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[[Image:Akhilleus Penthesileia Staatliche Antikensammlungen 2688.jpg|thumb|250px|Depicition of Penthesilea, ona bowl from [[Vulci]]; ''circa'' 470/460 BC. [[Munich]], [[Staatliche Antikensammlungen]].]]
[[File:Akhilleus Penthesileia Staatliche Antikensammlungen 2688.jpg|thumb|250px|Depiction of Penthesilea, on a bowl from [[Vulci]]; ''circa'' 470/460 BC. [[Munich]], [[Staatliche Antikensammlungen]].]]


The '''Penthesilea Painter''' (active between 470 and 450 BC at [[Athens]]) was a Greek vase painter of the [[Attica|Attic]] [[Red-figure pottery|red-figure]] style. His true name is unknown. His conventional name his deried from "bowl 2688" in Munich, the inside of which depicts the slaying of [[Penthesilea]] by [[Achilles]]. On thr basis of that work, [[John Beazley]] attributed 177 known vases to the painter, about 100 of which only surie fragmentarily. Bowls, 149 in number, represent the bulk of his work. The rest is distributed among small shapes like ''[[skyphos|skyphoi]]'', ''[[kantharos|kantharoi]]'' and [[bobbins]].
The '''Penthesilea Painter''' (active between 470 and 450 BC at [[Athens]]) was a Greek vase painter of the [[Attica|Attic]] [[Red-figure pottery|red-figure]] style. His true name is unknown. His conventional name is derived from his [[name vase]], "bowl 2688" in Munich, the inside of which depicts the slaying of [[Penthesilea]] by [[Achilles]]. On the basis of that work, [[John Beazley]] attributed 177 known vases to the painter, about 100 of which only survive fragmentarily. Bowls, 149 in number, represent the bulk of his work. The rest is distributed among small shapes like ''[[skyphos|skyphoi]]'', ''[[kantharos|kantharoi]]'' and bobbins.


[[Image:Satyroi mainades Cdm Paris 849.jpg|thumb|left|[[Satyr]] and [[maenad]] on a ''[[skyphos]]'' , [[Paris]], [[Bibliotheque Nationale]].]]
[[File:Satyroi mainades Cdm Paris 849.jpg|thumb|left|[[Satyr]] and [[maenad]] on a ''[[skyphos]]'', Paris, [[Bibliothèque Nationale]], [[Cabinet des Médailles]].]]
His work is characterised by large, space-filling figures whose posture is often bent so as to permit them to fit on a vessel. For the same reason, ornamental decoration around the edges is often very narrow. His works are also characterised by being very colourful, permitting seeral intermediate shades. Apart from dark coral red and the usual light red, he also used tones of brown, yellow, yellow-white and gold. His figures are painted remarkably meticulously in every detail. Unlike many of his contemporaries, he appears to hae painted the subsidiary or exterior images on his ases himself. An exception is his ery early "bowl T 212" at the Museo Archeologico Nazionale in [[Ferrara]], with exterior images by the [[Splanchnoptes Painter]]. The Penthesilea Painter's works are dominated by depictions of boys and youths engaged in athletic activity, teaching scenes, weaponry and armour, as well as scenes of people talking to horses. While he painted the occasional mythological motif, they are so rare that they should e considered an exception among his work. Throughout his career, scenes from everyday life gain an increasingly dominant share of his paintings.
His work is characterised by large, space-filling figures whose posture is often bent so as to permit them to fit on a vessel. For the same reason, ornamental decoration around the edges is often very narrow. His works are also characterised by being very colourful, permitting several intermediate shades. Apart from dark coral red and the usual light red, he also used tones of brown, yellow, yellow-white and gold. His figures are painted remarkably meticulously in every detail. Unlike many of his contemporaries, he appears to have painted the subsidiary or exterior images on his vases himself. An exception is his very early "bowl T 212" at the Museo Archeologico Nazionale in [[Ferrara]], with exterior images by the [[Splanchnoptes Painter]]. The Penthesilea Painter's works are dominated by depictions of boys and youths engaged in athletic activity, teaching scenes, weaponry and armour, as well as scenes of people talking to horses. While he painted the occasional mythological motif, they are so rare that they should be considered an exception among his work. Throughout his career, scenes from everyday life gain an increasingly dominant share of his paintings.


In his later works, his love of detail is lost and replaced with stencil-like motifs, their basic compositions indistinguishable from typical mass-produced wares. His lines become more casual, but don't loose their certainty, so that even these works presere a distinctie charm, marking him as one of the great masters of [[Ancient Greek pottery|Greek vase painting]]. His true mastery is increasingly found in the subsidiary images of boys, on whcih he appears to have concentrated more and more.
In his later works, his love of detail is lost and replaced with stencil-like motifs, their basic compositions indistinguishable from typical mass-produced wares. His lines become more casual, but don't lose their certainty, so that even these works preserve a distinctive charm, marking him as one of the great masters of [[Ancient Greek pottery|Greek vase painting]]. His true mastery is increasingly found in the subsidiary images of boys, on which he appears to have concentrated more and more.


His major immportance for Classical vase painting lies in the fact that he moved away from the usual motifs and replaced them typical motifs from everyday life. His emphasis on human aspects represented a new departure and was to be an important influence on the further development of vase painting.
His major importance for Classical vase painting lies in the fact that he moved away from the usual motifs and replaced them with typical motifs from everyday life. His emphasis on human aspects represented a new departure and was to be an important influence on the further development of vase painting.


Apart from the Penthesilea bowl, "bowl 2689", also in Munich, his considered his other masterpiece. Its interior shows the slaying of [[Tityos]] by [[Apollo]].
Apart from the Penthesilea bowl, "bowl 2689", also in Munich, is considered his other masterpiece. Its interior shows the slaying of [[Tityos]] by [[Apollo]].


==Selected works==
==Selected works==

*'''[[Berlin]], [[Antikensammlung Berlin|Antikensammlung]]'''
{| class="wikitable"
:bowl skyphos F 2591• fragment of a skyphos 31573, V. 162
! Name || colspan=2| Images || Dimensions || Type || Date|| Description|| Museum Record
*'''[[Bologna]], Museo Civico'''
|-
:fragment of a krater 289 • bowl PU 272
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''Berlin, [[Antikensammlung Berlin|Antikensammlung]]'''
*'''[[Boston]], [[Museum of Fine Arts, Boston|Museum of Fine Arts]]'''
|-
:skyphos 01.8032 • bowl 03.815 • bowl 13.84 • bowl 28.48
| bowl skyphos F 2591|| || || || || || ||
*'''[[Cambridge, Massachusetts]], [[Harvard University Art Museums]]'''
|-
:kylix 1925.30.130
| fragment of a skyphos 31573, V. 162|| || || || || || ||
*'''[[Ferrara]], Museo Archeologico Nazionale'''
|-
:bowl T 18 C • bowl T 212
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[Bologna]], Museo Civico'''
*'''[[Hamburg]], Museum für Kunst und Gewerbe'''
|-
:bowl 1900.164
| fragment of a krater 289|| [http://data.perseus.org/artifacts/vase/Bologna+289 Image] || || ---- || Calyx krater || c.450|| Amazonomachy||
*'''[[London]], [[British Museum]]'''
|-
:bowl E 72
| bowl PU 272|| || || || || || ||
*'''[[Madison, Wisconsin]], [[Chazen Museum of Art]]'''
|-
:Kylix 1976.31
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[Boston]], [[Museum of Fine Arts, Boston|Museum of Fine Arts]]'''
*'''[[Munich]], [[Staatliche Antikensammlungen|Glyptothek and Antikensammlung]]'''
|-
:kantharos 2565 • bowl 2688 • bowl 2689
| skyphos 01.8032|| || || H. 23 cm; D. 23 cm|| Red-figure skyphos || c.450 BC || Maenads and Pans|| [http://www.mfa.org/collections/object/wine-cup-skyphos-with-goddess-emerging-between-two-pans-153870 Record]
*'''[[New York]], [[Metropolitan Museum of Art]]'''
|-
:skyphos 06.1079 • pyxis 07.286.36 • bobin 29.167 • bowl 41.162.9
| bowl 03.815|||| || H. 15.5 cm || red-figure kylix || c.460 BC || Int: Nymph with scepter and vase; Ext: Two women and four youths || [http://www.mfa.org/collections/object/drinking-cup-kylix-153714 Record]
*'''[[Oxford]], [[Ashmolean Museum]]'''
|-
:bowl 1931.12
| bowl 13.84|| || || H. 27 cm; D. 27 cm || red-figure kylix|| c.450 BC || Int: Youth talking to woman; Ext: Satyrs and Maenads|| [http://www.mfa.org/collections/object/drinking-cup-kylix-153738 Record]
*'''[[Paris]], [[Bibliothèque Nationale]] (Cabinet des Médailles)'''
|-
:bowl 814
| bowl 28.48|| || || H. 9.8 cm; D. 23.8 cm|| red-figure kylix|| c.460 BC|| Int: Two boys talking; Ext: Boys at the gymnasium ||[http://www.mfa.org/collections/object/drinking-cup-kylix-depicting-palaistra-scenes-153746 Record]
*'''Paris, Musée National du [[Louvre]]'''
|-
:bowl G 382 • bowl G 448
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[Cambridge, Massachusetts]], [[Harvard University Art Museums]]'''
*'''[[Philadelphia]], University Museum'''
|-
:hydria L-64-41 • kylix L-637-1a & b • kylix MS 2495 • kylix MS 5693
| kylix 1925.30.130|| || || H. 11.3 cm.; D. 27.3 cm|| Attic Red Figure kylix || 470-460 BC|| Int: Satyr and maenad; ExtA: Warrior presented to Zeus by Iris; ExtB: Departing warrior, with Iris.||
*'''[[Vienna]], [[Kunsthistorisches Museum]]'''
|-
:bowl 3700
| colspan=8 style="text-align:center;background-color:Lightgreen" |'''Chicago, IL, [https://www.artic.edu Art Institute of Chicago]'''
|-
|Kylix 1889.27
|
|
|
|Attic Red-figure kylix
|460 BC
|Int: Youth with woman.
|[https://www.artic.edu/artworks/185/kylix-drinking-cup Record]
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[Ferrara]], Museo Archeologico Nazionale'''
|-
| bowl T 18 C|| [[File:MuseoArcheologicoFerrara kylix.jpg|150px]] || [[File:Pittore di pentesilea, kylix a figure rosse con apoteosi di teseo, e altri a duello, 460-450 ac. 04.JPG|150px]]|| ---- || Attic Red-figure kylix || 460-450 BC|| Int: Apotheosis of Theseus, Ext: Combat||
|-
| bowl T 212|| || || || || || ||
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[Hamburg]], [[Museum für Kunst und Gewerbe Hamburg|Museum für Kunst und Gewerbe]]'''
|-
| bowl 1900.164|| [http://data.perseus.org/artifacts/vase/Hamburg+1900.164 Images]|| || ---- || Red-figure kylix|| c.450 BC|| Int: boy seated with lyre, and youth; Ext: youths and horses||
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''London, [[British Museum]]'''
|-
| bowl E 72|| || || || || || ||
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[Madison, Wisconsin]], [[Chazen Museum of Art]]'''
|-
|Kylix 1976.31 || || || H. 15.25 cm; D. 45.56 cm|| Red-figure kylix || c.455 BC || Int: Theseus fighting the bull of Marathon||[http://embarkkiosk.chazen.wisc.edu/Obj10506 Record]
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[Munich]], [[Staatliche Antikensammlungen|Glyptothek and Antikensammlung]]'''
|-
| kantharos 2565|| || || || || || ||
|-
| '''Penthesilea bowl''' (2688)|| [[File:Akhilleus Penthesileia Staatliche Antikensammlungen 2688 n2.jpg|150px]] || || H. 7 cm; D. 43 cm|| Attic red-figure kylix|| 470–460 BC|| Achilles killing Penthesilea||
|-
| bowl 2689|| [[File:Apollo Tityos Staatliche Antikensammlungen 2689.jpg|150px]]||||H. 7 cm; D. 40 cm||Attic red-figure kylix|| 460–450 BC||Apollo, Tityos and a goddess (probably Gaia defending her son, or Leto). ||
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[New York City|New York]], [[Metropolitan Museum of Art]]'''
|-
| skyphos 06.1079|| || || H. 16.2 cm; D. 30.2 cm|| Red-figure skyphos|| c.460 BC|| A & B: A young man goes to war||[http://www.metmuseum.org/collection/the-collection-online/search/247497 Record]
|-
| pyxis 07.286.36||[[File:Judgement of Paris Met 07.286.36 n1.jpg|150px]]|| [[File:Judgement of Paris Met 07.286.36 n2.jpg|150px]] || H. 12.1 cm D. 17.2 cm|| Attic white-ground pyxis with lid || 460-450 || The Judgement of Paris|| [http://www.metmuseum.org/collection/the-collection-online/search/247916 Record]
|-
| bobin 28.167||[[File:Nike youth Met 28.167.jpg|150px]] ||[[File:Eros youth Met 28.167.jpg|150px]] || D. 12.8 cm|| Attic white-ground bobbin|| 460-450 BC|| A: Nike & a youth; B: Eros and a youth|| [http://www.metmuseum.org/collection/the-collection-online/search/252976 Record]
|-
| bowl 41.162.9|| || || H. 16.4 cm; D. 36.7 cm|| Red-figure kylix || c.460 BC || Int: Man hunting boar; Ext: Athletes ||[http://www.metmuseum.org/collection/the-collection-online/search/254176 Record]
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[Oxford]], [[Ashmolean Museum]]'''
|-
|bowl 1931.12 || [https://web.archive.org/web/20141102134725/http://www.iconiclimc.ch/visitors/imageview.php?source=142&image_id=18559&term=Nike+3+SMID17176 Image]|| || || Red-figure kylix || c.450 || Int: Nike dressing a bull for sacrifice||
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''Paris, [[Bibliothèque Nationale]] (Cabinet des Médailles)'''
|-
|De Ridder 814 || [[File:Pittore di pentesilea, coppa a figure rosse con cavaliere (int) e scene di armamento (ext), atene 480-450 ac ca. 01.JPG|150px]] || [[File:Pittore di pentesilea, coppa a figure rosse con cavaliere (int) e scene di armamento (ext), atene 480-450 ac ca. 02.JPG|150px]]|| H. 12.6 cm, L. 41.9 cm, D. 33.7 cm || Red-figure kylix || 480 - 450 BC|| Int: Horseman; Ext: Arming scene|| [http://medaillesetantiques.bnf.fr/ws/catalogue/app/collection/record/ark:/12148/c33gbdjd6 Record]
|-
|De Ridder 849 || [[File:Satyroi mainades Cdm Paris 849.jpg|150px]] |||| H. 28.9 cm, L. 28.2 cm, D. 20.6 cm || Red-figure kantharos|| c.460 BC|| Satyrs and Maenads ||[http://medaillesetantiques.bnf.fr/ws/catalogue/app/collection/record/ark:/12148/c33gbdc7m Record]
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''Paris, Musée National du [[Louvre]]'''
|-
| bowl G 382 || || || || || || ||
|-
| bowl G 448|| [[File:Satyros mainade Louvre G448.jpg|150px]]|| || H. 16.50 cm; L. 44.80 cm; D. 36.10 cm|| Attic red-figure kylix || 460–450 BC|| Int: Silenus and maenad||
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[Philadelphia]], University Museum'''
|-
| hydria L-64-41|| [http://www.penn.museum/collections/object/174334 Image]|| || dimensions || Red-figure hydria || 460-450 BC|| Three women in a domestic scene||
|-
| kylix L-637-1a || [http://www.penn.museum/collections/object/279257 Image] || || H. 12.5 cm; D. 45.7 cm|| Red-figure kylix|| 520-420 BC || Int: Boy propositioning a girl; Ext: Departure of young horsemen||
|-
| kylix MS 2495|| [http://www.penn.museum/collections/object/279257 Image]|| || H. 9 cm; D. 24 cm|| Red-figure kylix || 475-450 BC|| Int: Two boys facing; Ext: Nike and young citizens||
|-
| kylix MS 5693|| [http://www.penn.museum/collections/object/264589 Image]|| || H. 7.8 cm; D. 29 cm|| Red-figure kylix|| 460-450 BC|| Int: Two boys at the gymnasium; Ext: Nike parts a boy and a man||
|-
| colspan=8 style="text-align:center;background-color:Lightgreen" | '''[[Vienna]], [[Kunsthistorisches Museum]]'''
|-
| bowl 3700|| || || || || || ||
|-
|}


==Bibliography==
==Bibliography==
*Hans Diepolder: ''Der Penthesilea-Maler''. Leipzig 1936. (Bilder griechischer Vasen, 10)
*Hans Diepolder. ''Der Penthesilea-Maler''. Leipzig 1936. (Bilder griechischer Vasen, 10).
*[[John Beazley]]: ''Attic Red-Figure Vase-Painters'', Oxford 1963
*[[John Beazley]]. ''Attic Red Figure Vase Painters''. Oxford: Clarendon Press, 1963


==External links==
==External links==
* [https://www.perseus.tufts.edu/cgi-bin/browser?object=Vase&field=Painter&value=Penthesilea%20Painter The Perseus Project - Vases by the Penthesilea Painter]
{{commonscat|Penthesilea Painter}}
* [http://www.perseus.tufts.edu/cgi-bin/browser?object=Vase&field=Painter&value=Penthesilea%20Painter Vases by the Penthesilea Painter on perseus]


{{commons category|Penthesilea Painter}}
==Source of Translation==
{{Greek vase painters}}
{{Translation/Ref|de|Penthesilea-Maler|oldid=36752667}}


{{Authority control}}


{{DEFAULTSORT:Penthesilea Painter}}
[[Category:5th-century BC deaths]]
[[Category:Ancient Greek vase painters]]
[[Category:Ancient Greek vase painters]]
[[Category:Ancient Greek potters]]
[[Category:Anonymous artists of antiquity]]
[[Category:Ancient Athenians]]

[[Category:Year of birth unknown]]
{{Greek Vases}}

[[de:Penthesilea-Maler]]
[[hu:Pentheszilea-festő]]

Latest revision as of 06:30, 1 September 2021

Depiction of Penthesilea, on a bowl from Vulci; circa 470/460 BC. Munich, Staatliche Antikensammlungen.

The Penthesilea Painter (active between 470 and 450 BC at Athens) was a Greek vase painter of the Attic red-figure style. His true name is unknown. His conventional name is derived from his name vase, "bowl 2688" in Munich, the inside of which depicts the slaying of Penthesilea by Achilles. On the basis of that work, John Beazley attributed 177 known vases to the painter, about 100 of which only survive fragmentarily. Bowls, 149 in number, represent the bulk of his work. The rest is distributed among small shapes like skyphoi, kantharoi and bobbins.

Satyr and maenad on a skyphos, Paris, Bibliothèque Nationale, Cabinet des Médailles.

His work is characterised by large, space-filling figures whose posture is often bent so as to permit them to fit on a vessel. For the same reason, ornamental decoration around the edges is often very narrow. His works are also characterised by being very colourful, permitting several intermediate shades. Apart from dark coral red and the usual light red, he also used tones of brown, yellow, yellow-white and gold. His figures are painted remarkably meticulously in every detail. Unlike many of his contemporaries, he appears to have painted the subsidiary or exterior images on his vases himself. An exception is his very early "bowl T 212" at the Museo Archeologico Nazionale in Ferrara, with exterior images by the Splanchnoptes Painter. The Penthesilea Painter's works are dominated by depictions of boys and youths engaged in athletic activity, teaching scenes, weaponry and armour, as well as scenes of people talking to horses. While he painted the occasional mythological motif, they are so rare that they should be considered an exception among his work. Throughout his career, scenes from everyday life gain an increasingly dominant share of his paintings.

In his later works, his love of detail is lost and replaced with stencil-like motifs, their basic compositions indistinguishable from typical mass-produced wares. His lines become more casual, but don't lose their certainty, so that even these works preserve a distinctive charm, marking him as one of the great masters of Greek vase painting. His true mastery is increasingly found in the subsidiary images of boys, on which he appears to have concentrated more and more.

His major importance for Classical vase painting lies in the fact that he moved away from the usual motifs and replaced them with typical motifs from everyday life. His emphasis on human aspects represented a new departure and was to be an important influence on the further development of vase painting.

Apart from the Penthesilea bowl, "bowl 2689", also in Munich, is considered his other masterpiece. Its interior shows the slaying of Tityos by Apollo.

Selected works

[edit]
Name Images Dimensions Type Date Description Museum Record
Berlin, Antikensammlung
bowl skyphos F 2591
fragment of a skyphos 31573, V. 162
Bologna, Museo Civico
fragment of a krater 289 Image ---- Calyx krater c.450 Amazonomachy
bowl PU 272
Boston, Museum of Fine Arts
skyphos 01.8032 H. 23 cm; D. 23 cm Red-figure skyphos c.450 BC Maenads and Pans Record
bowl 03.815 H. 15.5 cm red-figure kylix c.460 BC Int: Nymph with scepter and vase; Ext: Two women and four youths Record
bowl 13.84 H. 27 cm; D. 27 cm red-figure kylix c.450 BC Int: Youth talking to woman; Ext: Satyrs and Maenads Record
bowl 28.48 H. 9.8 cm; D. 23.8 cm red-figure kylix c.460 BC Int: Two boys talking; Ext: Boys at the gymnasium Record
Cambridge, Massachusetts, Harvard University Art Museums
kylix 1925.30.130 H. 11.3 cm.; D. 27.3 cm Attic Red Figure kylix 470-460 BC Int: Satyr and maenad; ExtA: Warrior presented to Zeus by Iris; ExtB: Departing warrior, with Iris.
Chicago, IL, Art Institute of Chicago
Kylix 1889.27 Attic Red-figure kylix 460 BC Int: Youth with woman. Record
Ferrara, Museo Archeologico Nazionale
bowl T 18 C ---- Attic Red-figure kylix 460-450 BC Int: Apotheosis of Theseus, Ext: Combat
bowl T 212
Hamburg, Museum für Kunst und Gewerbe
bowl 1900.164 Images ---- Red-figure kylix c.450 BC Int: boy seated with lyre, and youth; Ext: youths and horses
London, British Museum
bowl E 72
Madison, Wisconsin, Chazen Museum of Art
Kylix 1976.31 H. 15.25 cm; D. 45.56 cm Red-figure kylix c.455 BC Int: Theseus fighting the bull of Marathon Record
Munich, Glyptothek and Antikensammlung
kantharos 2565
Penthesilea bowl (2688) H. 7 cm; D. 43 cm Attic red-figure kylix 470–460 BC Achilles killing Penthesilea
bowl 2689 H. 7 cm; D. 40 cm Attic red-figure kylix 460–450 BC Apollo, Tityos and a goddess (probably Gaia defending her son, or Leto).
New York, Metropolitan Museum of Art
skyphos 06.1079 H. 16.2 cm; D. 30.2 cm Red-figure skyphos c.460 BC A & B: A young man goes to war Record
pyxis 07.286.36 H. 12.1 cm D. 17.2 cm Attic white-ground pyxis with lid 460-450 The Judgement of Paris Record
bobin 28.167 D. 12.8 cm Attic white-ground bobbin 460-450 BC A: Nike & a youth; B: Eros and a youth Record
bowl 41.162.9 H. 16.4 cm; D. 36.7 cm Red-figure kylix c.460 BC Int: Man hunting boar; Ext: Athletes Record
Oxford, Ashmolean Museum
bowl 1931.12 Image Red-figure kylix c.450 Int: Nike dressing a bull for sacrifice
Paris, Bibliothèque Nationale (Cabinet des Médailles)
De Ridder 814 H. 12.6 cm, L. 41.9 cm, D. 33.7 cm Red-figure kylix 480 - 450 BC Int: Horseman; Ext: Arming scene Record
De Ridder 849 H. 28.9 cm, L. 28.2 cm, D. 20.6 cm Red-figure kantharos c.460 BC Satyrs and Maenads Record
Paris, Musée National du Louvre
bowl G 382
bowl G 448 H. 16.50 cm; L. 44.80 cm; D. 36.10 cm Attic red-figure kylix 460–450 BC Int: Silenus and maenad
Philadelphia, University Museum
hydria L-64-41 Image dimensions Red-figure hydria 460-450 BC Three women in a domestic scene
kylix L-637-1a Image H. 12.5 cm; D. 45.7 cm Red-figure kylix 520-420 BC Int: Boy propositioning a girl; Ext: Departure of young horsemen
kylix MS 2495 Image H. 9 cm; D. 24 cm Red-figure kylix 475-450 BC Int: Two boys facing; Ext: Nike and young citizens
kylix MS 5693 Image H. 7.8 cm; D. 29 cm Red-figure kylix 460-450 BC Int: Two boys at the gymnasium; Ext: Nike parts a boy and a man
Vienna, Kunsthistorisches Museum
bowl 3700

Bibliography

[edit]
  • Hans Diepolder. Der Penthesilea-Maler. Leipzig 1936. (Bilder griechischer Vasen, 10).
  • John Beazley. Attic Red Figure Vase Painters. Oxford: Clarendon Press, 1963
[edit]