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{{Short description|Hungarian-British actress (1927–1998)}} |
{{Short description|Hungarian-British actress (1927–1998)}} |
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{{eastern name order|Ivanovics Éva Márta |
{{eastern name order|Szőke Ivanovics Éva Márta}} |
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{{Use dmy dates|date=April 2023}} |
{{Use dmy dates|date=April 2023}} |
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{{Infobox person |
{{Infobox person |
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| yearsactive = 1947–1966 |
| yearsactive = 1947–1966 |
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| occupation = Actress |
| occupation = Actress |
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| spouse = {{Nowrap|Géza Kovács (annulled)<br/>[[Alexander Paal]] (1948–1950; divorced)<br/>William Wordsworth (1951–1955; divorced)<br/>[[Curd Jürgens]] (1955–1956; divorced)<br/> Dag Molin (1980–1983; divorced)<ref>{{cite web |last= Weikard |first= André |title= |
| spouse = {{Nowrap|Géza Kovács (annulled)<br/>[[Alexander Paal]] (1948–1950; divorced)<br/>William Wordsworth (1951–1955; divorced)<br/>[[Curd Jürgens]] (1955–1956; divorced)<br/> Dag Molin (1980–1983; divorced)<ref>{{cite web |last= Weikard |first= André |title= Retro News: Eine Frau und ihre Männer |publisher= filmreporter.de |date= 9 May 2019 |language= German |url= https://filmreporter.de/retro/news/1235-Eine-Frau-und-ihre-Maenner |access-date= 31 January 2022}}</ref>}} |
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| partner = [[Frank Sinatra]]<ref name=Vallance /><br/>[[David Mountbatten, 3rd Marquess of Milford Haven]] |
| partner = [[Frank Sinatra]]<ref name=Vallance /><br/>[[David Mountbatten, 3rd Marquess of Milford Haven]] |
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| children = |
| children = 1<ref name=Vallance/> |
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}} |
}} |
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'''Éva Márta Szőke Ivanovics''' (18 June 1927<ref>Some sources cite 1926, 1928 or 1929 as possible years of birth.</ref>{{spaced ndash}}1 August 1998), known professionally as '''Eva Bartok''', was a Hungarian-British actress. She began acting in films in 1950 and her last credited appearance was in 1966. She acted in more than 40 American, British, German, Hungarian, French and Israeli films. She is best known for appearances in ''[[Blood and Black Lace]]'', ''[[The Crimson Pirate]]'', ''[[Operation Amsterdam]]'', and ''[[Ten Thousand Bedrooms]]''.<ref>{{cite news |title= Continuing the Eva Bartok story |newspaper= [[The Sunday Mail (Brisbane)]] |date= 29 November 1953 |url= http://nla.gov.au/nla.news-article100178762|access-date=26 October 2017 |page= 23 |via= National Library of Australia}}</ref> |
'''Éva Márta Szőke Ivanovics''' (18 June 1927<ref>Some sources cite 1926, 1928, or 1929 as possible years of birth.</ref>{{spaced ndash}}1 August 1998), known professionally as '''Eva Bartok''', was a Hungarian-British actress. She began acting in films in 1950, and her last credited appearance was in 1966. She acted in more than 40 American, British, German, Hungarian, French, and Israeli films. She is best known for appearances in ''[[Blood and Black Lace]]'', ''[[The Crimson Pirate]]'', ''[[Operation Amsterdam]]'', and ''[[Ten Thousand Bedrooms]]''.<ref>{{cite news |title= Continuing the Eva Bartok story |newspaper= [[The Sunday Mail (Brisbane)]] |date= 29 November 1953 |url= http://nla.gov.au/nla.news-article100178762|access-date=26 October 2017 |page= 23 |via= National Library of Australia}}</ref> |
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==Early life== |
==Early life== |
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Bartok was born Éva Márta Szőke in [[Kecskemét]], Hungary, to a Jewish |
Bartok was born Éva Márta Szőke Ivanovics in [[Kecskemét]], Hungary, to a [[Judaism|Jewish]] father and a Catholic mother.<ref name=AP>{{cite web| agency= Associated Press |title= Eva Bartok, 72, Actress in Films of 50's and 60's|work=[[The New York Times]]|date=5 August 1998 |url= https://www.nytimes.com/1998/08/05/arts/eva-bartok-72-actress-in-films-of-50-s-and-60-s.html |access-date= 31 May 2017}}</ref><ref name=Vallance>{{cite web |last= Vallance |first= Tom |title= Obituary: Eva Bartok |work= [[The Independent]] |date= 3 August 1998 |url= https://www.independent.co.uk/arts-entertainment/obituary-eva-bartok-1169493.html|access-date= 12 February 2020}}</ref> As a young child, she performed in school productions from the age of six, and later in charity events and for wounded soldiers during the [[Second World War]]. |
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Following the outbreak of the war her father stayed in [[Budapest]]. Bartok and her mother moved to live in Kecskemét, to the south of the city, where her mother had relatives. Her father would visit them on Sundays, but later disappeared without a trace during the Nazi period. |
Following the outbreak of the war, her father stayed in [[Budapest]]. Bartok and her mother moved to live in Kecskemét, to the south of the city, where her mother had relatives. Her father would visit them on Sundays, but later disappeared without a trace during the Nazi period. |
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To avoid persecution as the daughter of a Jewish father the teenage Bartok was forced aged 15 to gain protection by marrying Géza Kovács, a Hungarian officer who had Nazi connections.<ref name=Vallance/> |
To avoid persecution as the daughter of a Jewish father, the teenage Bartok was forced aged 15 to gain protection by marrying Géza Kovács, a Hungarian officer who had Nazi connections.<ref name=Vallance/> |
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Kovács disappeared following the occupation of Hungary by the Communists. Bartok was able to get her marriage [[annulment|annulled]] on the grounds of [[coercion]] of a minor.<ref name=LATimes/><ref>[http://www.tcm.com/tcmdb/person/10936|49801/Eva-Bartok/ Eva Bartok], [[Turner Classic Movies]]; accessed 22 April 2018.</ref> |
Kovács disappeared following the occupation of Hungary by the Communists. Bartok was able to get her marriage [[annulment|annulled]], on the grounds of [[coercion]] of a minor.<ref name=LATimes/><ref>[http://www.tcm.com/tcmdb/person/10936|49801/Eva-Bartok/ Eva Bartok], [[Turner Classic Movies]]; accessed 22 April 2018.</ref> |
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==Career== |
==Career== |
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Following the end of the Second World War Bartok decided to enter the acting profession and successfully sat an |
Following the end of the Second World War, Bartok decided to enter the acting profession, and successfully sat an examination at the Drama Centre in Budapest. One of the examiners was the director of the prominent Belvárosi Szinház theatre, and he was impressed enough to, in 1945, offer Bartok a three-year contract. She made her professional debut in a performance of [[J. B. Priestley]]'s ''A Conway család'' (''[[Time and the Conways]]''), which ran at the Belvárosi Szinház for three months. She also performed at the Nemzeti Kamara in 1947. |
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She then performed in Gáspár Margit's ''Új Isten Thébában'' (''New God in Thebes'') in 1946 followed by [[Áron Tamási]]'s drama ''Hullámzó vőlegény'' in 1947, [[George Bernard Shaw]]'s ''Androkles és az oroszlánok'' (''[[Androcles and the Lion (play)|Androcles and the Lion]]'') and [[Jean-Paul Sartre]]'s |
She then performed in Gáspár Margit's ''Új Isten Thébában'' (''New God in Thebes'') in 1946, followed by [[Áron Tamási]]'s drama ''Hullámzó vőlegény'' in 1947, [[George Bernard Shaw]]'s ''Androkles és az oroszlánok'' (''[[Androcles and the Lion (play)|Androcles and the Lion]]''), and [[Jean-Paul Sartre]]'s ''A tisztességtudó utcalány'' (''[[The Respectful Prostitute]]''). |
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She first appeared in front of the camera was in the 1947 Hungarian film '' |
She first appeared in front of the camera was in the 1947 Hungarian film ''[[Prophet of the Fields]]'' which was banned by the communist censors for political reasons. |
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Feeling threatened and persecuted by the new Communist regime in Hungary, she asked for help from Hollywood-based Hungarian producer [[Alexander Paal]], who had been a friend of her father. Paal arranged a "passport marriage", and took her to London. |
Feeling threatened and persecuted by the new [[Communism|Communist]] regime in Hungary, she asked for help from Hollywood-based Hungarian producer [[Alexander Paal]], who had been a friend of her father. Paal arranged a "passport marriage", and took her to London. Bartok was later able to smuggle her mother out of Hungary, via Austria and Germany, to eventually settle her in France. As one of its producers, Paal was able to arrange for Bartok to appear in the British-Italian international co-production drama film ''[[A Tale of Five Cities]]'' (which was released as ''A Tale of Five Women'' in the US). It was filmed in 1948, but due to financial difficulties, it was not released until 1951. As her surname would have been an hindrance to Western audiences, she changed her professional name to "Bartok", after the well-known Hungarian composer [[Béla Bartók]]. After divorcing Paal, Eva was introduced though the Hungarian expatriate community to fellow emigre [[Alexander Korda]], who arranged for her to be put under contract to [[London Films]].<ref name=AP/> She received a small salary of £80 a month, and received the opportunity to audition for the studio's various film projects. At the same time, she undertook English language lessons. |
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To assist in gaining parts on the advice of theatrical publicity agent William Wordsworth |
To assist in gaining parts on the advice of theatrical publicity agent William Wordsworth (who later became her third husband), she attracted attention by attending theatre premieres. As she had little money, she made most of her own dresses, displaying a flair for doing much with little. |
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Bartok came to the attention of an Italian stage producer who was in London looking for an English actress. He asked her to join his company with the provision that she could learn enough Italian in three weeks to perform a monologue in a variety show that incorporated singing, dancing, comedians, magicians, acrobats and novelty acts. With Korda's permission Bartok flew to Rome to join the show's rehearsals prior to the show opening in December 1951 at the Teatro Manzoni in Milan. |
Bartok came to the attention of an Italian stage producer who was in London looking for an English actress. He asked her to join his company with the provision that she could learn enough Italian in three weeks to perform a monologue in a variety show that incorporated singing, dancing, comedians, magicians, acrobats and novelty acts. With Korda's permission Bartok flew to Rome to join the show's rehearsals prior to the show opening in December 1951 at the Teatro Manzoni in Milan. The show was a success and over the following four months there were performances in Florence, Venice, Genoa and other cities, ending with a six-week long run in Rome at the Teatro Quirino. |
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In 1951 ''A Tale of Five Cities'' was finally released in the United Kingdom. |
In 1951, ''A Tale of Five Cities'' was finally released in the United Kingdom. It was seen by actor-producer [[Burt Lancaster]] and director [[Robert Siodmak]], who were visiting England, looking for an actress to play opposite Lancaster as his romantic interest, Consuelo, in the upcoming production of the comedy-adventure film ''[[The Crimson Pirate]]''. Impressed by Bartok's performance and appearance, they telegraphed her in Italy, asking for her to attend a screen test. Bartok, by now wary of countless unsuccessful auditions, replied: "No test. Send script." To her surprise, she was offered the role, and was asked to report for location shooting on the island of [[Ischia]]. In total, she spent over three months working on the project. |
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Also in 1952 Bartok appeared alongside Richard Todd in ''[[The Venetian Bird]]''. |
Also in 1952, Bartok appeared alongside Richard Todd in ''[[The Venetian Bird]]''. |
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The success of ''The Crimson Pirate'' bought Bartok numerous role offers, though most were either in "B" movies and German |
The success of ''The Crimson Pirate'' bought Bartok numerous role offers, though most were either in "B" movies and German-language movies. In 1953, Bartok made her first German film, ''[[Circus of Love|Rummelplatz Der Liebe (Circus of Love)]]'', starring opposite actor [[Curd Jürgens]]. Their on-screen chemistry led to a demand for more collaborations, which came one after another in rapid succession: ''[[The Last Waltz (1953 film)|Der letzte Walzer]]'', ''Meines Vaters Pferde I. Teil Lena und Nicoline'', and ''[[Orient Express (1954 film)|Orient Express]]''. |
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In 1955, Bartok acted on the stage in ''The Lovers'', at the Opera House in Manchester, England. Directed by [[Sam Wanamaker]], it was an adaptation and translation of [[Émile Zola]]'s novel, ''[[Thérèse Raquin]]'' by Marcelle Maurette.<ref name=IMDb>{{cite web |title= Eva Bartok |publisher= Internet Movie Database |url= https://www.imdb.com/name/nm0058982/?ref_=fn_al_nm_1 |access-date= 31 January 2022}}</ref> |
In 1955, Bartok acted on the stage in ''The Lovers'', at the Opera House in Manchester, England. Directed by [[Sam Wanamaker]], it was an adaptation and translation of [[Émile Zola]]'s novel, ''[[Thérèse Raquin]]'', by Marcelle Maurette.<ref name=IMDb>{{cite web |title= Eva Bartok |publisher= Internet Movie Database |url= https://www.imdb.com/name/nm0058982/?ref_=fn_al_nm_1 |access-date= 31 January 2022}}</ref> |
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In 1957 Bartok appeared in the musical ''[[Ten Thousand Bedrooms]]'', opposite [[Dean Martin]]. The movie was filmed in Italy and in Hollywood and for a time she resided in Los Angeles. |
In 1957, Bartok appeared in the musical ''[[Ten Thousand Bedrooms]]'', opposite [[Dean Martin]]. The movie was filmed in Italy and in Hollywood, and for a time, she resided in Los Angeles. |
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Following that production, her best |
Following that production, her best-known roles were in ''[[The Doctor of Stalingrad]]'', which was released in 1958, and in 1961's ''{{ill|It Can't Always Be Caviar|de|Es muss nicht immer Kaviar sein (Film)}}'', opposite [[O. W. Fischer]]. |
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In 1955, Bartok published a novel, ''Fighting Shadows'' and in 1959 an autobiography, ''Worth Living For''.<ref name=LATimes/> |
In 1955, Bartok published a novel, ''Fighting Shadows'', and in 1959, an autobiography, ''Worth Living For''.<ref name=LATimes/> |
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==Later life== |
==Later life== |
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Bartok had been introduced to the philosophy of the [[Subud]] sect while being treated for ovarian cancer in the late 1950s. As her career declined in the mid-1960s she began spending more and more involvement with the sect and ended up spending three years studying with the sect near Jakarta, Indonesia.<ref name=AP/> She later taught its philosophy in a school she opened in Honolulu. |
Bartok had been introduced to the philosophy of the [[Subud]] sect, while being treated for ovarian cancer in the late 1950s. As her career declined in the mid-1960s, she began spending more and more involvement with the sect, and ended up spending three years studying with the sect near Jakarta, Indonesia.<ref name=AP/> She later taught its philosophy in a school she opened in Honolulu. |
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In the last years of her life, she lived as a permanent paying guest in a small London hotel.<ref name=LATimes>{{cite web |last= Oliver |first= Myrna |title= Eva Bartok; Acted in U.S., Foreign Films |work= Los Angeles Times |date= 5 August 1998 |url= https://www.latimes.com/archives/la-xpm-1998-aug-05-mn-10404-story.html |access-date= 29 January 2022}}</ref> |
In the last years of her life, she lived as a permanent paying guest in a small London hotel.<ref name=LATimes>{{cite web |last= Oliver |first= Myrna |title= Eva Bartok; Acted in U.S., Foreign Films |work= Los Angeles Times |date= 5 August 1998 |url= https://www.latimes.com/archives/la-xpm-1998-aug-05-mn-10404-story.html |access-date= 29 January 2022}}</ref> |
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==Personal life== |
==Personal life== |
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[[File:Eva Bartok 1958.jpg|thumb|Bartok with daughter, Deana Jürgens (1958)]] |
[[File:Eva Bartok 1958.jpg|thumb|Bartok with daughter, Deana Jürgens (1958)]] |
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Bartok was married from 1944 to Hungarian officer Géza Kovács until it was [[annulment|annulled]] after the Second World War on the grounds of [[coercion]] of a minor. |
Bartok was married from 1944 to Hungarian officer Géza Kovács, until it was [[annulment|annulled]] after the Second World War, on the grounds of [[coercion]] of a minor. |
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Her second husband was the producer [[Alexander Paal]], who had assisted her in her escape from Hungary in 1948. They divorced in 1951. |
Her second husband was the producer [[Alexander Paal]], who had assisted her in her escape from Hungary in 1948. They divorced in 1951. |
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She acquired British citizenship through her third marriage to English theatrical publicity agent William "Bill" Wordsworth in 1952. Wordsworth was the great-great-grandson of the poet of the same name.<ref name=LATimes/> That marriage fell apart with him claiming that she had deserted him within a month of their marriage to move to Rome to make a movie in 1952, but the divorce was not finalised until 7 March 1955 with Bartok not contesting Wordsworth's application.<ref name=NYT1>{{cite web |title= Eva Bartok Divorced |work=[[The New York Times]]|date= 8 March 1955 |url= https://www.nytimes.com/1955/03/08/archives/eva-bartok-divorced.html |
She acquired British citizenship through her third marriage to English theatrical publicity agent William "Bill" Wordsworth in 1952. Wordsworth was the great-great-grandson of the poet of the same name.<ref name=LATimes/> That marriage fell apart, with him claiming that she had deserted him within a month of their marriage, to move to Rome to make a movie in 1952, but the divorce was not finalised until 7 March 1955, with Bartok not contesting Wordsworth's application.<ref name=NYT1>{{cite web |title= Eva Bartok Divorced |work=[[The New York Times]]|date= 8 March 1955 |url= https://www.nytimes.com/1955/03/08/archives/eva-bartok-divorced.html |access-date= 16 November 2021}}</ref> |
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She met the British aristocrat [[David Mountbatten, 3rd Marquess of Milford Haven]] at a London dinner in 1952.<ref>{{cite web |title= Eva Bartok |work=[[Variety (magazine)|Variety]]|date= 17 August 1998 |url= |
She met the British aristocrat [[David Mountbatten, 3rd Marquess of Milford Haven]], at a London dinner in 1952.<ref>{{cite web |title= Eva Bartok |work=[[Variety (magazine)|Variety]]|date= 17 August 1998 |url= https://variety.com/1998/scene/people-news/eva-bartok-1117882434/ |access-date= 3 November 2021}}</ref><ref name=AP/> They embarked on a high-profile relationship that lasted for several years. Romaine, Marchioness of Milford Haven, cited Bartok in her divorce petition.<ref>{{cite web |title= David, 3rd Marquess of Milford Haven |publisher= Lord Mountbatten of Burma |url= https://www.lordmountbattenofburma.com/copy-of-master-6|access-date= 29 January 2022}}</ref> Mountbatten was prominent part in the London demi-monde of the 1950s, which brought together a colourful mix of aristocrats and shadowy social climbers, such as osteopath [[Stephen Ward]]. |
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Her relationship with Mountbatten ended after Bartok began a relationship with German actor [[Curd Jürgens]] when they acted in a movie together in Germany. Amidst great media interest, she married Jürgens on 13 August 1955 in [[Schliersee]], Germany.<ref name=NYT2>{{cite web |title= Eva Bartok Wed to Actor |work=[[The New York Times]]|date= 14 August 1955 |url= https://www.nytimes.com/1955/08/14/archives/eva-bartok-wed-to-actor.html |
Her relationship with Mountbatten ended after Bartok began a relationship with German actor [[Curd Jürgens]] when they acted in a movie together in Germany. Amidst great media interest, she married Jürgens on 13 August 1955 in [[Schliersee]], Germany.<ref name=NYT2>{{cite web |title= Eva Bartok Wed to Actor |work=[[The New York Times]]|date= 14 August 1955 |url= https://www.nytimes.com/1955/08/14/archives/eva-bartok-wed-to-actor.html |access-date= 16 November 2021}}</ref> It was Jürgens's third marriage. They divorced on 6 November 1956. Shortly after her marriage to Jürgens had ended, Bartok gave birth to a daughter, Deana, in London, on 7 October 1957.<ref name=IE>{{cite news|url=http://www.indianexpress.com/ie/daily/19980519/13950424.html|work=[[The Indian Express]]|title=Sinatra's secret child speaks out|date=19 May 1998}}{{dead link|date=June 2022}}</ref><ref>{{cite news |first= Bruce |last= Emond |title= The Star Who Came to Jakarta |work= [[The Jakarta Post]] |url= http://www.thejakartapost.com/news/2010/10/23/the-star-who-came-jakarta.html |date=23 October 2010|url-status=dead|archive-url=https://web.archive.org/web/20120206224525/http://www.thejakartapost.com/news/2010/10/23/the-star-who-came-jakarta.html|archive-date=6 February 2012}}</ref> |
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Three decades later, Bartok claimed Deana's biological father was actually [[Frank Sinatra]] as a result of a very brief affair in 1956 with him following the break-up of Sinatra's marriage to [[Ava Gardner]].<ref name=ct940817>{{cite news |title= British woman, 36, claims she is Sinatra's daughter |publisher= [[Chicago Tribune]] |page= 2 |date= 17 August 1994|url= https://pqasb.pqarchiver.com/chicagotribune/access/24120284.html?dids=24120284:24120284&FMT=ABS&FMTS=ABS:FT |access-date= 29 April 2012}}</ref><ref name=IE /> Bartok had first met Frank Sinatra at a party while she was in Hollywood in 1955 while appearing in the film ''[[Ten Thousand Bedrooms]] |
Three decades later, Bartok claimed Deana's biological father was actually [[Frank Sinatra]], as a result of a very brief affair in 1956 with him, following the break-up of Sinatra's marriage to [[Ava Gardner]].<ref name=ct940817>{{cite news |title= British woman, 36, claims she is Sinatra's daughter |publisher= [[Chicago Tribune]] |page= 2 |date= 17 August 1994|url= https://pqasb.pqarchiver.com/chicagotribune/access/24120284.html?dids=24120284:24120284&FMT=ABS&FMTS=ABS:FT |access-date= 29 April 2012}}</ref><ref name=IE /> Bartok had first met Frank Sinatra at a party while she was in Hollywood in 1955, while appearing in the film ''[[Ten Thousand Bedrooms]]'', alongside [[Dean Martin]].<ref name=AP/> Sinatra never acknowledged that he was the father. |
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In 1980 Bartok married her fifth husband, the American producer Dag Molin, and lived with him in Los Angeles until their divorce in 1983. |
In 1980, Bartok married her fifth husband, the American producer Dag Molin, and lived with him in Los Angeles until their divorce in 1983. |
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==Partial filmography== |
==Partial filmography== |
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Among the films that Bartok acted in are:<ref name=IMDb/> |
Among the films that Bartok acted in are:<ref name=IMDb/> |
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[[File:Ten Thousand Bedrooms (1957) still 2.JPG|thumb|upright=1.4|[[Film still|Publicity still]] for ''[[Ten Thousand Bedrooms]]'' with [[Dean Martin]] holding [[Anna Maria Alberghetti]], and [[Dewey Martin (actor)|Dewey Martin]] holding Bartok]] |
[[File:Ten Thousand Bedrooms (1957) still 2.JPG|thumb|upright=1.4|[[Film still|Publicity still]] for ''[[Ten Thousand Bedrooms]]'', with [[Dean Martin]] holding [[Anna Maria Alberghetti]], and [[Dewey Martin (actor)|Dewey Martin]] holding Bartok]] |
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{{div col|colwidth=30em}} |
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* |
* ''[[Prophet of the Fields]]'' (1947) |
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*''Madeleine'' (1950) Uncredited. |
*''[[Madeleine (1950 film)|Madeleine]]'' (1950) Uncredited. |
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*''[[A Tale of Five Cities]]'' (1951) It had the alternative titles of ''Passaporto per l'oriente'' in Italy and ''A Tale of Five Women'' in the United States. |
*''[[A Tale of Five Cities]]'' (1951) It had the alternative titles of ''Passaporto per l'oriente'' in Italy and ''A Tale of Five Women'' in the United States. |
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*''[[The Crimson Pirate]]'' (1952) |
*''[[The Crimson Pirate]]'' (1952) |
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*''[[Venetian Bird]]'' (1952). Released in the US as ''The Assassin''. |
*''[[Venetian Bird]]'' (1952). Released in the US as ''The Assassin''. |
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*''[[Spaceways]]'' (1953) |
*''[[Spaceways]]'' (1953) |
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*''[[Park Plaza 605]]'' (1953). |
*''[[Park Plaza 605]]'' (1953). Also known as ''Norman Conquest''. |
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*''[[The Last Waltz (1953 film)|The Last Waltz]]'' (1953) Filmed in German under the title ''Der letzte Walzer''. |
*''[[The Last Waltz (1953 film)|The Last Waltz]]'' (1953) Filmed in German under the title ''Der letzte Walzer''. |
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*''[[Circus of Love]]'' (1954) Filmed in German under the title ''Rummelplatz Der Liebe''. |
*''[[Circus of Love]]'' (1954) Filmed in German under the title ''Rummelplatz Der Liebe''. |
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*''[[Ten Thousand Bedrooms]]'' (1957) |
*''[[Ten Thousand Bedrooms]]'' (1957) |
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*''[[The Doctor of Stalingrad]]'' (1958). Filmed in German under the title ''Der Arzt von Stalingrad''. |
*''[[The Doctor of Stalingrad]]'' (1958). Filmed in German under the title ''Der Arzt von Stalingrad''. |
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*''{{Interlanguage link |
*''{{Interlanguage link|Madeleine Tel. 13 62 11|de}}'' (a.k.a. ''Naked in the Night'', 1958) |
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*''[[Operation Amsterdam]]'' (1959) |
*''[[Operation Amsterdam]]'' (1959) |
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*''[[Twelve Hours by the Clock]]'' (1959) |
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*''[[SOS Pacific]]'' (1959) |
*''[[SOS Pacific]]'' (1959) |
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*''Ein Student ging vorbei'' (1960) |
*''Ein Student ging vorbei'' (1960) |
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*''[[Beyond the Curtain]]'' (1960) |
*''[[Beyond the Curtain]]'' (1960) |
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*''{{Interlanguage link |
*''{{Interlanguage link|Ti aspetterò all'inferno|it}}'' (1960) |
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*''[[Blind Justice (1961 film)|Blind Justice]]'' (1961). Filmed in German under the title ''Unter Ausschluß der Öffentlichkeit''. |
*''[[Blind Justice (1961 film)|Blind Justice]]'' (1961). Filmed in German under the title ''Unter Ausschluß der Öffentlichkeit''. |
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*''{{ill|It Can't Always Be Caviar|de|Es muß nicht immer Kaviar sein (Film)}}'' (1961) |
*''{{ill|It Can't Always Be Caviar|de|Es muß nicht immer Kaviar sein (Film)}}'' (1961) |
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*''{{ill|This Time It Must Be Caviar|de|Diesmal muß es Kaviar sein}}'' (1961) |
*''{{ill|This Time It Must Be Caviar|de|Diesmal muß es Kaviar sein}}'' (1961) |
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*''{{Interlanguage link |
*''{{Interlanguage link|Eheinstitut Aurora|de}}'' (English: ''Marriage Bureau Aurora'', 1962) |
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*''Avventura al motel'' (1963) |
*''Avventura al motel'' (1963) |
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*''Ferien wie noch nie'' (1963) |
*''Ferien wie noch nie'' (1963) |
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==Further reading== |
==Further reading== |
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*{{cite book |last= Banville |first= John |author-link= John Banville |title= Prague Pictures: Portrait of a City |location= London |publisher= Bloomsbury Publishing |date= |
*{{cite book |last= Banville |first= John |author-link= John Banville |title= Prague Pictures: Portrait of a City |location= London |publisher= Bloomsbury Publishing |date= 2003 |isbn= 978-0747564089|ref=none}} Discusses Bartok at some length. |
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*{{cite book |last= Bartok |first= Eva |title= Worth Living For |location= |publisher= [[G. P. Putnam's Sons|Putnam]] |date= 1959|ref=none}} |
*{{cite book |last= Bartok |first= Eva |title= Worth Living For |location= |publisher= [[G. P. Putnam's Sons|Putnam]] |date= 1959|ref=none}} |
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*{{cite book |last= Lamparski |first= Richard |title= |
*{{cite book |last= Lamparski |first= Richard |title= Whatever became of ...? |edition= 11th |location= New York |publisher= Crown Publishers |date= 1989 |isbn= 978-0517571507|ref=none}} |
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[[Category:British expatriate actresses in the United States]] |
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[[Category:English expatriates in Indonesia]] |
[[Category:English expatriates in Indonesia]] |
Revision as of 15:53, 25 March 2024
Eva Bartok | |
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![]() Bartok in 1959 | |
Born | Éva Márta Szőke Ivanovics 18 June 1927 |
Died | 1 August 1998 London, England | (aged 71)
Occupation | Actress |
Years active | 1947–1966 |
Spouse(s) | Géza Kovács (annulled) Alexander Paal (1948–1950; divorced) William Wordsworth (1951–1955; divorced) Curd Jürgens (1955–1956; divorced) Dag Molin (1980–1983; divorced)[1] |
Partner(s) | Frank Sinatra[2] David Mountbatten, 3rd Marquess of Milford Haven |
Children | 1[2] |
Éva Márta Szőke Ivanovics (18 June 1927[3] – 1 August 1998), known professionally as Eva Bartok, was a Hungarian-British actress. She began acting in films in 1950, and her last credited appearance was in 1966. She acted in more than 40 American, British, German, Hungarian, French, and Israeli films. She is best known for appearances in Blood and Black Lace, The Crimson Pirate, Operation Amsterdam, and Ten Thousand Bedrooms.[4]
Early life
Bartok was born Éva Márta Szőke Ivanovics in Kecskemét, Hungary, to a Jewish father and a Catholic mother.[5][2] As a young child, she performed in school productions from the age of six, and later in charity events and for wounded soldiers during the Second World War.
Following the outbreak of the war, her father stayed in Budapest. Bartok and her mother moved to live in Kecskemét, to the south of the city, where her mother had relatives. Her father would visit them on Sundays, but later disappeared without a trace during the Nazi period.
To avoid persecution as the daughter of a Jewish father, the teenage Bartok was forced aged 15 to gain protection by marrying Géza Kovács, a Hungarian officer who had Nazi connections.[2]
Kovács disappeared following the occupation of Hungary by the Communists. Bartok was able to get her marriage annulled, on the grounds of coercion of a minor.[6][7]
Career
Following the end of the Second World War, Bartok decided to enter the acting profession, and successfully sat an examination at the Drama Centre in Budapest. One of the examiners was the director of the prominent Belvárosi Szinház theatre, and he was impressed enough to, in 1945, offer Bartok a three-year contract. She made her professional debut in a performance of J. B. Priestley's A Conway család (Time and the Conways), which ran at the Belvárosi Szinház for three months. She also performed at the Nemzeti Kamara in 1947. She then performed in Gáspár Margit's Új Isten Thébában (New God in Thebes) in 1946, followed by Áron Tamási's drama Hullámzó vőlegény in 1947, George Bernard Shaw's Androkles és az oroszlánok (Androcles and the Lion), and Jean-Paul Sartre's A tisztességtudó utcalány (The Respectful Prostitute).
She first appeared in front of the camera was in the 1947 Hungarian film Prophet of the Fields which was banned by the communist censors for political reasons.
Feeling threatened and persecuted by the new Communist regime in Hungary, she asked for help from Hollywood-based Hungarian producer Alexander Paal, who had been a friend of her father. Paal arranged a "passport marriage", and took her to London. Bartok was later able to smuggle her mother out of Hungary, via Austria and Germany, to eventually settle her in France. As one of its producers, Paal was able to arrange for Bartok to appear in the British-Italian international co-production drama film A Tale of Five Cities (which was released as A Tale of Five Women in the US). It was filmed in 1948, but due to financial difficulties, it was not released until 1951. As her surname would have been an hindrance to Western audiences, she changed her professional name to "Bartok", after the well-known Hungarian composer Béla Bartók. After divorcing Paal, Eva was introduced though the Hungarian expatriate community to fellow emigre Alexander Korda, who arranged for her to be put under contract to London Films.[5] She received a small salary of £80 a month, and received the opportunity to audition for the studio's various film projects. At the same time, she undertook English language lessons. To assist in gaining parts on the advice of theatrical publicity agent William Wordsworth (who later became her third husband), she attracted attention by attending theatre premieres. As she had little money, she made most of her own dresses, displaying a flair for doing much with little.
Bartok came to the attention of an Italian stage producer who was in London looking for an English actress. He asked her to join his company with the provision that she could learn enough Italian in three weeks to perform a monologue in a variety show that incorporated singing, dancing, comedians, magicians, acrobats and novelty acts. With Korda's permission Bartok flew to Rome to join the show's rehearsals prior to the show opening in December 1951 at the Teatro Manzoni in Milan. The show was a success and over the following four months there were performances in Florence, Venice, Genoa and other cities, ending with a six-week long run in Rome at the Teatro Quirino.
In 1951, A Tale of Five Cities was finally released in the United Kingdom. It was seen by actor-producer Burt Lancaster and director Robert Siodmak, who were visiting England, looking for an actress to play opposite Lancaster as his romantic interest, Consuelo, in the upcoming production of the comedy-adventure film The Crimson Pirate. Impressed by Bartok's performance and appearance, they telegraphed her in Italy, asking for her to attend a screen test. Bartok, by now wary of countless unsuccessful auditions, replied: "No test. Send script." To her surprise, she was offered the role, and was asked to report for location shooting on the island of Ischia. In total, she spent over three months working on the project.
Also in 1952, Bartok appeared alongside Richard Todd in The Venetian Bird.
The success of The Crimson Pirate bought Bartok numerous role offers, though most were either in "B" movies and German-language movies. In 1953, Bartok made her first German film, Rummelplatz Der Liebe (Circus of Love), starring opposite actor Curd Jürgens. Their on-screen chemistry led to a demand for more collaborations, which came one after another in rapid succession: Der letzte Walzer, Meines Vaters Pferde I. Teil Lena und Nicoline, and Orient Express.
In 1955, Bartok acted on the stage in The Lovers, at the Opera House in Manchester, England. Directed by Sam Wanamaker, it was an adaptation and translation of Émile Zola's novel, Thérèse Raquin, by Marcelle Maurette.[8] In 1957, Bartok appeared in the musical Ten Thousand Bedrooms, opposite Dean Martin. The movie was filmed in Italy and in Hollywood, and for a time, she resided in Los Angeles.
Following that production, her best-known roles were in The Doctor of Stalingrad, which was released in 1958, and in 1961's It Can't Always Be Caviar , opposite O. W. Fischer.
In 1955, Bartok published a novel, Fighting Shadows, and in 1959, an autobiography, Worth Living For.[6]
Later life
Bartok had been introduced to the philosophy of the Subud sect, while being treated for ovarian cancer in the late 1950s. As her career declined in the mid-1960s, she began spending more and more involvement with the sect, and ended up spending three years studying with the sect near Jakarta, Indonesia.[5] She later taught its philosophy in a school she opened in Honolulu.
In the last years of her life, she lived as a permanent paying guest in a small London hotel.[6]
She died on 1 August 1998 at St. Charles's Hospital in London.[2][5]
Personal life
![](http://upload.wikimedia.org/wikipedia/commons/thumb/4/45/Eva_Bartok_1958.jpg/220px-Eva_Bartok_1958.jpg)
Bartok was married from 1944 to Hungarian officer Géza Kovács, until it was annulled after the Second World War, on the grounds of coercion of a minor.
Her second husband was the producer Alexander Paal, who had assisted her in her escape from Hungary in 1948. They divorced in 1951.
She acquired British citizenship through her third marriage to English theatrical publicity agent William "Bill" Wordsworth in 1952. Wordsworth was the great-great-grandson of the poet of the same name.[6] That marriage fell apart, with him claiming that she had deserted him within a month of their marriage, to move to Rome to make a movie in 1952, but the divorce was not finalised until 7 March 1955, with Bartok not contesting Wordsworth's application.[9]
She met the British aristocrat David Mountbatten, 3rd Marquess of Milford Haven, at a London dinner in 1952.[10][5] They embarked on a high-profile relationship that lasted for several years. Romaine, Marchioness of Milford Haven, cited Bartok in her divorce petition.[11] Mountbatten was prominent part in the London demi-monde of the 1950s, which brought together a colourful mix of aristocrats and shadowy social climbers, such as osteopath Stephen Ward.
Her relationship with Mountbatten ended after Bartok began a relationship with German actor Curd Jürgens when they acted in a movie together in Germany. Amidst great media interest, she married Jürgens on 13 August 1955 in Schliersee, Germany.[12] It was Jürgens's third marriage. They divorced on 6 November 1956. Shortly after her marriage to Jürgens had ended, Bartok gave birth to a daughter, Deana, in London, on 7 October 1957.[13][14]
Three decades later, Bartok claimed Deana's biological father was actually Frank Sinatra, as a result of a very brief affair in 1956 with him, following the break-up of Sinatra's marriage to Ava Gardner.[15][13] Bartok had first met Frank Sinatra at a party while she was in Hollywood in 1955, while appearing in the film Ten Thousand Bedrooms, alongside Dean Martin.[5] Sinatra never acknowledged that he was the father.
In 1980, Bartok married her fifth husband, the American producer Dag Molin, and lived with him in Los Angeles until their divorce in 1983.
Partial filmography
Among the films that Bartok acted in are:[8]
- Prophet of the Fields (1947)
- Madeleine (1950) Uncredited.
- A Tale of Five Cities (1951) It had the alternative titles of Passaporto per l'oriente in Italy and A Tale of Five Women in the United States.
- The Crimson Pirate (1952)
- Venetian Bird (1952). Released in the US as The Assassin.
- Spaceways (1953)
- Park Plaza 605 (1953). Also known as Norman Conquest.
- The Last Waltz (1953) Filmed in German under the title Der letzte Walzer.
- Circus of Love (1954) Filmed in German under the title Rummelplatz Der Liebe.
- Meines Vaters Pferde I. Teil Lena und Nicoline (1954)
- Front Page Story (1954)
- Victoria and Her Hussar (1954). Filmed in German under the title Victoria und ihr Husar.
- Orient Express (1954)
- Break in the Circle (1955)
- Special Delivery (1955). Released in German with title Von Himmel Gefallen.
- Dunja (English: Her Crime Was Love, 1955)
- The Gamma People (1956)
- Without You All Is Darkness (1956). Filmed in German under the title Ohne dich wird es Nacht).
- Through the Forests and Through the Trees (1956). Filmed in German under the title Durch die Wälder, durch die Auen.
- Ten Thousand Bedrooms (1957)
- The Doctor of Stalingrad (1958). Filmed in German under the title Der Arzt von Stalingrad.
- Madeleine Tel. 13 62 11 (a.k.a. Naked in the Night, 1958)
- Operation Amsterdam (1959)
- Twelve Hours by the Clock (1959)
- SOS Pacific (1959)
- Ein Student ging vorbei (1960)
- Beyond the Curtain (1960)
- Ti aspetterò all'inferno (1960)
- Blind Justice (1961). Filmed in German under the title Unter Ausschluß der Öffentlichkeit.
- It Can't Always Be Caviar (1961)
- This Time It Must Be Caviar (1961)
- Eheinstitut Aurora (English: Marriage Bureau Aurora, 1962)
- Avventura al motel (1963)
- Ferien wie noch nie (1963)
- Blood and Black Lace (1964)
- Sabina (1966)
References
- ^ Weikard, André (9 May 2019). "Retro News: Eine Frau und ihre Männer" (in German). filmreporter.de. Retrieved 31 January 2022.
- ^ a b c d e Vallance, Tom (3 August 1998). "Obituary: Eva Bartok". The Independent. Retrieved 12 February 2020.
- ^ Some sources cite 1926, 1928, or 1929 as possible years of birth.
- ^ "Continuing the Eva Bartok story". The Sunday Mail (Brisbane). 29 November 1953. p. 23. Retrieved 26 October 2017 – via National Library of Australia.
- ^ a b c d e f "Eva Bartok, 72, Actress in Films of 50's and 60's". The New York Times. Associated Press. 5 August 1998. Retrieved 31 May 2017.
- ^ a b c d Oliver, Myrna (5 August 1998). "Eva Bartok; Acted in U.S., Foreign Films". Los Angeles Times. Retrieved 29 January 2022.
- ^ Eva Bartok, Turner Classic Movies; accessed 22 April 2018.
- ^ a b "Eva Bartok". Internet Movie Database. Retrieved 31 January 2022.
- ^ "Eva Bartok Divorced". The New York Times. 8 March 1955. Retrieved 16 November 2021.
- ^ "Eva Bartok". Variety. 17 August 1998. Retrieved 3 November 2021.
- ^ "David, 3rd Marquess of Milford Haven". Lord Mountbatten of Burma. Retrieved 29 January 2022.
- ^ "Eva Bartok Wed to Actor". The New York Times. 14 August 1955. Retrieved 16 November 2021.
- ^ a b "Sinatra's secret child speaks out". The Indian Express. 19 May 1998.[dead link]
- ^ Emond, Bruce (23 October 2010). "The Star Who Came to Jakarta". The Jakarta Post. Archived from the original on 6 February 2012.
- ^ "British woman, 36, claims she is Sinatra's daughter". Chicago Tribune. 17 August 1994. p. 2. Retrieved 29 April 2012.
Further reading
- Banville, John (2003). Prague Pictures: Portrait of a City. London: Bloomsbury Publishing. ISBN 978-0747564089. Discusses Bartok at some length.
- Bartok, Eva (1959). Worth Living For. Putnam.
- Lamparski, Richard (1989). Whatever became of ...? (11th ed.). New York: Crown Publishers. ISBN 978-0517571507.
External links
![](http://upload.wikimedia.org/wikipedia/en/thumb/4/4a/Commons-logo.svg/30px-Commons-logo.svg.png)
- Eva Bartok at IMDb
- A tribute to Eva Bartok
- "Talent ist nicht alles", cover story of Der Spiegel, 21 July 1954 (in German)
- 1927 births
- 1998 deaths
- Hungarian emigrants to England
- Hungarian film actresses
- Hungarian Subud members
- 20th-century Hungarian actresses
- Age controversies
- British film actresses
- 20th-century British actresses
- British people of Hungarian-Jewish descent
- Hungarian people of Jewish descent
- British expatriate actresses in the United States
- English expatriates in Indonesia