Zaria Art Society: Difference between revisions
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'''Zaria Arts Society''' (also called '''Zaria Rebels''') was a coalition of artists that lasted from 1958 to 1962. The society was notable for their rejection of the precepts of their mainly British art lecturers whose curriculum was focused Western. They rather adopted and promoted local visual art traditions like Nok sculptures and the Uli painting. The style of art promoted by the Zaria Art Society is now called natural synthesis.<ref name=":0">https://artop.bmth.ac.uk/legacies-of-the-zaria-rebels.html</ref> |
'''Zaria Arts Society''' (also called '''Zaria Rebels''') was a coalition of artists that lasted from 1958 to 1962. The society was notable for their rejection of the precepts of their mainly British art lecturers whose curriculum was focused Western. They rather adopted and promoted local visual art traditions like [[Nok culture|Nok]] sculptures and the Uli painting. The style of art promoted by the Zaria Art Society is now called natural synthesis.<ref name=":0">https://artop.bmth.ac.uk/legacies-of-the-zaria-rebels.html</ref> |
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The society included Uche Okeke, Bruce Onobrakpeya, Demas Nwoko, Yusuf Grillo, Simon Okeke, Jimoh Akolo, Oseloka Osadebe, Ogbonaya Nwagbara and Emmanuel Odita.<ref>{{Cite web |last=Institution |first=Smithsonian |title=The Zaria Art Society |url=https://www.si.edu/object/zaria-art-society%3Asiris_sil_504883 |access-date=2024-07-25 |website=Smithsonian Institution |language=en}}</ref> |
The society included [[Uche Okeke]], [[Bruce Onobrakpeya]], [[Demas Nwoko]], [[Yusuf Grillo]], Simon Okeke, [[Jimoh Akolo]], Oseloka Osadebe, Ogbonaya Nwagbara and Emmanuel Odita.<ref>{{Cite web |last=Institution |first=Smithsonian |title=The Zaria Art Society |url=https://www.si.edu/object/zaria-art-society%3Asiris_sil_504883 |access-date=2024-07-25 |website=Smithsonian Institution |language=en}}</ref> |
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== History == |
== History == |
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Revision as of 01:51, 25 July 2024
Zaria Arts Society (also called Zaria Rebels) was a coalition of artists that lasted from 1958 to 1962. The society was notable for their rejection of the precepts of their mainly British art lecturers whose curriculum was focused Western. They rather adopted and promoted local visual art traditions like Nok sculptures and the Uli painting. The style of art promoted by the Zaria Art Society is now called natural synthesis.[1]
The society included Uche Okeke, Bruce Onobrakpeya, Demas Nwoko, Yusuf Grillo, Simon Okeke, Jimoh Akolo, Oseloka Osadebe, Ogbonaya Nwagbara and Emmanuel Odita.[2]
History
In 1958, a group of students at the Nigeria College of Arts, Science and Technology in Zaria (now Ahmadu Bello University)came together to explore indigenous Nigerian art as opposed to against Western art. The notably rebelled through the concept of natural synthesis. Each member explored their Nigerian heritage with Western expressions to drive new conversations about art at the time. They explored how society had developed from being traditional and colonial to being more modern and independent.[3]
Their art was shown to lecturers, as they frowned on students' attempts to stage exhibitions outside the college. The movement was ended in 1962 as each of the artists moved on to pursue their own careers.[4]
Natural synthesis
Natural synthesis is an art style that blends elements from local Nigerian visual traditions with modern techniques. Instead of copying traditional forms exactly, artists use them as inspiration to create new, modern Nigerian designs and symbols.[1][5]
References
- ^ a b https://artop.bmth.ac.uk/legacies-of-the-zaria-rebels.html
- ^ Institution, Smithsonian. "The Zaria Art Society". Smithsonian Institution. Retrieved 2024-07-25.
- ^ "How the Zaria Art Society Rebelled". Google Arts & Culture. Retrieved 2024-07-25.
- ^ "Inner Light by Oseloka Osadebe". SMO Contemporary Art. Retrieved 2024-07-25.
- ^ https://www.rem.routledge.com/articles/zaria-art-society-the