Game Theory (album): Difference between revisions

Game Theory
Game Theory
Studio album by the Roots
Released	August 29, 2006
Recorded	March – May 2006
Studio	The Studio, The Boom Room, A House Called ?uest (Philadelphia) ; Encore Studios (Burbank, California); Conway Studios, Glenwood Studios (Los Angeles); Integrated Studios, Quad Studios, Platinum Studios, Electric Lady Studios (New York, New York)
Genre	Alternative hip hop, experimental hip hop
Length	46:58
Label	Def Jam
Producer	Owen Biddle, J Dilla, Richard Nichols, The Randy Watson Experience, The Roots
the Roots chronology
Singles from Game Theory
	"Don't Feel Right"; Released: June 20, 2006; "In The Music / Here I Come"; Released: September 1, 2006;

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Game Theory is the seventh studio album by American hip hop band the Roots, released August 29, 2006, on Def Jam Recordings. The group's first release for the label after leaving Geffen Records, the album was recorded by the Roots mostly using the Apple-developed software application GarageBand.^[1] A darker, grittier album with minimal emphasis on hooks in comparison to their previous work,^[2]^[3] Game Theory features a stripped-down sound similar to the work of Public Enemy, with lyrics that concern sociological themes and the late hip hop producer J Dilla.^[4]^[5]^[6]

The album debuted at number nine on the U.S. Billboard 200 chart, selling 61,000 copies in its first week. It produced two singles and achieved moderate sales success. Upon its release, Game Theory received acclaim from most music critics and earned a Grammy Award nomination for Best Rap Album. To date, the album has sold over 200,000 copies in the United States.

Music

In an interview for Rolling Stone magazine, Questlove expressed his view on contemporary black music and described the concept of Game Theory, comparing it to previous works:

In this day and age, I'm kind of noticing that nobody in urban music really has the balls to just stop partying for one second... I mean, partying is good and whatnot, and it's cool to get down, but I really think that 2006 called for a very serious record. This ain't the Debbie Downer record, or the political, save-the-world record, but this is definitely not the MC-based, battle-themed album that the Roots have been known for. This is our most serious record to date.^[7]
— Questlove

Described by Questlove as "very mature, serious, and very dark",^[8] the album, unlike the band's previous two efforts Phrenology (2002) and The Tipping Point (2004), combines the Roots's progressive tendencies and lush, jazz influenced hip-hop into a more homogenous and cohesive recording than past efforts had shown. In what could be a salute to a fellow experimental band, The Roots sample Radiohead's "You and Whose Army?" for the track "Atonement".

The subject material for Game Theory follows the more serious tone of the album, with topics ranging from the war in Iraq to violence in music. Questlove was quoted as saying "There was too much going on that we couldn't just sit back and not speak on it."^[8] In accordance with its more-serious tone, the album heavily references Public Enemy's highly-political It Takes a Nation of Millions to Hold Us Back on its lead track "False Media".

Commercial performance

Game Theory debuted at number nine on the U.S. Billboard 200 chart with first week sales of 61,000 copies.^[9] It also debuted at number five on Billboard's Top R&B/Hip-Hop Albums and at number four on its Top Digital Albums chart.^[10]^[11] According to Nielsen SoundScan, the album has sold over 200,000 copies in the United States.^[12]

Critical reception

Professional ratings
Aggregate scores
Source	Rating
Metacritic	83/100^[13]
Review scores
Source	Rating
AllMusic	^[14]
The A.V. Club	A−^[5]
Entertainment Weekly	A−^[15]
The Guardian	^[16]
Los Angeles Times	^[17]
Mojo	^[18]
MSN Music (Expert Witness)	A−^[19]
Pitchfork	7.7/10^[20]
Rolling Stone	^[21]
Spin	^[22]

Game Theory received universal acclaim from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 83, based on 26 reviews.^[13] AllMusic's Andy Kellman praised its musical quality and lyrical themes, writing "Spinning turbulence, paranoia, anger, and pain into some of the most exhilarating and startling music released in 2006,... Game Theory is a heavy album, the Roots' sharpest work. It's destined to become one of Def Jam's proudest, if not most popular, moments".^[14] The New York Times writer Nate Chinen viewed the album's production as inconsistent, but found Black Thought's performance more focused and engaged than on previous efforts, while writing that "?uestlove infuses 'Game Theory' with a hard sonic logic, so that the music often sounds as tough as the lyrics".^[4] Vibe's Thomas Golianopoulos gave it 4 out of 5 stars and called it "a masterfully crafted, sobering wake-up call".^[23] Jeff Vrabel of PopMatters dubbed it "The Roots' darkest, grimiest, most unrelenting and possibly most focused effort to date".^[24]

Los Angeles Times writer Oliver Wang commented that Game Theory "moves coherently as a whole and not just assemblage of spare songs".^[17] Rolling Stone's Peter Relic viewed the album as a progression over their previous work and wrote "For every head-nodding beat (and ?uestlove brings plenty of 'em), Game Theory has a head-turning treat".^[21] Will Dukes of The Village Voice called it The Roots' "most radical record to date" and commended Black Thought for his lyricism on the album, writing "Raw, emotive, and urgent as a motherfucker, his flow—on songs like opener 'False Media,' whose gangly steel snares give way to plush orchestration—is bleak and expansive and seething with wrath".^[25] Robert Christgau, writing for MSN Music, felt that the album is "not hooky enough", but "strong enough to compensate" with a tone that "maintains until the J. Dilla encomium that closes."^[3]

In its end-of-year list, Rolling Stone named it the eighteenth best album of 2006, calling it "classic studio Roots".^[26] It was named one of the top ten albums of the year by URB.^[27] The album was nominated for a Grammy Award for Best Rap Album, ultimately losing to rapper Ludacris's Release Therapy (2006) at the 49th Grammy Awards.

In 2013, for Complex, the singer Bilal named it among his 25 favorite albums, explaining that, "It just has a real nice flow. That whole album just sounds very thought out and put together. I think Game Theory was kind of a game changer. It just seemed like everything was fluid."^[28]

Track listing

Track numbers continued from The Tipping Point. Unless otherwise noted, Credits are adapted from the album's Liner Notes^[29]

No.	Title	Writer(s)	Producer(s)	Length
114.	"Dillatastic Vol Won(derful)"		J Dilla	0:28
115.	"False Media" (featuring Wadud Ahmad) (Chorus: Wadud Ahmad)	Tariq Trotter, Ahmir “Questlove” Thompson, Karl B. Jenkins, James Poyser, James “Kamal” Gray	Kamal Gray (of The Roots), The Randy Watson Experience	2:43
116.	"Game Theory" (featuring Malik B.)	T. Trotter, A. Thompson, J. Gray, Khari Mateen, Kirk Douglass, Leonard Hubbard, Malik Abdul-Basit	The Roots, Khari Mateen	4:01
117.	"Don't Feel Right" (featuring Maimouna Youssef) (Chorus: Maimouna Youssef)	T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, Tahir Jamal	The Roots, Tahir Jamal	4:08
118.	"In the Music" (featuring Malik B. and PORN) (Chorus: PORN)	T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Douglass, L. Hubbard, M. Abdul-Basit, Richard Nichols, Kevin Hanson, Pedro Martinez, Owen Biddle	Owen Biddle (of The Roots), Richard Nichols, Pedro Martinez, Kevin Hanson	4:06
119.	"Take It There" (featuring Wadud Ahmad) (Chorus: Black Thought & Dice Raw)	T. Trotter, A. Thompson, J. Gray, K. Douglass, L. Hubbard, K. Hanson, P. Martinez, Darrell Robinson, Frank “Knuckles” Walker, Adam Blackstone	Ahmir “Questlove” Thompson (of The Roots), Adam Blackstone, Richard Nichols, Pedro Martinez, Kevin Hanson	2:50
120.	"Baby" (featuring John-John) (Chorus: John-John)	T. Trotter, A. Thompson, J. Gray, K. Douglass, L. Hubbard, F. Walker, John McGlinchey	The Roots, John McGlinchey	2:50
121.	"Here I Come" (featuring Dice Raw & Malik B.) (Chorus: Black Thought & Dice Raw)	T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Douglass, L. Hubbard, M. Abdul-Basit, R. Nichols, F. Walker	Owen Biddle (of The Roots), Richard Nichols, Pedro Martinez, Brook D'Leau	4:11
122.	"Long Time" (featuring Peedi Peedi & Bunny Sigler) (Chorus: Bunny Sigler & Dice Raw)	T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Douglass, L. Hubbard, Pedro Zayas, Bunny Sigler	Owen Biddle (of The Roots), Kevin Hanson, Darryl Robinson, Richard Nichols, Omar Edwards	4:21
123.	"Livin' in a New World" (featuring John-John) (Chorus: John-John)	T. Trotter, K. B. Jenkins, K. Mateen	The Roots, Khari Mateen	1:47
124.	"Clock with No Hands" (featuring Mercedes Martinez) (Chorus: Mercedes Martinez)	T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Mateen, L. Hubbard	The Roots, Khari Mateen, Brook D'Leau	4:23
125.	"Atonement" (featuring Jack Davey) (Chorus: Jack Davey)	T. Trotter, A. Thompson, K. B. Jenkins, J. Poyser	The Roots, The Randy Watson Experience	2:35
126.	"Can't Stop This"	T. Trotter, A. Thompson, K. B. Jenkins, J. Poyser, James Yancey	J Dilla, The Roots, The Randy Watson Experience	8:35

UK, Japan, iTunes bonus track
No.	Title	Length
127.	"Bread & Butter" (featuring Truck North)	3:40

Sample credits

The intro track "Dillatastic Vol Won(derful)" used a sample of Slum Village's first album, Fantastic Vol.1's intro track,^[30] "Fantastic", which J Dilla produced.^[31] ("Fantastic" incorporates elements of the Herbie Hancock composition "You'll Know When You Get There",^[31] from VSOP.)
The track "False Media" contains interpolations of Public Enemy's "Don't Believe The Hype",^[31] written by Carlton Ridenhour, Eric Sadler & Hank Shocklee.
The track "Game Theory" contains a sample of Sly and the Family Stone's "Life of Fortune and Fame", written by Sylvester Stewart.
The track "Don't Feel Right" samples Kool & The Gang's "Jungle Boogie", and The Ohio Players's "Ecstasy", written by Walter "Junie" Morrison, Leroy "Sugarfoot" Bonner, Marshall "Rock" Jones, Andrew Noland, Gregory Allen Webster, Marvin "Merv" Pierce, Norman Napier & Ralph "Pee Wee" Middlebrooks.
The track "Long Time" contains an interpolation of "Trolling for Olives" written by Owen Biddle, Kevin Hanson & Darryl Robinson.
The track "Atonement" samples Radiohead's "You and Whose Army?"
The track "Can't Stop This" contains a sample of The Jackson 5's "All I Do Is Think of You", written by Brian Holland & Michael Lovesmith, and The Moments' "To You with Love".^[31] This song's backing track is an extended version of J Dilla's "Time: The Donut of the Heart" from his third solo album Donuts.^[30]^[32]

Personnel

Wadud Ahmad - additional vocals (2), spoken word voices (6)
Black Thought – lead rap vocals (2-13)
Jack Davey - additional vocals (12)
Davis Barnett – viola
Dice Raw - lead rap vocals (6-9), background vocals (6-7)
Robert "LB" Dorsey – recording engineer (2, 4–5, 7–9, 13)
Captain Kirk Douglas – guitar
Russell Elevado – recording engineer (2, 5–6, 8–9), audio mixing (2, 7, 9, 13), pre-mixing (drums on 5)
Larry Gold – string arrangements, string conductor, cello
Jason Goldstein – audio mixing (3-4, 6, 8, 10–13)
Kamal Gray – keyboards
Kevin Hanson – producer
Michael Heinzer - background vocals (7)
Leonard "Hub" Hubbard – bass
J Dilla - recording engineer (13)
John-John - additional lead vocals (7, 10), background vocals (7)
Gloria Justen – violin
Dave Klutch – mastering
Emma Kummrow – violin

Jennie Lorenzo - cello
Malik B. – lead rap vocals (3, 5, 8)
Steve Mandel – recording engineer (1-2, 4, 7, 12–13), audio mixing (1)
Mercedes Martinez - background vocals (6, 10–11)
Khari Mateen – recording engineer (3, 10–11)
John McGlinchey - recording engineer (7)
Charles Parker – violin
Peedi Peedi - additional rap vocals (9)
Porno - additional vocals (5)
Rahzel - human beatbox (6)
The Roots – main performer
Bunny Sigler - vocals sung by (9)
Jon Smeltz – recording engineer (2-6, 8–13), audio mixing (5)
Igor Szwec – violin
Ahmir '?uestlove' Thompson – recording engineer, audio mixing (1), background vocals (7), drums
Frank "Knuckles" Walker – percussion
Maimouna Youssef - vocals sung by (4)

Chart history

Chart (2006)	Peak position
Dutch Albums (Album Top 100)^[33]	78
Dutch Alternative Albums (Mega Alternative Top 30)^[34]	11
Finnish Albums (Suomen virallinen lista)^[35]	36
French Albums (SNEP)^[36]	69
German Albums (Offizielle Top 100)^[37]	95
Norwegian Albums (VG-lista)^[38]	26
Swiss Albums (Schweizer Hitparade)^[39]	7
UK Albums (OCC)^[40]	76
US Billboard 200^[9]	9
US Billboard Top R&B/Hip-Hop Albums^[10]	5
US Billboard Top Rap Albums^[41]	4

References

^ Faraone, Chris. "Roots Got 'Game': Hardworking ?uestlove Drums Up Support for Tour". Boston Herald: August 5, 2006. Archived from the original^{[dead link]} on 2009-12-05.
^ Johnson, Brett. Review: Game Theory Archived 2009-04-13 at the Wayback Machine. XXL. Retrieved on 2009-10-05.
^ ^a ^b Christgau, Robert. "Consumer Guide: Game Theory". MSN Music: December 2006. Archived from the original Archived 2008-09-06 at the Wayback Machine on 2009-10-05.
^ ^a ^b Chinen, Nate (August 28, 2006). "New CD's". The New York Times. Retrieved October 5, 2009.
^ ^a ^b Rabin, Nathan (September 6, 2006). "The Roots: Game Theory". The A.V. Club. Retrieved October 5, 2009.
^ Baron. Review: Game Theory. Tiny Mix Tapes. Retrieved on 2009-10-05.
^ Milan, Tika (June 21, 2006). "The Roots' New Album: Heavy But No Debbie Downer". Rolling Stone. Archived from the original on July 3, 2006. Retrieved September 22, 2006.
^ ^a ^b "The Roots Get Serious About Their "GAME THEORY"". Archived from the original on October 6, 2006. Retrieved September 22, 2006.
^ ^a ^b Harris, Chris. Sorry, Jessica: Billboard's #1 Belongs To Bob Dylan. MTV. Retrieved on 2010-03-29.
^ ^a ^b R&B/Hip-Hop Albums (9/16/2006). Billboard. Retrieved on 2010-03-29.
^ Digital Albums (9/16/2006). Billboard. Retrieved on 2010-03-29.
^ Chinen, Nate. The Roots Issue Tracks of Their Fears, and Defiance, on ‘Rising Down,’ Their New Album. The New York Times. Retrieved on 2010-03-29.
^ ^a ^b "Reviews for Game Theory by The Roots". Metacritic. Retrieved October 5, 2009.
^ ^a ^b Kellman, Andy. "Game Theory – The Roots". AllMusic. Retrieved October 5, 2009.
^ Endelman, Michael (August 28, 2006). "Game Theory". Entertainment Weekly. New York. Archived from the original on January 18, 2017. Retrieved July 27, 2016.
^ Lynskey, Dorian (August 25, 2006). "The Roots, Game Theory". The Guardian. London. Retrieved February 24, 2011.
^ ^a ^b Wang, Oliver (August 20, 2006). "Hip-hop refreshed after a dry spell". Los Angeles Times. Retrieved October 5, 2009.
^ "The Roots: Game Theory". Mojo (155). London: 100. October 2006.
^ Christgau, Robert (June 18, 2013). "Nas/The Roots". MSN Music. Retrieved June 18, 2013.
^ Dombal, Ryan (August 31, 2006). "The Roots: Game Theory". Pitchfork. Retrieved October 5, 2009.
^ ^a ^b Relic, Peter (August 23, 2006). "The Roots: Game Theory". Rolling Stone. New York. Archived from the original on November 30, 2009. Retrieved October 5, 2009.
^ Harris, Keith (September 2006). "Hot and Heavy". Spin. 22 (9). New York: 114. Retrieved September 22, 2012.
^ Golianopoulo, Thomas (September 2006). "The Roots: Game Theory". Vibe. 14 (9). New York: 211–12. Retrieved September 22, 2012.
^ Vrabel, Jeff (August 29, 2006). "Roots: Game Theory". PopMatters. Retrieved October 5, 2009.
^ Dukes, Will (August 29, 2006). "Blood at the Roots". The Village Voice. New York. Retrieved October 5, 2009.
^ Staff. The Top 50 Albums of 2006. Rolling Stone. Retrieved on 2010-03-29.
^ Best Albums of 2006. Metacritic. Retrieved on 2009-10-05.
^ Simmons, Ted (February 26, 2013). "Bilal's 25 Favorite Albums". Complex. Retrieved August 28, 2020.
^ The Roots. “Game Theory” (Album Notes). Def Jam Recordings. 2006.
^ ^a ^b Kenner, Rob. “J Dilla...The Afterlife”. Complex. 7 February 2016. http://www.complex.com/music/2016/02/j-dilla-essentials-guide-the-afterlife/
^ ^a ^b ^c ^d Ivan. “The Roots - Game Theory (The Samples)”. Hip Hop Is Read. 22 February 2008. http://www.hiphopisread.com/2008/02/roots-game-theory-samples.html?m=1
^ “Blog 3: The Best Piece in the World, Ever”. The Contented Musician. 5 March 2014. https://thecontentedmusician.wordpress.com/2014/03/05/blog-3-the-best-piece-in-the-world-ever/
^ "Dutchcharts.nl – The Roots – Game Theory" (in Dutch). Hung Medien. Retrieved April 17, 2014.
^ "Alternative Top 30" (in Dutch). dutchcharts.nl. Archived from the original on May 12, 2014. Retrieved April 17, 2014.
^ "The Roots: Game Theory" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved April 17, 2014.
^ "Lescharts.com – The Roots – Game Theory". Hung Medien. Retrieved April 17, 2014.
^ "Offiziellecharts.de – The Roots – Game Theory" (in German). GfK Entertainment Charts. Retrieved April 17, 2014.
^ "Norwegiancharts.com – The Roots – Game Theory". Hung Medien. Retrieved April 17, 2014.
^ "Swisscharts.com – The Roots – Game Theory". Hung Medien. Retrieved April 10, 2020.
^ "Chart Log UK 2006". zobbel.de. Retrieved April 17, 2014.
^ Adaso, Henry. U.S. Rap Albums Chart - May 17, 2008 Archived February 25, 2012, at the Wayback Machine. About.com. Retrieved on 2009-10-05.

External links

Game Theory at Discogs
Game Theory at Metacritic

[Faraone-1] Faraone, Chris. "Roots Got 'Game': Hardworking ?uestlove Drums Up Support for Tour". Boston Herald: August 5, 2006. Archived from the original^{[dead link]} on 2009-12-05.

[Johnson-2] Johnson, Brett. Review: Game Theory Archived 2009-04-13 at the Wayback Machine. XXL. Retrieved on 2009-10-05.

[Christgau-3] Christgau, Robert. "Consumer Guide: Game Theory". MSN Music: December 2006. Archived from the original Archived 2008-09-06 at the Wayback Machine on 2009-10-05.

[Chinen-4] Chinen, Nate (August 28, 2006). "New CD's". The New York Times. Retrieved October 5, 2009.

[Rabin-5] Rabin, Nathan (September 6, 2006). "The Roots: Game Theory". The A.V. Club. Retrieved October 5, 2009.

[Baron-6] Baron. Review: Game Theory. Tiny Mix Tapes. Retrieved on 2009-10-05.

[Rolling_Stone-7] Milan, Tika (June 21, 2006). "The Roots' New Album: Heavy But No Debbie Downer". Rolling Stone. Archived from the original on July 3, 2006. Retrieved September 22, 2006.

[Ref-8] "The Roots Get Serious About Their "GAME THEORY"". Archived from the original on October 6, 2006. Retrieved September 22, 2006.

[Harris-9] Harris, Chris. Sorry, Jessica: Billboard's #1 Belongs To Bob Dylan. MTV. Retrieved on 2010-03-29.

[HipHop-10] R&B/Hip-Hop Albums (9/16/2006). Billboard. Retrieved on 2010-03-29.

[Digital-11] Digital Albums (9/16/2006). Billboard. Retrieved on 2010-03-29.

[12] Chinen, Nate. The Roots Issue Tracks of Their Fears, and Defiance, on ‘Rising Down,’ Their New Album. The New York Times. Retrieved on 2010-03-29.

[Metacritic-13] "Reviews for Game Theory by The Roots". Metacritic. Retrieved October 5, 2009.

[Kellman-14] Kellman, Andy. "Game Theory – The Roots". AllMusic. Retrieved October 5, 2009.

[EW-15] Endelman, Michael (August 28, 2006). "Game Theory". Entertainment Weekly. New York. Archived from the original on January 18, 2017. Retrieved July 27, 2016.

[Lynskey-16] Lynskey, Dorian (August 25, 2006). "The Roots, Game Theory". The Guardian. London. Retrieved February 24, 2011.

[Wang-17] Wang, Oliver (August 20, 2006). "Hip-hop refreshed after a dry spell". Los Angeles Times. Retrieved October 5, 2009.

[Mojo-18] "The Roots: Game Theory". Mojo (155). London: 100. October 2006.

[Christgau2013-19] Christgau, Robert (June 18, 2013). "Nas/The Roots". MSN Music. Retrieved June 18, 2013.

[Dombal-20] Dombal, Ryan (August 31, 2006). "The Roots: Game Theory". Pitchfork. Retrieved October 5, 2009.

[Relic-21] Relic, Peter (August 23, 2006). "The Roots: Game Theory". Rolling Stone. New York. Archived from the original on November 30, 2009. Retrieved October 5, 2009.

[Spin-22] Harris, Keith (September 2006). "Hot and Heavy". Spin. 22 (9). New York: 114. Retrieved September 22, 2012.

[Golianopoulo-23] Golianopoulo, Thomas (September 2006). "The Roots: Game Theory". Vibe. 14 (9). New York: 211–12. Retrieved September 22, 2012.

[Vrabel-24] Vrabel, Jeff (August 29, 2006). "Roots: Game Theory". PopMatters. Retrieved October 5, 2009.

[Dukes-25] Dukes, Will (August 29, 2006). "Blood at the Roots". The Village Voice. New York. Retrieved October 5, 2009.

[26] Staff. The Top 50 Albums of 2006. Rolling Stone. Retrieved on 2010-03-29.

[Best-27] Best Albums of 2006. Metacritic. Retrieved on 2009-10-05.

[28] Simmons, Ted (February 26, 2013). "Bilal's 25 Favorite Albums". Complex. Retrieved August 28, 2020.

[Rootsgame-29] The Roots. “Game Theory” (Album Notes). Def Jam Recordings. 2006.

[Afterlife-30] Kenner, Rob. “J Dilla...The Afterlife”. Complex. 7 February 2016. http://www.complex.com/music/2016/02/j-dilla-essentials-guide-the-afterlife/

[Ivanhop-31] Ivan. “The Roots - Game Theory (The Samples)”. Hip Hop Is Read. 22 February 2008. http://www.hiphopisread.com/2008/02/roots-game-theory-samples.html?m=1

[32] “Blog 3: The Best Piece in the World, Ever”. The Contented Musician. 5 March 2014. https://thecontentedmusician.wordpress.com/2014/03/05/blog-3-the-best-piece-in-the-world-ever/

[ac_Netherlands_The_Roots-33] "Dutchcharts.nl – The Roots – Game Theory" (in Dutch). Hung Medien. Retrieved April 17, 2014.

[34] "Alternative Top 30" (in Dutch). dutchcharts.nl. Archived from the original on May 12, 2014. Retrieved April 17, 2014.

[ac_Finland_The_Roots-35] "The Roots: Game Theory" (in Finnish). Musiikkituottajat – IFPI Finland. Retrieved April 17, 2014.

[ac_France_The_Roots-36] "Lescharts.com – The Roots – Game Theory". Hung Medien. Retrieved April 17, 2014.

[ac_Germany4_The_Roots-37] "Offiziellecharts.de – The Roots – Game Theory" (in German). GfK Entertainment Charts. Retrieved April 17, 2014.

[ac_Norway_The_Roots-38] "Norwegiancharts.com – The Roots – Game Theory". Hung Medien. Retrieved April 17, 2014.

[ac_Switzerland_The_Roots-39] "Swisscharts.com – The Roots – Game Theory". Hung Medien. Retrieved April 10, 2020.

[40] "Chart Log UK 2006". zobbel.de. Retrieved April 17, 2014.

[Adaso-41] Adaso, Henry. U.S. Rap Albums Chart - May 17, 2008 Archived February 25, 2012, at the Wayback Machine. About.com. Retrieved on 2009-10-05.

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@@ Line 2: / Line 2: @@
 | name       = Game Theory
 | type       = studio
-| artist     = [[The Roots]]
+| artist     = [[the Roots]]
 | cover      = Gametheorycover.jpg
 | alt        =
@@ Line 8: / Line 8: @@
 | recorded   = March – May 2006
 | venue      =
-| studio     = The Studio, The Boom Room, A House Called ?uest ([[Philadelphia]]) <br />Encore Studios ([[Burbank, California]])<br />Conway Studios, Glenwood Studios (Los Angeles)<br />Integrated Studios, Quad Studios, Platinum Studios, [[Electric Lady Studios]] ([[New York, New York]])
+| studio     = The Studio, The Boom Room, A House Called ?uest ([[Philadelphia]]) <br />Encore Studios ([[Burbank, California]])<br />[[Conway Recording Studios|Conway Studios]], Glenwood Studios (Los Angeles)<br />Integrated Studios, Quad Studios, Platinum Studios, [[Electric Lady Studios]] ([[New York, New York]])
 | genre      = [[Alternative hip hop]], [[experimental hip hop]]
 | length     = 46:58
@@ Line 27: / Line 27: @@
 }}
-'''''Game Theory''''' is the seventh [[studio album]] by American [[Hip hop music|hip hop]] band [[The Roots]], released August 29, 2006, on [[Def Jam Recordings]]. The group's first release for the label after leaving [[Geffen Records]], the album was recorded by the Roots mostly using the [[Apple Inc.|Apple]]-developed software application [[GarageBand]].<ref name="Faraone">Faraone, Chris. "[http://www.therootsarchive.com/?q=comment/reply/69 Roots Got 'Game': Hardworking ?uestlove Drums Up Support for Tour]". ''[[Boston Herald]]'': August 5, 2006. Archived from [https://pqasb.pqarchiver.com/bostonherald/access/1089643871.html?dids=1089643871:1089643871&FMT=ABS&FMTS=ABS:FT&type=current&date=Aug+05%2C+2006&author=CHRIS+FARAONE&pub=Boston+Herald&desc=MUSIC+%3B+Roots+got+%60Game'&pqatl=google the original] on 2009-12-05.</ref> A darker, grittier album with minimal emphasis on [[Hook (music)|hook]]s in comparison to their previous work,<ref name="Johnson">Johnson, Brett. [http://www.xxlmag.com/online/?p=3502 Review: ''Game Theory''] {{Webarchive|url=https://web.archive.org/web/20090413105836/http://www.xxlmag.com/online/?p=3502 |date=2009-04-13 }}. ''[[XXL (magazine)|XXL]]''. Retrieved on 2009-10-05.</ref><ref name="Christgau">Christgau, Robert. "[http://www.robertchristgau.com/get_artist.php?name=The+Roots Consumer Guide: ''Game Theory'']". [[MSN Music]]: December 2006. Archived from [http://music.msn.com/music/consumerguide/2006/12/honorablemention/ the original] {{Webarchive|url=https://web.archive.org/web/20080906000336/http://music.msn.com/music/consumerguide/2006/12/honorablemention |date=2008-09-06 }} on 2009-10-05.</ref> ''Game Theory'' features a stripped-down sound similar to the work of [[Public Enemy (group)|Public Enemy]], with lyrics that concern [[sociological]] themes and the late hip hop producer [[J Dilla]].<ref name="Chinen"/><ref name="Rabin"/><ref name="Baron">Baron. [http://www.tinymixtapes.com/The-Roots Review: ''Game Theory'']. [[Tiny Mix Tapes]]. Retrieved on 2009-10-05.</ref>
+'''''Game Theory''''' is the seventh [[studio album]] by American [[Hip hop music|hip hop]] band [[the Roots]], released August 29, 2006, on [[Def Jam Recordings]]. The group's first release for the label after leaving [[Geffen Records]], the album was recorded by the Roots mostly using the [[Apple Inc.|Apple]]-developed software application [[GarageBand]].<ref name="Faraone">Faraone, Chris. "[http://www.therootsarchive.com/?q=comment/reply/69 Roots Got 'Game': Hardworking ?uestlove Drums Up Support for Tour]". ''[[Boston Herald]]'': August 5, 2006. Archived from [https://pqasb.pqarchiver.com/bostonherald/access/1089643871.html?dids=1089643871:1089643871&FMT=ABS&FMTS=ABS:FT&type=current&date=Aug+05%2C+2006&author=CHRIS+FARAONE&pub=Boston+Herald&desc=MUSIC+%3B+Roots+got+%60Game'&pqatl=google the original]{{dead link|date=July 2024|bot=medic}}{{cbignore|bot=medic}} on 2009-12-05.</ref> A darker, grittier album with minimal emphasis on [[Hook (music)|hook]]s in comparison to their previous work,<ref name="Johnson">Johnson, Brett. [http://www.xxlmag.com/online/?p=3502 Review: ''Game Theory''] {{Webarchive|url=https://web.archive.org/web/20090413105836/http://www.xxlmag.com/online/?p=3502 |date=2009-04-13 }}. ''[[XXL (magazine)|XXL]]''. Retrieved on 2009-10-05.</ref><ref name="Christgau">Christgau, Robert. "[http://www.robertchristgau.com/get_artist.php?name=The+Roots Consumer Guide: ''Game Theory'']". [[MSN Music]]: December 2006. Archived from [http://music.msn.com/music/consumerguide/2006/12/honorablemention/ the original] {{Webarchive|url=https://web.archive.org/web/20080906000336/http://music.msn.com/music/consumerguide/2006/12/honorablemention |date=2008-09-06 }} on 2009-10-05.</ref> ''Game Theory'' features a stripped-down sound similar to the work of [[Public Enemy (group)|Public Enemy]], with lyrics that concern [[sociological]] themes and the late hip hop producer [[J Dilla]].<ref name="Chinen"/><ref name="Rabin"/><ref name="Baron">Baron. [http://www.tinymixtapes.com/The-Roots Review: ''Game Theory'']. [[Tiny Mix Tapes]]. Retrieved on 2009-10-05.</ref>
 The album debuted at number nine on the U.S. [[Billboard 200|''Billboard'' 200]] chart, selling 61,000 copies in its first week. It produced two singles and achieved moderate sales success. Upon its release, ''Game Theory'' received acclaim from most music critics and earned a [[Grammy Award]] nomination for [[Grammy Award for Best Rap Album|Best Rap Album]]. To date, the album has sold over 200,000 copies in the United States.
@@ Line 36: / Line 36: @@
 {{blockquote|In this day and age, I'm kind of noticing that nobody in urban music really has the balls to just stop partying for one second... I mean, partying is good and whatnot, and it's cool to get down, but I really think that 2006 called for a very serious record. This ain't the Debbie Downer record, or the political, save-the-world record, but this is definitely not the [[Emcee|MC]]-based, battle-themed album that the Roots have been known for. This is our most serious record to date.<ref name="Rolling Stone">{{cite web |first=Tika|last=Milan|date=June 21, 2006|url = https://www.rollingstone.com/news/story/10617577/the_roots_new_album_heavy_but_no_debbie_downer | archive-url = https://web.archive.org/web/20060703002442/http://www.rollingstone.com/news/story/10617577/the_roots_new_album_heavy_but_no_debbie_downer | url-status = dead | archive-date = July 3, 2006 | title = The Roots' New Album: Heavy But No Debbie Downer | magazine=[[Rolling Stone]]|access-date = September 22, 2006 }}</ref>|Questlove}}
-Described by Questlove as "very mature, serious, and very dark",<ref name="Ref">{{cite web|url=http://www6.defjam.com/site/news.php?news_id=102077|title=The Roots Get Serious About Their "GAME THEORY"|access-date=September 22, 2006|url-status=dead|archive-url=https://web.archive.org/web/20061006103830/http://www6.defjam.com/site/news.php?news_id=102077|archive-date=October 6, 2006}}</ref> the album, unlike the band's previous two efforts ''[[Phrenology (album)|Phrenology]]'' (2002) and ''[[The Tipping Point (The Roots album)|The Tipping Point]]'' (2004), combines The Roots's progressive tendencies and lush, jazz influenced hip-hop into a more homogenous and cohesive recording than past efforts had shown. In what could be a salute to a fellow experimental band, The Roots sample [[Radiohead]]'s "[[You and Whose Army?]]" for the track "Atonement".
+Described by Questlove as "very mature, serious, and very dark",<ref name="Ref">{{cite web|url=http://www6.defjam.com/site/news.php?news_id=102077|title=The Roots Get Serious About Their "GAME THEORY"|access-date=September 22, 2006|url-status=dead|archive-url=https://web.archive.org/web/20061006103830/http://www6.defjam.com/site/news.php?news_id=102077|archive-date=October 6, 2006}}</ref> the album, unlike the band's previous two efforts ''[[Phrenology (album)|Phrenology]]'' (2002) and ''[[The Tipping Point (The Roots album)|The Tipping Point]]'' (2004), combines the Roots's progressive tendencies and lush, jazz influenced hip-hop into a more homogenous and cohesive recording than past efforts had shown. In what could be a salute to a fellow experimental band, The Roots sample [[Radiohead]]'s "[[You and Whose Army?]]" for the track "Atonement".
-The subject material for ''Game Theory'' follows the more serious tone of the album, with topics ranging from the war in [[Iraq]] to violence in music. [[Questlove]] was quoted as saying "There was too much going on that we couldn’t just sit back and not speak on it."<ref name="Ref"/> In accordance with its more-serious tone, the album heavily references [[Public Enemy (group)|Public Enemy's]] highly-political ''[[It Takes a Nation of Millions to Hold Us Back]]'' on its lead track "False Media".
+The subject material for ''Game Theory'' follows the more serious tone of the album, with topics ranging from the war in [[Iraq]] to violence in music. [[Questlove]] was quoted as saying "There was too much going on that we couldn't just sit back and not speak on it."<ref name="Ref"/> In accordance with its more-serious tone, the album heavily references [[Public Enemy (group)|Public Enemy's]] highly-political ''[[It Takes a Nation of Millions to Hold Us Back]]'' on its lead track "False Media".
 ==Commercial performance==
-''Game Theory'' debuted at number nine on the U.S. [[Billboard 200|''Billboard'' 200]] chart with first week sales of 61,000 copies.<ref name="Harris">Harris, Chris. [http://www.mtv.com/news/articles/1540239/20060906/simpson_jessica.jhtml Sorry, Jessica: Billboard's #1 Belongs To Bob Dylan]. MTV. Retrieved on 2010-03-29.</ref> It also debuted at number five on ''[[Billboard charts|Billboard]]''{{'}}s [[Top R&B/Hip-Hop Albums]] and at number four on its Top Digital Albums chart.<ref name="HipHop">[https://www.billboard.com/charts/2006-09-16/r-b-hip-hop-albums R&B/Hip-Hop Albums (9/16/2006)]. ''[[Billboard (magazine)|Billboard]]''. Retrieved on 2010-03-29.</ref><ref name="Digital">[https://www.billboard.com/charts/2006-09-16/digital-albums Digital Albums (9/16/2006)]. ''Billboard''. Retrieved on 2010-03-29.</ref> According to [[Nielsen SoundScan]], the album has sold over 200,000 copies in the United States.<ref>Chinen, Nate. [https://www.nytimes.com/2008/05/04/arts/music/04chin.html# The Roots Issue Tracks of Their Fears, and Defiance, on ‘Rising Down,’ Their New Album]. ''The New York Times''. Retrieved on 2010-03-29.</ref>
+''Game Theory'' debuted at number nine on the U.S. [[Billboard 200|''Billboard'' 200]] chart with first week sales of 61,000 copies.<ref name="Harris">Harris, Chris. [https://web.archive.org/web/20070103150605/http://www.mtv.com/news/articles/1540239/20060906/simpson_jessica.jhtml Sorry, Jessica: Billboard's #1 Belongs To Bob Dylan]. MTV. Retrieved on 2010-03-29.</ref> It also debuted at number five on ''[[Billboard charts|Billboard]]''{{'}}s [[Top R&B/Hip-Hop Albums]] and at number four on its Top Digital Albums chart.<ref name="HipHop">[https://www.billboard.com/charts/2006-09-16/r-b-hip-hop-albums R&B/Hip-Hop Albums (9/16/2006)]. ''[[Billboard (magazine)|Billboard]]''. Retrieved on 2010-03-29.</ref><ref name="Digital">[https://www.billboard.com/charts/2006-09-16/digital-albums Digital Albums (9/16/2006)]. ''Billboard''. Retrieved on 2010-03-29.</ref> According to [[Nielsen SoundScan]], the album has sold over 200,000 copies in the United States.<ref>Chinen, Nate. [https://www.nytimes.com/2008/05/04/arts/music/04chin.html# The Roots Issue Tracks of Their Fears, and Defiance, on ‘Rising Down,’ Their New Album]. ''The New York Times''. Retrieved on 2010-03-29.</ref>
 == Critical reception ==
@@ Line 55: / Line 55: @@
 | rev4Score = {{Rating|4|5}}<ref name="Lynskey">{{cite news|last=Lynskey|first=Dorian|url=https://www.theguardian.com/music/2006/aug/25/popandrock.urban|title=The Roots, ''Game Theory''|newspaper=[[The Guardian]]|location=London|date=August 25, 2006|access-date=February 24, 2011}}</ref>
 | rev5 = ''[[Los Angeles Times]]''
-| rev5Score = {{Rating|3|4}}<ref name="Wang">{{cite news|last=Wang|first=Oliver|url=https://articles.latimes.com/2006/aug/20/entertainment/ca-rack20|title=Hip-hop refreshed after a dry spell|newspaper=[[Los Angeles Times]]|date=August 20, 2006|access-date=October 5, 2009}}</ref>
+| rev5Score = {{Rating|3|4}}<ref name="Wang">{{cite news|last=Wang|first=Oliver|url=https://www.latimes.com/archives/la-xpm-2006-aug-20-ca-rack20-story.html|title=Hip-hop refreshed after a dry spell|newspaper=[[Los Angeles Times]]|date=August 20, 2006|access-date=October 5, 2009}}</ref>
 | rev6 = ''[[Mojo (magazine)|Mojo]]''
 | rev6Score = {{Rating|4|5}}<ref name="Mojo">{{cite journal|title=The Roots: ''Game Theory''|journal=[[Mojo (magazine)|Mojo]]|location=London|issue=155|date=October 2006|page=100}}</ref>
@@ Line 76: / Line 76: @@
 ==Track listing==
-Unless otherwise noted, Credits are adapted from the album’s Liner Notes<ref name="Rootsgame">The Roots.   “Game Theory” (Album Notes).    Def Jam Recordings.    2006.</ref>
+Track numbers continued from ''[[The Tipping Point (The Roots album)|The Tipping Point]]''. Unless otherwise noted, Credits are adapted from the album's Liner Notes<ref name="Rootsgame">The Roots.   “Game Theory” (Album Notes).    Def Jam Recordings.    2006.</ref>
 {{track listing
 | extra_column = Producer(s)
-| title1 = Dillatastic Vol Won(derful)
+| title114 = Dillatastic Vol Won(derful)
-| note1 =
+| note114 =
+| writer114 =
-| writer1
-| extra1 = [[J Dilla]]
+| extra114 = [[J Dilla]]
-| length1 = 0:28
+| length114 = 0:28
-| title2 = False Media
+| title115 = False Media
-| note2 = featuring Wadud Ahmad)<br/>(Chorus: Wadud Ahmad
+| note115 = featuring Wadud Ahmad)<br/>(Chorus: Wadud Ahmad
-| writer2 = [[Black Thought|Tariq Trotter]], [[Questlove|Ahmir “Questlove” Thompson]], [[Dice Raw|Karl B. Jenkins]], [[James Poyser]], James “Kamal” Gray
+| writer115 = [[Black Thought|Tariq Trotter]], [[Questlove|Ahmir “Questlove” Thompson]], [[Dice Raw|Karl B. Jenkins]], [[James Poyser]], James “Kamal” Gray
-| extra2 = Kamal Gray (of The Roots), The Randy Watson Experience
+| extra115 = Kamal Gray (of The Roots), The Randy Watson Experience
-| length2 = 2:43
+| length115 = 2:43
-| title3 = Game Theory
+| title116 = Game Theory
-| note3 = featuring [[Malik B.]]
+| note116 = featuring [[Malik B.]]
-| writer3 = T. Trotter, A. Thompson, J. Gray, Khari Mateen, [[Captain Kirk Douglas|Kirk Douglass]], [[Hub (bassist)|Leonard Hubbard]], [[Malik B.|Malik Abdul-Basit]]
+| writer116 = T. Trotter, A. Thompson, J. Gray, Khari Mateen, [[Captain Kirk Douglas|Kirk Douglass]], [[Hub (bassist)|Leonard Hubbard]], [[Malik B.|Malik Abdul-Basit]]
-| extra3 = The Roots, Khari Mateen
+| extra116 = The Roots, Khari Mateen
-| length3 = 4:01
+| length116 = 4:01
-| title4 = Don't Feel Right
+| title117 = Don't Feel Right
-| note4 = featuring Maimouna Youssef)<br/>(Chorus: Maimouna Youssef
+| note117 = featuring Maimouna Youssef)<br/>(Chorus: Maimouna Youssef
-| writer4 = T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, Tahir Jamal
+| writer117 = T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, Tahir Jamal
-| extra4 = The Roots, Tahir Jamal
+| extra117 = The Roots, Tahir Jamal
-| length4 = 4:08
+| length117 = 4:08
-| title5 = In the Music
+| title118 = In the Music
-| note5 = featuring Malik B. and Porno)<br/>(Chorus: Porno
+| note118 = featuring Malik B. and PORN)<br/>(Chorus: PORN
-| writer5 = T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Douglass, L. Hubbard, M. Abdul-Basit, Richard Nichols, Kevin Hanson, Pedro Martinez, [[Owen Biddle (musician)|Owen Biddle]]
+| writer118 = T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Douglass, L. Hubbard, M. Abdul-Basit, Richard Nichols, Kevin Hanson, Pedro Martinez, [[Owen Biddle (musician)|Owen Biddle]]
-| extra5 = [[Owen Biddle (musician)|Owen Biddle]] (of The Roots), Richard Nichols, Pedro Martinez, Kevin Hanson
+| extra118 = [[Owen Biddle (musician)|Owen Biddle]] (of The Roots), Richard Nichols, Pedro Martinez, Kevin Hanson
-| length5 = 4:06
+| length118 = 4:06
-| title6 = Take It There
+| title119 = Take It There
-| note6 = featuring Wadud Ahmad)<br/>(Chorus: Black Thought & Dice Raw
+| note119 = featuring Wadud Ahmad)<br/>(Chorus: Black Thought & Dice Raw
-| writer6 = T. Trotter, A. Thompson, J. Gray, K. Douglass, L. Hubbard, K. Hanson, P. Martinez, Darrell Robinson, Frank “Knuckles” Walker, [[Adam Blackstone]]
+| writer119 = T. Trotter, A. Thompson, J. Gray, K. Douglass, L. Hubbard, K. Hanson, P. Martinez, Darrell Robinson, Frank “Knuckles” Walker, [[Adam Blackstone]]
-| extra6 = [[Questlove|Ahmir “Questlove” Thompson]] (of The Roots), [[Adam Blackstone]], Richard Nichols, Pedro Martinez, Kevin Hanson
+| extra119 = [[Questlove|Ahmir “Questlove” Thompson]] (of The Roots), [[Adam Blackstone]], Richard Nichols, Pedro Martinez, Kevin Hanson
-| length6 = 2:50
+| length119 = 2:50
-| title7 = Baby
+| title120 = Baby
-| note7 = featuring John-John)<br/>(Chorus: John-John
+| note120 = featuring John-John)<br/>(Chorus: John-John
-| writer7 = T. Trotter, A. Thompson, J. Gray, K. Douglass, L. Hubbard, F. Walker, John McGlinchey
+| writer120 = T. Trotter, A. Thompson, J. Gray, K. Douglass, L. Hubbard, F. Walker, John McGlinchey
-| extra7 = The Roots, John McGlinchey
+| extra120 = The Roots, John McGlinchey
-| length7 = 2:50
+| length120 = 2:50
-| title8 = Here I Come
+| title121 = Here I Come
-| note8 = featuring [[Dice Raw]] & [[Malik B.]])<br/>(Chorus: Black Thought & Dice Raw
+| note121 = featuring [[Dice Raw]] & [[Malik B.]])<br/>(Chorus: Black Thought & Dice Raw
-| writer8 = T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Douglass, L. Hubbard, M. Abdul-Basit, R. Nichols, F. Walker
+| writer121 = T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Douglass, L. Hubbard, M. Abdul-Basit, R. Nichols, F. Walker
-| extra8 = Owen Biddle (of The Roots), Richard Nichols, Pedro Martinez, [[J*Davey|Brook D'Leau]]
+| extra121 = Owen Biddle (of The Roots), Richard Nichols, Pedro Martinez, [[J*Davey|Brook D'Leau]]
-| length8 = 4:11
+| length121 = 4:11
-| title9 = Long Time
+| title122 = Long Time
-| note9 = featuring [[Peedi Peedi]] & [[Bunny Sigler]])<br/>(Chorus: Bunny Sigler & Dice Raw
+| note122 = featuring [[Peedi Peedi]] & [[Bunny Sigler]])<br/>(Chorus: Bunny Sigler & Dice Raw
-| writer9 = T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Douglass, L. Hubbard, [[Peedi Peedi|Pedro Zayas]], [[Bunny Sigler]]
+| writer122 = T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Douglass, L. Hubbard, [[Peedi Peedi|Pedro Zayas]], [[Bunny Sigler]]
-| extra9 = Owen Biddle (of The Roots), Kevin Hanson, Darryl Robinson, Richard Nichols, Omar Edwards
+| extra122 = Owen Biddle (of The Roots), Kevin Hanson, Darryl Robinson, Richard Nichols, Omar Edwards
-| length9 = 4:21
+| length122 = 4:21
-| title10 = Livin' in a New World
+| title123 = Livin' in a New World
-| note10 = featuring  John-John)<br/>(Chorus: John-John
+| note123 = featuring  John-John)<br/>(Chorus: John-John
-| writer10 = T. Trotter, K. B. Jenkins, K. Mateen
+| writer123 = T. Trotter, K. B. Jenkins, K. Mateen
-| extra10 = The Roots, Khari Mateen
+| extra123 = The Roots, Khari Mateen
-| length10 = 1:47
+| length123 = 1:47
-| title11 = Clock with No Hands
+| title124 = Clock with No Hands
-| note11 = featuring Mercedes Martinez)<br/>(Chorus: Mercedes Martinez
+| note124 = featuring Mercedes Martinez)<br/>(Chorus: Mercedes Martinez
-| writer11 = T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Mateen, L. Hubbard
+| writer124 = T. Trotter, A. Thompson, K. B. Jenkins, J. Gray, K. Mateen, L. Hubbard
-| extra11 = The Roots, Khari Mateen, Brook D'Leau
+| extra124 = The Roots, Khari Mateen, Brook D'Leau
-| length11 = 4:23
+| length124 = 4:23
-| title12 = Atonement
+| title125 = Atonement
-| note12 = featuring [[J*Davey|Jack Davey]])<br/>(Chorus: Jack Davey
+| note125 = featuring [[J*Davey|Jack Davey]])<br/>(Chorus: Jack Davey
-| writer12 = T. Trotter, A. Thompson, K. B. Jenkins, J. Poyser
+| writer125 = T. Trotter, A. Thompson, K. B. Jenkins, J. Poyser
-| extra12 = The Roots, The Randy Watson Experience
+| extra125 = The Roots, The Randy Watson Experience
-| length12 = 2:35
+| length125 = 2:35
-| title13 = Can't Stop This
+| title126 = Can't Stop This
-| note13 =
+| note126 =
-| writer13 = T. Trotter, A. Thompson, K. B. Jenkins, J. Poyser, [[J Dilla|James Yancey]]
+| writer126 = T. Trotter, A. Thompson, K. B. Jenkins, J. Poyser, [[J Dilla|James Yancey]]
-| extra13 = J Dilla, The Roots, The Randy Watson Experience
+| extra126 = J Dilla, The Roots, The Randy Watson Experience
-| length13 = 8:35
+| length126 = 8:35
 }}
 {{Track listing
@@ Line 184: / Line 184: @@
 * Davis Barnett&nbsp;– viola
 * [[Dice Raw]]&nbsp;- lead rap vocals (6-9), background vocals (6-7)
-* Robert "LB" Dorsey&nbsp;– recording engineer (2, 4-5, 7-9, 13)
+* Robert "LB" Dorsey&nbsp;– recording engineer (2, 4–5, 7–9, 13)
 * [[Captain Kirk Douglas]]&nbsp;– guitar
-* Russell Elevado&nbsp;– recording engineer (2, 5-6, 8-9), audio mixing (2, 7, 9, 13), pre-mixing (drums on 5)
+* Russell Elevado&nbsp;– recording engineer (2, 5–6, 8–9), audio mixing (2, 7, 9, 13), pre-mixing (drums on 5)
 * Larry Gold&nbsp;– string arrangements, string conductor, cello
-* Jason Goldstein&nbsp;– audio mixing (3-4, 6, 8, 10-13)
+* Jason Goldstein&nbsp;– audio mixing (3-4, 6, 8, 10–13)
 * Kamal Gray&nbsp;– keyboards
 * Kevin Hanson&nbsp;– producer
@@ Line 201: / Line 201: @@
 * Jennie Lorenzo&nbsp;- cello
 * [[Malik B.]]&nbsp;– lead rap vocals (3, 5, 8)
-* Steve Mandel&nbsp;– recording engineer (1-2, 4, 7, 12-13), audio mixing (1)
+* Steve Mandel&nbsp;– recording engineer (1-2, 4, 7, 12–13), audio mixing (1)
-* Mercedes Martinez&nbsp;- background vocals (6, 10-11)
+* Mercedes Martinez&nbsp;- background vocals (6, 10–11)
-* Khari Mateen&nbsp;– recording engineer (3, 10-11)
+* Khari Mateen&nbsp;– recording engineer (3, 10–11)
 * John McGlinchey&nbsp;- recording engineer (7)
 * Charles Parker&nbsp;– violin
@@ Line 211: / Line 211: @@
 * The Roots&nbsp;– main performer
 * [[Bunny Sigler]]&nbsp;- vocals sung by (9)
-* Jon Smeltz&nbsp;– recording engineer (2-6, 8-13), audio mixing (5)
+* Jon Smeltz&nbsp;– recording engineer (2-6, 8–13), audio mixing (5)
 * Igor Szwec&nbsp;– violin
 * Ahmir '?uestlove' Thompson&nbsp;– recording engineer, audio mixing (1), background vocals (7), drums
@@ Line 247: / Line 247: @@
 |align="center"|5
 |-
-|US ''Billboard'' [[Top Rap Albums]]<ref name="Adaso">Adaso, Henry. [http://rap.about.com/od/toprapalbumscharts/tp/TopRapAlbums51708.htm U.S. Rap Albums Chart - May 17, 2008]. About.com. Retrieved on 2009-10-05.</ref>
+|US ''Billboard'' [[Top Rap Albums]]<ref name="Adaso">Adaso, Henry. [http://rap.about.com/od/toprapalbumscharts/tp/TopRapAlbums51708.htm U.S. Rap Albums Chart - May 17, 2008] {{Webarchive|url=https://web.archive.org/web/20120225031752/http://rap.about.com/od/toprapalbumscharts/tp/TopRapAlbums51708.htm |date=February 25, 2012 }}. About.com. Retrieved on 2009-10-05.</ref>
 |align="center"|4
 |}