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{{Short description|Series of multimedia events by Andy Warhol}}
[[Image:Exploding Plastic Inevitable.png|thumb|right50%|Promotional poster for the ''Exploding Plastic Inevitable'' in Chicago, June 21–26, 1966.]]
[[Image:Exploding Plastic Inevitable.png|thumb|right|Promotional poster for the ''Exploding Plastic Inevitable'' in Chicago, June 21–26, 1966.]]
The '''''Exploding Plastic Inevitable''''', sometimes simply called '''''Plastic Inevitable''''' or '''''EPI''''', was a series of [[multimedia]] events organized by [[Andy Warhol]] between 1966 and 1967, featuring musical performances by [[The Velvet Underground]] and [[Nico]], screenings of Warhol's films, and dancing and performances by regulars of Warhol's [[The Factory|Factory]], especially [[Mary Woronov]] and [[Gerard Malanga]]. ''Andy Warhol's Exploding Plastic Inevitable'' is also the title of an 18-minute film by Ronald Nameth with recordings from one week of performances of the shows which were filmed in [[Chicago, Illinois]], in 1966. In December 1966 Warhol included a one-off magazine called ''The Plastic Exploding Inevitable'' as part of the ''[[Aspen (magazine)|Aspen]]'' No. 3 package.<ref name=Aspen>{{Cite journal|title=From the research laboratories of Andy Warhol comes this issue of Aspen Magazine |date=April 1967 |url=http://www.ubu.com/aspen/advertisements/aspen3Ad.html |journal=[[Evergreen Review]] |volume=11 |issue=46}}</ref>
The '''''Exploding Plastic Inevitable''''', sometimes simply called '''''Plastic Inevitable''''' or '''''EPI''''', was a series of [[multimedia]] events organized by [[Andy Warhol]] and [[Paul Morrissey]] in 1966 and 1967, featuring musical performances by [[The Velvet Underground]] and [[Nico]], screenings of Warhol's films, and dancing and performances by regulars of Warhol's [[The Factory|Factory]], especially [[Mary Woronov]] and [[Gerard Malanga]]. ''Andy Warhol's Exploding Plastic Inevitable'' is also the title of an 18-minute film by Ronald Nameth with recordings from one week of performances of the shows which were filmed in [[Chicago, Illinois]], in 1966. In December 1966 Warhol included a one-off magazine called ''The Plastic Exploding Inevitable'' as part of the ''[[Aspen (magazine)|Aspen]]'' No. 3 package.<ref name=Aspen>{{Cite journal|title=From the research laboratories of Andy Warhol comes this issue of Aspen Magazine |date=April 1967 |url=http://www.ubu.com/aspen/advertisements/aspen3Ad.html |journal=[[Evergreen Review]] |volume=11 |issue=46}}</ref>


==Background==
==Background==
[[File:Warhol's Exploding Plastic Inevitable with Nico.png|thumb|left|170px|Performance of Exploding Plastic Inevitable in [[Ann Arbor, Michigan|Ann Arbor]]]]
[[File:Warhol's Exploding Plastic Inevitable with Nico.png|thumb|left|170px|Performance of Exploding Plastic Inevitable in [[Ann Arbor, Michigan|Ann Arbor]]]]
The ''Exploding Plastic Inevitable'' had its beginnings in an event staged on January 13, 1966, at a dinner for the New York Society for Clinical Psychiatry. This event, called "Up-Tight", included performances by the Velvet Underground and Nico, along with Malanga and [[Edie Sedgwick]] as dancers<ref name=BWJ>{{Cite journal|first=Branden W. |last=Joseph |authorlink=Branden W. Joseph |date=Summer 2002 |title='My Mind Split Open': Andy Warhol’s Exploding Plastic Inevitable |journal=[[Grey Room]] |volume=8 |pages=80–107 |doi=10.1162/15263810260201616}}</ref> and [[Barbara Rubin]] as a performance artist.<ref name="blaetz">{{cite book|last1=Osterweil|first1=Ara|last2=Blaetz|first2=Robin, editor|title=Women's Experimental Cinema: Critical Frameworks|date=2007|publisher=Duke University Press|isbn=9780822340447|page=143}}</ref> Inaugural shows were held at the Dom in [[New York City]] in April 1966, advertised in ''[[The Village Voice]]'' as follows: "The Silver Dream Factory Presents The Exploding Plastic Inevitable with Andy Warhol/The Velvet Underground/and Nico."<ref name=MT>{{Cite book|first=Martin |last=Torgoff |authorlink=Martin Torgoff |title=Can't Find My Way Home: America in the Great Stoned Age, 1945–2000 |publisher=[[Simon & Schuster]] |location=[[New York City]] |year=2004 |page=156 |url=https://books.google.com/books?id=PpqQTLE_qBEC&printsec=frontcover&dq=can%27t+find+my+way+home&hl=en&sa=X&ei=XKuaVZTGK4TJsAXzkp-ICA&ved=0CB4Q6AEwAA#v=onepage&q=the%20silver%20dream%20factory&f=false |isbn=0-7432-3010-8 |oclc=54349574}}</ref> Shows were also held in ''The Gymnasium'' in New York and in various cities throughout the [[United States]].
The ''Exploding Plastic Inevitable'' had its beginnings in an event staged on January 13, 1966, at a dinner for the New York Society for Clinical Psychiatry. This event, called "Up-Tight", included performances by the Velvet Underground and Nico, along with Malanga and [[Edie Sedgwick]] as dancers<ref name=BWJ>{{Cite journal|first=Branden W. |last=Joseph |author-link=Branden W. Joseph |date=Summer 2002 |title='My Mind Split Open': Andy Warhol's Exploding Plastic Inevitable |journal=[[Grey Room]] |volume=8 |pages=80–107 |doi=10.1162/15263810260201616|s2cid=57560227 }}</ref> and [[Barbara Rubin]] as a performance artist.<ref name="blaetz">{{cite book|editor-last1=Blaetz|editor-first1=Robin| title=Women's Experimental Cinema: Critical Frameworks|date=2007|publisher=Duke University Press|isbn=9780822340447|page=143}}</ref> Co-created and named by then Velvet Underground manager Paul Morrissey,<ref>https://studsterkel.wfmt.com/programs/ingrid-superstar-gerard-malanga-paul-morrissey-and-sterling-morrison-discuss-exploding</ref> inaugural shows were held at the Dom in [[New York City]] in April 1966, advertised in ''[[The Village Voice]]'' as follows: "The Silver Dream Factory Presents The Exploding Plastic Inevitable with Andy Warhol/The Velvet Underground/and Nico."<ref name=MT>{{Cite book|first=Martin |last=Torgoff |author-link=Martin Torgoff |title=Can't Find My Way Home: America in the Great Stoned Age, 1945–2000 |publisher=[[Simon & Schuster]] |location=[[New York City]] |year=2004 |page=[https://archive.org/details/cantfindmywayhom00torg/page/156 156] |url=https://archive.org/details/cantfindmywayhom00torg |url-access=registration |quote=the silver dream factory. |isbn=0-7432-3010-8 |oclc=54349574}}</ref> Shows were also held in ''The Gymnasium'' in New York and in various cities throughout the [[United States]] and [[Canada]].


==Legacy==
==Legacy==
[[Andy Warhol]]'s lights engineer Danny Williams pioneered many innovations that have since become standard practice in rock music light shows. From May 27–29 the '''''EPI''''' played [[The Fillmore]] in San Francisco, where Williams built a light show including [[stroboscope]]s, slides and film projections onstage.<ref>{{cite web |last1=King |first1=Homay |title=Moving On: Andy Warhol and the Exploding Plastic Inevitable |url=http://citation.allacademic.com/meta/p509682_index.html |access-date=30 December 2019 |date=2014-11-25}}</ref> At [[Bill Graham (promoter)|Bill Graham]]'s request he was soon to come back and build more. Film maker [[Jonas Mekas]] (who pioneered film projections during concerts at New York's Cinematheque), Andy Warhol and Danny Williams' influential ideas contributed much to the legendary Fillmore Auditorium's prestige and were also used at the [[Fillmore East]] and [[Fillmore West]], both opening in 1968.
{{unsourced section|date=January 2017}}
[[Andy Warhol]]'s lights engineer Danny Williams pioneered many innovations that have since become standard practice in rock music light shows. From May 27–29 the '''''EPI''''' played [[The Fillmore]] in San Francisco, where Williams built a light show including [[stroboscope|stroboscopes]], slides and film projections onstage. At [[Bill Graham (promoter)|Bill Graham]]'s request he was soon to come back and build more. Film maker [[Jonas Mekas]] (who pioneered film projections during concerts at New York's Cinematheque), Andy Warhol and Danny Williams' influential ideas contributed much to the legendary Fillmore Auditorium's prestige and were also used at the [[Fillmore East]] and [[Fillmore West]], both opening in 1968.


==References==
==References==

Latest revision as of 04:33, 28 May 2024

Promotional poster for the Exploding Plastic Inevitable in Chicago, June 21–26, 1966.

The Exploding Plastic Inevitable, sometimes simply called Plastic Inevitable or EPI, was a series of multimedia events organized by Andy Warhol and Paul Morrissey in 1966 and 1967, featuring musical performances by The Velvet Underground and Nico, screenings of Warhol's films, and dancing and performances by regulars of Warhol's Factory, especially Mary Woronov and Gerard Malanga. Andy Warhol's Exploding Plastic Inevitable is also the title of an 18-minute film by Ronald Nameth with recordings from one week of performances of the shows which were filmed in Chicago, Illinois, in 1966. In December 1966 Warhol included a one-off magazine called The Plastic Exploding Inevitable as part of the Aspen No. 3 package.[1]

Background

[edit]
Performance of Exploding Plastic Inevitable in Ann Arbor

The Exploding Plastic Inevitable had its beginnings in an event staged on January 13, 1966, at a dinner for the New York Society for Clinical Psychiatry. This event, called "Up-Tight", included performances by the Velvet Underground and Nico, along with Malanga and Edie Sedgwick as dancers[2] and Barbara Rubin as a performance artist.[3] Co-created and named by then Velvet Underground manager Paul Morrissey,[4] inaugural shows were held at the Dom in New York City in April 1966, advertised in The Village Voice as follows: "The Silver Dream Factory Presents The Exploding Plastic Inevitable with Andy Warhol/The Velvet Underground/and Nico."[5] Shows were also held in The Gymnasium in New York and in various cities throughout the United States and Canada.

Legacy

[edit]

Andy Warhol's lights engineer Danny Williams pioneered many innovations that have since become standard practice in rock music light shows. From May 27–29 the EPI played The Fillmore in San Francisco, where Williams built a light show including stroboscopes, slides and film projections onstage.[6] At Bill Graham's request he was soon to come back and build more. Film maker Jonas Mekas (who pioneered film projections during concerts at New York's Cinematheque), Andy Warhol and Danny Williams' influential ideas contributed much to the legendary Fillmore Auditorium's prestige and were also used at the Fillmore East and Fillmore West, both opening in 1968.

References

[edit]
  1. ^ "From the research laboratories of Andy Warhol comes this issue of Aspen Magazine". Evergreen Review. 11 (46). April 1967.
  2. ^ Joseph, Branden W. (Summer 2002). "'My Mind Split Open': Andy Warhol's Exploding Plastic Inevitable". Grey Room. 8: 80–107. doi:10.1162/15263810260201616. S2CID 57560227.
  3. ^ Blaetz, Robin, ed. (2007). Women's Experimental Cinema: Critical Frameworks. Duke University Press. p. 143. ISBN 9780822340447.
  4. ^ https://studsterkel.wfmt.com/programs/ingrid-superstar-gerard-malanga-paul-morrissey-and-sterling-morrison-discuss-exploding
  5. ^ Torgoff, Martin (2004). Can't Find My Way Home: America in the Great Stoned Age, 1945–2000. New York City: Simon & Schuster. p. 156. ISBN 0-7432-3010-8. OCLC 54349574. the silver dream factory.
  6. ^ King, Homay (2014-11-25). "Moving On: Andy Warhol and the Exploding Plastic Inevitable". Retrieved 30 December 2019.