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Adding local short description: "Genre of Korean court music", overriding Wikidata description "genre of Korean court music"
 
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{{Short description|Genre of Korean court music}}
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{{Italic title|reason=[[:Category:Korean words and phrases]]}}
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hangul=당악|
hangul=당악|
hanja=[[wiktionary:唐|唐]][[wiktionary:樂|樂]]|
hanja=[[wiktionary:唐|唐]][[wiktionary:樂|樂]]|
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'''Dangak''' (syllables: ''dang-ak'') is a genre of traditional [[Korea]]n court music. The name means "[[Tang Dynasty|Tang]] music," and the style was first adapted from Tang Dynasty Chinese music during the [[Unified Silla]] period in the late first millennium. It was continued through the [[Goryeo]] (918-1392) and [[Joseon Dynasty|Joseon]] (1392-1910) dynasties, when, along with ''[[hyangak]]'' and ''[[aak]]'' it was one of the three approved genres of court music. Dangak performances were accompanied by Tang-style dances known as ''dangak jeongjae''.
'''''Dangak''''' ({{Korean|hangul=당악}}) is a genre of traditional [[Korea]]n court music. The name means "[[Tang dynasty|Tang]] music", and the style was first adapted from Tang Dynasty Chinese music during the [[Unified Silla]] period in the late first millennium. It was continued through the [[Goryeo]] (918–1392) and [[Joseon Dynasty|Joseon]] (1392–1910) dynasties, when, along with ''[[hyangak]]'' and ''[[aak]]'' it was one of the three approved genres of court music. ''Dangak'' performances were accompanied by Tang-style dances known as ''dangak jeongjae''.


Together with ''hyangak'', during the Joseon Dynasty ''dangak'' performances were the charge of the ''Jeonakseo'' (1394-1457) and later of the [[Jangagwon]], the court office of music. Performers of ''hyangak'' and ''dangak'' were drawn from the lower classes, in contrast to performers of ''aak''.{{ref|class1}}
Together with ''hyangak'', during the Joseon Dynasty ''dangak'' performances were the charge of the ''Jeonakseo'' (hangul: 전악서; hanja: [[wikt:典|典]][[wikt:樂|樂]][[wikt:署|署]]; 1394–1457) and later of the [[Jangagwon]] (hangul: 장악원; hanja: [[wikt:掌|掌]][[wikt:樂|樂]][[wikt:院|院]]), the court office of music. Performers of ''hyangak'' and ''dangak'' were drawn from the lower classes, in contrast to performers of ''aak''.{{ref|class1}}


<!--this may be wrong, as the piece evolved during the Song Dynasty-->
<!--this may be wrong, as the piece evolved during the Song Dynasty-->
One of the most famous pieces in the ''dangak'' repertoire is called ''Nakyangchun'' (hangul: 낙양춘; hanja: [[wikt:洛|洛]][[wikt:陽|陽]][[wikt:春|春]]; lit. "Spring in [[Luoyang]]"). The American composer [[Lou Harrison]], who studied traditional music in South Korea in 1961, created an arrangement of this work. The Korean composer [[Isang Yun]] also composed a [[contemporary classical music|contemporary]] orchestral work entitled ''Loyang'', in 1962.
One of the most famous pieces in the ''dangak'' repertoire is called ''Nakyangchun'' ({{Korean|hangul=낙양춘|hanja=洛陽春|lit=“Spring in [[Luoyang]]"|labels=no}}). The American composer [[Lou Harrison]], who studied traditional music in South Korea in 1941, created an arrangement of this work. The Korean composer [[Isang Yun]] also composed a [[contemporary classical music|contemporary]] orchestral work entitled ''Loyang'', in 1962.


''Nakyangchun'' and a second piece, ''[[Boheoja]]'' (hangul: 보허자; hanja: [[wikt:步|步]][[wikt:虛|虛]][[wikt:子|子]]; literally "Pacing the Void"), are the only surviving pieces of ''Dangak'' music.{{ref|class2}}
==Notes==
⚫
#{{note|class1}} Song (1999), p. 22.

⚫
==References==
⚫
*{{cite book|title=Korean music: Historical and other aspects|first=Bang-song|last=Song|id=ISBN 89-88095-13-8|publisher=Jimoondang|location=Seoul|year=1999}}


==See also==
==See also==
*[[Yayue]]
*[[Aak]]
*[[Aak]]
*[[Hyangak]]
*[[Hyangak]]
⚫
*[[Korean music]]
*[[Korean culture]]
*[[Korean culture]]
⚫
*[[Korean music]]
*[[List of Korea-related topics]]
*[[List of musical genres]]
*[[List of musical genres]]
*[[Tōgaku]]
*[[Taoist music]]
*[[Guoyue]]
*[[Nhã nhạc]]

⚫
==References==
⚫
#{{note|class1}} Song (1999), p. 22.
#{{note|class2}} {{cite web|url=http://www.ncktpa.go.kr/eng/aboutg/pdf/29.pdf|title=Data|website=www.ncktpa.go.kr|format=PDF|access-date=2007-06-18|archive-url=https://web.archive.org/web/20070621214050/http://www.ncktpa.go.kr/eng/aboutg/pdf/29.pdf|archive-date=2007-06-21|url-status=dead}}

===Bibliography===
⚫
*{{cite book|title=Korean music: Historical and other aspects|first=Bang-song|last=Song|isbn=89-88095-13-8|publisher=Jimoondang|location=Seoul|year=1999}}

==External links==
*[http://tvpot.daum.net/clip/ClipView.do?clipid=1485743 Video of a performance of ''Nakyangchun'']



{{korea-stub}}
{{korea-stub}}


[[Category:Korean styles of music]]
[[Category:Korean styles of music]]
[[Category:Joseon Dynasty]]
[[Category:Joseon]]

[[fi:Tangak]]

Latest revision as of 09:31, 22 January 2024

Dangak
Hangul
당악
Hanja
Revised Romanizationdangak
McCune–Reischauertangak

Dangak (Korean: 당악) is a genre of traditional Korean court music. The name means "Tang music", and the style was first adapted from Tang Dynasty Chinese music during the Unified Silla period in the late first millennium. It was continued through the Goryeo (918–1392) and Joseon (1392–1910) dynasties, when, along with hyangak and aak it was one of the three approved genres of court music. Dangak performances were accompanied by Tang-style dances known as dangak jeongjae.

Together with hyangak, during the Joseon Dynasty dangak performances were the charge of the Jeonakseo (hangul: 전악서; hanja: 典樂署; 1394–1457) and later of the Jangagwon (hangul: 장악원; hanja: 掌樂院), the court office of music. Performers of hyangak and dangak were drawn from the lower classes, in contrast to performers of aak.[1]

One of the most famous pieces in the dangak repertoire is called Nakyangchun (낙양춘; 洛陽春; lit. “Spring in Luoyang"). The American composer Lou Harrison, who studied traditional music in South Korea in 1941, created an arrangement of this work. The Korean composer Isang Yun also composed a contemporary orchestral work entitled Loyang, in 1962.

Nakyangchun and a second piece, Boheoja (hangul: 보허자; hanja: 步虛子; literally "Pacing the Void"), are the only surviving pieces of Dangak music.[2]

See also

[edit]

References

[edit]
  1. ^ Song (1999), p. 22.
  2. ^ "Data" (PDF). www.ncktpa.go.kr. Archived from the original (PDF) on 2007-06-21. Retrieved 2007-06-18.

Bibliography

[edit]
  • Song, Bang-song (1999). Korean music: Historical and other aspects. Seoul: Jimoondang. ISBN 89-88095-13-8.
[edit]


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