Social interaction and first-person shooters
The term first-person shooter (FPS) describes a video game genre where players participate in weapon-based combat all in the first person, or from the perspective of their character. One of the more notable features of FPS games is its compatibility for networked, then later online, multiplayer gaming, where players could bring their skills to a national and then later a global arena. In a genre consisting of players hunting and killing other players, FPS games are found to include a source of rich communication and social interactions between players.[1]
Online communication
editCommunication online consists of a mix of both verbal and non-verbal interactions. Like in the real world, these interactions have individual meanings, social norms, policies, and a set of subsequent reactions to these interactions. All these interactions are aided and have become possible with advancements and the developing of game technology and design.[2]
Arenas for communication
editOnline interactions between individuals is not a new medium for socialization. Console creators such as Microsoft (Xbox gaming console) and Sony (PlayStation gaming console) advertise their console releases referencing the idea of "the Third Place."[2] The metaphor of "the Third Place" references an idea invented by Ray Oldenburg in 1989.[2] He described "the Third Place" as a distinct arena other than one's home and workplace, which is conductive to socializing.[2] As Oldenburg described it: “Third places exist on neutral ground and serve to level their guests to a condition of social equality. Within these places, conversation is the primary activity and a major vehicle for the display and appreciation of human personality and individuality. Third places are taken for granted and most have a low-profile. The character of a third place is determined most of all by its regular clientele and is marked by a playful mood.”[2]
Pre-game lobbies
editIn FPS, there are a number of arenas where interactions occur between players, the first interaction being pre-game lobbies. In pre-game lobbies, players communicate with one another over tactics, harass players on the other team, chat generally between members and friends on the same team, and offer new releases in the genre (new patches, politics of companies, thoughts of recent or upcoming conventions, etc.). All of these interactions tend to be verbal because players have not yet entered the game. However, these actions impact the manner in which players perform in game. Players may perform better or worse depending on the emotional/psychological impact of the interactions on the player. These players are better suited to carry the burden to play better than those who become distracted by interactions.
In-game
editVerbal communication
editIn-game chat is the most popular of arena for interaction. Players can communicate between other players on the same team through a system supported by Voice Over IP using a microphone and headset.[2] Players use this time for a number of types of talk:
- creative game talk: naming or identity talk; joking, irony, and word play; changing game rules and technical limits, and popular culture references to in-game talk.[3]
- game conflict talk: players communicate about different problems with the game experience: camping [4] (when a player remains in one place, usually in a strategic or choke point of the map), accusations on cheating, about kicking or banning, and over ways of dealing with rule breaking or rules of the game.[3]
- insult/distancing talk: taunting or trash talking, annoyance talk, explicit gendered, racialized, or homophobic talk, or pissed off talk.[3]
- performance talk: re-locaters (the blaming of something else for "failed performance), vulnerability/apologies for failure talk, final scene talk ("showdowns" near the end of game or between the last players of the game), game strategy/tactical talk, team talk (switching teams or choosing teams), friendly fire talk (apologies for team killing), support talk, teaching talk, game action, dead talk, or kill talk (usually in response to a "good" kill).[3]
- game technical/external talk: ping rate/lag talk, talk about technical matters, talk about other games, clan talk/statistics talk, map related talk, or requests for information.[3]
In-game communication also has an alternate form, a non-verbal aspect of communication between players.
Non-verbal communication
editGestures and character actions makeup the majority of non-verbal communication. Just like in real life, online communication is a mix between verbal and non-verbal communication which have their own syntax and accepted meaning in the gaming community. "Teabagging" is a well known and popular non-verbal action commonly found in the Halo (Halo 2 and so on) series. Teabagging is when a character kills their opponent then subsequently goes from standing to crouching while standing over a body of a dead foe or teammate.[4] "Camping" is another form of non-verbal communication where a player remains at one point on the map where one has an advantage over other players because of strategic or a choke point on the map. Camping usually gets an enraged response from other players and usually the players gains a less favorable outlook from opposing players.[4] "Sniping" is a subsection of camping, though seen as a more legitimate form of motionless combat, players have problems with efficient snipers who gain a location with full coverage of the combat zone, or map.[4] "Shot in the dark", or popularly known as "pray-and-spray" or "poke-and-hope", is when a player "fires from the hip" (firing without aiming down their sight) and does not aim for a specific target on their opponent. Most FPS players pride themselves on their skill and tactics and do not see blindly firing down range as evidence of lack of skill.[4]
Post-game and scoreboard lobby
editAfter the final kills were accounted for and a team was named victorious the game transitions to the post-game/scoreboard lobby. Like pre-game communication, most are confined to verbal communication. Post-game chatter consists mostly of play-by-play of the recent game performances, trash talking between players on opposing teams, and excitement for future games between teammates and friends.
Socializing online
editPlaying online games is not just for the mere fact of showing off one's skills in the digital arena, the real draw for opponents and the draw for even participating in the digital arena is the knowledge that there is a real, emotional being on the other end to compete against.[5] Individuals who play online games, especially FPS players, do not play for intellectual or educational reasons, however, most play for the social world that they have the opportunity to get involved with. The social world that they seek includes ultra-competitiveness, forming clans, trash-talking, swearing at the winners, and lording over the losers.[5]
Identity
editFor all prospective and current gamers, establishing and developing one's identity is crucial and only natural in a social arena. Identity can take many forms:
- gamer-tag: made popular by Microsoft, a gamer-tag is a single identity for each player that remains constant regardless of game or vendor"[2]
- character class: a specific role that a player fits into when playing in a game, like those roles in a workplace instead now the digital battlefield."[2] A player then hones their skills and strategies to become the most dominant player, of this type, on the battlefield.
Gamer-tag
editGamer-tags are personally customable for every player and are the "name" that one takes when playing games online. What one calls oneself is a basic forms of identity even in the real world.[6] For FPS, and other online games, gamer-tags keep individual players anonymous to other players while they interact in the virtual world.[6] Though usually players form their gamer-tags to depict humorous topics but other gamer-tags display a player's ties to online clans or preference on game titles.[7]
Side effects in online communication
editIt is a non-disputed fact that game players seek out game play for social reasons, but especially in networked games, the attractions are the other players, the relationships between them, and their impact on out-of-game community and relationships.[8]
Differences in gender
editDifferences in gender among players is a very common topic of discussion between players, in analyses in published written works, in internet forums, game critics, and game designers/makers. Games are made with expectations pre-incorporated into the designing process, gender is employed as a basic social demographic control, rather than as a dynamic element that shapes how players approach games, interact within them, and negotiate expectations. The subject of gender role theory, or shared cultural expectations that are placed on individuals on the basis of their socially defined gender, is one lens in which researchers observe interactions online between players.[8]
Gender stereotypes
editIn online gaming, the majority of the gaming population is male.[1] In fact, 40 percent of gamers online are female and the number of females gamers over the age of eighteen compose a greater part of the gamer population than males under the age of seventeen. According to the gender role theory and the observations in Dmitri Williams' article on gender roles in video games, since males by nature exhibit traits of competitiveness, aggression, and being ambitious, men are more likely to find interest in video games and are more likely to play them longer and more frequently than women.[8]
Male and female players and what they set out to achieve in video games is different when they play. In the observations of Dmitri Williams, male play tends to more achievement-oriented reasons, while female players tend to play for socializing aspects of play.[8]
Sexual harassment
editIn online gaming, female players face sexual harassment and hazing in game as well as in tournament play.
Trash-talking
editWith all of the different types of verbal communication that occurs in chat, trash-talking is the most common way players socialize online.[citation needed] Trash-talking is a form of discourse that happens when a subject tries to anger or make fun of another player in attempt to show dominance. Trash-talking is observed in any game title that exists online. Trash talking goes both ways, when a player cannot back up their taunts players on the same team will verbally attacks teammates who do not hold their end on the battlefield. Players who talk but cannot act are disapproved of in games and seen as socially unacceptable by players.
References
edit- ^ a b Xu, Yan; Cao, Xiang; Sellen, Abigail; Herbrich, Ralf; Graepel, Thore (2011). Sociable Killers: Understanding Social Relationships in an Online First-Person Shooter Game. ACM Conference on Computer Supported Cooperative Work (2011): ACM. pp. 197–206.
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: CS1 maint: location (link) - ^ a b c d e f g h Wadley, Greg; Gibbs, Martin; Hew, Kevin; Graham, Connor (2003). S. Viller and P. Wyeth (ed.). Proceedings of the Thirteenth Australian Conference on Computer Human Interaction. University of Queensland. pp. 238–241.
- ^ a b c d e Wright, Talmadge; Boria, Eric; Breidenbach, Paul (December 2002). "Creative Players Actions in FPS Online Video Games" (PDF). Game Studies. 2 (2): 1–12. Retrieved 17 April 2012.
- ^ a b c d e Worth, Mike (June 15, 2010). "5 FPS Maneuvers Everybody Hates (But Still Does)". Dorkly.com. Connected Ventures, LLC. Retrieved 17 April 2012.
- ^ a b Zubek, Robert; Khoo, Aaron (2002). "Making the Human Care: On Building Engaging Bots" (PDF). AAAI Technical Report. Evanston, IL: Northeastern University Computer Science: 1–5. Retrieved 17 April 2012.
- ^ a b Ashley, James (Nov 6, 2010). "Anonymity, Identity and my XBox gamer tag" (online blog). The Imaginative Universal. Retrieved 25 April 2012.
- ^ a b c d Williams, Dmirtri; Consalvo, Mia; Caplan, Scott; Yee, Nick (2009). "Looking for Gender: Gender Roles and Behaviors Among Online Gamers". Journal of Communication. 59 (4). International Communication Association: 700–725. doi:10.1111/j.1460-2466.2009.01453.x. ISSN 0021-9916. S2CID 15383579.