David Armstrong (photographer)

David Bradley Armstrong (May 24, 1954 – October 26, 2014) was an American photographer based in New York.

Armstrong first exhibited his work in 1977 and had one-person shows in New York City, Boston, Berlin, Paris, Rome, Zurich, Düsseldorf, Lisbon, Munich, and Amsterdam. His work was included in numerous group museum exhibitions including the 1995 Whitney Biennial,[1] Emotions and Relations at the Hamburger Kunsthalle in 1998, and Photography in Boston: 1955–1985 at the DeCordova Museum in Lincoln in 2000.[2]

Personal life

edit

Armstrong was born in 1954, in Arlington, Massachusetts, one of four sons of Robert and Irma Armstrong.[3] He graduated from the Satya Community School, an alternative high school in Lincoln, Massachusetts, where he met Nan Goldin at the age of 14.[4] David openly identified as gay.[5] On October 26, 2014, at the age of 60, he died in Los Angeles, California due to liver cancer.[3]

Career

edit

Armstrong entered into the School of the Museum of Fine Arts in Boston as a painting major, but soon switched to photography after studying alongside Goldin, with whom he shared an apartment.[3] He attended the School of the Museum of Fine Arts and Cooper Union from 1974 to 1978, and he earned a B.F.A from Tufts University in 1988 and Judy Ann Goldman Fine Art in Boston.[6]

During the late 1970s, Armstrong became associated with the "Boston School" of photography, which included artists such as Nan Goldin, Mark Morrisroe and Jack Pierson.[4]

Armstrong first received critical attention for his intimate black and white portraits of men, lovers and friends, which were shown at PS1's 1981New York/New Wave exhibition, and later published prominently in the monograph "The Silver Cord."

In 1996, Goldin and Elisabeth Sussman, curator of photographs at the Whitney Museum, enlisted Armstrong's help in composing Goldin's first retrospective. Sussman gained such respect for Armstrong’s eye, she acquired a few of his pieces for the Whitney permanent collection and he was subsequently featured in the Whitney 1994 biennial.[7]

Armstrong’s work has also appeared in publications such as Vogue Paris, L'Uomo Vogue, Arena Homme +, GQ, Self Service, Another Man and Japanese Vogue and he has worked on the advertising campaigns of companies such as Zegna, René Lezard, Kenneth Cole, Burberry, Puma, and Barbara Bui.[6] He once shot editorials for Wonderland, Vogue Hommes and Purple.[7]

Although he is best known today for his portraits of boys and men, Armstrong's first solo show at Matthew Marks Gallery in 1995 was titled Landscapes. He also released a book of land and cityscapes in soft focus, entitled All Day, Every Day.[4]

Publications

edit
  • with Nan Goldin.A Double Life. Scalo, Zurich/New York 1994, ISBN 1-881616-21-5.
  • The Silver Cord. Afterword by Nan Goldin. Scalo, Zurich/New York 1997. ISBN 3-931141-48-9.
  • All Day Every Day. Edited by Martin Jaeggi, with a conversation by Armstrong and Jaeggi. Scalo, Zurich/New York 2002, ISBN 3-908247-56-X.
  • 615 Jefferson Avenue. Edited by Nick Vogelson and Anton Aparin, introduction by Boyd Holbrook. Damiani, Bologna 2011, ISBN 88-6208-178-2.
  • Night and Day. Poem and cover artwork by Rene Ricard. Edition of 1000. Mörel, London 2015, ISBN 1-907071-28-8.
  • Polaroids. Edition of 1000. Mörel, London 2015, ISBN 1-907071-41-5.

Exhibitions

edit
edit
  • Nan Goldin and David Armstrong: A Double Life, Matthew Marks Gallery, New York City, 1993[8] (book, see Publications above)
  • Landscapes, Matthew Marks Gallery, New York City, 1995[9]
  • The Silver Cord, Matthew Marks Gallery, New York City, 1997[10] (book, see Publications above)
  • Galerie Rob Jurka, Amsterdam, the Netherlands, 1998
  • Ugo Ferranti, Rome, Italy, 1998
  • New Photographs, Matthew Marks Gallery, New York City, 1999[11]
  • Scalo New York, New York City, 1999
  • Galerie Fricke, Berlin, Germany, 1999
  • Judy Goldman Fine Art, Boston, 1999
  • Bang Street Gallery, Provincetown, Massachusetts, 1999
  • João Graça, Lisbon, Portugal, 2000
  • Open Studio, Toronto, Canada, 2000
  • New Editions, Marlborough Graphics, New York City, 2000
  • Faces, Bang Street Gallery, Provincetown, Massachusetts, 2000
  • Cityscapes and Landscapes, Galerie M+R Fricke, Düsseldorf, Germamy, 2001[12]
  • Bang Street Gallery, Provincetown, Massachusetts, 2001
  • City: Prints and Photographs from the 30s through Today, Brooke Alexander, New York City, 2001[13]
  • Places and People, Galerie Lothar Albrecht, Frankfurt, Germany, 2001
  • Building Dwelling Thinking, Judy Ann Goldman Fine Art, Boston, 2001
  • Tenth Anniversary Exhibition: 100 Drawings and Photographs, Matthew Marks Gallery, New York City, 2001 (catalogue, ISBN 1-880146-34-7)[14]
  • City Light, Matthew Marks Gallery, New York City, 2002[15]
  • David Armstrong: All Day Every Day, Scalo Galerie, Zurich, Switzerland, 2002
  • David Armstrong: portraits and other works, early and recent, Galerie M + R Fricke, Düsseldorf, 2003[12]
  • Flesh Tones: 100 Years of the Nude, Robert Mann Gallery, New York City, 2003[16]
  • Your Picture on My Wall, Matthew Marks Gallery, New York City, 2004[17]
  • Indigestible Correctness II, Kenny Schachter Gallery, New York City, 2004[18]
  • Model Boy, Judy Ann Goldman Fine Art, Boston, 2006
  • Some Tribes, Christophe Guye Galerie, Zurich, Switzerland, 2006[19]

Institutional group shows

edit

References

edit
  1. ^ Whitney Biennial, (New York: Whitney Museum of American Art, 1995)
  2. ^ David Armstrong Matthew Marks Gallery, New York/Los Angeles.
  3. ^ a b c Paul Vitello (October 31, 2014), David Armstrong, Photographer of Subcultures, Dies at 60 The New York Times.
  4. ^ a b c Jane Harris, "Home-Work: Photographer David Armstrong Talks About His Latest Monograph, 615 Jefferson Avenue", 19 December 2011. Accessed 15 December 2017.
  5. ^ Vitello, Paul (November 1, 2014). "David Armstrong, Photographer of Subcultures, Dies at 60". The New York Times. ISSN 0362-4331. Retrieved October 27, 2022.
  6. ^ a b "Jed Root, Inc". Archived from the original on April 23, 2012. Retrieved April 12, 2012. This link is the source for big chunks of c+p here.
  7. ^ a b Van Meter, William (April 12, 2012). "A Portraitist's Eye Gazes on Fashion". The New York Times. Retrieved January 19, 2017.
  8. ^ "Exhibition - Nan Goldin and David Armstrong - Matthew Marks Gallery". Matthewmarks.com. Retrieved December 15, 2017.
  9. ^ "Exhibition - David Armstrong - Matthew Marks Gallery". Matthewmarks.com. Retrieved December 15, 2017.
  10. ^ "Exhibition - David Armstrong - Matthew Marks Gallery". Matthewmarks.com. Retrieved December 15, 2017.
  11. ^ "Exhibition - David Armstrong - Matthew Marks Gallery". Matthewmarks.com. Retrieved December 15, 2017.
  12. ^ a b Fricke, Marion und Roswitha. "Galerie M + R Fricke - Internationale Kunst der Gegenwart Berlin". Galeriefricke.de. Retrieved December 15, 2017.
  13. ^ "City: Prints and Photographs from the 30's through Today". Baeditions.com. Archived from the original on August 9, 2016. Retrieved December 15, 2017.
  14. ^ Archived catalogue.
  15. ^ "Exhibition - David Armstrong - Matthew Marks Gallery". Matthewmarks.com. Retrieved December 15, 2017.
  16. ^ Johnson, Ken (March 21, 2003). "ART IN REVIEW; 'Flesh Tones' -- '100 Years of the Nude'". The New York Times. Retrieved December 15, 2017.
  17. ^ "Exhibition - David Armstrong - Matthew Marks Gallery". Matthewmarks.com. Retrieved December 15, 2017.
  18. ^ Cotter, Holland (April 23, 2004). "ART IN REVIEW; 'Indigestible Correctness'". The New York Times. Retrieved December 15, 2017.
  19. ^ "Some Tribes". Christopheguye.com. Retrieved December 15, 2017.
  20. ^ "Likeness: Portraits of Artists by Other Artists - CCA Wattis Institute for Contemporary Arts". archive.wattis.org. Retrieved December 15, 2017.