 disco hit "Good Times".[103]
Opening acts
The group decided to go back to their clubbing roots and had Gary Crowley (of Capital Radio) as the opening DJ act. Also included were some body poppers called Eklypse who did dance routines for over an hour before the show.[104]
Set list
The first set saw the band play most of the hits from the Fantastic album before George Michael was on stage alone singing tracks like "Careless Whisper", an unreleased track.[105]
The average set list was as follows:[106]
- "Young Guns (Go for It)"
- "Club Tropicana"
- "Blue"
- "Wham Rap! (Enjoy What You Do)"
- "A Ray of Sunshine"
Break
- "Careless Whisper"
- "Bad Boys"
- "Love Machine" (The Miracles cover)
- "Nothing Looks the Same in the Light"
- "Come On!"
- "Young Guns (Go for It!)"
- "Wham Rap! (Enjoy What You Do)"
- "Good Times"
Tour dates
Tour dates as printed in the official Club Fantastic 1983 tour programme.[107]
Date | City | Country | Venue |
---|---|---|---|
United Kingdom[108] | |||
Sun 9 October 1983 | Aberdeen | Scotland | Capitol Theatre |
Mon 10 October 1983 | Capitol Theatre | ||
Tue 11 October 1983 | Edinburgh | Playhouse Theatre | |
Thu 13 October 1983 | Glasgow | Apollo Theatre | |
Fri 14 October 1983 | Blackpool | England | Opera House |
Sat 15 October 1983 | Newcastle | City Hall | |
Sun 16 October 1983 | Manchester | Apollo Theatre | |
Tue 18 October 1983 | Liverpool | Royal Court Theatre | |
Wed 19 October 1983 | Sheffield | City Hall | |
Fri 21 October 1983 | Leicester | De Montfort Hall | |
Sat 22 October 1983 | St Austell | Coliseum | |
Sun 23 October 1983 | Bristol | Studio | |
Mon 24 October 1983 | Swansea | Wales | Top Rank |
Thu 27 October 1983 | London | England | Hammersmith Odeon |
Fri 28 October 1983 | |||
Brighton | Centre | ||
Nottingham | Royal Centre | ||
Poole | Arts Centre | ||
Crawley | Leisure Centre | ||
Leeds | University | ||
Birmingham | Odeon Theatre | ||
London | Lyceum | ||
Brighton | Centre | ||
Sun 13 November 1983 | London | Lyceum | |
Mon 14 November 1983 | |||
Tue 15 November 1983 | |||
Wed 16 November 1983 | |||
Thu 17 November 1983 | |||
Sat 19 November 1983 | Whitley Bay | Ice Rink | |
Sun 20 November 1983 | Swansea | Wales | Top Rank |
Mon 21 November 1983 | Poole | England | Arts Centre |
Thu 24 November 1983 | Birmingham | Odeon Theatre | |
Fri 25 November 1983 | Leeds | University | |
Sat 26 November 1983 | London | Hammersmith Odeon | |
Mon 28 November 1983 | Nottingham | Royal Centre | |
Tue 29 November 1983 | Brighton | Centre | |
Wed 30 November 1983 |
Denotes cancelled concert dates that were rescheduled |
Personnel
Musicians
|
Sponsor
|
Comments
Gary Crowley – "Some of my bestest bestest memories will always include my stint as Wham!'s warm-up man on their debut Club Fantastic UK tour, 1983. The nearest I’ll ever get to being in the Beatles’ A Hard Day's Night." – December 26, 2016[109]
2016
Seventeenth Australian census | ||
---|---|---|
| ||
General information | ||
Country | Australia | |
Results | ||
Total population | 23,401,892[110] ( 8.8%) | |
Most populous | New South Wales (7,480,228) | |
Least populous | Jervis Bay (391) |
The 2016 Australian census was the seventeenth national population census held in Australia.[111] The census was officially conducted with effect on Tuesday, 9 August 2016. The total population of the Commonwealth of Australia was counted as 23,401,892 – an increase of 8.8 per cent or 1,894,175 people since the 2011 census.[112] Norfolk Island joined the census for the first time in 2016, adding 1,748 to the population.
The ABS annual report revealed that there were $24 million additional expenses accrued due to the outage on the census website.[113]
Results from the 2016 census were available to the public on 11 April 2017, from the Australian Bureau of Statistics website, two months earlier than for any previous census. The second release of data occurred on 27 June 2017 and a third data release was from 17 October 2017.[114][115] Australia's next census is scheduled for 2021.
Collection methods
The 2016 census had a response rate of 95.1% and a net undercount of 1.0%, with 63% of people completing the Census online.[116]
In the period leading up to census date the Australian Government decided that the retention period for names and addresses would be increased to up to four years, from 18 months in the 2006 and 2011 censuses, leading to concerns about privacy and data security. As such, some Australian Senate crossbenchers (from the Greens, Nick Xenophon Team and Jacqui Lambie Network) said they would not complete those specific sections of the census,[117] despite the fines associated with incorrect completion of the census.
According to the Australian Bureau of Statistics the first release of census data became available to the public on the ABS website on 11 April 2017, two months earlier than for any previous census. The second release of data occurred on 27 June 2017 and a third data release was from 17 October 2017.[118]
Online
For the first time, the ABS significantly favoured internet submission of census forms over the traditional paper forms, claiming it expected more than 65% of Australians would complete the census online.[119] Reflecting this new preference, the tagline of the ad campaign for the census was the rhyming slogan "Get online on August 9".[120][121] Across many regions, paper forms were no longer delivered by default to homes, and households that wished to complete a paper census had to order such forms via an automated hotline. Letters were sent to each dwelling with unique code numbers that people would need to either login to the census website, or order a paper form if they preferred.[122] By census night, many households had still not received such a letter.[123] Contrary to previous years where censuses were both delivered and retrieved from households by dedicated census employees, in 2016 most of the paperwork relating to the census was delivered from and to the ABS by Australia Post.
The 2016 census was met by a significant controversy, which meant that many Australians could not complete the census online on the designated census day.[124] The ABS census website shut down at about 7:30 pm AEST on the night the census was to be completed. According to the ABS, throughout 9 August the census website received four denial-of-service attacks. At 7:30 pm, when the site was being heavily used, a software failure meant that the ABS was unable to keep blocking the denial-of-service attacks, leading to the failure of a router. As a result, the ABS decided to close down the system as a precaution. The 15th Chief Statistician, David Kalisch stated that no census data were compromised.[125][126][127] The Australian Signals Directorate assisted the ABS to bring the infrastructure back online more than 24 hours after the closure.[128][129][130] The census website was restored at 2:30 pm on 11 August.[131]
On the same day Australian Prime Minister Malcolm Turnbull stated his unhappiness over the event, which had "been a failure of the ABS", with his expectation that "heads will roll" once a review was complete.[132] Leader of the opposition Bill Shorten said that the 2016 census had been the "worst-run ... in the history of Australia".[133] The ABS blamed service provider IBM for the failure in the online census, saying that IBM had advised on the preparedness and resilience to DDoS attacks and had not offered any further protections that could be employed.[134] On 31 August, Parliament initiated an inquiry into the 2016 census.[135][136] It released its findings on 24 November and found that no individual party was responsible but it was shared between the government, IBM, and the sub-contractors.[137]
The census forms were able to be submitted online until 23 September. Once collection was complete, the ABS issued an announcement which confirmed that in spite of the initial online problems, there was a preliminary response rate of more than 96%. This consisted of 4.9 million (over 58%) online submissions and 3.5 million paper forms. The preliminary response rate was similar to the previous two census response rates of 95.8% in 2006 and 96.5% in 2011.[138]
An independent panel established by the Australian Statistician to quality assure the data from the 2016 census found it was fit for purpose, comparable to previous Australian and international censuses and can be used with confidence.[139][140]
"The Independent Assurance Panel I established to provide extra assurance and transparency of Census data quality concluded that the 2016 Census data can be used with confidence."
Census questions
The Census form had 51 questions relating to the characteristics of individuals, plus an extra nine questions relating to households. Of the sixty questions, the following two questions were optional:[141]
- What is the person's religion?
- Does each person agree to his/her name and address and other information on this form being kept by the National Archives of Australia and then made publicly available after 99 years?
Population and dwellings
The population counts for Australian states and territories were that New South Wales remains the most populous state, with 7,480,228 people counted, ahead of Victoria (5,926,624) and Queensland (4,703,193). Australian Capital Territory (ACT) experienced the largest population growth of any state or territory over the past five years, with an increase of 11.2% while Tasmania had the smallest growth at 3.0% since the last census in 2011.[142] Persons count based on place of usual residence on Census night.
States and territories | Male | Female | Total | % change | |
---|---|---|---|---|---|
New South Wales | 3,686,014 | 3,794,217 | 7,480,228 | 8.1% | |
Victoria | 2,908,077 | 3,018,549 | 5,926,624 | 10.7% | |
Queensland | 2,321,889 | 2,381,308 | 4,703,193 | 8.6% | |
Western Australia | 1,238,419 | 1,235,994 | 2,474,410 | 10.5% | |
South Australia | 825,997 | 850,652 | 1,676,653 | 5.0% | |
Tasmania | 249,478 | 260,482 | 509,965 | 3.0% | |
Australian Capital Territory | 195,739 | 201,653 | 397,397 | 11.2% | |
Northern Territory | 118,570 | 110,266 | 228,833 | 8.0% | |
Other / External territories | Male | Female | Total | % change | |
Christmas Island | 1,130 | 712 | 1,843 | ||
Norfolk Island | 819 | 930 | 1,748 | ||
Cocos (Keeling) Islands | 268 | 273 | 544 | ||
Jervis Bay Territory | 216 | 172 | 391 | ||
Commonwealth of Australia | 11,546,638 | 11,855,248 | 23,401,892 | 8.8% | |
Source:[143][144][142] External territories[145][146][147][148] |
Other Territories
The inclusion of Norfolk Island in Other Territories is new for 2016, following an amendment to the Acts Interpretation Act, 1901. In the 2016 Census, there were 1,748 people, compared with a population of 1,796 in 2011 (Norfolk Island Government Census). Of these 46.8% were male and 53.2% were female. The enumeration of Norfolk Island was an area of special attention for the ABS.
Age
Age | 2016 Census | ||
---|---|---|---|
Number | Percentage | ||
Median age | 38 | – | |
0–4 years | 1,464,779 | 6.3% | |
5–9 years | 1,502,646 | 6.4% | |
10–14 years | 1,397,183 | 6.0% | |
15–19 years | 1,421,595 | 6.1% | |
20–24 years | 1,566,793 | 6.7% | |
25–29 years | 1,664,602 | 7.1% | |
30–34 years | 1,703,847 | 7.3% | |
35–39 years | 1,561,679 | 6.7% | |
40–44 years | 1,583,257 | 6.8% | |
45–49 years | 1,581,455 | 6.8% | |
50–54 years | 1,523,551 | 6.5% | |
55–59 years | 1,454,332 | 6.2% | |
60–64 years | 1,299,397 | 5.6% | |
65–69 years | 1,188,999 | 5.1% | |
70–74 years | 887,716 | 3.8% | |
75–79 years | 652,657 | 2.8% | |
80–84 years | 460,549 | 2.0% | |
85 years and over | 486,842 | 2.1% | |
Source: Australian Bureau of Statistics[149] |
Country of birth
Of all residents over two thirds (66.7% or 15,614,835) were born in Australia. Over a quarter of the population (26.3% or 6,163,667 persons) said they were born overseas, plus 1.6 million did not state any response. The proportion of overseas-born people from Asia has increased from 33% in 2011 to 40%, while Europe has declined from 40% in 2011 to 34% in 2016.
However, England (907,572 or 3.9% of Australia's population) remains the most common country of birth, followed by New Zealand (518,466 or 2.2%).[150] It was question 12 on the 2016 Census Household Paper Form.[151]
Country of Birth | Population | Percent of population |
Ref(s) | |
---|---|---|---|---|
Australia | 15,614,835 | 66.7% | [153] | |
New South Wales | 4,899,090 | 65.5% | [154] | |
Victoria | 3,845,493 | 64.9% | [155] | |
Queensland | 3,343,657 | 71.1% | [156] | |
South Australia | 1,192,546 | 71.1% | [157] | |
Western Australia | 1,492,842 | 60.3% | [158] | |
Tasmania | 411,490 | 80.7% | [159] | |
Northern Territory | 157,531 | 68.8% | [160] | |
Australian Capital Territory | 269,682 | 68.0% | [161] | |
Total, Overseas-born | 6,163,667 | 26.3% | ||
Oceania | ||||
New Zealand | 518,462 | 2.2% | [162] | |
Europe | ||||
England | 907,572 | 3.9% | [150] | |
Scotland | 119,420 | 0.4% | [163] | |
Wales | 28,047 | 0.1% | [164] | |
Northern Ireland | 23,025 | 0.1% | [165] | |
Italy | 174,044 | 0.7% | [166] | |
Germany | 102,595 | 0.4% | [167] | |
Greece | 93,745 | 0.4% | [168] | |
Republic of Ireland | 74,895 | 0.4% | [169] | |
Netherlands | 70,174 | 0.3% | [170] | |
Poland | 45,365 | 0.2% | [171] | |
Croatia | 43,681 | 0.2% | [172] | |
France | 31,124 | 0.1% | [173] | |
Portugal | 15,809 | 0.1% | [174] | |
Spain | 15,396 | 0.1% | [175] | |
Other European Countries | – | |||
Asia | ||||
China[a] | 509,557 | 2.2% | [176] | |
India | 455,388 | 1.9% | [177] | |
Philippines | 232,384 | 1.0% | [178] | |
Vietnam | 219,357 | 0.9% | [179] | |
Malaysia | 138,365 | – | [180] | |
Sri Lanka | 109,853 | [181] | ||
South Korea | 98,775 | 0.4% | [182] | |
Hong Kong | 86,888 | - | [183] | |
Lebanon | 78,651 | - | [184] | |
Indonesia | 73,217 | – | [185] | |
Iraq | 67,355 | – | [186] | |
Thailand | 66,231 | – | [187] | |
Pakistan | 61,915 | – | [188] | |
Iran | 58,106 | – | [189] | |
Africa | ||||
South Africa | 162,448 | 0.7% | [190] | |
America | – | – | ||
United States | 86,133 | 0.4% | [191] | |
Canada | 43,049 | – | [192] | |
Polynesia | – | – | ||
Fiji | 61,473 | – | [193] | |
Not stated | 1,636,000 | 7.0% | [194] | |
Totals, Australia | 23,401,892 | 100.0% | – | |
Source: Bureau of Statistics[153][194] |
Culture, ancestry and language
Ancestries
The top reported ancestries in Australia and for the external territory of Norfolk Island as a percentage of population.[195] Results of the ABS Census of Population and Housing, 2016 are as follows.
Australia | ||
---|---|---|
Ancestry | Number | Percentage |
English | 7,852,224 | 36.1% |
Australian | 7,298,243 | 33.5% |
Irish | 2,388,058 | 11.0% |
Scottish | 2,023,470 | 9.3% |
Chinese | 1,213,903 | 5.6% |
Source: ABS[196] |
External territories
Norfolk Island | ||
---|---|---|
Ancestry | Number | Percentage |
Australian | 553 | 22.8% |
English | 543 | 22.4% |
Pitcairn | 484 | 20.0% |
Scottish | 145 | 6.0% |
Irish | 125 | 5.2% |
Source: ABS[197] |
- Australian Aboriginals and Torres Strait Islanders
There were 649,171 Indigenous Australians, who made up 2.8% of Australia's population.
Religion
Religious affiliation | 2016 census | |||
---|---|---|---|---|
Number | Percentage | |||
Christian | 12,201,600 | 52.1% | ||
Anglican | 3,101,191 | 13.3% | ||
Baptist | 345,142 | 1.5% | ||
Catholic (Roman) | 5,291,830 | 22.6% | ||
Christianity (defined and not defined) | 768,649 | 6.3% | ||
Eastern Orthodox, Oriental Orthodoxy, and Assyrian Apostolic | 567,680 | 2.1% | ||
Jehovah's Witnesses | 82,510 | 0.4% | ||
Latter-day Saints | 61,639 | 0.3% | ||
Lutheran | 174,019 | 0.7% | ||
Pentecostal | 260,560 | 1.1% | ||
Presbyterian and Reformed | 524,338 | 2.3% | ||
Salvation Army | 48,939 | 0.2% | ||
Seventh-day Adventist | 62,945 | 0.3% | ||
Uniting Church in Australia | 870,183 | 3.7% | ||
Non-Christian | 1,464,162 | 6.3% | ||
Buddhism | 563,674 | 2.4% | ||
Hinduism | 440,330 | 1.9% | ||
Islam | 604,420 | 2.6% | ||
Judaism | 91,022 | 0.4% | ||
Sikhism | 125,901 | 0.5% | ||
No Religion | 7,040,717 | 30.1% | ||
Not stated or unclear | 2,238,735 | 9.6% | ||
Australia | 23,401,892 | 100% | ||
Source: Australian Bureau of Statistics.[198][199][200][201] |
Language
- 80.7% spoke only English at home.
- 19.3% spoke a language other than English at home. The most common of these were:
- 2% of the population could not speak English at all.[201]
Homelessness
The number of homeless people in Australia jumped by more than 14,000 — or 14 per cent — in the five years to 2016, according to census data. The Australian Bureau of Statistics (ABS) said 116,000 people were homeless on census night in 2016, representing 50 homeless people per 10,000.[202] The majority of homeless people in Australia were male.[203] In addition, Indigenous Australians and recent migrants were over-represented among the homeless.[203]
Notes
- ^ (excluding Special administrative regions of China (SARs) and Taiwan).
1899
Tenth Census of Puerto Rico | ||
---|---|---|
| ||
General information | ||
Country | Puerto Rico | |
Results | ||
Total population | 953,243 ( 16.0%[204]) | |
Most populous | Ponce (203,191) | |
Least populous | Aguadilla (99,645) |
The 1899 Puerto Rico Census (or Porto Rico as it was then commonly called), was the first national population census held in Porto Rico under U.S. control by the U.S. Census Bureau for the U.S. War Department.[205] It is also the tenth-census combined with the previous censuses taken by Spain. The day used for the census, was Friday November 10, 1899. The total population of the island of Puerto Rico was counted as 953,243 - an increase of 154,678 people or 16% since the previous 1887 Census by the Spanish government.[206]
Population schedule
The population schedule used in the census, translated into English and reduced in size is as follows:[207]
Situation
- Street.
- Number of house.
- Number of house or building in the order of visitation.
- Number of family in the order of visitation.
- Name of every person residing with this family or in this house
Relationship
- Relationship of each person to the head of the family.
Personal description
Nativity
- Native country of this person.
Citizenship
Occupation
- Occupation, trade or profession of every person 10 years of age and over.
Instruction
- Months of attendance at school during the last school year.
- Can read. (primary)
- Can write. (primary)
- Higher.
Sanitary conditions
- Source of water used.
- Disposition of garbage.
- Latrine system.
Method of Tabulation
It was taken that to save time, the tabulation should be done by machine and not by the old hand-tally system. As the machines invented by Mr Herman Hollerith were successfully used in the earlier eleventh and were to be used for the twelfth U.S. census, it was adopted.[208]
Population and dwellings
Department | Total population | Increase | ||
---|---|---|---|---|
Humacao (with Río Grande) | 100,866 | 8.2% | ||
Mayagüez | 127,566 | 10.0% | ||
Guayama | 111,986 | 15.5% | ||
Aguadilla | 99,645 | 15.7% | ||
Bayamón (less Rio Grande) | 147,681 | 20.2% | ||
Ponce | 203,191 | 27.5% | ||
Arecibo | 162,308 | 30.7% | ||
Puerto Rico | 953,243 | 19.4% | ||
Source:[209]Report on the census of Porto Rico - 1899 |
Municipal districts
Aguadilla department | 99,645 | Guayama department-continued | ||
Aguada | 10,581 | Cidra | 7,552 | |
Aguadilla | 17,830 | Comerio | 8,249 | |
Isabela | 14,888 | Guayama | 12,749 | |
Lares | 20,883 | Gurabo | 8,700 | |
Moca | 12,410 | Juncos | 8,429 | |
Rincón | 6,641 | Salinas | 5,731 | |
San Sebastian | 16,412 | San Lorenzo | 13,433 | |
Arecibo department | 162,308 | Humacao department | 88,501 | |
Arecibo | 36,910 | Fajardo | 16,782 | |
Barceloneta | 9,357 | Humacao | 14,313 | |
Camuy | 10,887 | Maunabo | 6,221 | |
Ciales | 18,115 | Naguabo | 10,873 | |
Hatillo | 10,449 | Patillas | 11,163 | |
Manati | 13,989 | Piedras | 8,602 | |
Morovis | 11,309 | Vieques | 6,642 | |
Quebradillas | 7,432 | Yabucoa | 13,905 | |
Utuado | 43,860 | Mayagüez department | 127,566 | |
Bayamon department | 160,046 | Añasco | 13,311 | |
Bayamon | 19,940 | Cabo Rojo | 16,154 | |
Carolina | 11,965 | Hormigueros | 3,215 | |
Corozal | 11,508 | Lajas | 8,789 | |
Dorado | 3,804 | Las Marias | 11,279 | |
Loiza | 12,522 | Maricao | 8,312 | |
Naranjito | 8,101 | Mayagüez | 35,700 | |
Rio Grande | 12,365 | Sabana Grande | 10,560 | |
Rio Piedras | 13,760 | San German | 20,246 | |
San Juan | 32,048 | Ponce department | 203,191 | |
Toa Alta | 7,908 | Adjuntas | 19,484 | |
Toa Baja | 4,030 | Aibonito | 8,596 | |
Trujillo Alto | 5,683 | Barranquitas | 8,103 | |
Vega Alta | 6,107 | Barros | 14,845 | |
Vega Baja | 10,305 | Coamo | 15,144 | |
Guayama department | 111,986 | Guayanilla | 9,540 | |
Aguas Buenas | 7,977 | Juana Diaz | 27,896 | |
Arroyo | 4,867 | Peñuelas | 12,129 | |
Caguas | 19,857 | Ponce | 55,477 | |
Cayey | 14,442 | Santa Isabel | 4,858 | |
- | - | Yauco | 27,119 | |
Source:[210]Report on the census of Porto Rico - 1899 |
Age
Department | Median age | ||
---|---|---|---|
Guayama | 17.3 | ||
Arecibo | 17.6 | ||
Humacao | 17.7 | ||
Aguadilla | 17.9 | ||
Bayamon | 18.2 | ||
Ponce | 18.5 | ||
Mayaguez | 19.1 | ||
Source: 1899 Census of Porto Rico.[211] |
Birthplace
The number of foreign-born returned by the census is 13,872 or about 1.5% of the total population. There were few regions in the western hemisphere in which the proportion of natives is so high and that of the foreign-born so low. Of the total number of foreigners 5,935 or 43 per cent were found in the three cities of San Juan, Ponce and Mayagüez. Of the total foreign-born 7,690 or 55 per cent were born in Spain.[213]
Country | Population |
Percentage | |
---|---|---|---|
Puerto Rico | 939,371 | 98.5% | |
Totals, Foreign-born | 13,872 | 1.5% | |
Spain | 7,690 | ||
Spanish America | 1,542 | 0.2% | |
West India islands | 1,194 | - | |
Africa | 427 | - | |
United States | 1,069 | 0.1% | |
China | 68 | - | |
Puerto Rico | 953,243 | 100.0% | |
Source: 1899 Porto Rico census[214]
|
Race
With reference to race, the population of Porto Rico is divided by the census into two main classes - those who are and those who are not pure whites, or Caucasians. The number belonging to each of these classes is as follows:
Race | Population | Percentage | |
---|---|---|---|
White | 589,426 | 61.8% | |
Colored* | 363,817 | 38.2% | |
(Persons of mixed blood) | 304,352 | 83.6% | |
Puerto Rico | 953,243 | 100.00% | |
Source: 1899 Census of Porto Rico.[215] |
The colored in the table includes very few (75) Chinese and many persons of mixed white and Black African blood as well as pure Black. Somewhat more than three-fifths of the population of Porto Rico are white and nearly two-fifths are partly or entirely negro or Black. By the 1899 census five-sixths (83.6 per cent) of the total colored were returned as of mixed blood.[216]
Notes
This article incorporates text from this source, which is in the public domain: Report on the census of Porto Rico, 1899
1911
First commonwealth census | ||
---|---|---|
| ||
General information | ||
Country | Commonwealth of Australia | |
Results | ||
Total population | 4,455,005 ( 18.05%) | |
Most populous | New South Wales (1,646,734) | |
Least populous | Federal Territory (1,714) |
The 1911 Australian census was the first national population census held in Australia. The day used for the census, was taken for the night between the 2 and 3 April 1911. The total population of the Commonwealth of Australia was counted as 4,455,005 - an increase of 681,204 people, 18.05% over the 1901 "Federation" Census.[217][a][218]
The Census Volumes II and III were published on 30 September 1914. At that time it was intended to issue shortly thereafter Volume 1.[219]
Collection method
The first Commonwealth Statistician was George Handley Knibbs. He began his career as a licensed surveyor in government service. On Monday 3 April 1911, census collectors set out all over Australia under mostly clear skies to begin gathering in Australia's first national census forms. They covered suburbs to rural towns and the outback. They travelled by bike or horse where they had the transport that was needed to cover large areas, however, most travelled by foot. Some in Northern Queensland had to find their way through a flooded landscape while others in South Australia had difficulties finding water and fodder for their horses due to droughts. They had distributed the forms prior to the census day.[220]
There was a permanent staff of the ‘Bureau of Census and Statistics’ which consisted of the Statistician (Knibbs) and many assistants, some young men working as clerks as well as a couple of messenger boys. A female typist had joined soon after. They worked in the old Rialto Building in Collins Street, Melbourne.[221]
Collectors had to supply their own transport and cover any associated costs such as fodder and petrol. They were paid according to their method of transport. Collectors on foot were paid ten shilling a day, those on bicycle fifteens shillings a day and those on horse 20 shillings a day. Police were used in the days immediately following the census to get travellers, swagmen and campers to provide their information. Train conductors and ships' captains were also used as collectors in the 1911 census and several subsequent censuses, to cover people travelling overnight on census night.[222]
Census questions
For Every Person present in the Night from 2 to 3 April 1911, or returning on 3rd April (if not included elsewhere).[223]
- Name in full (Underline Surname.)
- Sex - {Write M for Male}, {Write F for Female}
- Date of Birth: Day
- If married, write M. If widowed, write W. If divorced, write D. If never married, write N. M.
- Date of existing Marriage: Year.................
- Number of Children (living and dead) from existing Marriage .....................
- (a) Number of Children: (living and dead) from previous Marriage ...............
- Relation to Head of Household
- State if Blind or Deaf and Dumb ................
- Country (or Australian State) where born
- If a British subject by parentage. write P.
- If a British subject by Naturalization. write N.
- Race -
- If born outside Commonwealth, state length of residence therein
- (a) Date of Arrival in Commonwealth
- Religion
- Education
- (a) At present receiving Education
- Profession or Occupation
(If engaged in more than one occupation. underline principal occupation.)- (a) State if Employer or Employee, &c
- (b) If out of work, state period
- (c) Occupation of Employer (if any).
Population and dwellings
Population counts for Australian states and territories had 4,455,005 and 19,939 full-Aboriginals (counted separately) for a total population of 4,474,944.[224]
Note: All figures are for the census usually resident population count.
States and Territories | Males | Females | Total |
---|---|---|---|
States | |||
New South Wales | 857,698 | 789,036 | 1,646,734 |
Victoria | 655,591 | 659,960 | 1,315,551 |
Queensland | 329,506 | 276,307 | 605,813 |
South Australia | 207,358 | 201,200 | 408,558 |
Western Australia | 161,565 | 120,549 | 282,114 |
Tasmania | 97,591 | 93,620 | 191,211 |
Territories | |||
Northern Territory | 2,734 | 576 | 3,310 |
Federal Territory | 992 | 722 | 1,714 |
Commonwealth of Australia | 2,313,035' | 2,141,970 | 4,455,005 |
Source: Australian Bureau of Statistics[b][225][226] |
States and Territories | Males | Females | Total |
---|---|---|---|
States | |||
New South Wales | 1,152 | 860 | 2,012 |
Victoria | 103 | 93 | 196 |
Queensland | 5,145 | 3,542 | 8,687 |
South Australia | 802 | 637 | 1,439 |
Western Australia | 3,433 | 2,936 | 6,369 |
Tasmania | 2 | 1 | 3 |
Territories | |||
Northern Territory | 743 | 480 | 1,223 |
Federal Territory | 5 | 5 | 10 |
Commonwealth of Australia | 11,385 | 8,554 | 19,939 |
Source: ABS[227] |
Birthplace
At the Census of the 3rd April, 1911, each person was asked to state on a " personal" card, the" Country or Australian State where born," and to state on a "personal" card, the Country or Australian State where born," and from the replies to this query, taken in conjunction with the other data furnished, the tables contained in Part II.[228]
Country of birth | Population | Percent | |
---|---|---|---|
Australasia | 3,699,538 | 83.62% | |
Australia | 3,667,670 | 82.90% | |
New South Wales | 1,315,030 | - | |
Victoria | 1,181,787 | - | |
Queensland | 415,064 | - | |
South Australia | 394,768 | - | |
Western Australia | 114,550 | - | |
Tasmania | 193,770 | - | |
Northern Territory | 710 | - | |
Australia (undefined) | 51,991 | - | |
Totals, Overseas-born | 787,335 | 17.10% | |
New Zealand | 31,868 | 0.72% | |
Europe | 664,671 | 15.02% | |
England | 346,030 | 7.75% | |
Scotland | 93,083 | - | |
Isle of Man | 1,007 | - | |
Ireland | 139,434 | - | |
Wales | 12,175 | - | |
Other European British pos. | 2,378 | - | |
Austria-Hungary | 2,774 | - | |
Belgium | 339 | - | |
Denmark | 5,663 | - | |
France | 2,876 | - | |
Germany | 32,990 | - | |
Greece | 1,798 | - | |
Italy | 6,719 | - | |
Netherlands | 745 | - | |
Norway | 3,451 | - | |
Portugal | 173 | - | |
Russia | 4,456 | - | |
Spain | 658 | - | |
Sweden | 5,586 | - | |
Switzerland | 1,736 | - | |
Other European Countries | 600 | - | |
Asia | 36,442 | 0.82% | |
China | 20,775 | - | |
Africa | 4,958 | 0.11% | |
South Africa (undefined) | 2,525 | - | |
America | 11,278 | 0.25% | |
United States of America | 6,642 | - | |
Canada | 2,944 | - | |
Polynesia | 3,410 | 0.08% | |
Fiji | 852 | - | |
At sea | 4,238 | 0.10% | |
Unspecified | 30,470 | - | |
Totals, Commonwealth | 4,455,005 | 100.00% | |
Source: ABS[230] |
Race
At the first Australian census in 1911 only those "aboriginal natives" living near European settlements were enumerated, and the main population tables included only those of half or less Aboriginal descent. Details of those "full-blood" Aborigines enumerated were included in separate tables.[231]
Race | Population | Percentage | |
---|---|---|---|
European | 4,402,662 | 98.83% | |
Totals, non-European | 52,343 | 1.17% | |
Aboriginals (half) | 10,113 | 0.23% | |
Asiatic | 38,690 | 0.87% | |
Chinese | 25,772 | - | |
Hindus | 3,698 | - | |
Japanese | 3,576 | - | |
African | 693 | 0.01% | |
American | 89 | 0.00% | |
American Indians | 51 | - | |
West Indies (so described) | 35 | - | |
Polynesian | 2,751 | 0.06% | |
Polynesians (so described) | 2,197 | - | |
Papuans | 375 | - | |
Indefinite | 7 | 0.00% | |
Commonwealth | 4,455,005 | 100.00% | |
Full-Aboriginal (counted separately)* | 19,939 | - | |
Totals.. | 4,474,944 | 100.00% | |
Source:[232][233] |
Religion
According to these figures it appears that of the 4,455,005 people in Australia on census day (April 3. 1911) 4,274,414 were Christians, 36,785 non-Christians, 14,673 are described as indefinite, 10,016 were of no religion, 83,003 objected to state to what faith, if any, they belonged, and the remaining 36,114 were unspecified.
Religion. | 1911 Census | ||
---|---|---|---|
Number | Percentage | ||
Christian | 4,274,414 | 95.95% | |
Church of England | 1,710,443 | 38.4% | |
Presbyterians | 558,336 | - | |
Methodists | 547,806 | - | |
Baptist | 97,074 | - | |
Congregational | 74,046 | - | |
Lutheran | 72,395 | - | |
Church of Christ | 38,748 | - | |
Salvation Army | 26,665 | - | |
Seventh-day Adventist | 6,095 | - | |
Unitarian | 2,175 | - | |
Protestant (undefined) | 109,861 | - | |
Roman; Catholic | 921,425 | 20.7% | |
Greek Catholic | 2,646 | - | |
Catholic (undefined) | 75,379 | - | |
Others | 31,320 | - | |
Non-Christian | 36,785 | ||
Hebrew | 17,287 | - | |
Confucian | 5,194 | - | |
Mohammedan | 3,908 | - | |
Buddhist | 3,269 | - | |
Pagan | 1,447 | - | |
Others | 5,680 | - | |
Indefinite | 14,673 | ||
Freethinker | 3,254 | - | |
Agnostic | 3,084 | - | |
No Denomination | 2,688 | - | |
Others | 5,647 | - | |
No Religion | 10,016 | ||
No Religion | 9,251 | - | |
Atheist | 579 | - | |
Others | 186 | - | |
Object to state | 83,003 | - | |
Unspecified | 36,114 | - | |
Grand total .. | 4,455,005 | 100.00% | |
Source: ABS[234] |
Notes
- ^ (Excluding the Dwellings occupied solely by Full-blooded Aboriginals).
- ^ At the Census of 3rd April, 1911 (Full-blooded Aboriginals not included).
1911
Fifteenth census of the Dominion of New Zealand | ||
---|---|---|
| ||
General information | ||
Country | Dominion of New Zealand, British Empire | |
Results | ||
Total population | 1,058,313[235] ( 13.03%) | |
Most populous | Auckland (264,520) | |
Least populous | Westland (15,714) |
The 1911 New Zealand census was New Zealand's fifteenth national census.[236] The day used for the census was Sunday, 2 April 1911.[236][237]
The total population of the Dominion of New Zealand was counted as 1,058,313 – an overall increase of 122,004 people or 13.03% over the 1906 census figure.[235] The Māori census counted a total of 49,844, of whom 26,475 were males and 23,369 females, another 2,877 in the general census which made up 5 percent of the total night population.[238] The total enumerated in the European (general) census was 1,008,468 of whom 531,910 were Males and 476,558 Females. The Māori census was held in March, while the general census was held in April.[236][237]
The Census and Statistics Act 1910 created the Office of the Government Statistician within the Registrar General's Office. The Act (as in the 1911 census report) reiterated the penalties for those who refuse to fill out their census schedules and collectors who disclose the content of individual census schedules.[239]
Population and dwellings
The principal natural divisions in New Zealand are the North, South, and Stewart Islands. The "Distribution of European populations" of the various provincial districts are as follows:[240]
Region | Males | Females | Total population | ||
---|---|---|---|---|---|
Auckland | 141,700 | 122,820 | 264,520 | ||
Taranaki | 27,785 | 23,784 | 51,560 | ||
Hawke's Bay | 25,769 | 22,777 | 48,546 | ||
Wellington | 104,945 | 94,149 | 199,094 | ||
Totals, North Island | 300,199 | 263,530 | 563,729 | ||
Marlborough | 8,745 | 7,240 | 15,985 | ||
Nelson | 26,958 | 21,505 | 48,463 | ||
Westland | 8,719 | 6,995 | 15,714 | ||
Canterbury | 88,391 | 84,794 | 173,185 | ||
Otago | |||||
Otago portion | 66,995 | 65,407 | 132,402 | ||
Southland portion | 31,735 | 36,993 | 58,728 | ||
Totals, South Island | 231,323 | 212,797 | 444,120 | ||
Stewart Island | 220 | 137 | 357 | ||
Chatham Islands | 166 | 92 | 258 | ||
Kermadec Islands | 2 | 2 | 4 | ||
Dominion of New Zealand | 531,910 | 476,558 | 1,008,468 | ||
Source:[241] Total (including Chinese and Half-castes) |
The Maori population of the Dominion (not included above), according to the result of a separate census taken in April 1911, amounted to 49,844. Of these, 46,632 persons were found to be in the North Island, 2,681 persons in the South Island, 63 at Stewart Island, and 219 Maoris and Morioris at the Chatham Islands. There were 249 Maori wives of European husbands enumerated in the European census.
The total population of the Dominion (including Maoris and residents of the Cook and other Pacific Islands) in April 1911, was: Persons, 1,070,910; males, 564,834; females, 506,076; of these, 2,630 were Chinese—2,542 males, 88 females. The population of the Cook and other Pacific Islands now included within the boundaries of the Dominion was 12,598 persons, of whom 180 were whites or half-castes living as whites. There were also 513 Natives of these islands absent on ships or at the guano islands.
Māori census
The census of the Māori population—that is, full-blooded Maoris, with all half-castes living as members of Native tribes—was taken under the supervision of the officers of the Native Department in April 1911.
Area | Males | Females | Population | ||
---|---|---|---|---|---|
North Island | 24,935 | 21,697 | 46,632 | ||
Middle Island | 1,886 | 1,295 | 2,681 | ||
Stewart Island | 42 | 21 | 63 | ||
Chatham Islands | |||||
Māori | 105 | 99 | 204 | ||
Moriori | 7 | 8 | 15 | ||
Māori wives living with European husbands | - | 249 | 249 | ||
Totals, New Zealand | 26,475 | 23,369 | 49,844 | ||
Source:[237]
|
Notes: (excludes half-Māori counted in the separate European census) The pure-blood Moriori are practically extinct, and those now claiming to be Morioris are half-caste Moriori-Maoris.
Besides the half-castes (living as Members of Maori Tribes) included in the above table, there were 2,877 half-castes (males, 1,475; females, 1,402) living with and enumerated as Europeans in the other census.
Birthplace
The figures show that of the total population of specified birthplace had New Zealand-born at 69.74% and 30.26% were born-overseas.
Birthplaces | Population |
Percentage | Population increase or decrease |
---|---|---|---|
New Zealand | 702,779 | 69.74% | +15.92% |
Totals, overseas-born | 305,689 | 30.26% | – |
England | 133,811 | 13.28% | +14.80% |
Scotland | 51,709 | 5.13% | +8.25% |
Ireland | 40,958 | 4.06% | −3.53% |
Wales | 2,206 | 0.22% | +2.89% |
Australia, Tasmania, and Fiji | 50,693 | 5.03% | – |
Other British Possessions | 4,570 | 0.46% | – |
Total British | 986,726 | 97.92% | – |
Germany | 4,015 | 0.40% | −3.80% |
Denmark and Possessions | 2,262 | 0.22% | −0.65% |
Other European countries | 55 | – | +19.56% |
United States of America | 1,400 | 0.13% | +21.10% |
China | 2,611 | 0.25% | +0.34% |
At sea | 1,392 | 0.14% | +11.80% |
Birthplaces not stated | 779 | – | +65.04% |
Total for specified birthplaces | 1,007,689 | – | +13.46% |
New Zealand | 1,008,468 | 100.00% | 13.49% |
Source:[237] |
Religious denominations
Denomination | 1911 census | ||
---|---|---|---|
Population | Percentage | ||
Christian | 931,170 | 92.62% | |
Church of England | 411,671 | 40.93% | |
Presbyterians | 234,662 | 23.34% | |
Roman; Catholics | 139,191 | 13.84% | |
Catholics (undefined) | 1,332 | 0.13% | |
Baptists | 20,042 | 2.00% | |
Church of Christ (Christians, Christian Disciples, Disciples of Christ, Disciples) |
9,187 | 0.92% | |
Congregationalists | 8,756 | 0.88% | |
Brethren (Christian Brethren, Exclusive Brethren, Open Brethren, Plymouth Brethren) |
7,865 | 0.78% | |
Lutheran (German Protestants) | 4,477 | 0.44% | |
Methodist Church of Australasia | 63,959 | 6.36% | |
Primitive Methodists | 27,445 | 2.74% | |
Society of Friends | 412 | 0.04% | |
Protestants (undescribed) | 2,171 | 0.22% | |
Hebrews | 2,128 | 0.21% | |
No Denomination | - | – | |
Freethinkers | 4,238 | 0.42% | |
Not described | - | – | |
Objecting to state | - | – | |
New Zealand | 1,008,468 | 100.00% | |
Source:[237] |
1851 estimate
District / Settlement | Males | Females | Total | Percent |
---|---|---|---|---|
Auckland | ||||
Auckland | 5,282 | 4,148 | 9,430 | 35.3% |
Windsor (near Auckland) | ||||
Bay of Islands | ||||
Hokianga | ||||
Smaller settlements | ||||
New Plymouth | 845 | 687 | 1,532 | 5.7% |
Wellington | 3,613 | 2,796 | 6,409 | 24.0% |
New Ulster | 9,740 | 7,631 | 17,371 | 65.0% |
Nelson | 2,317 | 1,970 | 4,287 | 16.1% |
Canterbury | ||||
Akaroa | 1,965 | 1,308 | 3,273 | 12.3% |
Rest of province | ||||
Otago | 1,013 | 763 | 1,776 | 6.6% |
New Munster | 2,978 | 2,071 | 9,336 | 35.0% |
Colony of New Zealand | 15,035 | 11,672 | 26,707 | 100.0% |
Source: Dominion Committee[242] Blue Books[243][244] |
1916
Sixteenth census of the Dominion of New Zealand | ||
---|---|---|
| ||
General information | ||
Country | Dominion of New Zealand, British Empire | |
Results | ||
Total population | 1,149,225[245] 1,162,022[246] 1,162,293[247] ( 8.59%) | |
Most populous | Auckland (308,766) | |
Least populous | Westland (15,502) |
The 1916 New Zealand census was the sixteenth national population census. The day used for the census was Sunday, 15 October 1916.[236] The census of the Dominion of New Zealand revealed a total population of 1,149,225 - an overall increase of 90,981 or 8.59% over the 1911 census figure.[a][b][248][249][250]
Enumeration
In 1916 a new departure was made in connection with the enumeration of Māori. The Māori census counted 49,776 (excludes Māori counted in the European census) for a total of 52,997, fewer than 1,900 reside in the South Island.[251][252] It was decided to enumerate the (South Island) Māori with the enumeration of the European population, the same schedules being used and the work done by the same Enumerators and Sub-Enumerators as for the European population. The North Island Māori census, however, was also taken in October.
Cost
The census of 1916 witnessed an important innovation in respect of the mode of distribution and collection of the census schedules, resulting in a considerable saving of expense. This was the substitution of the machinery of the Post Office for the old system of special Enumerators.
Not only was the work performed more economically (the cost of collection was approximately £20,600 in 1911 and £17,500 in 1916), but the schedules were in much better condition than at any previous census, the proportion of incomplete entries being infinitesimal, and the necessity for queries being reduced to practically nil. A point in connection with the 1916 census was the increase in the number of Enumerators' districts—ninety-five, as compared with fifty-nine in 1911—and it is probable that the consequential reduction in the average size of the districts made for increased efficiency.
Summary
The results of the census covered these topics: (Separate Volumes) (published 1920)[253]
- Part I Population (published 1918)
- Part II Ages (published 1918)
- Part III Birthplaces and Length of Residence (published 1918)
- Part IV Religions (published 1918) (20pp)
- Part V Education (published 1918)
- Part VI Infirmity (published 1918)
- Part VII Conjugal Condition (published 1918)
- Part VIII Fertility (published 1919)
- Part IX Occupations and Unemployment (published 1919)
- Part X Race Aliens (published 1919)
- Part XI Dwellings (published 1919)
- Part XII Households (published 1920)
Appendix A Maori Census
Appendix B Population of Cook and Other Annexed Pacific Islands*
Appendix C Religious Denominations (Places of Worship etc.) and Libraries
Appendix D Census of Industrial Manufacture*
Appendix E Poultry and Bees
Population and dwellings
The principal natural divisions in New Zealand are the North, South, and Stewart Islands. These contain nearly the whole population of European descent, the Cook and other annexed islands being inhabited almost solely by Natives.
The populations of the various provincial districts are as follows:[254]
Provincial District | Males | Females | Total population | ||
---|---|---|---|---|---|
Auckland | 155,298 | 153,468 | 308,766 | ||
Taranaki | 28,773 | 27,150 | 55,925 | ||
Hawke's Bay | 27,194 | 27,073 | 54,267 | ||
Wellington | 119,572 | 112,542 | 232,114 | ||
Totals, North Island | 330,839 | 320,233 | 651,072 | ||
Marlborough | 8,506 | 8,102 | 16,608 | ||
Nelson | 22,415 | 20,836 | 43,251 | ||
Westland | 8,088 | 7,414 | 15,502 | ||
Canterbury | 88,085 | 93,784 | 181,869 | ||
Otago | |||||
Otago Portion | 63,546 | 67,972 | 131,518 | ||
Southland Portion | 30,296 | 29,333 | 59,629 | ||
Totals, South Island^ | 220,936 | 227,441 | 448,377 | ||
Dominion of New Zealand | 551,771 | 547,674 | 1,099,449 | ||
^Includes Stewart Island and Chatham Islands
|
Distribution
Distribution | Males | Females | Total |
---|---|---|---|
Population of the Dominiona | 551,775 | 547,674 | 1,099,449 |
Māori populationb | 25,931 | 23,840 | 49,771 |
Morioris at Chatham Islands | 2 | 3 | 5 |
Totals, New Zealand | 577,715 | 571,510 | 1,149,225 |
a European, (Māori living as Europeans) and others. (excluding Māori and residents of Cook and other Pacific islands).
b Includes 3,529 half-castes living as Māoris.
Population of Cook and other annexed islands† | 6,553 | 6,244 | 12,797 |
Total, (excluding Samoa) | 584,261 | 577,761 | 1,162,022 |
Samoa (Expeditionary Force and New Zealand civilians) | 246 | 25 | 271 |
Total, Pacific Islands | 584,507 | 577,786 | 1,162,293 |
---|---|---|---|
Notes: † Includes 112 soldiers in camp in New Zealand.
Birthplace
Question 8 on the census form asked the question: (a.) Country where born... (not county, town or subdivision.) If born outside the British Empire or if born at sea, add "P." if a British subject by parentage, add "N". if a British subject by nationalization.[258] The figures show that of the total population of specified birthplace (1,097,841), 1,077,808, or 98.17 per cent., were born on British soil, 1.70 per cent, on foreign soil, and 0.13 per cent, at sea.[259] For the overseas-born census usually resident population:
Country | Population | Percentage | |
---|---|---|---|
New Zealand-born | 794,139 | 72.34% | |
Totals, Overseas-born | 305,310 | 27.66% | |
England | 140,997 | 12.84% | |
Scotland | 51,951 | 4.73% | |
Commonwealth of Australia | 45,585 | 4.15% | |
Ireland | 37,380 | 3.40% | |
Wales | 2,197 | 0.20% | |
Other British possessions | 5,559 | 0.51% | |
Totals, British soil | 1,077,808 | 98.17% | |
Austria-Hungary | 2,365 | 0.22% | |
German Empire | 2,999 | 0.27% | |
Denmark | 2,244 | 0.20% | |
Chinese Empire | 2,041 | 0.19% | |
Other foreign countries | 9,007 | 0.82% | |
Total foreign | 18,656 | 1.70% | |
At sea | 1,377 | 0.13% | |
Not stated | 1,608 | - | |
Total that specified a birthplace | 1,097,841 | 100.0% | |
New Zealand | 1,099,449 | 100.0% | |
Source: Statistics NZ[260]
|
Race
The census form asked the question (a.) Country where born... (b.) Race.[261])
Race | Males | Females | Total population | Percent |
---|---|---|---|---|
European | 547,505 | 545,519 | 1,093,024 | 95.11% |
Māori | 27,446 | 25,551 | 52,997 | 4.61% |
Others | 2,757 | 447 | 3,204 | 0.28% |
Chinese | 2,017 | 130 | 2,147 | - |
Syrians | 267 | 192 | 459 | - |
Hindus | 167 | 14 | 181 | - |
Negroes | 79 | 16 | 95 | - |
Japanese | 55 | 4 | 59 | - |
New Zealand | 577,715 | 571,510 | 1,149,225 | 100.0% |
Māori census
Location | Total population | ||||
---|---|---|---|---|---|
North Island | 47,545 | ||||
South Island | 1,590 | ||||
Stewart Island | 4 | ||||
Chatham Islands | |||||
Māoris | 253 | ||||
Morioris | 5 | ||||
Māori wives living with European husbands | 379 | ||||
Totals, New Zealand | 49,776 | ||||
Source: (excludes Māori living as Europeans.)[265]
|
Religion
Members of Christian denominations formed 95.71 per cent. of those who made answer to the inquiry at the last census; non-Christian sects were 0.44 per cent.; and those who described themselves as of no religion 0.39 per cent.; whilst "indefinite" religions constituted 1.12 per cent.
Denomination | 1916 census | |
---|---|---|
Number | Percentage | |
Christian | 1,048,479 | 95.71% |
Church of England | 459,021 | 42.90% |
Presbyterians | 260,659 | 24.36% |
Methodists | 106,024 | 9.91% |
Baptists | 20,872 | 1.95% |
Congregationalists | 8,221 | 0.77% |
Lutherans | 3,530 | 0.33% |
Salvation Army | 10,004 | 0.94% |
Brethren | 9,758 | 0.91% |
Church of Christ | 9,249 | 0.86% |
Unitarians | 1,402 | 0.13% |
Society of Friends | 431 | 0.04% |
Roman; Catholics and Catholics undefined | 151,605 | 14.17% |
Other Christians | 7,703 | 0.72% |
Hebrews | 2,341 | 0.22% |
Other specified religions | 14,817 | 1.39% |
No religion | 4,311 | 0.40% |
Totals, specified religions | 1,069,948 | 100.00% |
Object to state | 25,577 | - |
Unspecified | 3,924 | - |
Grand totals, New Zealand | 1,099,449 | - |
Notes
- ^ Excludes members of armed forces absent overseas.
- ^ The population including the Cook and other annexed Pacific islands raises to 1,162,022.
References
- ^ How Wham! made Lindsay Anderson see red in China - By Paul Kelbie, Scotland Correspondent
- ^ Lindsay Anderson - Wham! In China: Foreign Skies
- ^ If You Were There: Wham! in China - UNIVERSITY OF STIRLING ARCHIVES
- ^ "Wham in China – Foreign Skies (1986) AKA Lindsay Anderson's If You Were There". Archived from the original on 5 March 2016. Retrieved 11 December 2015.
- ^ Foreign Skies (1986) - British Film Institute
- ^ Careless Whispers: The Life & Career of George Michael: Revised & Updated By Robert Steele
- ^ George Michael: The biography - By Rob Jovanovic
- ^ I'm Coming To Take You To Lunch: A Fantastic Tale of Boys, Booze and how Wham! Were Sold to China - 30 Jan 2006
- ^ "How Wham! brought the West to China". BBC News. 24 March 2005.
- ^ Billboard Wham! in China tour documentary to premiere at farewell concert - 21 Jun 1986 (P. 50)
- ^ Billboard Wham! in China tour documentary to premiere at farewell concert - 21 Jun 1986 (P. 50)
- ^ Neville, Sam (28 April 1985). "ROCK: East meets Wham!, and another great wall comes down". Chicago Tribune – via ProQuest.
- ^ If You Were There: Wham! in China - UNIVERSITY OF STIRLING ARCHIVES
- ^ If You Were There: Wham! in China - UNIVERSITY OF STIRLING ARCHIVES
- ^ If You Were There: Wham! in China - UNIVERSITY OF STIRLING ARCHIVES
- ^ Wham! In China: Foreign Skies - (VHS (Video) - CBS/Fox #) Allmusic.com
- ^ How Wham! made Lindsay Anderson see red in China - By Paul Kelbie, Scotland Correspondent
- ^ How Wham! made Lindsay Anderson see red in China - By Paul Kelbie, Scotland Correspondent
- ^ Billboard Top Music Videocassettes - New entry: #8 for week ending October 25, 1986 (P. 51)
- ^ Billboard Top Music Videocassettes - Position: #4 for week ending November 8, 1986 (P. 48)
- ^ Billboard Top Music Videocassettes - Position #1 for week ending December 6, 1986 (P. 49)
- ^ Billboard Top Music Videocassette Hit Chart - best-selling videocassettes during August 2, 1986 to August 1, 1987. - August 22, 1987 (V-36)
- ^ Billboard Top Music Videocassettes - February 14, 1987 (P. 44)
- ^ "RIAA Certified Awards". Recording Industry Association of America. Archived from the original on 28 December 2018. Retrieved 28 December 2018.
{{cite web}}
:|archive-date=
/|archive-url=
timestamp mismatch; 22 December 2017 suggested (help) - ^ Top Music Videocassettes - Billboard (P. 49)
- ^ Billboard - 6 Dec 1986, Wham! in China, Top Videocassettes
- ^ "American video certifications – Wham! – Wham! in China: Foreign Skies". Recording Industry Association of America. Retrieved 26 April 2018.
- ^ Billboard - George & Andrew’s Final Wham! Jam, 7 Jun 1986
- ^ Billboard - George & Andrew’s Final Wham! Jam, 7 Jun 1986
- ^ The Encyclopedia of Popular Music - By Colin Larkin
- ^ The Encyclopedia of Popular Music - By Colin Larkin
- ^ Wham! Goes Boom! As George Michael Dumps His Bitter Half, Andrew Ridgeley - BY PEOPLE STAFFPOSTED ON MARCH 10, 1986
- ^ Internet Movie Database: Aspel & Company - George Michael - Episode 3.8 (1 Mar. 1986)
- ^ George Michael: The biography - By Rob Jovanovic
- ^ Live At the Brixton Academy: A riotous life in the music business - By JS Rafaeli, Simon Parkes
- ^ Review special - Wham! The last week « Smash Hits, July 02–15, 1986
- ^ Number One Magazine (5 July 1986; P.24)
- ^ How Wham! made Lindsay Anderson see red in China - By Paul Kelbie, Scotland Correspondent
- ^ How Wham! made Lindsay Anderson see red in China - By Paul Kelbie, Scotland Correspondent
- ^ Smash Hits magazine, Review special - 2–15 July 1986
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