Jean Varda: Difference between revisions
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| name = Jean Varda |
| name = Jean Varda |
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| image = Jean Varda.jpg |
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| other_names = Yanko Varda |
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| birth_date = {{birth date|1893|09|11}} |
| birth_date = {{birth date|1893|09|11}} |
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| birth_place = [[Smyrna]], [[Ottoman Empire]] |
| birth_place = [[Smyrna]], [[Ottoman Empire]] (now Turkey) |
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| death_date = {{death date and age|1971|01|10|1893|09|11}} |
| death_date = {{death date and age|1971|01|10|1893|09|11}} |
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| death_place = [[Mexico City]], Mexico |
| death_place = [[Mexico City]], Mexico |
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| style = [[Modernist]] |
| style = [[Modernist]] |
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| movement = [[Beat Generation]] |
| movement = [[Beat Generation]] |
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| spouse = Dorothy Stewart, |
| spouse = {{plainlist| |
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* Dorothy Stewart, |
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* Virginia Barclay Goldstein, |
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* [[Chryssa|Chryssa Vardea Mavromichali]] |
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}} |
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| children = 1 |
| children = 1 |
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| relatives = [[Agnès Varda]] (cousin) |
| relatives = [[Agnès Varda]] (cousin) |
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'''Jean''' "'''Yanko"''' '''Varda''' (11 September 1893 |
'''Jean''' "'''Yanko"''' '''Varda''' (11 September 1893{{Em dash}}10 January 1971) was a Turkish-born American artist, best known for his collage work. Varda was one of the early adopters of the Sausalito [[houseboat]] lifestyle that was popular in the 1960s–1970s.<ref name=":0">{{Cite web|last=Liberatore|first=Paul|date=30 August 2015|title=Book captures the colorful life of Sausalito artist Varda|url=http://www.newspapers.com/image/640641096/|url-access=subscription|access-date=2021-03-29|website=Newspapers.com|publisher=The Sacramento Bee|page=A1|language=en}}</ref> He was the subject of the short documentary, ''Uncle Yanco'' (1967), made by his cousin, [[Agnès Varda]]. |
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He was the subject of the short documentary, ''Uncle Yanco'' (1967), made by his cousin, [[Agnès Varda]]. |
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== Early life and education == |
== Early life and education == |
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Jean Varda was born on 11 September 1893 in [[Smyrna]], [[Ottoman Empire]] (in present-day [[İzmir|Izmir]], [[Turkey]]).<ref name=":1">{{Cite web|last=Clinton|first=Larry|date=September 12, 2018|title=Restoring a Varda Mural|url=http://www.sausalitohistoricalsociety.com/new-blog/2018/9/12/restoring-a-varda-mural |
Jean Varda was born on 11 September 1893 in [[Smyrna]], [[Ottoman Empire]] (in present-day [[İzmir|Izmir]], [[Turkey]]).<ref name=":1">{{Cite web|last=Clinton|first=Larry|date=September 12, 2018|title=Restoring a Varda Mural|url=http://www.sausalitohistoricalsociety.com/new-blog/2018/9/12/restoring-a-varda-mural|access-date=2021-03-29|website=The Sausalito Historical Society|language=en-US}}</ref> He was of mixed Greek and French descent. As a child he was known as a prodigy, and received commissions to paint portraits of prominent Athenians.<ref name="mij">Marin Independent Journal, ''Interview with Jean Varda,'' August 5, 1950)</ref> |
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At age 19, Varda moved to [[Paris]], where he met [[Picasso]] and [[Braque]]. He lost all interest in the academic style of painting he had been pursuing until that time.<ref name="mij" /> He moved to London during [[World War I]], became a ballet dancer,<ref name="sb">Stella Bowen, ''Drawn from Life,'' Collins, United Kingdom, 1940, p. 39</ref> and made friends with members of the [[avant garde]] in London.<ref name="sb" /><ref>''The Journals of Mary Butts,'' ed. Nathalie Blondel, Yale, New Haven 2002, pp. 98, 100,104,106.</ref> |
At age 19, Varda moved to [[Paris]], where he met [[Picasso]] and [[Braque]]. He lost all interest in the academic style of painting he had been pursuing until that time.<ref name="mij" /> He moved to London during [[World War I]], became a ballet dancer,<ref name="sb">Stella Bowen, ''Drawn from Life,'' Collins, United Kingdom, 1940, p. 39</ref> and made friends with members of the [[avant garde]] in London.<ref name="sb" /><ref>''The Journals of Mary Butts,'' ed. Nathalie Blondel, Yale, New Haven 2002, pp. 98, 100,104,106.</ref> |
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By 1922, Varda returned to Paris and took up painting again.<ref name="pen">Roland Penrose, ''Scrap Book,'' Rizzoli, New York, 1981, p. 28.</ref> Beginning in 1923, he spent most of his summers in [[Cassis]], in the south of [[France]], sharing Roland Penrose's home ''Villa Les Mimosas'', where they welcomed a number of well-known guests, including Braque, [[Joan Miró|Miró]], [[Derain]], [[Max Ernst]], [[Roger Fry]], [[Clive Bell]], [[Duncan Grant]], [[Gerald Brenan]], [[Wolfgang Paalen]], and others.<ref name="pen" /> By the mid-1920s he spent most of his winters in London.<ref name="trev">Julian Trevelyan, ''Indigo Days,'' (originally published MacGibbon & Kee, London, 1957), revd. Ed. Scolar Press, Aldershot, 1996, pp. 59-63</ref><ref name="brenan">Gerald Brenan, ''Personal Record'', Knopf, New York 1975, p.162</ref> |
By 1922, Varda returned to Paris and took up painting again.<ref name="pen">Roland Penrose, ''Scrap Book,'' Rizzoli, New York, 1981, p. 28.</ref> Beginning in 1923, he spent most of his summers in [[Cassis]], in the south of [[France]], sharing Roland Penrose's home ''Villa Les Mimosas'', where they welcomed a number of well-known guests, including Braque, [[Joan Miró|Miró]], [[Derain]], [[Max Ernst]], [[Roger Fry]], [[Clive Bell]], [[Duncan Grant]], [[Gerald Brenan]], [[Wolfgang Paalen]], and others.<ref name="pen" /> By the mid-1920s he spent most of his winters in London.<ref name="trev">Julian Trevelyan, ''Indigo Days,'' (originally published MacGibbon & Kee, London, 1957), revd. Ed. Scolar Press, Aldershot, 1996, pp. 59-63</ref><ref name="brenan">Gerald Brenan, ''Personal Record'', Knopf, New York 1975, p.162</ref> |
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During the 1930s Varda developed a type of [[mosaic]] that involved the use of pieces of broken mirrors. He would scratch the backs of the pieces of mirror, then paint bright colors in the scratches so the paint showed through to the front of the mirror. He would then glue the pieces of mirror to a board, which he had prepared with a gritty gesso mixture.<ref name=trev/><ref name=":4">{{Cite news|date=1943-08-30|title=Art: Imperfectionist|language=en-US|work=Time magazine|url=http://content.time.com/time/subscriber/article/0,33009,885159,00.html |
During the 1930s Varda developed a type of [[mosaic]] that involved the use of pieces of broken mirrors. He would scratch the backs of the pieces of mirror, then paint bright colors in the scratches so the paint showed through to the front of the mirror. He would then glue the pieces of mirror to a board, which he had prepared with a gritty gesso mixture.<ref name=trev/><ref name=":4">{{Cite news|date=1943-08-30|title=Art: Imperfectionist|language=en-US|work=Time magazine|url=http://content.time.com/time/subscriber/article/0,33009,885159,00.html|access-date=2021-03-29|issn=0040-781X}}</ref> |
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=== Big Sur and Monterey === |
=== Big Sur and Monterey === |
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In approximately 1947,<ref name=":0" /> Varda and British-born artist [[Gordon Onslow Ford]] acquired an old ferryboat called the [[Vallejo (ferry)|Vallejo]].<ref name=":5">{{Cite news |last=Johnson |first=Ken |date=2003-11-23 |title=Gordon Onslow Ford, 90, A Parisian Surrealist Painter |language=en-US |work=The New York Times |url=https://www.nytimes.com/2003/11/23/nyregion/gordon-onslow-ford-90-a-parisian-surrealist-painter.html |access-date=2022-03-23 |issn=0362-4331}}</ref> They permanently moored the Vallejo in [[Sausalito]], across the [[Golden Gate Bridge]] from [[San Francisco]]. Using materials scavenged from a closed-down wartime shipbuilding operation, they remodeled the ferryboat into a studio for Onslow-Ford and a studio and living quarters for Varda.<ref>Annie Sutter, ''The Vallejo Collage'', The Sausalito Historical Society and The Ferryboat Vallejo Preservation Project</ref> The writer and [[Zen]] [[Buddhism|Buddhist]] popularizer [[Alan Watts]] took over Onslow-Ford’s space on the ferryboat in 1961.<ref name="watts">{{Cite book|last=Watts|first=Alan|url=https://books.google.com/books?id=cY16AAAAQBAJ|title=In My Own Way: An Autobiography|publisher=New World Library|year=2007|isbn=9781577315841|edition=revised|location=Novato, California|pages=300–304|author-link=Alan Watts}}</ref><ref name=":5" /> |
In approximately 1947,<ref name=":0" /> Varda and British-born artist [[Gordon Onslow Ford]] acquired an old ferryboat called the [[Vallejo (ferry)|Vallejo]].<ref name=":5">{{Cite news |last=Johnson |first=Ken |date=2003-11-23 |title=Gordon Onslow Ford, 90, A Parisian Surrealist Painter |language=en-US |work=The New York Times |url=https://www.nytimes.com/2003/11/23/nyregion/gordon-onslow-ford-90-a-parisian-surrealist-painter.html |access-date=2022-03-23 |issn=0362-4331}}</ref> They permanently moored the Vallejo in [[Sausalito]], across the [[Golden Gate Bridge]] from [[San Francisco]]. Using materials scavenged from a closed-down wartime shipbuilding operation, they remodeled the ferryboat into a studio for Onslow-Ford and a studio and living quarters for Varda.<ref>Annie Sutter, ''The Vallejo Collage'', The Sausalito Historical Society and The Ferryboat Vallejo Preservation Project</ref> The writer and [[Zen]] [[Buddhism|Buddhist]] popularizer [[Alan Watts]] took over Onslow-Ford’s space on the ferryboat in 1961.<ref name="watts">{{Cite book|last=Watts|first=Alan|url=https://books.google.com/books?id=cY16AAAAQBAJ|title=In My Own Way: An Autobiography|publisher=New World Library|year=2007|isbn=9781577315841|edition=revised|location=Novato, California|pages=300–304|author-link=Alan Watts}}</ref><ref name=":5" /> |
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Varda turned the Vallejo ferryboat into a kind of salon and he was an excellent cook and would regale guests with stories at dinners.<ref>{{Cite web|last=de Roos|first=Robert|date=31 January 1971|title=Yanko Never Bored Anyone In His Life, The Late Jean Varda|url=http://www.newspapers.com/image/460410632/|url-access=subscription |
Varda turned the Vallejo ferryboat into a kind of salon and he was an excellent cook and would regale guests with stories at dinners.<ref>{{Cite web|last=de Roos|first=Robert|date=31 January 1971|title=Yanko Never Bored Anyone In His Life, The Late Jean Varda|url=http://www.newspapers.com/image/460410632/|url-access=subscription|access-date=2021-03-29|website=Newspapers.com|publisher=The San Francisco Examiner|page=124|language=en}}</ref> His costume parties were famous. On Sunday afternoons he would take friends out on one of his homemade sailboats. Throughout his life he continued to create collages.<ref name="watts" /> |
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== Death and legacy == |
== Death and legacy == |
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Varda died in 1971, after suffering a heart attack upon arriving by plane in [[Mexico City]],<ref>{{Cite web|date=12 January 1971|title=Artist Jean Varda Dies In Mexico|url=http://www.newspapers.com/image/528139389/|url-access=subscription |
Varda died in 1971, after suffering a heart attack upon arriving by plane in [[Mexico City]],<ref>{{Cite web|date=12 January 1971|title=Artist Jean Varda Dies In Mexico|url=http://www.newspapers.com/image/528139389/|url-access=subscription|access-date=2021-03-29|website=Newspapers.com|publisher=Oakland Tribune|page=16|language=en}}</ref> where he had gone to visit [[Alice Rahon]]. |
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In Sausalito, his former boat the ''Vallejo'' is parked off Gate 5 Road and that area named is a "Varda Landing".<ref name=":1" /> He was the subject of a book, ''The Art and Life of Jean Varda'' (2015).<ref name=":0" /> Jean Varda is included in the [[Burt Glinn]] photography book, ''The Beat Scene'' (2018). |
In Sausalito, his former boat the ''Vallejo'' is parked off Gate 5 Road and that area named is a "Varda Landing".<ref name=":1" /> He was the subject of a book, ''The Art and Life of Jean Varda'' (2015).<ref name=":0" /> Jean Varda is included in the [[Burt Glinn]] photography book, ''The Beat Scene'' (2018). |
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==Personal life== |
==Personal life== |
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Varda was married three times: to Dorothy (née Stewart |
Varda was married three times: to Dorothy Varda (née Stewart, of Varda's Bookshop, 189 High Holborn)<ref>Richard Shead: ''Constant Lambert'' (1973), p. 75</ref> during the 1920s;<ref name=brenan/><ref name=":3">{{Cite web|date=25 February 1965|title=Jean Varda Granted Divorce– He Waited Seven Years|url=http://www.newspapers.com/image/71691443/|url-access=subscription|access-date=2021-03-29|website=Newspapers.com|publisher=Daily Independent Journal|page=5|language=en}}</ref> to Virginia Barclay Varda (née Goldstein)<ref name=":2">{{Cite web|date=March 27, 2014|title=Vagadu Varda Obituary (2014) - San Diego, CA|url=https://www.legacy.com/amp/obituaries/sfgate/170394363|access-date=2021-03-29|website=Legacy.com|publisher=San Francisco Chronicle|language=en}}</ref> from 1940 until approximately 1947; and to [[Chryssa|Chryssa Vardea Mavromichali]], together from 1955 until 1958 and divorced in 1965.<ref name=":3" /> He had a daughter, Vagadu Varda (1946–2014) and is survived by one granddaughter.<ref name=":2" /> |
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== Murals == |
== Murals == |
Latest revision as of 13:44, 22 July 2024
Jean Varda | |
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![]() | |
Born | Smyrna, Ottoman Empire (now Turkey) | September 11, 1893
Died | January 10, 1971 Mexico City, Mexico | (aged 77)
Other names | Yanko Varda |
Known for | fine art, collage art, mosaic |
Style | Modernist |
Movement | Beat Generation |
Spouses |
|
Children | 1 |
Relatives | Agnès Varda (cousin) |
Website | www |
Jean "Yanko" Varda (11 September 1893—10 January 1971) was a Turkish-born American artist, best known for his collage work. Varda was one of the early adopters of the Sausalito houseboat lifestyle that was popular in the 1960s–1970s.[1] He was the subject of the short documentary, Uncle Yanco (1967), made by his cousin, Agnès Varda.
Early life and education
[edit]Jean Varda was born on 11 September 1893 in Smyrna, Ottoman Empire (in present-day Izmir, Turkey).[2] He was of mixed Greek and French descent. As a child he was known as a prodigy, and received commissions to paint portraits of prominent Athenians.[3]
At age 19, Varda moved to Paris, where he met Picasso and Braque. He lost all interest in the academic style of painting he had been pursuing until that time.[3] He moved to London during World War I, became a ballet dancer,[4] and made friends with members of the avant garde in London.[4][5]
Career
[edit]Paris
[edit]By 1922, Varda returned to Paris and took up painting again.[6] Beginning in 1923, he spent most of his summers in Cassis, in the south of France, sharing Roland Penrose's home Villa Les Mimosas, where they welcomed a number of well-known guests, including Braque, Miró, Derain, Max Ernst, Roger Fry, Clive Bell, Duncan Grant, Gerald Brenan, Wolfgang Paalen, and others.[6] By the mid-1920s he spent most of his winters in London.[7][8]
During the 1930s Varda developed a type of mosaic that involved the use of pieces of broken mirrors. He would scratch the backs of the pieces of mirror, then paint bright colors in the scratches so the paint showed through to the front of the mirror. He would then glue the pieces of mirror to a board, which he had prepared with a gritty gesso mixture.[7][9]
Big Sur and Monterey
[edit]Varda exhibited his work in London and Paris before leaving for New York in 1939, where his work was exhibited at the Neumann-Willard Gallery.[10] In 1940 he moved to Anderson Creek, in Big Sur, California, and after that to Monterey, about forty miles north of Big Sur. In late 1943, he persuaded the writer Henry Miller to move to Big Sur.
In 1944, Miller wrote an admiring profile of Varda called "Varda the Master Builder," which was published by Circle Magazine, an avant-garde art and literary magazine produced in Berkeley by George Leite. Through Henry Miller Varda met the writer Anaïs Nin. Varda and Nin became close friends and Nin would write about Varda frequently.[11] Her novel "Collages" includes a slightly fictionalized profile of Varda.[12] Nin's Silver Lake home was decorated with collages by Varda.[13]
By 1943 Varda started shifting over to collages from his earlier mosaic/mirror pictures. The collage, which would typically combine scraps of cloth and bits of paper with paint on a board, would remain his favored medium for the rest of his life.[9]
During the war years Varda’s house in Monterey became a salon for artists, writers, and other creative people.[14]
Teaching
[edit]In 1946 Varda taught at a Summer Institute at Black Mountain College, an experimental school in rural North Carolina.[14][15] During the late 1940s and early 1950s Varda taught at the California School of Fine Arts (now the San Francisco Art Institute).
Sausalito
[edit]In approximately 1947,[1] Varda and British-born artist Gordon Onslow Ford acquired an old ferryboat called the Vallejo.[16] They permanently moored the Vallejo in Sausalito, across the Golden Gate Bridge from San Francisco. Using materials scavenged from a closed-down wartime shipbuilding operation, they remodeled the ferryboat into a studio for Onslow-Ford and a studio and living quarters for Varda.[17] The writer and Zen Buddhist popularizer Alan Watts took over Onslow-Ford’s space on the ferryboat in 1961.[18][16]
Varda turned the Vallejo ferryboat into a kind of salon and he was an excellent cook and would regale guests with stories at dinners.[19] His costume parties were famous. On Sunday afternoons he would take friends out on one of his homemade sailboats. Throughout his life he continued to create collages.[18]
Death and legacy
[edit]Varda died in 1971, after suffering a heart attack upon arriving by plane in Mexico City,[20] where he had gone to visit Alice Rahon.
In Sausalito, his former boat the Vallejo is parked off Gate 5 Road and that area named is a "Varda Landing".[2] He was the subject of a book, The Art and Life of Jean Varda (2015).[1] Jean Varda is included in the Burt Glinn photography book, The Beat Scene (2018).
Before his death, in 1967, he was the subject of a short documentary film by Agnès Varda entitled "Uncle Yanco." Agnès Varda, who had never met Varda before making the film, referred to him as Uncle in the film because of the difference in their ages, but in fact she was Varda's much younger first cousin. She was the daughter of Jean L. Varda, who was a brother of Varda's father, Michel. The film explores his lifestyle, his ideologies and his ties to the Hippie subculture.
Personal life
[edit]Varda was married three times: to Dorothy Varda (née Stewart, of Varda's Bookshop, 189 High Holborn)[21] during the 1920s;[8][22] to Virginia Barclay Varda (née Goldstein)[23] from 1940 until approximately 1947; and to Chryssa Vardea Mavromichali, together from 1955 until 1958 and divorced in 1965.[22] He had a daughter, Vagadu Varda (1946–2014) and is survived by one granddaughter.[23]
Murals
[edit]- mosaic mural (1960), created with Alfonso Pardiñas of Byzantine Mosaics, for the Villa Roma Hotel in Fisherman's Wharf, San Francisco but it was later moved in 1988 to Marinship Park in Sausalito.[2]
- mosaic mural (c.1972), created with Alfonso Pardiñas of Byzantine Mosaics, for the Union City station BART, Union City, California
References
[edit]- ^ a b c Liberatore, Paul (30 August 2015). "Book captures the colorful life of Sausalito artist Varda". Newspapers.com. The Sacramento Bee. p. A1. Retrieved 2021-03-29.
- ^ a b c Clinton, Larry (September 12, 2018). "Restoring a Varda Mural". The Sausalito Historical Society. Retrieved 2021-03-29.
- ^ a b Marin Independent Journal, Interview with Jean Varda, August 5, 1950)
- ^ a b Stella Bowen, Drawn from Life, Collins, United Kingdom, 1940, p. 39
- ^ The Journals of Mary Butts, ed. Nathalie Blondel, Yale, New Haven 2002, pp. 98, 100,104,106.
- ^ a b Roland Penrose, Scrap Book, Rizzoli, New York, 1981, p. 28.
- ^ a b Julian Trevelyan, Indigo Days, (originally published MacGibbon & Kee, London, 1957), revd. Ed. Scolar Press, Aldershot, 1996, pp. 59-63
- ^ a b Gerald Brenan, Personal Record, Knopf, New York 1975, p.162
- ^ a b "Art: Imperfectionist". Time magazine. 1943-08-30. ISSN 0040-781X. Retrieved 2021-03-29.
- ^ ARTnews. ARTnews Associates. May 1939. p. 14.
- ^ The Diary of Anaïs Nin, Volume 6, ed. Gunther Stuhlmann (First Harvest/HBJ edition, United States, 1977, pp. 105, 132,165,183.
- ^ Anaïs Nin, Collages, Swallow Press, Chicago, 1964, pp. 59-71.
- ^ Soller, Kurt; Mottalini, Chris (2022-03-21). "Anaïs Nin's Los Angeles Hideaway Still Keeps Her Secrets". The New York Times. ISSN 0362-4331. Retrieved 2022-03-23.
- ^ a b Susan Landauer, The San Francisco School of Abstract Expressionism, University of California, Berkeley, 1996, p.48
- ^ Mary Emma Harris, The Arts at Black Mountain College, MIT Press, Cambridge, Mass. 1987
- ^ a b Johnson, Ken (2003-11-23). "Gordon Onslow Ford, 90, A Parisian Surrealist Painter". The New York Times. ISSN 0362-4331. Retrieved 2022-03-23.
- ^ Annie Sutter, The Vallejo Collage, The Sausalito Historical Society and The Ferryboat Vallejo Preservation Project
- ^ a b Watts, Alan (2007). In My Own Way: An Autobiography (revised ed.). Novato, California: New World Library. pp. 300–304. ISBN 9781577315841.
- ^ de Roos, Robert (31 January 1971). "Yanko Never Bored Anyone In His Life, The Late Jean Varda". Newspapers.com. The San Francisco Examiner. p. 124. Retrieved 2021-03-29.
- ^ "Artist Jean Varda Dies In Mexico". Newspapers.com. Oakland Tribune. 12 January 1971. p. 16. Retrieved 2021-03-29.
- ^ Richard Shead: Constant Lambert (1973), p. 75
- ^ a b "Jean Varda Granted Divorce– He Waited Seven Years". Newspapers.com. Daily Independent Journal. 25 February 1965. p. 5. Retrieved 2021-03-29.
- ^ a b "Vagadu Varda Obituary (2014) - San Diego, CA". Legacy.com. San Francisco Chronicle. March 27, 2014. Retrieved 2021-03-29.
External links
[edit]- 1893 births
- 1971 deaths
- Greek artists
- 20th-century French painters
- 20th-century French male artists
- French male painters
- Artists from the San Francisco Bay Area
- Black Mountain College faculty
- American people of Greek descent
- People from Sausalito, California
- American collage artists
- Mosaic artists
- Beat Generation people
- People from Big Sur, California
- Smyrniote Greeks
- Emigrants from the Ottoman Empire to France
- French emigrants to the United States