This page allows you to examine the variables generated by the Edit Filter for an individual change.

Variables generated for this change

VariableValue
Edit count of the user (user_editcount)
102911
Name of the user account (user_name)
'Jerome Kohl'
Age of the user account (user_age)
425851976
Groups (including implicit) the user is in (user_groups)
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Rights that the user has (user_rights)
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Whether the user is editing from mobile app (user_app)
false
Whether or not a user is editing through the mobile interface (user_mobile)
false
Page ID (page_id)
4304402
Page namespace (page_namespace)
0
Page title without namespace (page_title)
'Copycat Building'
Full page title (page_prefixedtitle)
'Copycat Building'
Edit protection level of the page (page_restrictions_edit)
[]
Page age in seconds (page_age)
438701835
Action (action)
'edit'
Edit summary/reason (summary)
'decloak valid quotation mark at beginning of a block quotation'
Old content model (old_content_model)
'wikitext'
New content model (new_content_model)
'wikitext'
Old page wikitext, before the edit (old_wikitext)
'[[File:Copycat Building.jpg|thumb|The Copycat Building shown from the corner of East Oliver Street and Guilford Ave.]] 1501 Guilford Ave, more commonly known as the '''Copycat Building,''' is an artists' studio and living space in [[Baltimore|Baltimore, Maryland.]] The building was built in 1897 as a manufacturing warehouse, but today it has become home to the city's creative class and continues to be a creative landmark of the [[Station North Arts and Entertainment District]]. In order to save manufacturing companies inside the building from moving out, Charles Lankford bought the '''Copycat Building''' in 1983 from a previous owner for the sum of $225,000. The building was nicknamed "the Copycat" due to a billboard advertising for the Copy Cat printing company that stood on its roof for years.<ref>Jensen, Brennen. [http://www.citypaper.com/news/story.asp?id=3328 "Your Art Here: Will the Station North Arts District Paint a Brighter Future for The Baltimore Blast"] {{Webarchive|url=https://web.archive.org/web/20040824123927/http://www.citypaper.com/news/story.asp?id=3328 |date=2004-08-24 }}, "Baltimore City Paper", July 30, 2003. Accessed May 17, 2007.</ref> At the time, it housed a variety of light-industrial tenants. {{quote| "After a while we decided, as an experiment, to take one floor and convert it into artist studios, since we were so close to [[Maryland Institute College of Art]]," Lankford says. "Over time, everybody started 'cheating'--instead of renting an apartment and a studio, they would save money by living in their studios." Lankford, who added a {{convert|40000|sqft|m2|sing=on}} industrial building at 419 E. Oliver St. that has also come to house artists to his portfolio in 1983, says he has "never hidden" from the city that artists have been working and living in his buildings. But he has had run-ins with various cities agencies over its legality. As a first step to getting his buildings "legit," he launched his own campaign to change the area's zoning from industrial to residential three years ago—only to be told that such a move was illegal. "There was no mechanism to allow this type of change," Lankford says. "You couldn't go from industrial to residential." |15px|15px|Brennen Jensen, "Industry to Easels"|[[Baltimore City Paper]]}} The Copycat Building was also home to The [[Wham City]] Art's Collective, former home to Baltimore artist [[Dan Deacon]], Blood Baby, Santa Dads, Videohipos, Ed Schrader, [[Jimmy Joe Roche]], and others. In addition to hosting local and touring acts Wham City hosted live stage performances, including of their interpretation of [[Beauty And The Beast]], and held the first [[Whartscape Festival]] in the building in 2006. The related group Wham City Comedy also maintains a studio at the Copycat, where filmmakers and comedians [[Ben O'Brien]] and Alan Resnick produce and direct works, including the infomercial parody [[Live Forever as You Are Now with Alan Resnick]], which was produced for [[Adult Swim]]. Bands that have performed in the warehouse include: [[Claire Boucher|Grimes]], Fat Day, [[Lightning Bolt (band)|Lightning Bolt]] (Rhode Island), [[Mac DeMarco]], [[Future Islands]], Black Forest/Black Sea (Rhode Island), [[Japanther]] (Brooklyn, NY), [[Wolf Eyes]] (Ann Arbor), [[Gravenhurst (band)|Gravenhurst]] (England), [[Robotnicka]] (France), [[The Death Set]], [[Matt + Kim]], [[Anathallo]], Nautical Almanac, Long Live Death, [[The USAISAMONSTER]], [[Need New Body]], [[Porches (band)|Porches]], Landed, Rapdragons, [[Dan Deacon]], Dead Mellotron, Yukon, Muscle Brain. Today, the Copycat is still home to many young artists, musicians, filmmakers, and professionals looking for a large space to live, create, study, and live in the city. There are many residents who utilize their living spaces to host art and music-related events. Bands and other performers that have lived and/or performed in the building: Abdu Ali, Aghost, Alternate Seduction, Avocado Happy Hour, Avocado Mountain, Happy Mountain, Baby Gap, The Babysitter's Club Mountain, Bad Soap, Bastet, Baraka, Baleen Relay, the Bel-Air Shitter, Bent Bread, Benjie Loveless, Bread Bender, Bon Appetit, Bored Control, Brooks Kossover, Brother Simon, Chiefs Hat, Chris Martinelli and Tropical Punch, The Church of Stop!, Crab Rangoon, Craft Service, Crumb, Crystal Mountain, Crystal Rainbow, Dan Deacon, Deathcube, Do While, Dope Body, Double Dagger, Each Other, Each Others, Ego Reduction, Encino Qdoba, Encino Thug, Exposed Wall, Eye Lid, Ezra Winter, Focal Plane, Four Pounds of Bacon, Frank, Goblin Mold, Gotta Go to Work, Grayson James Brown, Greydolf, Hexspeak, Holy Ghost Party, GWAR, Impress, In Every Room, Kirby Adams, Kisses ft. Oskar & Guam, LandSpeedRecord!, Lee B. Freeman, The Libyan Suite, Life, Male Tuxedo Aggression, Mayonnaise Commercial, Mountain Mountain, My Father's Ass, Nicky Smith, No Name, Odwalla88, Painful Dad, Peanut Butter Balloon, Peanut Butter Mountain, Pet Rock, Pilar Diaz, Poppy Downs, Rainbow Mountain, Rainbow Crystals, Rainbow Rainbow, Rapdragons, Red Exit, Republican Noise, Richard Demerol, Roomrunner, Run DMT/Salvia Plath, Savage Suns, Semya, Sharp Shitter, Sleepover, Smoke Like A Raven, Soda Brain, Smart Growth, Soft Cat, Sun Club, Sword Prom, TRNSGNDR/VHS, Turnip Bay Audio, Turnip Bay Coast Guard Marching Band, Turnip Bay Corps of Engineers, Turquoise Cats, Used Tire, Weekends, Wild Furby, Jim Winters, Wolfpack Jazz, Wooden Invalid, and Yawn. Photographers, painters, and sculptors as well as artist's models also make the building their home. ==External links== * [https://archive.is/20130201145412/http://www.robbrulinski.com/index.php/video/welcome-to-the-copycat/ Documentary Film "Welcome to the Copycat"] * [http://explore.baltimoreheritage.org/items/show/79 Explore Baltimore Heritage – Copycat Building] ==References== *''[[Baltimore City Paper]]'' May 8, 2002 [https://web.archive.org/web/20110708161929/http://www2.citypaper.com/news/story.asp?id=4761 Industry to Easels: Arts-District Designation Easing Conversion of Factories to Studios] <references/> {{Coord|39|18|24|N|76|36|43|W|type:landmark|display=title}} {{Baltimore art districts}} [[Category:Buildings and structures in Baltimore]] [[Category:Greenmount West, Baltimore]]'
New page wikitext, after the edit (new_wikitext)
'[[File:Copycat Building.jpg|thumb|The Copycat Building shown from the corner of East Oliver Street and Guilford Ave.]] 1501 Guilford Ave, more commonly known as the '''Copycat Building,''' is an artists' studio and living space in [[Baltimore|Baltimore, Maryland.]] The building was built in 1897 as a manufacturing warehouse, but today it has become home to the city's creative class and continues to be a creative landmark of the [[Station North Arts and Entertainment District]]. In order to save manufacturing companies inside the building from moving out, Charles Lankford bought the '''Copycat Building''' in 1983 from a previous owner for the sum of $225,000. The building was nicknamed "the Copycat" due to a billboard advertising for the Copy Cat printing company that stood on its roof for years.<ref>Jensen, Brennen. [http://www.citypaper.com/news/story.asp?id=3328 "Your Art Here: Will the Station North Arts District Paint a Brighter Future for The Baltimore Blast"] {{Webarchive|url=https://web.archive.org/web/20040824123927/http://www.citypaper.com/news/story.asp?id=3328 |date=2004-08-24 }}, "Baltimore City Paper", July 30, 2003. Accessed May 17, 2007.</ref> At the time, it housed a variety of light-industrial tenants. {{quote|<nowiki>"</nowiki>After a while we decided, as an experiment, to take one floor and convert it into artist studios, since we were so close to [[Maryland Institute College of Art]]," Lankford says. "Over time, everybody started 'cheating'--instead of renting an apartment and a studio, they would save money by living in their studios." Lankford, who added a {{convert|40000|sqft|m2|sing=on}} industrial building at 419 E. Oliver St. that has also come to house artists to his portfolio in 1983, says he has "never hidden" from the city that artists have been working and living in his buildings. But he has had run-ins with various cities agencies over its legality. As a first step to getting his buildings "legit," he launched his own campaign to change the area's zoning from industrial to residential three years ago—only to be told that such a move was illegal. "There was no mechanism to allow this type of change," Lankford says. "You couldn't go from industrial to residential." |15px|15px|Brennen Jensen, "Industry to Easels"|[[Baltimore City Paper]]}} The Copycat Building was also home to The [[Wham City]] Art's Collective, former home to Baltimore artist [[Dan Deacon]], Blood Baby, Santa Dads, Videohipos, Ed Schrader, [[Jimmy Joe Roche]], and others. In addition to hosting local and touring acts Wham City hosted live stage performances, including of their interpretation of [[Beauty And The Beast]], and held the first [[Whartscape Festival]] in the building in 2006. The related group Wham City Comedy also maintains a studio at the Copycat, where filmmakers and comedians [[Ben O'Brien]] and Alan Resnick produce and direct works, including the infomercial parody [[Live Forever as You Are Now with Alan Resnick]], which was produced for [[Adult Swim]]. Bands that have performed in the warehouse include: [[Claire Boucher|Grimes]], Fat Day, [[Lightning Bolt (band)|Lightning Bolt]] (Rhode Island), [[Mac DeMarco]], [[Future Islands]], Black Forest/Black Sea (Rhode Island), [[Japanther]] (Brooklyn, NY), [[Wolf Eyes]] (Ann Arbor), [[Gravenhurst (band)|Gravenhurst]] (England), [[Robotnicka]] (France), [[The Death Set]], [[Matt + Kim]], [[Anathallo]], Nautical Almanac, Long Live Death, [[The USAISAMONSTER]], [[Need New Body]], [[Porches (band)|Porches]], Landed, Rapdragons, [[Dan Deacon]], Dead Mellotron, Yukon, Muscle Brain. Today, the Copycat is still home to many young artists, musicians, filmmakers, and professionals looking for a large space to live, create, study, and live in the city. There are many residents who utilize their living spaces to host art and music-related events. Bands and other performers that have lived and/or performed in the building: Abdu Ali, Aghost, Alternate Seduction, Avocado Happy Hour, Avocado Mountain, Happy Mountain, Baby Gap, The Babysitter's Club Mountain, Bad Soap, Bastet, Baraka, Baleen Relay, the Bel-Air Shitter, Bent Bread, Benjie Loveless, Bread Bender, Bon Appetit, Bored Control, Brooks Kossover, Brother Simon, Chiefs Hat, Chris Martinelli and Tropical Punch, The Church of Stop!, Crab Rangoon, Craft Service, Crumb, Crystal Mountain, Crystal Rainbow, Dan Deacon, Deathcube, Do While, Dope Body, Double Dagger, Each Other, Each Others, Ego Reduction, Encino Qdoba, Encino Thug, Exposed Wall, Eye Lid, Ezra Winter, Focal Plane, Four Pounds of Bacon, Frank, Goblin Mold, Gotta Go to Work, Grayson James Brown, Greydolf, Hexspeak, Holy Ghost Party, GWAR, Impress, In Every Room, Kirby Adams, Kisses ft. Oskar & Guam, LandSpeedRecord!, Lee B. Freeman, The Libyan Suite, Life, Male Tuxedo Aggression, Mayonnaise Commercial, Mountain Mountain, My Father's Ass, Nicky Smith, No Name, Odwalla88, Painful Dad, Peanut Butter Balloon, Peanut Butter Mountain, Pet Rock, Pilar Diaz, Poppy Downs, Rainbow Mountain, Rainbow Crystals, Rainbow Rainbow, Rapdragons, Red Exit, Republican Noise, Richard Demerol, Roomrunner, Run DMT/Salvia Plath, Savage Suns, Semya, Sharp Shitter, Sleepover, Smoke Like A Raven, Soda Brain, Smart Growth, Soft Cat, Sun Club, Sword Prom, TRNSGNDR/VHS, Turnip Bay Audio, Turnip Bay Coast Guard Marching Band, Turnip Bay Corps of Engineers, Turquoise Cats, Used Tire, Weekends, Wild Furby, Jim Winters, Wolfpack Jazz, Wooden Invalid, and Yawn. Photographers, painters, and sculptors as well as artist's models also make the building their home. ==External links== * [https://archive.is/20130201145412/http://www.robbrulinski.com/index.php/video/welcome-to-the-copycat/ Documentary Film "Welcome to the Copycat"] * [http://explore.baltimoreheritage.org/items/show/79 Explore Baltimore Heritage – Copycat Building] ==References== *''[[Baltimore City Paper]]'' May 8, 2002 [https://web.archive.org/web/20110708161929/http://www2.citypaper.com/news/story.asp?id=4761 Industry to Easels: Arts-District Designation Easing Conversion of Factories to Studios] <references/> {{Coord|39|18|24|N|76|36|43|W|type:landmark|display=title}} {{Baltimore art districts}} [[Category:Buildings and structures in Baltimore]] [[Category:Greenmount West, Baltimore]]'
Unified diff of changes made by edit (edit_diff)
'@@ -5,6 +5,5 @@ In order to save manufacturing companies inside the building from moving out, Charles Lankford bought the '''Copycat Building''' in 1983 from a previous owner for the sum of $225,000. The building was nicknamed "the Copycat" due to a billboard advertising for the Copy Cat printing company that stood on its roof for years.<ref>Jensen, Brennen. [http://www.citypaper.com/news/story.asp?id=3328 "Your Art Here: Will the Station North Arts District Paint a Brighter Future for The Baltimore Blast"] {{Webarchive|url=https://web.archive.org/web/20040824123927/http://www.citypaper.com/news/story.asp?id=3328 |date=2004-08-24 }}, "Baltimore City Paper", July 30, 2003. Accessed May 17, 2007.</ref> At the time, it housed a variety of light-industrial tenants. -{{quote| -"After a while we decided, as an experiment, to take one floor and convert it into artist studios, since we were so close to [[Maryland Institute College of Art]]," Lankford says. "Over time, everybody started 'cheating'--instead of renting an apartment and a studio, they would save money by living in their studios." +{{quote|<nowiki>"</nowiki>After a while we decided, as an experiment, to take one floor and convert it into artist studios, since we were so close to [[Maryland Institute College of Art]]," Lankford says. "Over time, everybody started 'cheating'--instead of renting an apartment and a studio, they would save money by living in their studios." Lankford, who added a {{convert|40000|sqft|m2|sing=on}} industrial building at 419 E. Oliver St. that has also come to house artists to his portfolio in 1983, says he has "never hidden" from the city that artists have been working and living in his buildings. But he has had run-ins with various cities agencies over its legality. As a first step to getting his buildings "legit," he launched his own campaign to change the area's zoning from industrial to residential three years ago—only to be told that such a move was illegal. "There was no mechanism to allow this type of change," Lankford says. "You couldn't go from industrial to residential." '
New page size (new_size)
6301
Old page size (old_size)
6285
Size change in edit (edit_delta)
16
Lines added in edit (added_lines)
[ 0 => '{{quote|<nowiki>"</nowiki>After a while we decided, as an experiment, to take one floor and convert it into artist studios, since we were so close to [[Maryland Institute College of Art]]," Lankford says. "Over time, everybody started 'cheating'--instead of renting an apartment and a studio, they would save money by living in their studios."' ]
Lines removed in edit (removed_lines)
[ 0 => '{{quote|', 1 => '"After a while we decided, as an experiment, to take one floor and convert it into artist studios, since we were so close to [[Maryland Institute College of Art]]," Lankford says. "Over time, everybody started 'cheating'--instead of renting an apartment and a studio, they would save money by living in their studios."' ]
Whether or not the change was made through a Tor exit node (tor_exit_node)
false
Unix timestamp of change (timestamp)
1580408372