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United States Marine practicing martial arts, 2008

Martial arts are codified systems and traditions of combat practiced for a number of reasons such as self-defence; military and law enforcement applications; competition; physical, mental, and spiritual development; entertainment; and the preservation of a nation's intangible cultural heritage. (Full article...)

Although the earliest evidence of martial arts goes back millennia, the true roots are difficult to reconstruct. Inherent patterns of human aggression which inspire practice of mock combat (in particular wrestling) and optimization of serious close combat as cultural universals are doubtlessly inherited from the pre-human stage and were made into an "art" from the earliest emergence of that concept. Indeed, many universals of martial art are fixed by the specifics of human physiology and not dependent on a specific tradition or era.

Specific martial traditions become identifiable in Classical Antiquity, with disciplines such as shuai jiao, Greek wrestling or those described in the Indian epics or the Spring and Autumn Annals of China. (Full article...)

Selected articles

  • Image 1 Greek wrestling (Greek: πάλη, translit. pálē), also known as Ancient Greek wrestling and Pále (πάλη), was the most popular organized sport in Ancient Greece. A point was scored when one player touched the ground with his back, hip or shoulder, or conceding defeat due to a submission-hold or was forced out of the wrestling-area. Three points had to be scored to win the match. One particularly important position in this form of wrestling was one where one of the contestants was lying on his abdomen with the other on his back trying to strangle him (back mount). The athlete on the bottom would try to grasp an arm of the one on top and turn him over onto his back while the athlete on top would try to complete the choke without being rolled. (Full article...)

    Greek wrestling (Greek: πάλη, translit. pálē), also known as Ancient Greek wrestling and Pále (πάλη), was the most popular organized sport in Ancient Greece. A point was scored when one player touched the ground with his back, hip or shoulder, or conceding defeat due to a submission-hold or was forced out of the wrestling-area. Three points had to be scored to win the match.

    One particularly important position in this form of wrestling was one where one of the contestants was lying on his abdomen with the other on his back trying to strangle him (back mount). The athlete on the bottom would try to grasp an arm of the one on top and turn him over onto his back while the athlete on top would try to complete the choke without being rolled. (Full article...)
  • Image 2 Krav Maga course at an Israeli paratroopers school in 1955 Krav Maga (/ˌkrɑːv məˈɡɑː/ KRAHV mə-GAH; Hebrew: קְרַב מַגָּע, IPA: [ˈkʁav maˈɡa]; lit. 'contact combat') is an Israeli martial art. Developed for the Israel Defense Forces (IDF), it is derived from a combination of techniques used in Aikido, Boxing, Judo, Karate and Wrestling. It is known for its focus on real-world situations. Krav Maga was originally developed by Hungarian-born Israeli martial artist Imi Lichtenfeld. Having grown up in Bratislava during a time of anti-Semitic unrest, Lichtenfeld used his training as a boxer and wrestler to defend Jewish neighborhoods against attackers in the mid-to-late 1930s, becoming an experienced street fighter. After his immigration to Mandatory Palestine in the late 1940s, he began to provide lessons on combat training to Jewish paramilitary groups that would later form the IDF during the 1948 Palestine war. As an instructor, he compiled his knowledge and experience into the combat system that would later become known as Krav Maga. This system would continue to be taught long after he left the IDF. (Full article...)

    Krav Maga course at an Israeli paratroopers school in 1955

    Krav Maga (/ˌkrɑːv məˈɡɑː/ KRAHV mə-GAH; Hebrew: קְרַב מַגָּע, IPA: [ˈkʁav maˈɡa]; lit. 'contact combat') is an Israeli martial art. Developed for the Israel Defense Forces (IDF), it is derived from a combination of techniques used in Aikido, Boxing, Judo, Karate and Wrestling. It is known for its focus on real-world situations.

    Krav Maga was originally developed by Hungarian-born Israeli martial artist Imi Lichtenfeld. Having grown up in Bratislava during a time of anti-Semitic unrest, Lichtenfeld used his training as a boxer and wrestler to defend Jewish neighborhoods against attackers in the mid-to-late 1930s, becoming an experienced street fighter. After his immigration to Mandatory Palestine in the late 1940s, he began to provide lessons on combat training to Jewish paramilitary groups that would later form the IDF during the 1948 Palestine war. As an instructor, he compiled his knowledge and experience into the combat system that would later become known as Krav Maga. This system would continue to be taught long after he left the IDF. (Full article...)
  • Image 3 Late 19th-century photograph of a sohei fully robed and equipped, armed with a naginata (薙刀) and tachi (太刀) Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (budō, bujutsu, and bugei) are used interchangeably with the English phrase Japanese martial arts. The usage of the term budō (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms bujutsu (武術) and bugei (武芸) have different meanings from budō, at least historically speaking. Bujutsu refers specifically to the practical application of martial tactics and techniques in actual combat. Bugei refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. (Full article...)
    Late 19th-century photograph of a sohei fully robed and equipped, armed with a naginata (薙刀) and tachi (太刀)


    Japanese martial arts refers to the variety of martial arts native to the country of Japan. At least three Japanese terms (budō, bujutsu, and bugei) are used interchangeably with the English phrase Japanese martial arts.

    The usage of the term budō (武道) to mean martial arts is a modern one: historically the term meant a way of life encompassing physical, spiritual and moral dimensions with a focus on self-improvement, fulfillment or personal growth. The terms bujutsu (武術) and bugei (武芸) have different meanings from budō, at least historically speaking. Bujutsu refers specifically to the practical application of martial tactics and techniques in actual combat. Bugei refers to the adaptation or refinement of those tactics and techniques to facilitate systematic instruction and dissemination within a formal learning environment. (Full article...)
  • Image 4 Family crest of the Takeda clan. Daitō-ryū Aiki-jūjutsu (大東流 合気柔術), originally called Daitō-ryū Jujutsu (大東流柔術, Daitō-ryū Jūjutsu), is a Japanese martial art that first became widely known in the early 20th century under the headmastership of Takeda Sōkaku. Takeda had extensive training in several martial arts (including Kashima Shinden Jikishinkage-ryū and Sumo) and referred to the style he taught as "Daitō-ryū" (literally, "Great Eastern School"). Although the school's traditions claim to extend back centuries in Japanese history there are no known extant records regarding the ryū before Takeda. Whether Takeda is regarded as either the restorer or the founder of the art, the known history of Daitō-ryū begins with him. Takeda's best-known student was Morihei Ueshiba, the founder of Aikido. (Full article...)

    Family crest of the Takeda clan.
    Daitō-ryū Aiki-jūjutsu (大東流 合気柔術), originally called Daitō-ryū Jujutsu (大東流柔術, Daitō-ryū Jūjutsu), is a Japanese martial art that first became widely known in the early 20th century under the headmastership of Takeda Sōkaku. Takeda had extensive training in several martial arts (including Kashima Shinden Jikishinkage-ryū and Sumo) and referred to the style he taught as "Daitō-ryū" (literally, "Great Eastern School"). Although the school's traditions claim to extend back centuries in Japanese history there are no known extant records regarding the ryū before Takeda. Whether Takeda is regarded as either the restorer or the founder of the art, the known history of Daitō-ryū begins with him. Takeda's best-known student was Morihei Ueshiba, the founder of Aikido. (Full article...)
  • Image 5 A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE. A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear. The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers. (Full article...)
    A retiarius stabs at a secutor with his trident in this mosaic from the villa at Nennig, c. 2nd–3rd century CE.


    A retiarius (plural retiarii; literally, "net-man" in Latin) was a Roman gladiator who fought with equipment styled on that of a fisherman: a weighted net (rete (3rd decl.), hence the name), a three-pointed trident (fuscina or tridens), and a dagger (pugio). The retiarius was lightly armoured, wearing an arm guard (manica) and a shoulder guard (galerus). Typically, his clothing consisted only of a loincloth (subligaculum) held in place by a wide belt, or of a short tunic with light padding. He wore no head protection or footwear.

    The retiarius was routinely pitted against a heavily armed secutor. The net-fighter made up for his lack of protective gear by using his speed and agility to avoid his opponent's attacks and waiting for the opportunity to strike. He first tried to throw his net over his rival. If this succeeded, he attacked with his trident while his adversary was entangled. Another tactic was to ensnare his enemy's weapon in the net and pull it out of his grasp, leaving the opponent defenceless. Should the net miss or the secutor grab hold of it, the retiarius likely discarded the weapon, although he might try to collect it back for a second cast. Usually, the retiarius had to rely on his trident and dagger to finish the fight. The trident, as tall as a human being, permitted the gladiator to jab quickly, keep his distance, and easily cause bleeding. It was not a strong weapon, usually inflicting non-fatal wounds so that the fight could be prolonged for the sake of entertainment. The dagger was the retiarius's final backup should the trident be lost. It was reserved for when close combat or a straight wrestling match had to settle the bout. In some battles, a single retiarius faced two secutores simultaneously. For these situations, the lightly armoured gladiator was placed on a raised platform and given a supply of stones with which to repel his pursuers. (Full article...)
  • Image 6 Kung fu in Iran Chinese martial arts, often called by the umbrella terms kung fu (/ˈkʌŋ ˈfuː/; Chinese: 功夫; pinyin: gōngfu; Cantonese Yale: gūng fū), kuoshu (國術; guóshù) or wushu (武術; wǔshù), are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include Shaolinquan (少林拳) physical exercises involving All Other Animals (五形) mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called internal (内家拳; nèijiāquán), while others that concentrate on improving muscle and cardiovascular fitness are called external (外家拳; wàijiāquán). Geographical associations, as in northern (北拳; běiquán) and southern (南拳; nánquán), is another popular classification method. (Full article...)
    Kung fu in Iran

    Chinese martial arts, often called by the umbrella terms kung fu (/ˈkʌŋ ˈfuː/; Chinese: 功夫; pinyin: gōngfu; Cantonese Yale: gūng fū), kuoshu (國術; guóshù) or wushu (武術; wǔshù), are multiple fighting styles that have developed over the centuries in Greater China. These fighting styles are often classified according to common traits, identified as "families" of martial arts. Examples of such traits include Shaolinquan (少林拳) physical exercises involving All Other Animals (五形) mimicry or training methods inspired by Old Chinese philosophies, religions and legends. Styles that focus on qi manipulation are called internal (内家拳; nèijiāquán), while others that concentrate on improving muscle and cardiovascular fitness are called external (外家拳; wàijiāquán). Geographical associations, as in northern (北拳; běiquán) and southern (南拳; nánquán), is another popular classification method. (Full article...)
  • Image 7 Iaidō (居合道), abbreviated iai (居合), is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks. Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya), striking or cutting an opponent, shaking blood from the blade, and replacing the sword in the scabbard. While beginning practitioners of iaido may start learning with a wooden sword (bokken) depending on the teaching style of a particular instructor, most of the practitioners use a blunt-edged sword called an iaitō or mogitō. Few, more experienced, iaido practitioners use a sharp-edged sword (shinken). (Full article...)
    Iaidō (居合道), abbreviated iai (居合), is a Japanese martial art that emphasizes being aware and capable of quickly drawing the sword and responding to sudden attacks.

    Iaido consists of four main components: the smooth, controlled movements of drawing the sword from its scabbard (or saya), striking or cutting an opponent, shaking blood from the blade, and replacing the sword in the scabbard. While beginning practitioners of iaido may start learning with a wooden sword (bokken) depending on the teaching style of a particular instructor, most of the practitioners use a blunt-edged sword called an iaitō or mogitō. Few, more experienced, iaido practitioners use a sharp-edged sword (shinken). (Full article...)
  • Image 8 Luta Livre (Portuguese: [ˈlutɐ ˈlivɾi], lit. freestyle fighting or wrestling), known in Brazil as Luta Livre Brasileira (lit. Brazilian freestyle fighting) or Luta Livre Submission, and also Brazilian Submission Wrestling, is a Brazilian martial arts and combat sport created by Euclydes Hatem in Rio de Janeiro. Primarily a mixture of catch wrestling and kosen judo, there is also ground striking with the hands, feet, knees and elbows. Notable practitioners include Marco Ruas, Ebenezer Fontes Braga, Johil de Oliveira, Alexandre Franca Nogueira, Renato Sobral, Gesias Cavalcante, Pedro Rizzo, Darren Till and José Aldo. There are two styles: esportiva ("sporting") and combate ("ground strikes"); both styles are no-gi. In esportiva competitions, grappling techniques are the only techniques allowed to subdue the opponent. Another style developed later is called "Luta Livre Vale Tudo", which is similar to the modern MMA style which allows both standing and ground strikes and submissions. Consequently, it is important to calmly strategize and execute moves with the aim to force the opponent to submit via armlock, leglock, choke or necklock, or to win by points (i.e. takedowns, domination position). Punches, kicks and other "hard" techniques are not allowed as this is considered more a sport than actual combat. Combate, on the other hand, includes striking techniques on the ground; palm strikes and kicks are allowed, but the ground fight and submissions are still the largest elements. This is also the form used in MMA-style fights. (Full article...)

    Luta Livre (Portuguese: [ˈlutɐ ˈlivɾi], lit. freestyle fighting or wrestling), known in Brazil as Luta Livre Brasileira (lit. Brazilian freestyle fighting) or Luta Livre Submission, and also Brazilian Submission Wrestling, is a Brazilian martial arts and combat sport created by Euclydes Hatem in Rio de Janeiro. Primarily a mixture of catch wrestling and kosen judo, there is also ground striking with the hands, feet, knees and elbows. Notable practitioners include Marco Ruas, Ebenezer Fontes Braga, Johil de Oliveira, Alexandre Franca Nogueira, Renato Sobral, Gesias Cavalcante, Pedro Rizzo, Darren Till and José Aldo.

    There are two styles: esportiva ("sporting") and combate ("ground strikes"); both styles are no-gi. In esportiva competitions, grappling techniques are the only techniques allowed to subdue the opponent. Another style developed later is called "Luta Livre Vale Tudo", which is similar to the modern MMA style which allows both standing and ground strikes and submissions. Consequently, it is important to calmly strategize and execute moves with the aim to force the opponent to submit via armlock, leglock, choke or necklock, or to win by points (i.e. takedowns, domination position). Punches, kicks and other "hard" techniques are not allowed as this is considered more a sport than actual combat. Combate, on the other hand, includes striking techniques on the ground; palm strikes and kicks are allowed, but the ground fight and submissions are still the largest elements. This is also the form used in MMA-style fights. (Full article...)
  • Image 9 Catch wrestling (originally catch-as-catch-can) is a style of wrestling with looser rules than forms like Greco-Roman wrestling. For example, catch wrestling allows leg attacks and joint locks. It was popularised by wrestlers of travelling funfairs who developed their own submission holds, or "hooks", into their wrestling to increase their effectiveness against their opponents. Catch wrestling derives from various different international styles of wrestling including several English styles (primarily Lancashire, as well as Cumberland and Westmorland wrestling, Devonshire, Cornish wrestling and Irish collar-and-elbow wrestling). The training of some modern submission wrestlers, professional wrestlers and mixed martial artists is founded in catch wrestling. Professional wrestling, once a legitimate combat sport, was competitive catch wrestling. The original and historic World Heavyweight Wrestling Championship was created in 1905 to identify the best catch-as-catch-can wrestler in the world, before the belt was retired in 1957 and unified with the NWA World Heavyweight Championship. Modern day professional wrestling has its origins in catch wrestling exhibitions at carnivals where predetermined ("worked") matches had elements of performing arts introduced (as well as striking and acrobatic manoeuvres), turning it into an entertainment spectacle. In a few countries, such as in France and Germany, "Catch" is still the term used for professional wrestling. (Full article...)

    Catch wrestling (originally catch-as-catch-can) is a style of wrestling with looser rules than forms like Greco-Roman wrestling. For example, catch wrestling allows leg attacks and joint locks. It was popularised by wrestlers of travelling funfairs who developed their own submission holds, or "hooks", into their wrestling to increase their effectiveness against their opponents. Catch wrestling derives from various different international styles of wrestling including several English styles (primarily Lancashire, as well as Cumberland and Westmorland wrestling, Devonshire, Cornish wrestling and Irish collar-and-elbow wrestling). The training of some modern submission wrestlers, professional wrestlers and mixed martial artists is founded in catch wrestling.

    Professional wrestling, once a legitimate combat sport, was competitive catch wrestling. The original and historic World Heavyweight Wrestling Championship was created in 1905 to identify the best catch-as-catch-can wrestler in the world, before the belt was retired in 1957 and unified with the NWA World Heavyweight Championship. Modern day professional wrestling has its origins in catch wrestling exhibitions at carnivals where predetermined ("worked") matches had elements of performing arts introduced (as well as striking and acrobatic manoeuvres), turning it into an entertainment spectacle. In a few countries, such as in France and Germany, "Catch" is still the term used for professional wrestling. (Full article...)
  • Image 10 Savate (French pronunciation: [savat]), also known as French boxing (boxe Française), is a French kickboxing combat sport that uses the hands and feet as weapons combining elements of English boxing with kicking techniques. Only foot kicks are allowed, unlike some systems such as Southeast Asian boxing or kickboxing, which allow the use of the knees or shins, but it allows strikes in any part of the body. (Full article...)

    Savate (French pronunciation: [savat]), also known as French boxing (boxe Française), is a French kickboxing combat sport that uses the hands and feet as weapons combining elements of English boxing with kicking techniques.

    Only foot kicks are allowed, unlike some systems such as Southeast Asian boxing or kickboxing, which allow the use of the knees or shins, but it allows strikes in any part of the body. (Full article...)
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Selected biography

Michael Gomez
Michael Gomez (born Michael Armstrong; 21 June 1977) is a former professional boxer who competed from 1995 to 2009. He was born to an Irish Traveller family in Longford, Ireland, spending his early years in Dublin before moving to London and later Manchester, England, with his family at the age of nine. In boxing he was affectionately known as "The Predator", "The Irish Mexican" and "The Mancunian Mexican".

Despite finishing his career fighting in the lightweight division, Gomez is more notable for his fights at featherweight and super-featherweight. During his career he amassed a number of regional championships, most significantly the British super-featherweight title twice, from 1999 to 2004. He also held the WBU super featherweight title from 2004 to 2005.

Gomez, who has been compared to Johnny Tapia, has lived a turbulent life and was often involved in controversial fights. In Gomez's initial matches he suffered a number of losses to journeyman opposition but then went on a run of victories which stretched for almost four years. Of his 17 fights between February 2001 and March 2008, 16 ended in knockouts. Concerns arose about his drinking and failure to adhere to his diet and training regimes after a loss to László Bognár in 2001. Gomez appeared to be "back on track" in 2003, with his high-profile fight against Edinburgh-based fighter Alex Arthur for the British and WBA Inter-Continental super-featherweight titles, which Gomez won by knocking out Arthur in the fifth round.

In 2006, Gomez suffered a controversial loss to Peter McDonagh when, in the middle of a round, he dropped his guard and walked out of the ring, later saying he had retired from boxing. He returned to the ring after a 15-month interval. On 21 June 2008, Gomez lost what was seen as possibly his last bout: a last chance saloon opportunity to resurrect his career against rising star and Olympic silver medallist Amir Khan. Although scoring a surprise knockdown against Khan early on, the fight ended with Gomez being stopped in five rounds.

Gomez took the surname Gomez after his childhood hero Wilfredo Gómez. (Full article...)


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Selected entertainment

The 2003 SummerSlam was the 16th annual SummerSlam professional wrestling pay-per-view (PPV) event produced by World Wrestling Entertainment (WWE). It was held for wrestlers from the promotion's Raw and SmackDown! brand divisions. The event took place August 24, 2003, at the America West Arena in Phoenix, Arizona.

Seven professional wrestling matches were set on the event's supercard, a scheduling of multiple high-level matches. The first main event was an Elimination Chamber match, in which World Heavyweight Champion Triple H defeated Chris Jericho, Goldberg, Kevin Nash, Randy Orton, and Shawn Michaels to retain his championship. In the other main event, defending WWE Champion Kurt Angle defeated Brock Lesnar in a standard wrestling match. The undercard included Kane defeating Rob Van Dam in a No Holds Barred match, and Eddie Guerrero defending his United States Championship against Chris Benoit, Rhyno, and Tajiri. There was also a match that occurred on the Sunday Night Heat pre-show.

The event marked the second time the Elimination Chamber format was used by WWE; the first was at Survivor Series 2002. SummerSlam (2003) grossed over $715,000 ticket sales from an attendance of 16,113 and received about 415,000 pay-per-view buys, more than the following year's event. This event helped WWE increase its pay-per-view revenue by $6.2 million from the previous year.


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Credit: Pierre-Yves Beaudouin

Since the 1970s, there has been a revival of traditional or reconstructed methods of swordsmanship (劍術 geom sul, or 劍法 geom beop) based on the Korean sword in the Republic of Korea (Korean Bon Kuk Geom Beop 본국검법 "National Sword Methods"), supplementing the practice of Kumdo (the Korean adoption of modern Japanese Kendo). There are historical sources on which such reconstructions are based, dating to the 17th and 18th centuries, notably the Muyejebo (“Martial Arts Illustrations”) of 1610, its 1759 revision Muyeshinbo, supplemented with 12 additional fighting methods by Prince Sado who originated the term Sip Pal Ki (“Eighteen Fighting Methods”), and the renewed revision of 1790, Muyedobotongji. (Full article...)


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Don't get set into one form, adapt it and build your own, and let it grow, be like water. Empty your mind, be formless, shapeless — like water. Now you put water in a cup, it becomes the cup; You put water into a bottle it becomes the bottle; You put it in a teapot it becomes the teapot. Now water can flow or it can crash. Be water, my friend.


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