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m Music: I understand the comparisons but it seems more to the point to say this does not feature Daft Punk's music; the section above describes it as a Human After All project
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{{short description|2016 avant-garde science fiction film}}
{{short description|2006 avant-garde science fiction film}}
{{Infobox film
{{Infobox film
| name = Justice's Woman
| name = Daft Punk's Electroma
| image = Justice's Woman.jpg
| image = Electroma.jpg
| caption = Theatrical release poster
| caption = Theatrical release poster
| director = [[Justice (band)|Justice]]
| director = [[Daft Punk]]
| producer = [[Mr. Oizo]]
| producer = Paul Hahn
| writer = {{unbulleted list|[[Gaspard Augé]]|[[Xavier de Rosnay]]|[[Mr. Oizo]]|[[Pedro Winter]]}}
| writer = {{unbulleted list|[[Thomas Bangalter]]|[[Guy-Manuel de Homem-Christo]]|Paul Hahn|Cédric Hervet}}
| starring = {{unbulleted list|[[Keke Palmer]]|[[Allison Mack]]}}
| starring = {{unbulleted list|Peter Hurteau|Michael Reich}}
| music = {{unbulleted list|[[Kenny Loggins]]|[[Gorillaz]]|[[Daft Punk]]|[[Aretha Franklin]]|[[Devin the Dude]]|[[Boards of Canada]]}}
| music = {{unbulleted list|[[Todd Rundgren]]|[[Brian Eno]]|[[Sébastien Tellier]]|[[Curtis Mayfield]]|[[Linda Perhacs]]|[[Jackson C. Frank]]|Mathieu Tonetti}}
| cinematography = Gaspard Augé
| cinematography = Thomas Bangalter
| editing = Pedro Winter
| editing = Cédric Hervet
| studio = [[Because Music]]
| studio = [[Because Music]]{{Citation needed|date=February 2017}}
| distributor = {{unbulleted list|Just Arts|[[Wild Bunch (film company)|Wild Bunch]]|[[Vice Media]]}}
| distributor = {{unbulleted list|Daft Arts|[[Wild Bunch (film company)|Wild Bunch]]|[[Vice Media]]}}
| released = {{Film date|2016|5|22|[[Cannes Film Festival]]|2017|3|25|France}}
| released = {{Film date|2006|5|21|[[Cannes Film Festival]]|2007|3|24|France}}
| runtime = 72 minutes
| runtime = 72 minutes
| country = {{unbulleted list|United States|France}}
| country = {{unbulleted list|United States|France}}
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}}
}}


'''''Justice's Woman''''' (also known as '''''Woman''''') is a 2016 [[avant-garde]] [[science fiction]] film directed by the French [[electronic music]] duo [[Justice (band)|Justice]]. The story revolves around the quest of two [[Human|humans]] (the band members, played by [[Keke Palmer]] and [[Allison Mack]]) to become human.
'''''Daft Punk's Electroma''''' (also known as '''''Electroma''''') is a 2006 [[avant-garde]] [[science fiction]] film directed by the French [[electronic music]] duo [[Daft Punk]]. The story revolves around the quest of two [[robot]]s (the band members, played by Peter Hurteau and Michael Reich) to become human.


The music featured in the film is not by Justice, which was a first for the duo after their previous film and [[home video]] releases, ''[[J.U.S.T.: A Story About Dogs, Androids, Firemen and Tomatoes]]'' and ''[[Justice League: The Story of the Solar System]]''. The duo instead served as directors and co-wrote the film, along with Just Arts manager [[Mr. Oizo]] and collaborator [[Pedro Winter]].
The music featured in the film is not by Daft Punk, which was a first for the duo after their previous film and [[home video]] releases, ''[[D.A.F.T.: A Story About Dogs, Androids, Firemen and Tomatoes]]'' and ''[[Interstella 5555: The 5tory of the 5ecret 5tar 5ystem]]''. The duo instead served as directors and co-wrote the film, along with Daft Arts manager Paul Hahn and collaborator Cédric Hervet.


The film premiered at the [[2016 Cannes Film Festival]], and was later released in France on March 25, 2017. While initially receiving mixed reviews, ''Woman'' has gained a cult following.
The film premiered at the [[2006 Cannes Film Festival]], and was later released in France on March 24, 2007. While initially receiving mixed reviews, ''Electroma'' has gained a cult following.<ref name="filmmakermagazine1">{{cite web|url=http://filmmakermagazine.com/archives/issues/summer2008/daftpunk.php |title=Daft Punk's Electroma – Filmmaker Magazine – Summer 2008 |publisher=Filmmaker Magazine |access-date=2015-12-17}}</ref>


Justice used scenes from the end of the film to announce their break-up on February 22, 2021.
Daft Punk used scenes from the end of the film to announce their break-up on February 22, 2021.<ref name="ytEpilogue" />


==Plot==
==Plot==
The two lead characters appear as the forms of [[Justice (band)|Justice]] and are credited as "Hero Human No. 1" and "Hero Human No. 2". An opening scene shows the duo driving in a 1987 [[Ferrari 412]] with its license plate displaying "WOMAN". After passing through a [[Southern California]] region, the duo arrives by car at a city in [[San Diego]]. The cities residents are also shown to be humans physically identical to the two main characters, but at different ages, with different clothing and alternating gender.
The two lead characters appear as the robotic forms of [[Daft Punk]] and are credited as "Hero Robot No. 1" and "Hero Robot No. 2". One wears a silver helmet and the other wears a golden one. An opening scene shows the duo driving in a 1987 [[Ferrari 412]] with its license plate displaying "HUMAN". After passing through a [[Southwestern United States]] landscape, the duo arrives by car at a town in [[Inyo County, California]].<ref name="ElectromaReview" /> The town's residents are also shown to be robots physically identical to the two main characters, but at different ages, with different clothing and alternating gender.


The pair drive to a high-tech facility where liquid [[Latex (rubber)|latex]] is poured over their heads. The latex is shaped into human-like faces with the aid of [[prosthesis|prosthetic]] appliances and wigs. The resulting look caricaturizes the members of Justice, [[Gaspard Augé]] and [[Xavier de Rosnay]]. When the two leave the facility, the locals of the city are shocked by their human appearance. The townsfolk gradually begin to chase the duo, whose faces eventually melt in the sun. Again appearing as humans, the pair then undergo a lengthy hike across desert [[Salt pan (geology)|salt flat]]s.
The pair drive to a high-tech facility where liquid [[Latex (rubber)|latex]] is poured over their heads. The latex is shaped into human-like faces with the aid of [[prosthesis|prosthetic]] appliances and wigs. The resulting look caricaturizes the members of Daft Punk, [[Thomas Bangalter]] and [[Guy-Manuel de Homem-Christo]]. When the two leave the facility, the locals of the town are shocked by their human appearance. The townsfolk gradually begin to chase the duo, whose faces eventually melt in the sun. The two take cover in a public restroom where the gold robot discards his ruined mask, then encourages the reluctant silver robot to do the same. Again appearing as robots, the pair then undergo a lengthy hike across desert [[Salt pan (geology)|salt flat]]s.


He then turns away from the other human, revealing a switch on his back. The human flips the switch, which begins a timer. When the countdown ends, the human is blown to pieces. The human eventually falls to his knees and attempts to reach the switch on his own back, but to no avail. Using one of the shards as a [[burning-glass]], the human focuses the sunlight to set his hand ablaze. The film ends as the human, completely on fire, walks in [[slow motion]] through darkness.
After walking for an extended period, the silver robot slows down and comes to a stop. Becoming aware of this, the gold robot walks back to the silver one. The silver robot continues to stare at the ground for a moment before removing his own jacket. He then turns away from the other robot, revealing a switch on his back. The gold robot flips the switch, which begins a timer. When the countdown ends, the silver robot is blown to pieces. The remaining robot piles the remains of the silver robot, then continues to walk. The gold robot eventually falls to his knees and attempts to reach the switch on his own back, but to no avail. Another moment passes before the robot removes his helmet and repeatedly slams it into the ground until the helmet shatters. Using one of the shards as a [[burning-glass]], the robot focuses the sunlight to set his hand ablaze. The film ends as the robot, completely on fire, walks in [[slow motion]] through darkness.


==Cast==
==Cast==
* [[Keke Palmer]] as Hero Human #1
* Peter Hurteau as Hero Robot #1
* [[Allison Mack]] as Hero Human #2
* Michael Reich as Hero Robot #2
* Ritche Lago Bautista as Robot Groomsman
* [[Trisha Hershberger]] as Robot Bride<ref>{{Cite tweet|last= Hershberger |first= Trisha |user= thatgrltrish |number= 1363912153170735108 |title= One of my first gigs in LA was playing the robot bride in Daft Punk's Human After All music video - it was AWESOME |access-date= October 2, 2023}}</ref>
* Daniel Doble as Robot Pastor
* Athena Stamos as Robot Waitress
* Bradley Schneider as Robot Lawyer


==Production==
==Production==
[[Justice (band)|Justice]]'s previous directorial credits include the [[music video]]s for their songs "[[DVNO#"Get Down" video|Get Down]]", "[[Safe and Sound (Justice song)|Safe and Sound]]" and "[[Alakazam !]]". The duo initially shot footage for a music video of the song "[[Randy (Justice song)|Randy]]", but expanded the content for a feature-length film instead. According to [[Xavier de Rosnay]], ''Justice's Woman'' had been an unplanned extension of filming videos for the ''[[Woman (Justice album)|Woman]]'' album.
[[Daft Punk]]'s previous directorial credits include the [[music video]]s for their songs "[[Da Funk#"Fresh" video|Fresh]]", "[[Robot Rock (song)|Robot Rock]]" and "[[Technologic]]". The duo initially shot footage for a music video of the song "[[Human After All (song)|Human After All]]", but expanded the content for a feature-length film instead.<ref name="Hurteau">[http://www.danideahl.com/wordpress/2007/12/07/interview-with-electroma-actor-peter-hurteau/ Interview with ''Electroma'' actor Peter Hurteau] {{Webarchive|url=https://web.archive.org/web/20080204220538/http://www.danideahl.com/wordpress/2007/12/07/interview-with-electroma-actor-peter-hurteau/ |date=2008-02-04 }}. danideahl.com. Retrieved on January 14, 2008.</ref> According to [[Guy-Manuel de Homem-Christo]], ''Daft Punk's Electroma'' had been an unplanned extension of filming videos for the ''[[Human After All]]'' album.


{{blockquote|We were not nervous &ndash; making a full-length movie was like a dream. We never planned for it to happen, but after we directed the videos for our last album we decided to keep on working. We were in the shooting dynamic, so the movie came naturally. We didn't think too much. Whether it's making music or directing a video, whatever we do we do it quickly. When we have a good work dynamic we don't need to ask too many questions of each other.}}
{{blockquote|We were not nervous &ndash; making a full-length movie was like a dream. We never planned for it to happen, but after we directed the videos for our last album we decided to keep on working. We were in the shooting dynamic, so the movie came naturally. We didn't think too much. Whether it's making music or directing a video, whatever we do we do it quickly. When we have a good work dynamic we don't need to ask too many questions of each other.<ref name="TheAge">[http://www.theage.com.au/news/film/from-the-desert-the-robots-come/2007/06/07/1181089191457.html From the desert the robots come], pgs 1-2. theage.com. Retrieved on June 10, 2006.</ref>}}


[[Gaspard Augé]] stated, "With this film, we had the same approach as when we started making music. Create without any rules or standards. Take a free approach to something new that you don't really know, and that you learn from scratch."
[[Thomas Bangalter]] stated, "With this film, we had the same approach as when we started making music. Create without any rules or standards. Take a free approach to something new that you don't really know, and that you learn from scratch."<ref>Suzanne Ely, "Return of the Cybermen" ''[[Mixmag]]'' (July 2006)</ref>


The film was shot on 35&nbsp;mm [[Eastman Kodak|Kodak]] stock under the [[cinematography]] of Augé. He purchased and read over 200 back-issues of ''[[American Cinematographer]]'' in preparation for the feature-length picture. Filming of ''Justice's Woman'' spanned 11 days, much of which was spent in [[California]]. Many scenes of the film take place in [[San Diego]] along [[U.S. Route 395]] and in the park of [[Balboa Park (San Diego)|Balboa Park]]. The human and makeup effects were designed and created by frequent collaborators [[Tony Gardner (designer)|Tony Gardner]] and [[Alterian, Inc.]]
The film was shot on 35&nbsp;mm [[Eastman Kodak|Kodak]] stock under the [[cinematography]] of Bangalter. He purchased and read over 200 back-issues of ''[[American Cinematographer]]'' in preparation for the feature-length picture.<ref name="PunkFiction">[http://music.guardian.co.uk/electronic/story/0,,2126104,00.html Punk fiction] ''[[Guardian Unlimited]]''. Retrieved on August 4, 2007.</ref> Filming of ''Daft Punk's Electroma'' spanned 11 days,<ref name="TheAge" /> much of which was spent in [[California]].<ref name="ElectromaReview" /> Many scenes of the film take place in [[Inyo County]] along [[U.S. Route 395]] and in the town of [[Independence, California|Independence]]. The robotic and makeup effects were designed and created by frequent collaborators [[Tony Gardner (designer)|Tony Gardner]] and [[Alterian, Inc.]]


In April 2021, the [[Ferrari 412]] used for the film was auctioned for charity, alongside the original 'WOMAN' license plate signed by Augé and Rosnay.
In April 2011, the [[Ferrari 412]] used for the film was auctioned for charity, alongside the original 'HUMAN' license plate signed by Bangalter and Homem-Christo.<ref>{{cite news |last1=Jewett |first1=Dale |title=Techno group Daft Punk's Ferrari 412 being auctioned for Japan fundraiser |url=https://www.autoweek.com/news/a1984516/techno-group-daft-punks-ferrari-412-being-auctioned-japan-fundraiser/ |access-date=March 7, 2021 |work=[[Autoweek]]|date=April 4, 2011}}</ref>


===Music===
===Music===
While ''[[J.U.S.T.: A Story About Dogs, Androids, Firemen and Tomatoes]]'' and ''[[Justice League: The Story of the Solar System]]'' were produced to complement the albums ''[[Cross (Justice album)|Cross]]'' and ''[[Audio, Video, Disco]]'', the soundtrack for ''Justice's Woman'' does not feature material by Justice. As stated by de Rosnay, "We come from a musical background, but this movie is quite minimal." The following songs are featured in the film:
The soundtrack for ''Daft Punk's Electroma'' does not feature material by Daft Punk.<ref name="ElectromaReview" /> As stated by de Homem-Christo, "We come from a musical background, but this movie is quite minimal."<ref name="SightsSound">[http://www.news.com.au/heraldsun/story/0,21985,21792904-2902,00.html Midnight feast of sights and sound] {{Webarchive|url=https://archive.today/20121230215608/www.news.com.au/heraldsun/story/0,21985,21792904-2902,00.html |date=2012-12-30 }} News.com. Retrieved on May 31, 2007.</ref> The following songs are featured in the film:


*"[[Danger Zone (song)|Danger Zone]]", written by [[Tom Whitlock]]; performed by [[Kenny Loggins]]
*"International Feel", written and performed by [[Todd Rundgren]]
*"Punk", written and performed by [[Gorillaz]]
*"In Dark Trees", written and performed by [[Brian Eno]]
*"[[Billy Jack]]", written and performed by [[Curtis Mayfield]]
*"Someday We'll All Be Free", written by [[Donny Hathaway]]; performed by [[Aretha Franklin]] (from the soundtrack album [[Malcolm X (soundtrack)|''Malcolm X'']])
*"[[Miserere (Allegri)|Miserere]]", written by [[Gregorio Allegri]]; performed by A Sei Voci Ensemble
*"[[Miserere (Allegri)|Miserere]]", written by [[Gregorio Allegri]]; performed by A Sei Voci Ensemble
*"Universe", written by [[Sebastien Tellier]] and Mathieu Tonetti; performed by Tellier
*"C.L.U.", written and performed by [[Daft Punk]] (from the soundtrack album ''[[Tron: Legacy (soundtrack)|Tron: Legacy]]'')
*"String Quartet in E Flat Major Op. 64, No. 6", written by [[Joseph Haydn]]; performed by the Kodaly Quartet
*"String Quartet in E Flat Major Op. 64, No. 6", written by [[Joseph Haydn]]; performed by the Kodaly Quartet
*"Lil Girl Gone", written and performed by [[Devin the Dude]] (acapella)
*"If You Were My Man", written and performed by [[Linda Perhacs]]
*"No. 4 in E Minor [24 preludes, Op. 28]", written by [[Fryderyk Chopin]]; performed by [[Adam Harasiewicz]]
*"No. 4 in E Minor [24 preludes, Op. 28]", written by [[Fryderyk Chopin]]; performed by [[Adam Harasiewicz]]
*"Gyroscope", written and performed by [[Boards of Canada]]
*"Dialogue", written and performed by [[Jackson C. Frank]]


==Release==
==Release==
The film was first shown on May 22, 2016, as part of the [[Cannes Film Festival]] sidebar Director's Fortnight. Midnight screenings of ''Justice's Woman'' were shown in [[Paris]] theaters from the end of March 2017. The film was also screened at [[wikt:biennale|Biennale]] de [[Montréal]] in [[Canada]] on May 12. It was shown in the [[Australian Centre for the Moving Image]] on June 8, at the [[Institute of Contemporary Arts]] (ICA) in [[London]] on June 9 and at Kino Arsenal in [[Berlin]] on July 5, 2017. The film went on a screening tour of the [[United Kingdom]], beginning in July 2017 and ending in October at the [[BBC Electric Proms]]. The ICA later announced a few late night weekend screenings for November 2017, but based on turnout and interest, extended the screenings to continue until January 2018. In December 2017, the film was shown in [[Seattle]], [[New York City]], [[Chicago]], [[Los Angeles]], [[Atlanta]] and [[Austin, Texas|Austin]] as part of a tour of independent film screenings sponsored by the [[Scion (car)|Scion]] line of [[Toyota]] cars. [[Vice (magazine)|Vice Records]] sponsored Canadian midnight showings on December 8 in [[Victoria, British Columbia|Victoria]], [[Banff, Alberta|Banff]], [[Calgary]], [[Winnipeg]], [[Fort McMurray]] and [[Toronto]]. Further showings in Canada were screened during January 2018 in Toronto, [[Ottawa]] and [[Whitehorse, Yukon|Whitehorse]].
The film was first shown on May 21, 2006, as part of the [[Cannes Film Festival]] sidebar Director's Fortnight.<ref name="ElectromaReview">[https://www.variety.com/index.asp?layout=features2006&content=jump&jump=review&dept=cannes&nav=RCannes&articleid=VE1117930614&cs=1 ''Daft Punk's Electroma'' review] variety.com. Retrieved on February 26, 2007.</ref> Midnight screenings of ''Daft Punk's Electroma'' were shown in [[Paris]] theaters from the end of March 2007.<ref name="DaftPunkMySpace">[https://www.myspace.com/daftpunk Daft Punk's official MySpace page]. Retrieved on February 25, 2006.</ref> The film was also screened at [[wikt:biennale|Biennale]] de [[Montréal]] in [[Canada]] on May 11.<ref>[http://www.hour.ca/columns/hitlist.aspx?iIDArticle=12042 HitList] {{Webarchive|url=https://web.archive.org/web/20070927040047/http://www.hour.ca/columns/hitlist.aspx?iIDArticle=12042 |date=2007-09-27 }} hour.ca. Retrieved on May 31, 2007.</ref> It was shown in the [[Australian Centre for the Moving Image]] on June 7,<ref name="SightsSound" /> at the [[Institute of Contemporary Arts]] (ICA) in [[London]] on June 8<ref name="ICA">[http://www.ica.org.uk/Daft%20Punk's%20Electroma+13682.twl Institute of Contemporary Arts - Film - Daft Punk's Electroma] {{Webarchive|url=https://web.archive.org/web/20070607233445/http://www.ica.org.uk/Daft%20Punk's%20Electroma+13682.twl |date=2007-06-07 }} ica.org.uk. Retrieved on November 23, 2007.</ref> and at Kino Arsenal in [[Berlin]] on July 4, 2007.<ref>[http://www.fdk-berlin.de/arsenal/programmtext-anzeige/article/953/194.html?cHash=46be1da473 SPEX präsentiert: DAFT PUNK'S ELECTROMA] {{Webarchive|url=https://web.archive.org/web/20070927005456/http://www.fdk-berlin.de/arsenal/programmtext-anzeige/article/953/194.html?cHash=46be1da473 |date=2007-09-27 }} fdk-berlin.de. Retrieved on July 5, 2007.</ref> The film went on a screening tour of the [[United Kingdom]], beginning in July 2007 and ending in October at the [[BBC Electric Proms]].<ref name="Electroma"/> The ICA later announced a few late night weekend screenings for November 2007, but based on turnout and interest, extended the screenings to continue until January 2008.<ref name="ICA"/> In December 2007, the film was shown in [[Seattle]], [[New York City]], [[Chicago]], [[Los Angeles]], [[Atlanta]] and [[Austin, Texas|Austin]] as part of a tour of independent film screenings sponsored by the [[Scion (car)|Scion]] line of [[Toyota]] cars.<ref name=" Electroma (Route07: Scion Independent Film Series)">[http://www.scion.com/route/electroma.html Route07: Scion Independent Film Series] {{Webarchive|url=https://web.archive.org/web/20071005132115/http://www.scion.com/route/electroma.html |date=2007-10-05 }} Retrieved on December 7, 2007</ref> [[Vice (magazine)|Vice Records]] sponsored Canadian midnight showings on December 7 in [[Victoria, British Columbia|Victoria]], [[Banff, Alberta|Banff]], [[Calgary]], [[Winnipeg]], [[Fort McMurray]] and [[Toronto]].<ref name="ElectromaMySpace">[https://www.myspace.com/daftpunkelectroma Daft Punk's Electroma official MySpace page]. Retrieved on December 7, 2007.</ref> Further showings in Canada were screened during January 2008 in Toronto, [[Ottawa]] and [[Whitehorse, Yukon|Whitehorse]].<ref name="ElectromaMySpace"/>


The [[DVD-Video]] of the film was first released in [[Australia]] on June 7, 2017. It is distributed by Aztec International Entertainment. According to the official ''Justice's Woman'' website, it is available in the UK as of November 20, 2017. Vice Records released the [[North America]]n DVD on July 23, 2018; reports of a [[Blu-ray Disc]] release by Vice were later labeled "a mistake" and retracted by the company. The DVD is packaged with a 40-page book of film images in either a SteelBook or slip case. The film became available for online viewing on the [[Lycos|Lycos Cinema]] platform as a rental streamed at either standard or high definition. It is also available for online rental or purchase at the [[iTunes Store]], and for streaming on [[Tidal (service)|TIDAL]].
The [[DVD-Video]] of the film was first released in [[Australia]] on June 6, 2007.<ref name="DVDAztec">[http://www.aztecinternational.com.au/drama.php?id=41 Aztec International Entertainment] {{Webarchive|url=https://web.archive.org/web/20070808140258/http://www.aztecinternational.com.au/drama.php?id=41 |date=2007-08-08 }} aztecinternational.com.au. Retrieved on June 10, 2007.</ref> It is distributed by Aztec International Entertainment.<ref name="DVDAztec" /> According to the official ''Daft Punk's Electroma'' website, it is available in the UK as of November 19, 2007.<ref name="Electroma">[http://www.electroma.org/ Because Music presents ''Daft Punk's Electroma''] {{Webarchive|url=https://web.archive.org/web/20070616021521/http://www.electroma.org/ |date=2007-06-16 }} electroma.org. Retrieved on July 16, 2007.</ref> Vice Records released the [[North America]]n DVD on July 22, 2008; reports of a [[Blu-ray Disc]] release by Vice were later labeled "a mistake" and retracted by the company.<ref>[http://vice.typepad.com/vice_records/2008/07/daft-punks-el-1.html Daft Punk's Electroma Out Now] {{Webarchive|url=https://web.archive.org/web/20160807121056/http://vice.typepad.com/vice_records/2008/07/daft-punks-el-1.html |date=2016-08-07 }}, Pocket Lint 30 May 2008</ref> The DVD is packaged with a 40-page book of film images in either a SteelBook or slip case.<ref name="DVDVice">[http://www.nxtbook.com/nxtbooks/questex/hom030908/index.php?startpage=14 Daft Punk Makes Blu-ray] ''[[Home Media Magazine]]''. Retrieved on March 25, 2008.</ref> The film became available for online viewing on the [[Lycos|Lycos Cinema]] platform as a rental streamed at either standard or high definition.<ref>{{Cite web |url=http://cinema.lycos.com/electroma |title=Lycos<!-- Bot generated title --> |access-date=2008-07-31 |archive-url=https://web.archive.org/web/20080904204110/http://cinema.lycos.com/electroma |archive-date=2008-09-04 |url-status=dead }}</ref> It is also available for online rental or purchase at the [[iTunes Store]], and for streaming on [[Tidal (service)|TIDAL]].


On 22 February 2021, Justice released a video titled "Outro" on their YouTube channel, featuring scenes from the film. Following a clip in which the pair bid each other farewell in the desert before one of them walks away and explodes. It was later confirmed that the YouTube video served to announce Justice's breakup.
On 22 February 2021, Daft Punk released a video titled "Epilogue" on their YouTube channel, featuring scenes from the film. Following a clip in which the pair bid each other farewell in the desert before one of them walks away and explodes, a new title card reads "1993–2021".<ref name="ytEpilogue">{{cite web |last1=Daft Punk |title=Daft Punk - Epilogue |url=https://www.youtube.com/watch?v=DuDX6wNfjqc |archive-url=https://ghostarchive.org/varchive/youtube/20211214/DuDX6wNfjqc |archive-date=2021-12-14 |url-status=live|via=[[YouTube]] |publisher=Daft Punk |access-date=February 22, 2021|date=February 22, 2021}}{{cbignore}}</ref> It was later confirmed that the YouTube video served to announce Daft Punk's breakup.<ref name=PF21>{{cite web|url=https://pitchfork.com/news/daft-punk-call-it-quits/|title=Daft Punk Call It Quits|first=Jazz|last=Monroe|date=February 22, 2021|work=Pitchfork|access-date=February 22, 2021}}</ref>


==Reception==
==Reception==
Review aggregator [[Rotten Tomatoes]] reported that 70% of critics have given the film a positive review based on 15 reviews, with an average rating of 5.50 out of 20. The film's showing at Director's Fortnight was received with mixed reactions. ''Justice's Woman'' was praised for its lensing technique and musical soundtrack at the premiere. At the same time, the film was unfavorably compared with Elie Wajeman's ''[[Alyah]]'' and [[Ari Folman]]'s ''[[The Congress (2013 film)|The Congress]]'' for its extensive hiking sequence. The scenes involving the main characters' desert trek reportedly caused a large portion of the audience to leave the theater at the [[Cannes Film Festival]] showing. In regards to the film's reception, [[Xavier de Rosnay]] expressed:
Review aggregator [[Rotten Tomatoes]] reported that 60% of critics have given the film a positive review based on 5 reviews, with an average rating of 5.50 out of 10.<ref>{{cite web |url=https://www.rottentomatoes.com/m/electroma |title=Electroma (2006) |website=[[Rotten Tomatoes]] |publisher=[[Fandango Media|Fandango]] |access-date=February 23, 2021}}</ref> The film's showing at Director's Fortnight was received with mixed reactions. ''Daft Punk's Electroma'' was praised for its lensing technique and musical soundtrack at the premiere. At the same time, the film was unfavorably compared with [[Gus Van Sant]]'s ''[[Gerry (2002 film)|Gerry]]'' and [[Vincent Gallo]]'s ''[[The Brown Bunny]]'' for its extensive hiking sequence. The scenes involving the main characters' desert trek reportedly caused a large portion of the audience to leave the theater at the [[Cannes Film Festival]] showing.<ref name="ElectromaReview" /><ref name="EyeWeekly">[http://www.eye.net/eye/issue/issue_05.25.06/film/onscreenexclusive.html Eye Weekly - On Screen] {{Webarchive|url=https://web.archive.org/web/20060613133654/http://www.eye.net/eye/issue/issue_05.25.06/film/onscreenexclusive.html |date=2006-06-13 }} eye.net. Retrieved on February 27, 2007.</ref><ref name="MusiqueVol.1">[https://web.archive.org/web/20060525135526/http://www.daft-musique.com/ Musique Vol. 1 website] [[Web archiving|archived]] from May 25, 2006.</ref><ref name="Guardian">[http://film.guardian.co.uk/cannes2006/story/0,,1781947,00.html Robot madness? It can only be Daft Punk] guardian.co.uk. Retrieved on May 7, 2007.</ref> In regards to the film's reception, [[Guy-Manuel de Homem-Christo]] expressed:


{{blockquote|There's a feeling of despair for some, but that's not what we wanted. Because the whole movie is without dialogue, it's more a question than an answer. We wanted to make a question mark so people could project what they wanted onto ''Woman'' – some people see it as sad, some as happy. Everyone is different.}}
{{blockquote|There's a feeling of despair for some, but that's not what we wanted. Because the whole movie is without dialogue, it's more a question than an answer. We wanted to make a question mark so people could project what they wanted onto ''Electroma'' – some people see it as sad, some as happy. Everyone is different.<ref>{{Cite web|url=https://www.theage.com.au/entertainment/movies/from-the-desert-the-robots-come-20070608-ge52qs.html|title=From the desert the robots come|date=June 8, 2007|website=The Age}}</ref>}}


Giving his own take on the film's reception, [[Gaspard Augé]] also stated, "We expected it to be less popular than ''[[Audio, Video, Disco]]'', of course. The film is experimental and inaccessible; however, it's a movie that does not require your brain to function."
Giving his own take on the film's reception, [[Thomas Bangalter]] also stated, "We expected it to be less popular than ''[[Discovery (Daft Punk album)|Discovery]]'', of course. The film is experimental and inaccessible; however, it's a movie that does not require your brain to function."<ref name="PunkFiction" />


Reaction to the film's midnight screenings in [[Paris]] was reported to be positive as of the end of March 2017. The screenings in the region were so highly received that the film's previously brief run was extended to sixteen months. Most screenings in the [[United Kingdom]] sold out quickly. In response to the film's midnight placement, [[Xavier de Rosnay]] expressed, "We are really happy it has become a midnight movie rather than just another movie that will be taken off the screen after one week. Usually, and I think it is the same worldwide, you get all the big blockbusters and if the movie doesn't do good, after one week it is taken off the screen."
Reaction to the film's midnight screenings in [[Paris]] was reported to be positive as of the end of March 2007.<ref name="ElectromaNews">[http://www.thedaftclub.com/news.php?item.15.5 ''Daft Punk's Electroma'' news] {{webarchive |url=https://web.archive.org/web/20070928041619/http://www.thedaftclub.com/news.php?item.15.5 |date=September 28, 2007 }} thedaftclub.com. Retrieved on March 29, 2007.</ref> The screenings in the region were so highly received that the film's previously brief run was extended to six months.<ref name="SightsSound" /> Most screenings in the [[United Kingdom]] sold out quickly.{{Citation needed|date=September 2007}} In response to the film's midnight placement, [[Guy-Manuel de Homem-Christo]] expressed, "We are really happy it has become a midnight movie rather than just another movie that will be taken off the screen after one week. Usually, and I think it is the same worldwide, you get all the big blockbusters and if the movie doesn't do good, after one week it is taken off the screen."<ref name="SightsSound" />


==References==
==References==

Revision as of 16:53, 23 July 2024

Daft Punk's Electroma
Theatrical release poster
Directed byDaft Punk
Written by
Produced byPaul Hahn
Starring
  • Peter Hurteau
  • Michael Reich
CinematographyThomas Bangalter
Edited byCédric Hervet
Music by
Production
company
Distributed by
Release dates
Running time
72 minutes
Countries
  • United States
  • France
LanguageEnglish

Daft Punk's Electroma (also known as Electroma) is a 2006 avant-garde science fiction film directed by the French electronic music duo Daft Punk. The story revolves around the quest of two robots (the band members, played by Peter Hurteau and Michael Reich) to become human.

The music featured in the film is not by Daft Punk, which was a first for the duo after their previous film and home video releases, D.A.F.T.: A Story About Dogs, Androids, Firemen and Tomatoes and Interstella 5555: The 5tory of the 5ecret 5tar 5ystem. The duo instead served as directors and co-wrote the film, along with Daft Arts manager Paul Hahn and collaborator Cédric Hervet.

The film premiered at the 2006 Cannes Film Festival, and was later released in France on March 24, 2007. While initially receiving mixed reviews, Electroma has gained a cult following.[1]

Daft Punk used scenes from the end of the film to announce their break-up on February 22, 2021.[2]

Plot

The two lead characters appear as the robotic forms of Daft Punk and are credited as "Hero Robot No. 1" and "Hero Robot No. 2". One wears a silver helmet and the other wears a golden one. An opening scene shows the duo driving in a 1987 Ferrari 412 with its license plate displaying "HUMAN". After passing through a Southwestern United States landscape, the duo arrives by car at a town in Inyo County, California.[3] The town's residents are also shown to be robots physically identical to the two main characters, but at different ages, with different clothing and alternating gender.

The pair drive to a high-tech facility where liquid latex is poured over their heads. The latex is shaped into human-like faces with the aid of prosthetic appliances and wigs. The resulting look caricaturizes the members of Daft Punk, Thomas Bangalter and Guy-Manuel de Homem-Christo. When the two leave the facility, the locals of the town are shocked by their human appearance. The townsfolk gradually begin to chase the duo, whose faces eventually melt in the sun. The two take cover in a public restroom where the gold robot discards his ruined mask, then encourages the reluctant silver robot to do the same. Again appearing as robots, the pair then undergo a lengthy hike across desert salt flats.

After walking for an extended period, the silver robot slows down and comes to a stop. Becoming aware of this, the gold robot walks back to the silver one. The silver robot continues to stare at the ground for a moment before removing his own jacket. He then turns away from the other robot, revealing a switch on his back. The gold robot flips the switch, which begins a timer. When the countdown ends, the silver robot is blown to pieces. The remaining robot piles the remains of the silver robot, then continues to walk. The gold robot eventually falls to his knees and attempts to reach the switch on his own back, but to no avail. Another moment passes before the robot removes his helmet and repeatedly slams it into the ground until the helmet shatters. Using one of the shards as a burning-glass, the robot focuses the sunlight to set his hand ablaze. The film ends as the robot, completely on fire, walks in slow motion through darkness.

Cast

  • Peter Hurteau as Hero Robot #1
  • Michael Reich as Hero Robot #2
  • Ritche Lago Bautista as Robot Groomsman
  • Trisha Hershberger as Robot Bride[4]
  • Daniel Doble as Robot Pastor
  • Athena Stamos as Robot Waitress
  • Bradley Schneider as Robot Lawyer

Production

Daft Punk's previous directorial credits include the music videos for their songs "Fresh", "Robot Rock" and "Technologic". The duo initially shot footage for a music video of the song "Human After All", but expanded the content for a feature-length film instead.[5] According to Guy-Manuel de Homem-Christo, Daft Punk's Electroma had been an unplanned extension of filming videos for the Human After All album.

We were not nervous – making a full-length movie was like a dream. We never planned for it to happen, but after we directed the videos for our last album we decided to keep on working. We were in the shooting dynamic, so the movie came naturally. We didn't think too much. Whether it's making music or directing a video, whatever we do we do it quickly. When we have a good work dynamic we don't need to ask too many questions of each other.[6]

Thomas Bangalter stated, "With this film, we had the same approach as when we started making music. Create without any rules or standards. Take a free approach to something new that you don't really know, and that you learn from scratch."[7]

The film was shot on 35 mm Kodak stock under the cinematography of Bangalter. He purchased and read over 200 back-issues of American Cinematographer in preparation for the feature-length picture.[8] Filming of Daft Punk's Electroma spanned 11 days,[6] much of which was spent in California.[3] Many scenes of the film take place in Inyo County along U.S. Route 395 and in the town of Independence. The robotic and makeup effects were designed and created by frequent collaborators Tony Gardner and Alterian, Inc.

In April 2011, the Ferrari 412 used for the film was auctioned for charity, alongside the original 'HUMAN' license plate signed by Bangalter and Homem-Christo.[9]

Music

The soundtrack for Daft Punk's Electroma does not feature material by Daft Punk.[3] As stated by de Homem-Christo, "We come from a musical background, but this movie is quite minimal."[10] The following songs are featured in the film:

Release

The film was first shown on May 21, 2006, as part of the Cannes Film Festival sidebar Director's Fortnight.[3] Midnight screenings of Daft Punk's Electroma were shown in Paris theaters from the end of March 2007.[11] The film was also screened at Biennale de Montréal in Canada on May 11.[12] It was shown in the Australian Centre for the Moving Image on June 7,[10] at the Institute of Contemporary Arts (ICA) in London on June 8[13] and at Kino Arsenal in Berlin on July 4, 2007.[14] The film went on a screening tour of the United Kingdom, beginning in July 2007 and ending in October at the BBC Electric Proms.[15] The ICA later announced a few late night weekend screenings for November 2007, but based on turnout and interest, extended the screenings to continue until January 2008.[13] In December 2007, the film was shown in Seattle, New York City, Chicago, Los Angeles, Atlanta and Austin as part of a tour of independent film screenings sponsored by the Scion line of Toyota cars.[16] Vice Records sponsored Canadian midnight showings on December 7 in Victoria, Banff, Calgary, Winnipeg, Fort McMurray and Toronto.[17] Further showings in Canada were screened during January 2008 in Toronto, Ottawa and Whitehorse.[17]

The DVD-Video of the film was first released in Australia on June 6, 2007.[18] It is distributed by Aztec International Entertainment.[18] According to the official Daft Punk's Electroma website, it is available in the UK as of November 19, 2007.[15] Vice Records released the North American DVD on July 22, 2008; reports of a Blu-ray Disc release by Vice were later labeled "a mistake" and retracted by the company.[19] The DVD is packaged with a 40-page book of film images in either a SteelBook or slip case.[20] The film became available for online viewing on the Lycos Cinema platform as a rental streamed at either standard or high definition.[21] It is also available for online rental or purchase at the iTunes Store, and for streaming on TIDAL.

On 22 February 2021, Daft Punk released a video titled "Epilogue" on their YouTube channel, featuring scenes from the film. Following a clip in which the pair bid each other farewell in the desert before one of them walks away and explodes, a new title card reads "1993–2021".[2] It was later confirmed that the YouTube video served to announce Daft Punk's breakup.[22]

Reception

Review aggregator Rotten Tomatoes reported that 60% of critics have given the film a positive review based on 5 reviews, with an average rating of 5.50 out of 10.[23] The film's showing at Director's Fortnight was received with mixed reactions. Daft Punk's Electroma was praised for its lensing technique and musical soundtrack at the premiere. At the same time, the film was unfavorably compared with Gus Van Sant's Gerry and Vincent Gallo's The Brown Bunny for its extensive hiking sequence. The scenes involving the main characters' desert trek reportedly caused a large portion of the audience to leave the theater at the Cannes Film Festival showing.[3][24][25][26] In regards to the film's reception, Guy-Manuel de Homem-Christo expressed:

There's a feeling of despair for some, but that's not what we wanted. Because the whole movie is without dialogue, it's more a question than an answer. We wanted to make a question mark so people could project what they wanted onto Electroma – some people see it as sad, some as happy. Everyone is different.[27]

Giving his own take on the film's reception, Thomas Bangalter also stated, "We expected it to be less popular than Discovery, of course. The film is experimental and inaccessible; however, it's a movie that does not require your brain to function."[8]

Reaction to the film's midnight screenings in Paris was reported to be positive as of the end of March 2007.[28] The screenings in the region were so highly received that the film's previously brief run was extended to six months.[10] Most screenings in the United Kingdom sold out quickly.[citation needed] In response to the film's midnight placement, Guy-Manuel de Homem-Christo expressed, "We are really happy it has become a midnight movie rather than just another movie that will be taken off the screen after one week. Usually, and I think it is the same worldwide, you get all the big blockbusters and if the movie doesn't do good, after one week it is taken off the screen."[10]

References

  1. ^ "Daft Punk's Electroma – Filmmaker Magazine – Summer 2008". Filmmaker Magazine. Retrieved 2015-12-17.
  2. ^ a b Daft Punk (February 22, 2021). "Daft Punk - Epilogue". Daft Punk. Archived from the original on 2021-12-14. Retrieved February 22, 2021 – via YouTube.
  3. ^ a b c d e Daft Punk's Electroma review variety.com. Retrieved on February 26, 2007.
  4. ^ Hershberger, Trisha [@thatgrltrish] (February 22, 2021). "One of my first gigs in LA was playing the robot bride in Daft Punk's Human After All music video - it was AWESOME" (Tweet). Retrieved October 2, 2023 – via Twitter.
  5. ^ Interview with Electroma actor Peter Hurteau Archived 2008-02-04 at the Wayback Machine. danideahl.com. Retrieved on January 14, 2008.
  6. ^ a b From the desert the robots come, pgs 1-2. theage.com. Retrieved on June 10, 2006.
  7. ^ Suzanne Ely, "Return of the Cybermen" Mixmag (July 2006)
  8. ^ a b Punk fiction Guardian Unlimited. Retrieved on August 4, 2007.
  9. ^ Jewett, Dale (April 4, 2011). "Techno group Daft Punk's Ferrari 412 being auctioned for Japan fundraiser". Autoweek. Retrieved March 7, 2021.
  10. ^ a b c d Midnight feast of sights and sound Archived 2012-12-30 at archive.today News.com. Retrieved on May 31, 2007.
  11. ^ Daft Punk's official MySpace page. Retrieved on February 25, 2006.
  12. ^ HitList Archived 2007-09-27 at the Wayback Machine hour.ca. Retrieved on May 31, 2007.
  13. ^ a b Institute of Contemporary Arts - Film - Daft Punk's Electroma Archived 2007-06-07 at the Wayback Machine ica.org.uk. Retrieved on November 23, 2007.
  14. ^ SPEX präsentiert: DAFT PUNK'S ELECTROMA Archived 2007-09-27 at the Wayback Machine fdk-berlin.de. Retrieved on July 5, 2007.
  15. ^ a b Because Music presents Daft Punk's Electroma Archived 2007-06-16 at the Wayback Machine electroma.org. Retrieved on July 16, 2007.
  16. ^ Route07: Scion Independent Film Series Archived 2007-10-05 at the Wayback Machine Retrieved on December 7, 2007
  17. ^ a b Daft Punk's Electroma official MySpace page. Retrieved on December 7, 2007.
  18. ^ a b Aztec International Entertainment Archived 2007-08-08 at the Wayback Machine aztecinternational.com.au. Retrieved on June 10, 2007.
  19. ^ Daft Punk's Electroma Out Now Archived 2016-08-07 at the Wayback Machine, Pocket Lint 30 May 2008
  20. ^ Daft Punk Makes Blu-ray Home Media Magazine. Retrieved on March 25, 2008.
  21. ^ "Lycos". Archived from the original on 2008-09-04. Retrieved 2008-07-31.
  22. ^ Monroe, Jazz (February 22, 2021). "Daft Punk Call It Quits". Pitchfork. Retrieved February 22, 2021.
  23. ^ "Electroma (2006)". Rotten Tomatoes. Fandango. Retrieved February 23, 2021.
  24. ^ Eye Weekly - On Screen Archived 2006-06-13 at the Wayback Machine eye.net. Retrieved on February 27, 2007.
  25. ^ Musique Vol. 1 website archived from May 25, 2006.
  26. ^ Robot madness? It can only be Daft Punk guardian.co.uk. Retrieved on May 7, 2007.
  27. ^ "From the desert the robots come". The Age. June 8, 2007.
  28. ^ Daft Punk's Electroma news Archived September 28, 2007, at the Wayback Machine thedaftclub.com. Retrieved on March 29, 2007.