Jump to content

Abhogi: Difference between revisions

From Wikipedia, the free encyclopedia
Content deleted Content added
In Tamil language: Adding year info
m Added category
 
(45 intermediate revisions by 25 users not shown)
Line 1: Line 1:
{{Short description|A Janya raga of Carnatic music}}
{{more citations needed|date=October 2018}}
{{more citations needed|date=October 2018}}
{{Use dmy dates|date=January 2020}}
{{Use dmy dates|date=January 2020}}
Line 7: Line 8:
| image_alt =
| image_alt =
| mela = 22nd, [[Kharaharapriya]]{{sfn|OEMI:A}}
| mela = 22nd, [[Kharaharapriya]]{{sfn|OEMI:A}}
| Thaat = Kafi ( Hindustani)
| chakra =
| chakra =
| type = Audava–Audava{{sfn|OEMI:A}}
| type = Audava–Audava{{sfn|OEMI:A}}
Line 19: Line 21:
}}
}}
{{Carnatic}}
{{Carnatic}}
'''Abhogi''' ({{IAST|Ābhōgi}}) is a [[raga]] in [[Carnatic music]] and has been adapted to [[Hindustani music]].{{sfn|Bor|Rao|1999}} It is a pentatonic scale, an ''audava'' raga.<ref name="Chaudhuri 2021 p. 52">{{cite book |last=Chaudhuri |first=A. |title=Finding the Raga: An Improvisation on Indian Music |publisher=Faber & Faber |year=2021 |isbn=978-0-571-37076-4 |url=https://books.google.com/books?id=N3oeEAAAQBAJ&pg=PT52 |access-date=26 May 2021 |page=52}}</ref> It is a derived scale (''[[janya]]'' raga), as it does not have all the seven ''[[swara]]s'' (musical notes). ''Ābhōgi'' has been borrowed from Carnatic music into [[Hindustani music]] and is also quite popular in the latter.<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref>
'''Abhogi''' ({{IAST|Ābhōgi}}) is a [[raga]] in [[Carnatic music]] and has been adapted to [[Hindustani music]].{{sfn|Bor|Rao|1999}} It is a pentatonic scale, an ''audava'' raga.<ref name="Chaudhuri 2021 p. 52">{{cite book |last=Chaudhuri |first=A. |title=Finding the Raga: An Improvisation on Indian Music |publisher=Faber & Faber |year=2021 |isbn=978-0-571-37076-4 |url=https://books.google.com/books?id=N3oeEAAAQBAJ&pg=PT52 |access-date=26 May 2021 |page=52}}</ref> It is a derived scale (''[[janya]]'' raga), as it does not have all the seven ''[[swara]]s'' (musical notes). ''Ābhōgi'' has been borrowed from Carnatic music into [[Hindustani music]] and is also quite popular in the latter. In Hindustani music the raga has been classified under the Kafi thaat.<ref name="ragas">''Ragas in Carnatic music'' by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications</ref><ref name="raganidhi">''Raganidhi'' by P. Subba Rao, Pub. 1964, The Music Academy of Madras</ref>


== Theory ==
== Theory ==
Line 29: Line 31:
* [[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|D2|M1|G2|R2|S|foot=yes}}
* [[Avarohana|{{IAST|avarohaṇa}}]]: {{svaraC|S'|D2|M1|G2|R2|S|foot=yes}}


The notes used are ''shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam and chathusruthi dhaivatham''. ''Ābhōgi'' is considered a ''janya'' raga of ''[[Kharaharapriya]]'', the 22nd ''[[Melakarta]]'' raga, though it can be derived from ''[[Gourimanohari]]'' too, by dropping both ''panchamam'' and ''nishadam''.{{citation needed|date=October 2018}}
The notes used are ''shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam and chathusruthi dhaivatham''. ''Ābhōgi'' is considered a ''janya'' raga of ''[[Kharaharapriya]]'', the 22nd ''[[Melakarta]]'' raga, though it can be derived from ''[[Gourimanohari]]'' too, by dropping both ''panchamam'' and ''nishadam''.


=== ''Graha bhedam'' ===
=== ''Graha bhedam'' ===
[[Graha bhedam]] is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to the next note in the rāgam. Abhogi's notes, when shifted using Graha bhedam, yields another pentatonic rāgam, ''[[Valaji]]''. For more details and illustration of this concept refer ''[[Graha bhedam#Abhogi|Graha bhedam on Ābhōgi]]''.
[[Graha bhedam]] is the step taken in keeping the relative note frequencies same, while shifting the ''shadjam'' to another note in the rāgam. Abhogi's notes, when shifted using Graha bhedam, yields another pentatonic rāgam, ''[[Valaji]]''. For more details and illustration of this concept refer ''[[Graha bhedam#Abhogi|Graha bhedam on Ābhōgi]]''.


According to P.Moutal, the raga [[Kalavati]] is a transposition of Abhogi.<ref>P.Moutal, p. 462</ref>
According to P.Moutal, the raga [[Kalavati]] is a transposition of Abhogi.<ref>P.Moutal, p. 462</ref>
Line 44: Line 46:


* ''Nannu brova nee kinta tāmasamā'' in [[Adi tala]] by [[Thyagaraja]]{{sfn|OEMI:A}}
* ''Nannu brova nee kinta tāmasamā'' in [[Adi tala]] by [[Thyagaraja]]{{sfn|OEMI:A}}
* ''Anugaalavu chinte'', ''Maneyolagaado'' By [[Purandara Dasa]]
* ''Anugalavu Chinte'', ''Maneyolagaado'' By [[Purandara Dasa]]
* ''Śri Lakṣhmi varāham'' by [[Muthuswami Dikshitar]]{{sfn|OEMI:A}}
* ''Śri Lakṣhmi varāham'' by [[Muthuswami Dikshitar]]{{sfn|OEMI:A}}
* ''Sabhāpatikku veru daivam'', in [[Rupaka]] tala by [[Gopalakrishna Bharati]]{{sfn|OEMI:A}}
* ''Sabhāpatikku veru daivam'', in [[Rupaka]] tala by [[Gopalakrishna Bharati]]{{sfn|OEMI:A}}
Line 65: Line 67:
| arohana = {{svaraH|S|R|g|m|D|S'}}{{sfn|OEMI:AK}}
| arohana = {{svaraH|S|R|g|m|D|S'}}{{sfn|OEMI:AK}}
| avarohana = {{ubl|{{svaraH|S'|D|m|g|m|R|S}}|{{svaraH|S'|D|m|g|R|S}}}}
| avarohana = {{ubl|{{svaraH|S'|D|m|g|m|R|S}}|{{svaraH|S'|D|m|g|R|S}}}}
| vadi =
| vadi = S
| samavadi =
| samavadi = M
| pakad =
| pakad =
| chalan =
| chalan =
Line 112: Line 114:
| Thangaratham Vanthathu
| Thangaratham Vanthathu
| [[Kalai Kovil]]
| [[Kalai Kovil]]
|
| 1964
| rowspan="2" | [[Viswanathan–Ramamoorthy]]
| rowspan="2" | [[Viswanathan–Ramamoorthy]]
| [[M. Balamuralikrishna]], [[P. Susheela]]
| [[M. Balamuralikrishna]], [[P. Susheela]]
|-
|-
| Naan Indri Yaar Vaaruvaar(Ragamalika:Abhogi,Valaji)
| Naan Indri Yaar Vaaruvaar (Ragamalika: Abhogi, Valaji)
| [[Maalaiyitta Mangai]]
| [[Maalaiyitta Mangai]]
|
| 1958
| [[T. R. Mahalingam (actor)|T. R. Mahalingam]], [[A. P. Komala]]
| [[T. R. Mahalingam (actor)|T. R. Mahalingam]], [[A. P. Komala]]
|-
|-
| Kangalin Vaarthaigal
| Kangalin Vaarthaigal
| [[Kalathur Kannamma]]
| [[Kalathur Kannamma]]
|
| 1960
| [[R. Sudarsanam]]
| [[R. Sudarsanam]]
| [[A. M. Rajah]], [[P. Susheela]]
| [[A. M. Rajah]], [[P. Susheela]]
Line 129: Line 131:
| Vanakkam Palamurai Sonnen
| Vanakkam Palamurai Sonnen
| [[Avan Oru Sarithiram]]
| [[Avan Oru Sarithiram]]
|
| 1977
| rowspan="2" | [[M. S. Viswanathan]]
| rowspan="2" | [[M. S. Viswanathan]]
| [[T. M. Soundararajan]], [[P. Susheela]]
| [[T. M. Soundararajan]], [[P. Susheela]]
|-
|-
| Mangayaril Maharani
| Mangayaril Maharani
| [[Avalukendru Oru Manam]]
| [[Avalukendru Or Manam]]
|
| 1971
| [[S. P. Balasubrahmanyam]], [[P. Susheela]]
| [[S. P. Balasubrahmanyam]], [[P. Susheela]]
|-
|-
| Inraiku Yen Indha
| Inraiku Yen Indha
| [[Vaidehi Kathirunthal]]
| [[Vaidehi Kathirunthal]]
|
| 1984
| rowspan="2" | [[Ilaiyaraaja]]
| rowspan="2" | [[Ilaiyaraaja]]
| [[P. Jayachandran]], [[Vani Jairam]]
| [[P. Jayachandran]], [[Vani Jairam]]
Line 146: Line 148:
| Kalai Nera
| Kalai Nera
| [[Amman Kovil Kizhakale]]
| [[Amman Kovil Kizhakale]]
|
| 1986
| rowspan="2" | [[S. P. Balasubrahmanyam]], [[S. Janaki]]
| rowspan="2" | [[S. P. Balasubrahmanyam]], [[S. Janaki]]
|-
|-
| Kuk Kuk Koo Ena
| Kuk Kuk Koo Ena
| [[Kaalaiyum Neeye Maalaiyum Neeye]]
| [[Kaalaiyum Neeye Maalaiyum Neeye]]
|
| 1988
| [[Devendran]]
| [[Devendran]]
|-
|-
|Indha Paadal Keetuthaan
| Chandhiranai Thottadhu Yaar
|Oru Vali Pathai
| [[Ratchagan]]
|
|
| [[A. R. Rahman]]
|[[S. A. Rajkumar]]
|[[Minmini]]
| [[Hariharan (singer)|Hariharan]], [[Sujatha Mohan]]
|-
|-
| Konjam Neram
| Konjam Neram
| [[Chandramukhi]]
| [[Chandramukhi]]
|
| 2005
| rowspan="2" | [[Vidyasagar (composer)|Vidyasagar]]
| rowspan="2" | [[Vidyasagar (composer)|Vidyasagar]]
| [[Madhu Balakrishnan]], [[Asha Bhonsle]]
| [[Madhu Balakrishnan]], [[Asha Bhonsle]]
Line 168: Line 170:
| Vaa Sagi Vaa Sagi
| Vaa Sagi Vaa Sagi
| [[Arasiyal]]
| [[Arasiyal]]
|
| 1997
| [[Harish Raghavendra]], [[Uma Ramanan]]
| [[Harish Raghavendra]], [[Uma Ramanan]]
|-
|-
Line 177: Line 179:
| Pradeep
| Pradeep
|-
|-
|Idhayam
| Kannane
| [[Kanni Raasi]]
|[[Billa II]]
|2012
|
|[[Yuvan Shankar Raja]]
| [[Vishal Chandrashekhar]]
| [[K. S. Chithra]]
|[[Shweta Pandit]]
|-
|Ithuvarai Ithuvarai
|[[Potta Potti]]
|rowspan=2|2011
|[[Aruldev]]
|[[Hariharan (singer)|Hariharan]], [[Mahathi (singer)|Mahathi]], Aruldev
|-
|Ulagam Rendaga
|Kaal Kolusu
|Santosh, Sanjeev
|[[Madhu Balakrishnan]], Deepa
|}

=== Language : [[Hindi]] ===
{| class="wikitable sortable"
!style="background:#f4a860" |Song
!style="background:#c2e7ff" |Movie
!style="background:#c2e7a3" |Composer
!style="background:#00ffff" |Singers
|-
|Na Jaiyo Re Sautan Ghar Sainya
|[[Kaagaz Ki Nao]]
|Sapan-Jagmohan
|[[Asha Bhosle]]
|}

=== Language : [[Telugu Language|Telugu]] ===
{| class="wikitable sortable"
!style="background:#f4a860" |Song
!style="background:#c2e7ff" |Movie
!style="background:#c2e7a3" |Composer
!style="background:#00ffff" |Singers
|-
!Nandanandana
![[The Family Star|Family star]]
![[Gopi Sundar]]
![[Sid Sriram]]
|-
|Aalapinchana Eevela <ref name=SriRamaPattabhishekam>{{cite web|url=https://www.youtube.com/watch?v=77ZngUBN7to |title=Sri Rama Pattabhishekam Aanapenchana Video Song NTR Sangeeta Shalimarcinema|author=Shalimar Telugu Hindi Movies|website=youtube(videostreaming)|access-date=21 July 2016}}</ref>
|[[Sri Rama Pattabhishekam]]
|[[Pendyala (composer)]]
|[[P. Susheela]]
|}

=== Language : [[Malayalam Language|Malayalam]] ===
{| class="wikitable sortable"
!style="background:#f4a860" |Song
!style="background:#c2e7ff" |Movie
!style="background:#c2e7a3" |Composer
!style="background:#00ffff" |Singers
|-
|Thozhukai kooppi unarum <ref name=|Thozhukai kooppi unarum
|[[Boeing Boeing (1985 film)|Boeing Boeing]]
|[[Raghukumar (composer)]]
|[[K.J.Yesudas]]
|}
|}


Line 198: Line 255:
* {{cite book |title=Ābhōgi Rāga (Kar), The Oxford Encyclopaedia of the Music of India |year=2011 |publisher=Oxford University Press |isbn=978-0-19-565098-3 |url=http://www.oxfordreference.com/view/10.1093/acref/9780195650983.001.0001/acref-9780195650983-e-0058 |access-date=6 October 2018 |ref={{harvid|OEMI:A}} |language=en|url-access=subscription }}
* {{cite book |title=Ābhōgi Rāga (Kar), The Oxford Encyclopaedia of the Music of India |year=2011 |publisher=Oxford University Press |isbn=978-0-19-565098-3 |url=http://www.oxfordreference.com/view/10.1093/acref/9780195650983.001.0001/acref-9780195650983-e-0058 |access-date=6 October 2018 |ref={{harvid|OEMI:A}} |language=en|url-access=subscription }}
* {{cite book |title=Abhogi Kānaḍā Rāga (Hin), The Oxford Encyclopaedia of the Music of India |year=2011 |publisher=Oxford University Press |isbn=978-0-19-565098-3 |url=http://www.oxfordreference.com/view/10.1093/acref/9780195650983.001.0001/acref-9780195650983-e-0057 |access-date=6 October 2018 |ref={{harvid|OEMI:AK}} |language=en|url-access=subscription }}
* {{cite book |title=Abhogi Kānaḍā Rāga (Hin), The Oxford Encyclopaedia of the Music of India |year=2011 |publisher=Oxford University Press |isbn=978-0-19-565098-3 |url=http://www.oxfordreference.com/view/10.1093/acref/9780195650983.001.0001/acref-9780195650983-e-0057 |access-date=6 October 2018 |ref={{harvid|OEMI:AK}} |language=en|url-access=subscription }}
* {{Citation |last=Moutal |first=Patrick |title=Hindustāni Rāga-s Index |year=1991 |place=New Dehli |publisher=Munshiram Manoharlal Publishers Pvt Ltd |id={{Listed Invalid ISBN|81-215-0525-7}}}}
* {{Citation |last=Moutal |first=Patrick |title=Hindustāni Rāga-s Index |year=1991 |place=New Delhi |publisher=Munshiram Manoharlal Publishers Pvt Ltd |id={{Listed Invalid ISBN|81-215-0525-7}}}}


== External links ==
== External links ==
Line 207: Line 264:


[[Category:Hindustani ragas]]
[[Category:Hindustani ragas]]
[[Category:Janya Ragas (kharaharapriya)]]
[[Category:Janya ragas (kharaharapriya)]]
[[Category:Janya Ragas]]
[[Category:Janya ragas]]
[[Category:Carnatic ragas]]

Latest revision as of 14:10, 23 November 2024

Abhogi
Mela22nd, Kharaharapriya[1]
TypeAudava–Audava[1]
ArohanamS R₂ G₂ M₁ D₂ [1]
Avarohanam D₂ M₁ G₂ R₂ S[1]
Jeeva svarasG₂[1]
Chhaya svarasD₂[1]
EquivalentAbhogi Kanada

Abhogi (Ābhōgi) is a raga in Carnatic music and has been adapted to Hindustani music.[2] It is a pentatonic scale, an audava raga.[3] It is a derived scale (janya raga), as it does not have all the seven swaras (musical notes). Ābhōgi has been borrowed from Carnatic music into Hindustani music and is also quite popular in the latter. In Hindustani music the raga has been classified under the Kafi thaat.[4][5]

Theory

[edit]
Ābhōgi scale with shadjam at C
Arohanam and Avarohanam for Abhogi

The Carnatic raga Abhogi is a symmetric pentatonic scale that does not contain panchamam and nishadam. It is called an audava-audava raga,[4][5] as it has 5 notes in both ascending and descending scales. Its ārohaṇa-avarohaṇa structure is as follows:

The notes used are shadjam, chathusruti rishabham, sadharana gandharam, shuddha madhyamam and chathusruthi dhaivatham. Ābhōgi is considered a janya raga of Kharaharapriya, the 22nd Melakarta raga, though it can be derived from Gourimanohari too, by dropping both panchamam and nishadam.

Graha bhedam

[edit]

Graha bhedam is the step taken in keeping the relative note frequencies same, while shifting the shadjam to another note in the rāgam. Abhogi's notes, when shifted using Graha bhedam, yields another pentatonic rāgam, Valaji. For more details and illustration of this concept refer Graha bhedam on Ābhōgi.

According to P.Moutal, the raga Kalavati is a transposition of Abhogi.[6]

Scale similarities

[edit]
  • Sriranjani is a rāgam which has kaishiki nishadam in both ascending and descending scales in addition to the notes in Ābhōgi. Its ārohaṇa-avarohaṇa structure is S R₂ G₂ M₁ D₂ N₂  :  N₂ D₂ M₁ G₂ R₂ S
  • Shuddha Saveri is a rāgam which has the panchamam in place of the gandharam. Its ārohaṇa-avarohaṇa structure is S R₂ M₁ P D₂  :  D₂ P M₁ R₂ S

Notable compositions

[edit]

Abhogi is a raga used for compositions in a medium to fast tempo. It has been used by many composers in classical music and film music. Notable traditional compositions in Abhogi include:

In Hindustani music

[edit]
Abhogi Kanada
ThaatKafi[2]
TypeAudava–Audava
Time of dayEarly night, 9–12[2]
ArohanaS R  M D [8]
Avarohana
  •  D M  M R S
  •  D M  R S
VadiS
SamavadiM
SynonymAbhogi
SimilarBageshri[2]

The Carnatic raga was incorporated relatively recently into Hindustani classical music where it is known as Abhogi Kanada (IAST: Abhogi Kānaḍā) or simply, Abhogi. The Kanada indicates its origin as a member of the Kanada group. Abhogi Kanada is assigned to the Kafi thaat.[2][8]

The Carnatic and Hindustani Abhogis have almost identical arohanas and avarohanas. However, one major differences is that the Carnatic raga uses the Kanada vakra (out of sequence) phrase G₂ M₁ R₂ S[c] in a straight manner.[1]

Theory

[edit]

Pa and Ni are omitted. Also Re is often omitted in ascent. Flat Ga is often approached from Ma in ascent and has a slight oscillation to show the typical Kanada. In descent often the typical Kanada phrase   R S is used.[citation needed]

Related ragas: Bageshree. However, Bageshree also includes flat Ni and a limited use of Pa, which gives a different flavour.[2]

Compositions

[edit]

Hindustani compositions of note in Abhogi Kanada include:[8]

  • Par gaya chahai sab koi in Ektal by Raidas
  • Jayati siri radhike in Jhaptal by Gadadhar Bhatt
  • Ek barajori kare saiyya in Jhumratal

Important recordings

[edit]

Film songs

[edit]

In Tamil language

[edit]
Song Movie Year Composer Singer
Thangaratham Vanthathu Kalai Kovil 1964 Viswanathan–Ramamoorthy M. Balamuralikrishna, P. Susheela
Naan Indri Yaar Vaaruvaar (Ragamalika: Abhogi, Valaji) Maalaiyitta Mangai 1958 T. R. Mahalingam, A. P. Komala
Kangalin Vaarthaigal Kalathur Kannamma 1960 R. Sudarsanam A. M. Rajah, P. Susheela
Vanakkam Palamurai Sonnen Avan Oru Sarithiram 1977 M. S. Viswanathan T. M. Soundararajan, P. Susheela
Mangayaril Maharani Avalukendru Or Manam 1971 S. P. Balasubrahmanyam, P. Susheela
Inraiku Yen Indha Vaidehi Kathirunthal 1984 Ilaiyaraaja P. Jayachandran, Vani Jairam
Kalai Nera Amman Kovil Kizhakale 1986 S. P. Balasubrahmanyam, S. Janaki
Kuk Kuk Koo Ena Kaalaiyum Neeye Maalaiyum Neeye 1988 Devendran
Indha Paadal Keetuthaan Oru Vali Pathai S. A. Rajkumar Minmini
Konjam Neram Chandramukhi 2005 Vidyasagar Madhu Balakrishnan, Asha Bhonsle
Vaa Sagi Vaa Sagi Arasiyal 1997 Harish Raghavendra, Uma Ramanan
Maname Kurukshetram 2006 Isaac Thomas Kottukapally Pradeep
Idhayam Billa II 2012 Yuvan Shankar Raja Shweta Pandit
Ithuvarai Ithuvarai Potta Potti 2011 Aruldev Hariharan, Mahathi, Aruldev
Ulagam Rendaga Kaal Kolusu Santosh, Sanjeev Madhu Balakrishnan, Deepa

Language : Hindi

[edit]
Song Movie Composer Singers
Na Jaiyo Re Sautan Ghar Sainya Kaagaz Ki Nao Sapan-Jagmohan Asha Bhosle

Language : Telugu

[edit]
Song Movie Composer Singers
Nandanandana Family star Gopi Sundar Sid Sriram
Aalapinchana Eevela [9] Sri Rama Pattabhishekam Pendyala (composer) P. Susheela

Language : Malayalam

[edit]
Song Movie Composer Singers
Thozhukai kooppi unarum Boeing Boeing Raghukumar (composer) K.J.Yesudas

See also

[edit]

Notes

[edit]
  1. ^ Alternate notations:
    • Hindustani: S R  M D 
    • Western: C D E F A C
  2. ^ Alternate notations:
    • Hindustani:  D M  R S
    • Western: C A F E D C
  3. ^ Alternate notations:
    • Hindustani:  M R S
    • Western: E F D C
  4. ^ Alternate notations:
    • Carnatic: S R₂ G₂ M₁ D₂ 
    • Western: C D E F A C
  5. ^ Alternate notations:
    • Carnatic:  D₂ M₁ G₂ R₂ S
    • Western: C A F E D C
  6. ^ Alternate notations:
    • Carnatic:  D₂ M₁ G₂ R₂ S
    • Western: C A F E D C

References

[edit]
  1. ^ a b c d e f g h i j k OEMI:A.
  2. ^ a b c d e f g h Bor & Rao 1999.
  3. ^ Chaudhuri, A. (2021). Finding the Raga: An Improvisation on Indian Music. Faber & Faber. p. 52. ISBN 978-0-571-37076-4. Retrieved 26 May 2021.
  4. ^ a b Ragas in Carnatic music by Dr. S. Bhagyalekshmy, Pub. 1990, CBH Publications
  5. ^ a b Raganidhi by P. Subba Rao, Pub. 1964, The Music Academy of Madras
  6. ^ P.Moutal, p. 462
  7. ^ Carnatic music compositions: an index. CBH Publications. 1994. p. 129.
  8. ^ a b c OEMI:AK.
  9. ^ Shalimar Telugu Hindi Movies. "Sri Rama Pattabhishekam Aanapenchana Video Song NTR Sangeeta Shalimarcinema". youtube(videostreaming). Retrieved 21 July 2016.

Sources

[edit]
[edit]