Pop art

art movement
Revision as of 22:57, 28 May 2015 by Mdd (talk | contribs) (+ Quote(s))

Pop art is an art movement that emerged in the mid-1950s in Britain and in the late 1950s in the United States. Pop art presented a challenge to traditions of fine art by including imagery from popular culture such as advertising, news, etc. In pop art, material is sometimes visually removed from its known context, isolated, and/or combined with unrelated material. The concept of pop art refers not as much to the art itself as to the attitudes that led to it.

LOVE sculpture New York.

Quotes

  • Pop art is the inedible raised to the unspeakable.
  • Pop Art is not painting because painting must have content and emotion.
    • Grace Hartigan As quoted in "Grace Hartigan, 86, Abstract Painter, Dies" in The New York Times (18 November 2008)
  • In the sixties, the recycling of pop culture — turning it into Pop art and camp — had its own satirical zest. Now we're into a different kind of recycling. Moviemakers give movies of the past an authority that those movies didn't have; they inflate images that may never have compelled belief, images that were no more than shorthand gestures — and they use them not as larger-than-life jokes but as altars.
    • Pauline Kael =State of the Art (1985) "A Bad Dream/A Masterpiece," review of The Moon in the Gutter (1983-09-19), p. 48.
  • We live in a time which has created the art of the absurd. It is our art. It contains happenings, Pop art, camp, a theater of the absurd... Do we have the art because the absurd is the patina of waste...? Or are we face to face with a desperate or most rational effort from the deepest resources of the unconscious of us all to rescue civilization from the pit and plague of its bedding?
    • Norman Mailer, Cannibals and Christians (1966); Introducing our Argument
  • It is the transcendent (or 'abstract' or 'self-contained') nature of music that the new so called concretism--Pop Art, eighteen-hour slices-of-reality films, musique concrete--opposes. But instead of bringing art and reality closer together, the new movement merely thins out the distinction.
    • Igor Stravinsky and Robert Craft (1982). Themes and Conclusions, Berkley: University of California Press. p. 188.
  • Andy Warhol: I think everybody should like everybody.
    Gene Swenson: Is that what Pop Art is all about?
    Andy Warhol: Yes, it's liking things.
    • Andy Warhol in: "What Is Pop Art?" Art News, November 1963
 
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