Secrets of a Soul (German: Geheimnisse einer Seele) is a 1926 silent German drama film directed by G. W. Pabst.
| Secrets of a Soul | |
|---|---|
 DVD cover | |
| Directed by | G. W. Pabst |
| Screenplay by |
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| Produced by | Hans Neumann[1] |
| Starring | Werner Krauss |
| Cinematography |
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| Music by | Giuseppe Becce[1] |
Production company | Neumann-Film-Produktion GmbH[1] |
| Distributed by | Universum Film AG[1] |
Release date |
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Running time | 75 minutes[2] |
| Country | Germany[1] |
| Languages | Silent German intertitles |
Plot
editMartin Fellman, a learned professor, experiences nightmares that make him believe he is going insane. He fears that he is on the verge of murdering his wife, who loves him dearly. He hires Dr. Orth, a psychiatrist, to help him work out his psychoses.
Cast
edit- Werner Krauss as Martin Fellman
- Ruth Weyher as Seine Frau
- Ilka Grüning as Die Mutter
- Jack Trevor as Erich
- Pavel Pavlov as Dr. Orth (as Pawel Pawloff)
- Hertha von Walther as Fellmans Assistentin
- Renate Brausewetter as Dienstmädchen
- Colin Ross as Kriminalkommissar
- Lili Damita (uncredited)
Production
editSecrets of a Soul's producer Hans Neumann was a firm believer in the theories of Sigmund Freud and tried to get Freud to participate in the making of the film. Freud did not respond, so he hired Karl Abraham, a close associate of Freud's, as an adviser on the project, to help Neumann make the most psychologically realistic film possible.[2]
The film was shot between September and November 1925,[1] and was released in Berlin on 24 March 1926.[1]
Reception
editFrom retrospective reviews, Tom Milne in the Monthly Film Bulletin stated the film is split into "roughly three unequal parts" commenting that the "first and best, combining psychological subtlety and stark dramatic effect in the manner that was to become Pabst's trademark, is the opening sequence" while calling the final sequence of the film a "truly hideous final sequence, a tacked-on happy ending." Milne concluded that the film sees Pabst "engaged on a trial run for the much more integrated approach to the unconscious and its aberrations which lowered in The Love of Jeanne Ney, Crisis and Pandora's Box."[3]
Troy Howarth commented in his book Tome of Terror: Horror Films of the Silent Era that the film was "a reasonably compelling psychological thriller" and that "Krauss is too old for the part, which requires the viewer to believe that he's married to a childhood sweetheart easily 20 years younger than he is."[2]
References
edit- ^ a b c d e f g h i "Geheimnisse einer Seele" (in German). Filmportal.de. Retrieved 11 November 2019.
- ^ a b c Workman, Christopher; Howarth, Troy (2016). Tome of Terror: Horror Films of the Silent Era. Midnight Marquee Press. p. 304. ISBN 978-1936168-68-2.
- ^ Milne, Tom (June 1979). "Geheimnisse einer Seele (Secrets of a Soul)". Monthly Film Bulletin. Vol. 46, no. 545. British Film Institute. p. 134.