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{{short description|1924 film}}
{{Use dmy dates|date=September 2020}}
{{Use British English|date=June 2016}}
{{Infobox film
{{Infobox film
| name = The Great White Silence
| name = The Great White Silence
| image =
| image = The Great White Silence (1924) by Herbert Ponting.webm{{!}}thumbtime=30
| caption =
| caption = The full film
| director = [[Herbert Ponting]]
| director = [[Herbert Ponting]]
| producer = Herbert Ponting
| producer = Herbert Ponting
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| studio = [[British Film Institute]] (re-release)
| studio = [[British Film Institute]] (re-release)
| distributor =
| distributor =
| released = {{film date|1924}};<br /> restoration re-released in 2011
| released = {{Film date|1924||||2011|||restoration re-released}}
| runtime = 108 minutes
| runtime = 108 minutes
| country = United Kingdom
| country = United Kingdom
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| budget =
| budget =
}}
}}
'''''The Great White Silence''''' is a 1924 English [[documentary film|documentary]] that contains brief cinematograph sequences taken during the [[Terra Nova Expedition]] of 1910—1913. Originally a [[silent film]], the documentary was restored and re-released in 2011 by the [[British Film Institute]] with a musical soundtrack by [[Simon Fisher Turner]].<ref name="Clarke">{{cite news
'''''The Great White Silence''''' is a 1924 English [[documentary film|documentary]] that contains brief cinematograph sequences taken during the [[Terra Nova Expedition]] of 1910&ndash;1913. The principal filmmaker was photographer [[Herbert Ponting]]. Originally a [[silent film]], the documentary was restored and re-released in 2011 by the [[British Film Institute]] with a musical soundtrack by [[Simon Fisher Turner]].<ref name="Clarke">{{cite news
| last = Clarke
| last = Clarke
| first = Cath
| first = Cath
| title = The Great White Silence - review
| title = The Great White Silence - review
| publisher = [[The Guardian]]
| work = [[The Guardian]]
| date = 2011-05-19
| date = 19 May 2011
| url = http://www.guardian.co.uk/film/2011/may/19/the-great-white-silence-review
| url = https://www.theguardian.com/film/2011/may/19/the-great-white-silence-review
| accessdate = 2011-09-14 }}</ref><ref>{{cite book |title=International Film Guide 2012 |first=Ian Hayden |last=Smith |year= 2012 |isbn= 978-1908215017 |page= 39 |accessdate= 7 April 2012}}</ref>
| accessdate = 14 September 2011 }}</ref><ref>{{cite book |title=International Film Guide 2012 |first=Ian Hayden |last=Smith |year= 2012 |isbn= 978-1908215017 |page= 39 }}</ref>


==Synopsis and production notes==
==Synopsis and production notes==
The Terra Nova Expedition was an effort, by governments and concerned citizens of what was then the [[British Empire]], to plant the Union Jack on the [[South Pole]] by means of men, ponies, dogs, and primitive [[snowmobile]]s hauling sledges from a base located on the [[Cape Evans|Antarctic coastline]]. The documentary portrays expedition leader [[Robert Falcon Scott]] and his ship, the ''Terra Nova'', and men as they leave [[Lyttelton,_New Zealand|Lyttelton]], New Zealand, to sail into the [[Southern Ocean]] and its [[Drift ice|ice floe]]s. Safely landed on the icy coastline of [[Ross Island]], the filmmaker follows the men as they set up tents, practice [[skiing]], and prepare to probe southward toward the Pole. The film concludes with a sequence of the explorers pushing off from their base, and [[title card]]s reminding viewers of what, to the 1924 viewer, would have been the familiar story of the expedition's tragic conclusion. Scott and his immediate support group of four companions never returned from the Pole.<ref name="Clarke"/>
The Terra Nova Expedition was an effort, by governments and concerned citizens of what was then the [[British Empire]], to plant the [[Union Jack]] on the [[South Pole]] by means of men, ponies, dogs, and primitive [[snowmobile]]s hauling sledges from a base located on the [[Cape Evans|Antarctic coastline]]. The documentary portrays expedition leader [[Robert Falcon Scott]] and his ship, the ''Terra Nova'', and men as they leave [[Lyttelton, New Zealand|Lyttelton]], [[New Zealand]], to sail into the [[Southern Ocean]] and its [[Drift ice|ice floe]]s.
Safely landed on the icy coastline of [[Ross Island]], the filmmaker follows the men as they set up tents, practice [[skiing]], and prepare to probe southward toward the Pole. The film concludes with a sequence of the explorers pushing off from their base, and [[title card]]s reminding viewers of what, to the 1924 viewer, would have been the familiar story of the expedition's tragic conclusion. Scott and his immediate support group of four companions never returned from the Pole.<ref name="Clarke"/>


===Pioneering cinematographer===
===Pioneering cinematographer===
[[Image:Herbert Ponting photo.jpg|right|thumb|''The Great White Silence's'' director/cinematographer, Herbert Ponting]]
[[File:Herbert Ponting photo.jpg|right|thumb|''The Great White Silence's'' director/cinematographer, Herbert Ponting]]
Filmmaker [[Herbert Ponting]] was the first known photographer to bring a [[cinematograph]] to the Antarctic continent and to take brief film sequences of the continent's [[Killer whale]]s, [[Adélie Penguin]]s, [[South Polar Skua]]s, [[Weddell seal]]s and other fauna, as well as the human explorers who were trying to "conquer" it.
Filmmaker Herbert Ponting was the first known photographer to bring a [[cinematograph]] to the Antarctic continent and to take brief film sequences of the continent's [[killer whale]]s, [[Adélie penguin]]s, [[south polar skua]]s, [[Weddell seal]]s and other fauna, as well as the human explorers who were trying to "conquer" it.


Scott did not choose cinematographer Ponting to accompany him to the South Pole. Ponting remained on base and survived with his film sequences, eventually returning to England.<ref name="Clarke"/>
Scott did not choose cinematographer Ponting to accompany him to the South Pole. Ponting remained on base and survived with his film sequences, eventually returning to England.<ref name="Clarke"/>
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''The Great White Silence'', and a successor film with a soundtrack based upon some of the same film sequences, ''90° South'', were not great commercial successes, and Ponting, the director, died impoverished. However, his work was eventually acclaimed as one of the highest-quality group of images surviving from the so-called [[Heroic Age of Antarctic Exploration]], and ''The Great White Silence'' was unearthed, restored, and re-released in 2011.<ref name="Clarke"/>
''The Great White Silence'', and a successor film with a soundtrack based upon some of the same film sequences, ''90° South'', were not great commercial successes, and Ponting, the director, died impoverished. However, his work was eventually acclaimed as one of the highest-quality group of images surviving from the so-called [[Heroic Age of Antarctic Exploration]], and ''The Great White Silence'' was unearthed, restored, and re-released in 2011.<ref name="Clarke"/>


Reviews of the re-release were significantly positive. Marc Lee of ''[[The Daily Telegraph]]'' called the film "deeply moving" and "startlingly powerful".<ref>{{cite web |url=http://www.telegraph.co.uk/culture/film/filmreviews/8524409/The-Great-White-Silence-review.html |title=The Great White Silence, review |author=Marc Lee |publisher=The Daily Telegraph |date=19 May 2011 |accessdate=9 August 2013}}</ref> Cath Clarke of ''[[The Guardian]]'' gave the film four stars out of five and lauded the "beautiful" restoration work done by the BFI.<ref>{{cite web |url=http://www.theguardian.com/film/2011/may/19/the-great-white-silence-review |title=The Great White Silence – review |author=Cath Clarke |publisher=The Guardian |date=19 May 2011 |accessdate=9 August 2013}}</ref> Sean Axmaker of the ''[[Seattle Post-Intelligencer]]'', reporting from the [[San Francisco Silent Film Festival]], gave the film a glowing review. "An impressive documentary and a riveting document", he praised the "beautiful still photographs", "eloquent" titles and Ponting's "slow build of trials, disasters and deaths" for being "respectful and affecting". He also noted that "what is unexpectedly impressive is Ponting’s superb storytelling, especially of an event he was unable to photograph [Scott's journey to the pole]."<ref>{{cite web |url=http://parallax-view.org/2011/07/24/sfsff-2011-polar-extremes-%E2%80%93-the-great-white-silence-and-the-blizzard/ |title=SFSFF 2011: Polar Extremes – “The Great White Silence” and “The Blizzard” |author=Sean Axmaker |publisher=Parallax-View |date=24 July 2011 |accessdate=9 August 2013}}</ref>
Reviews of the re-release were significantly positive. Marc Lee of ''[[The Daily Telegraph]]'' called the film "deeply moving" and "startlingly powerful".<ref>{{cite web |url=https://www.telegraph.co.uk/culture/film/filmreviews/8524409/The-Great-White-Silence-review.html |title=The Great White Silence, review |author=Marc Lee |publisher=The Daily Telegraph |date=19 May 2011 |accessdate=9 August 2013}}</ref> Cath Clarke of ''[[The Guardian]]'' gave the film four stars out of five and lauded the "beautiful" restoration work done by the BFI.<ref>{{cite web |url=https://www.theguardian.com/film/2011/may/19/the-great-white-silence-review |title=The Great White Silence – review |author=Cath Clarke |work=The Guardian |date=19 May 2011 |accessdate=9 August 2013}}</ref> Sean Axmaker of the ''[[Seattle Post-Intelligencer]]'', reporting from the [[San Francisco Silent Film Festival]], gave the film a glowing review. "An impressive documentary and a riveting document", he praised the "beautiful still photographs", "eloquent" titles and Ponting's "slow build of trials, disasters and deaths" for being "respectful and affecting". He also noted that "what is unexpectedly impressive is Ponting’s superb storytelling, especially of an event he was unable to photograph [Scott's journey to the pole]."<ref>{{cite web |url=http://parallax-view.org/2011/07/24/sfsff-2011-polar-extremes-%E2%80%93-the-great-white-silence-and-the-blizzard/ |title=SFSFF 2011: Polar Extremes – "The Great White Silence" and "The Blizzard" |author=Sean Axmaker |publisher=Parallax-View |date=24 July 2011 |accessdate=9 August 2013}}</ref>


==References==
==References==
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{{DEFAULTSORT:Great White Silence, The}}
{{DEFAULTSORT:Great White Silence, The}}
[[Category:1924 films]]
[[Category:1924 films]]
[[Category:British films]]
[[Category:British documentary films]]
[[Category:British documentary films]]
[[Category:Documentary films about Antarctica]]
[[Category:Documentary films about Antarctica]]
[[Category:1920s documentary films]]
[[Category:1924 documentary films]]
[[Category:English-language films]]
[[Category:Black-and-white documentary films]]
[[Category:British silent feature films]]
[[Category:British black-and-white films]]
[[Category:1920s English-language films]]
[[Category:1920s British films]]

Revision as of 10:51, 11 June 2024

The Great White Silence
The full film
Directed byHerbert Ponting
Produced byHerbert Ponting
StarringRobert Falcon Scott
CinematographyHerbert Ponting
Music bySimon Fisher Turner (re-release)
Production
company
Release dates
  • 1924 (1924)
  • 2011 (2011) (restoration re-released)
Running time
108 minutes
CountryUnited Kingdom

The Great White Silence is a 1924 English documentary that contains brief cinematograph sequences taken during the Terra Nova Expedition of 1910–1913. The principal filmmaker was photographer Herbert Ponting. Originally a silent film, the documentary was restored and re-released in 2011 by the British Film Institute with a musical soundtrack by Simon Fisher Turner.[1][2]

Synopsis and production notes

The Terra Nova Expedition was an effort, by governments and concerned citizens of what was then the British Empire, to plant the Union Jack on the South Pole by means of men, ponies, dogs, and primitive snowmobiles hauling sledges from a base located on the Antarctic coastline. The documentary portrays expedition leader Robert Falcon Scott and his ship, the Terra Nova, and men as they leave Lyttelton, New Zealand, to sail into the Southern Ocean and its ice floes.

Safely landed on the icy coastline of Ross Island, the filmmaker follows the men as they set up tents, practice skiing, and prepare to probe southward toward the Pole. The film concludes with a sequence of the explorers pushing off from their base, and title cards reminding viewers of what, to the 1924 viewer, would have been the familiar story of the expedition's tragic conclusion. Scott and his immediate support group of four companions never returned from the Pole.[1]

Pioneering cinematographer

The Great White Silence's director/cinematographer, Herbert Ponting

Filmmaker Herbert Ponting was the first known photographer to bring a cinematograph to the Antarctic continent and to take brief film sequences of the continent's killer whales, Adélie penguins, south polar skuas, Weddell seals and other fauna, as well as the human explorers who were trying to "conquer" it.

Scott did not choose cinematographer Ponting to accompany him to the South Pole. Ponting remained on base and survived with his film sequences, eventually returning to England.[1]

Reception

The Great White Silence, and a successor film with a soundtrack based upon some of the same film sequences, 90° South, were not great commercial successes, and Ponting, the director, died impoverished. However, his work was eventually acclaimed as one of the highest-quality group of images surviving from the so-called Heroic Age of Antarctic Exploration, and The Great White Silence was unearthed, restored, and re-released in 2011.[1]

Reviews of the re-release were significantly positive. Marc Lee of The Daily Telegraph called the film "deeply moving" and "startlingly powerful".[3] Cath Clarke of The Guardian gave the film four stars out of five and lauded the "beautiful" restoration work done by the BFI.[4] Sean Axmaker of the Seattle Post-Intelligencer, reporting from the San Francisco Silent Film Festival, gave the film a glowing review. "An impressive documentary and a riveting document", he praised the "beautiful still photographs", "eloquent" titles and Ponting's "slow build of trials, disasters and deaths" for being "respectful and affecting". He also noted that "what is unexpectedly impressive is Ponting’s superb storytelling, especially of an event he was unable to photograph [Scott's journey to the pole]."[5]

References

  1. ^ a b c d Clarke, Cath (19 May 2011). "The Great White Silence - review". The Guardian. Retrieved 14 September 2011.
  2. ^ Smith, Ian Hayden (2012). International Film Guide 2012. p. 39. ISBN 978-1908215017.
  3. ^ Marc Lee (19 May 2011). "The Great White Silence, review". The Daily Telegraph. Retrieved 9 August 2013.
  4. ^ Cath Clarke (19 May 2011). "The Great White Silence – review". The Guardian. Retrieved 9 August 2013.
  5. ^ Sean Axmaker (24 July 2011). "SFSFF 2011: Polar Extremes – "The Great White Silence" and "The Blizzard"". Parallax-View. Retrieved 9 August 2013.