The Philadelphia Museum was an early museum in Philadelphia started by the painter Charles Willson Peale and continued by his family. It was opened in 1784 as an art museum and added a natural history collection in 1786. The exhibits included the first nearly complete skeleton of the mastodon, a relative of the mammoth. Peale died in 1827 and the collection was sold in 1849 and 1854.
 The Artist in His Museum (1822) | |
| Established | 1784 |
|---|---|
| Dissolved | 1849 |
| Location | Independence Hall, Philadelphia, Pennsylvania (1802-1827) |
| Key holdings | Peale's mastodon |
| Founder | Charles Willson Peale |
History
editEarly years
editPeale opened the Philadelphia Museum in his home at Third and Lombard Streets in 1784. The first exhibition was a collection of forty-four portraits of "worthy personages" from the American Revolutionary War.[1] Two years later, in 1786, he advertised his museum as a repository for natural curiosities.[2] In addition to portraits the museum's collection eventually included natural history specimens, fossils, archaeological finds, native American and Asian objects and curiosities. Peale preserved his animal specimens using the methods of Edme-Louis Daubenton, however the results were not satisfactory. He therefore tried other methods and found that arsenic or mercuric chloride were more effective.[2] In 1794 Peale accepted the post of librarian at the American Philosophical Society and moved his home and museum to their building at Fifth and Chestnut Streets.[1]
The Peale Mastodon
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In 1801 Peale visited a farm in New York State to view some recently discovered bones of a mastodon, an extinct relative of the European mammoth which was then known as the Great Incognitum. He agreed to pay the farmer $200 for the bones already discovered and $100 for permission to find the remaining bones. The excavation involved draining a 12 foot pit and took six weeks,[3] but eventually the first nearly complete skeleton of the species was recovered.[4] As the skeleton was incomplete Peale's son Rembrandt carved wooden replicas with the help of the sculptor William Rush and Moses Williams, a formerly enslaved person.[4] This was only the second time that a fossil skeleton had been mounted, the previous example being a megatherium assembled in Madrid.[5] The skeleton was unveiled in December as a separate exhibit costing 50¢, in addition to 25¢ to visit the museum.[3] Peale commemorated the excavation with his painting of 1806–1808 The Exhumation of the Mastodon.[3] The skeleton was purchased by the naturalist Johann Jakob Kaup in 1854 and is now in the Hessisches Landesmuseum Darmstadt in Germany. Peale also reconstructed a second skeleton, which was later displayed in the Peale Museum in Baltimore, then purchased by John Collins Warren and eventually acquired by the American Museum of Natural History in New York.[6]
Independence Hall
editIn 1802 the museum moved again to Independence Hall, the former Pennsylvania statehouse. Peale retired in 1810 and left the running of the museum to his son Rubens. The museum was incorporated as the Philadelphia Museum Company in 1821.[7] In 1822 Peale painted The Artist in His Museum, a self portrait with his museum in the Long Room of the Independence Hall in the background.[8]
Other museums
editIn 1814 Peale's son Rembrandt opened a second Peale Museum in Baltimore, which was the first purpose built museum building in the United States.[9] Rubens opened a third museum in New York in 1825.[10] In the 1840s the Peale museums suffered from declining revenue and competition from the showman P. T. Barnum, who opened his American Museum in New York in 1842. The New York Peale museum was closed in 1842 and the Baltimore museum in 1845, their contents being sold to Barnum.[9]
Later years
editPeale died in 1827 and the museum moved again to Chestnut Street Arcade. Later Peale's son Titian took over and then his grandson Edmund.[9] In 1838 the museum moved to a newly constructed building at Ninth and Sansom streets, which was also known as the Chinese Museum as it initially housed the Chinese collection of Nathan Dunn, one of its directors, in its lower story. That building burned down in 1854[7] The majority of the Philadelphia collection was sold to P. T. Barnum and Moses Kimball in 1849 and was subsequently lost or destroyed. The portrait collection was auctioned in 1854 and some of it was bought by the City of Philadelphia for display in Independence Hall.[1]
References
edit- ^ a b c Diethorn, Karie. "Peale's Philadelphia Museum". Encyclopedia of Greater Philadelphia. Retrieved 27 April 2024.
- ^ a b Schofield, Robert E. (September 1989). "The Science Education of an Enlightened Entrepreneur: Charles Willson Peale and His Philadelphia Museum, 1784-1827". American Studies. 30 (2): 21–40.
- ^ a b c Zygmont, Bryan J. (2015). "Charles Willson Peale's The Exhumation of the Mastodon and the Great Chain of Being: The Interaction of Religion, Science, and Art in Early-Federal America". Text Matters. 5 (5): 96–110. Retrieved 27 April 2024.
- ^ a b O’Connor, Ariel (2020). "Mysteries of the First Mastodon". Smithsonian American Art Museum. Retrieved 2 May 2024.
- ^ Yochelson, Ellis L. (1992). "Mr. Peale and His Mammoth Museum". Proceedings of the American Philosophical Society. 136 (4): 487–506. JSTOR 986758.
- ^ Simpson, George Gaylord; Tobien, H. (1954). "The Rediscovery of Peale's Mastodon". Proceedings of the American Philosophical Society. 98 (4): 279–281. JSTOR 3143882.
- ^ a b Scharf, John Thomas; Westcott, Thompson (1884). History of Philadelphia, 1609-1884. L. H. Everts & Company. pp. 948–950. ISBN 978-1-4047-5828-5.
- ^ Ward, David C. (Winter 1993). "Celebration of Self: The Portraiture of Charles Willson Peale and Rembrandt Peale, 1822-27". American Art. 7 (1): 8–27. doi:10.1086/424174.
- ^ a b c Dugatkin, Lee Alan (Fall 2020). "The Rise and Fall of Charles Willson Peale's Philadelphia Museum". Skeptic. 25 (4) – via Gale Academic OneFile.
- ^ "Rubens Peale". National Portrait Gallery, Washington. Retrieved 4 May 2024.
External links
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Media related to Philadelphia Museum at Wikimedia Commons
