George Ponderevo

Joined 7 June 2011

This is an old revision of this page, as edited by George Ponderevo (talk | contribs) at 23:33, 13 March 2013 (→‎Planyavsky: haven't finished yet Gerda). The present address (URL) is a permanent link to this revision, which may differ significantly from the current revision.


Latest comment: 11 years ago by George Ponderevo in topic Planyavsky

Precious

Old Woman Who Lived in a Shoe
Thank you for quality articles and expansions such as There was an Old Woman Who Lived in a Shoe, for tireless copy-editing, and for "it's always good to learn something new", - let me tell you as gently as I can that you are an awesome Wikipedian!

--Gerda Arendt (talk) 12:05, 1 November 2012 (UTC)Reply

Thanks very much Gerda. You're not such a bad Wikipedian yourself. :-) George Ponderevo (talk) 13:39, 1 November 2012 (UTC)Reply
I like to share, recommended reading ;) --Gerda Arendt (talk) 14:12, 1 November 2012 (UTC)Reply
I miss the photographer of the gem (who said Peace some hundred times to awesome Wikipedians, did you know?). My Christmas music is on my user, also for you, wish you could listen in reality today and tomorrow, my favourite line: "verbannet die Klage" (ban complaining), --Gerda Arendt (talk) 13:46, 24 December 2012 (UTC)Reply
Thanks Gerda. I don't know why it is, but thinking about Christmas music I've always found Stille Nacht, heilige Nacht to be much more moving than Silent Night, which sounds so prosaic. I wonder if it maybe has something to do with the stories of the First World War Christmas truces. George Ponderevo (talk) 06:21, 25 December 2012 (UTC)Reply
Many times, I think, a different language offers the chance to be less prosaic. We sang "Stille Nacht" in church on Christmas Eve (many churches ban it as "kitschig"). A trumpet came in as a surprise in the third stanza, not kitschig ;) This year's Peace music was connected to a Second World War siege. Did you see that I decorated my talk with Messiah today, thinking of two gentlemen who invited me to share its FA honours although I only wrote the supporting articles, for example Messiah Part I, --Gerda Arendt (talk) 20:51, 25 December 2012 (UTC)Reply

New decoration on my talk is "Letting go of the past", - I see so many old stories that I didn't take part in, connected to strong feelings. Things that look complicated and loaded with history can be so simple, --Gerda Arendt (talk) 10:49, 22 February 2013 (UTC)Reply

A very worthy idea Gerda, but I can't see it catching on here. George Ponderevo (talk) 10:58, 22 February 2013 (UTC)Reply
If it was we didn't have to ask ;) - Do you know the poet? --Gerda Arendt (talk) 11:14, 22 February 2013 (UTC)Reply
ps: I was amused to find "precious" in that poem three times --Gerda Arendt (talk) 11:19, 22 February 2013 (UTC)Reply
I'm afraid I don't, no. I have a confession to make though, which is that I feel the same about poetry as I do about opera, musicals and ballet. I find them all pretentious and I pretty much hate them all. George Ponderevo (talk) 11:29, 22 February 2013 (UTC)Reply
Taken. (I respect strong feelings, as said before, and accept that facts don't easily change them.) So next: do you know the editor with another story about having been despised? --Gerda Arendt (talk) 11:51, 22 February 2013 (UTC)Reply

Little Moreton Hall

I'm impressed by the progress made with this article. I had not realised you were taking it to FA so quickly, and have rather taken my eye off the details. I do have some concerns, which I thought I would air here rather than at FLC. First, why are you using the 1971 version of "Pevsner" rather than the current (2011) version (Hartwell et al)? I should have thought that FLs would require the latest edition. I have copies of both, and would be happy to "update" any of the relevant citations to the latest version. Actually my "1971" version is the one published by Yale in 2003. I should have thought they would have been identical, but I have my doubts, especially on two of the Pevsner quotations. In the lead you quote "the most elaborate, fantastical and wholeheartedly vulgar display of black-and-white timbering that England has to offer" (and there is no page number in that reference). The 2003 version (p. 255) says it "is the most popular of all English black and white houses, yet as it comes into sight — happily reeling, disorderly, but no offence meant — it seems at least unbelievable, and then a huge joke. This is due to the S range, the gatehouse range, leaning forward in overhangs in all three outer directions"; and this is quoted verbatim in 2011. Then in the Upper Floor subsection you quote Pevsner as saying the plaster depictions are "poor". That is not in the 2003 version; in fact there is no comment on their quality. 2011 says "The figures are fair copies but the texts depart somewhat from the original. The colours were probably a great deal brighter than now.". So has there been some redaction between 1971 and 2003?

Other comments re Pevsner, giving ref. nos.:

  • 5. 2011 gives much more detail about tree-ring analysis (p. 433) stating that the Hall, screens passage, Parlour and Withdrawing Room were built c. 1504–08.
  • 9a. About the H-shaped plan: 2011 states "forming a standard H-shaped plan" (p. 433), and does not use the word "roughly".
  • 9b. OK (p. 435)
  • 22. OK (p, 433)
  • 25. I cannot find this in 2011, so perhaps the 1971 reference should stay.
  • 37. Ditto: but this section was written (certainly in 2003) by Alec Clifton-Taylor, rather than by Pevsner and Hubbard. Should his authorship be acknowledged?
  • 39. OK, but it notes that the east window is blocked; maybe it would bemore accurate to say this than to say there "was a corresponding window ...". (p. 434)

Re National Heritage list:

  • Why give so much prominence in the lead to the bridge? It is mentioned but once in the text of the description; and it does not form a separate building — the house and the bridge are part and parcels of the same listing. And it does not say it is in sandstone (that word does not appear in the description). In addition it has been pointed out to me in another context that it was not designated by English Heritage; it was listed in 1952, and EH was not formed until 1983. So perhaps that sentence should read (simply): "Little Moreton Hall is designated by English Heritage as a Grade I listed building".

Would you like to have a Further Reading section, starting with "de Figueiredo, Peter; Treuherz, Julian (1988). Cheshire Country Houses. Chichester: Phillimore. pp. 119–122. ISBN 0-85033-655-4."? --Peter I. Vardy (talk) 13:05, 20 November 2012 (UTC)Reply

Thanks for your comments Peter. I'm actually using a 2001 reprint of Pevsner, because that's the only copy I could get from Manchester libraries. If it's significantly different from your 2011 version I'll be glad to accept your offer of help to update whatever's changed. The quote from the lead, "the most elaborate, fantastical and wholeheartedly vulgar display of black-and-white timbering that England has to offer" is actually from the front cover, and not repeated in the text. It's currently attributed to the frontispiece, but I'll change that. I should probably also change the Pevsner publication date to 2001 [1971].
In my copy, Pevsner (p. 257) says "The roof has two tiers of cusped, concave wind-braces and in the end tympana poor plaster decoration illustrating the Spear of Destiny whose rule is Knowledge and the Wheel of Fortune whose rule is Ignorance." But if "poor" doesn't appear in later editions then we could just drop it.
As for the bridge, I must have misread something, as I'd got the impression from somewhere that the house and the bridge were listed separately, but they do appear to be listed together, as you say. I'd like to keep mention of the bridge, as it's not really part of the house IMO; both the Ancient Monument listing[1] and Pastscape[2] say the bridge is made of sandstone, so maybe I should add one of those citations?
5. Do you think we need to give more detail about the tree-ring analysis? I think we already make it clear that the H-shaped northern half of the house was built in 1504–08 don't we?
  • 9a. Looking at the early floor plan it was clearly only roughly H-shaped, so I think "roughly" is OK?
  • 25. That a feature of Cheshire's half-timbered houses is jetties hidden behind coving could be attributed to any number of sources, so even if that's not included in your later edition I don't think that's a problem, we could source it elsewhere.
  • 37. OK, but we can be more precise than "Mow Cop" anyway. I've changed Mow Cop to "Tegg's Mill quarry near Macclesfield", but no doubt someone will ask how far away Macclesfield is, so I suppose I'd better check that and add it.
  • 39. I'm not sure, perhaps, as the window is still there behind the panelling. Fell free to change it as you see fit.
I've no objection to a further reading section; it's a while since I read de Figueiredo, but I don't recall that it adds anything significant? I might pop down to the library later and check.
I'd really like if possible to avoid having to cite multiple editions of Pevsner's Cheshire, which I'm sure we could do if your edition has the "vulgar" quotation on the inside front cover. But even if it doesn't, we could probably use the 2001 [1971] edition just to source that quotation, as I'd be very loathe to lose it. In short, I'll leave it to you to decide what might usefully be updated/amended based on your 2003/2011 edition, as I trust your judgement completely. Once again, thanks for your help. George Ponderevo (talk) 15:26, 20 November 2012 (UTC)Reply
I think when using Pevsner as a source, it's best to use editions published before his 1983 death. He was not politially correct (in the architectural sense) and in my experience, later editions have been rather sanitised (rather like Enid Blyton) and much of the charm has subsequently been lost. One thing is for certain, with such definite and unreferenced opinions, he would have been banned as a Wikipedia editor. Which is rather a pity - we always ban the best Giano (talk) 18:24, 20 November 2012 (UTC)Reply
That's a good point. One example of that sanitisation I suppose is the expunging of "poor" when describing the tempera in the Long Gallery. The thing I really, really don't want to lose is that "vulgar" quotation. George Ponderevo (talk) 18:52, 20 November 2012 (UTC)Reply
I've found the "vulgar" quote, and I don't believe it is by Pevsner. It's on the dust cover, with no attribution. Was it written by the publisher? When you compare it with what he actually wrote (quoted above), it really doesn't fit. IMO the evidence is not sufficiently robust to attribute it to Pevsner, no matter what you wish to include, it's not sufficiently reliable.
Having said that, I agree that quotations by Pevsner himself should come from the volume(s) he actually wrote, but I do not see why we cannot use the up-to-date volume (as well) for the rest — what's the problem in that? --Peter I. Vardy (talk) 21:27, 20 November 2012 (UTC)Reply
It's on the dust cover of Pevsner's book, and I don't consider it at all likely that it was written by the publisher, Penguin Books. How is attributing it to the dust cover any different from attributing it to page N of the book itself? Would Pevsner not have objected to its inclusion if that were not indeed his opinion? George Ponderevo (talk) 23:05, 20 November 2012 (UTC)Reply
  • As someone who has read Pevsner like others read Agatha Christie, I have no doubt at all that he used and wrote the word ‘vulgar’ – concerning Little Moreton, he may have meant in tongue-in-cheek, but he was a terrible old architectural snob who dislike ostentation and architectural overstatement. I just flicked through a couple of his 1960s volumes to try and find an example of him using ‘vulgar’, but as is always the way then one’s in a hurry, I couldn’t find one; however, in three minutes, I found that Hughenden Manor is ‘excruciating’ and Holy Trinity, Wolverton, is a “baffling’ early example of Norman revival architecture.” Reading through his volumes published over the years, it’s quite obvious that he mellowed with age or possibly was censored by his publishers. I know I have read of a house being described as ‘vile’which it probably is, but it's not today considered professional to say it. ‘Vulgar’ would not have been put on a fly-leaf if he didn’t say it. Giano (talk) 09:20, 21 November 2012 (UTC)Reply

I hate to disagree with experts, but on this occasion I must. The word "vulgar" does not appear on a flyleaf (according to Wiktionary that's a blank sheet within a book) but on the dust cover; ie it is not an integral part of the book. The dust cover, in addition to the paragraph containing the word "vulgar", also contains on the front flap a paragraph describing the series of books as "These distinguished books appear regularly in superbly illustrated new editions" (written by Pevsner?) followed by three quotes from critics (selected by Pevsner?). On the back flap are potted biographies of Pevsner himself and Hubbard, followed by details of the recently published volumes, and details of their financing (written also by Pevsner?). I know nothing about publishing, but I have read comments by authors who have been very upset by the contents of the dust covers provided by the publishers — so obviously they have not written or composed these themselves.

I agree with Giano that Pevsner used terms like "vulgar" (and worse) in his descriptions; but this is not in a description, and not even in the body of the text. What he says in the text (quoted above) does not IMO sit logically or reasonably with the dust cover. According to Pevsner's biographer Susie Harries, he compiled the Cheshire volume late in his career when he was in his late 60s, not the best of health, and getting rather fed-up with his project to complete all the counties, but determined to do so. So, yes he was rushed; so much so that he did not write all the text in these later volumes himself. He estimated himself that 20% of the Cheshire volume was written by Hubbard (his driver and collaborator) (Harries, p. 668). That is not directly the point; what is the point is that I am sure he did not have time to bother with dust covers (which are often disposed of anyway), and would leave that side of the production completely to the publishers — who would write a blurb to attract purchasers rather than to give reliable information. Shall we take this discussion to FLC? --Peter I. Vardy (talk) 10:51, 21 November 2012 (UTC)Reply

I certainly can't deny the possibility that the text wasn't written by or even approved of by Pevsner, which seems to leave us with two possibilities:either we lose the quotation or we lose the attribution to Pevsner. Pevsner, if it really was he who wrote that quoted text, is by no means alone among architectural historians in considering certain aspects of Little Moreton Hall's architecture to be vulgar; the decorative studwork seems to come in for quite a bit of criticism for instance. What's important to me is that we get the balance right, and don't give the impression that Little Moreton Hall is universally admired by all architectural historians. For FA I don't think that simply attributing the quotation to an anonymous author writing for a dust cover would be acceptable, therefore what I'm going to do is to remove the quotation for now and work on something later this evening to replace it. George Ponderevo (talk) 17:39, 21 November 2012 (UTC)Reply
PS. Peter, please go ahead and make whatever amendments you think are appropriate based on your later editions; now that the quotation is gone, and the description of the tempera in the Chapel as "poor", there will quite probably no longer be any need to use the 2001 edition as a source. George Ponderevo (talk) 17:48, 21 November 2012 (UTC)Reply
Just a quick response, as I have some "real" matters to deal with this evening. I have no problem with "vulgar", or anything like it, provided it is properly sourced. So if you find something reliable elsewhere, fine by me. I will try to make some amendments as you suggest tomorrow. Meanwhile, for your interest, Hartwell et al (the current "Pevsner") say "Cheshire is famous for its timber-framed houses, of which Little Moreton Hall and Bramall Hall rank with the finest examples in the country" (p. 23) and, under the section on Bramall Hall, it states it (Bramall) is "One of the four best timber-framed mansions of England. The others are Little Moreton Hall, Speke Hall in SW Lancashire, and Rufford Old Hall in N Lancashire" (p. 173). --Peter I. Vardy (talk) 19:05, 21 November 2012 (UTC)Reply
That's definitely worth adding. I'll stick it in now/imminently. While looking around for an alternative "vulgar" quotation I came across a few other little bits and pieces that might be worth adding as well. There used to be something in the article claiming that the timber frame wouldn't originally have been painted black, nor the infill white, and that that style of decoration we take for granted today is relatively recent, but the source didn't seem reliable and as I couldn't at the time find an alternative I removed it. But I think I've found one now. George Ponderevo (talk) 19:19, 21 November 2012 (UTC)Reply
Yes, I understand that is correct, but I don't have a source. I've long understood from those who know better, that the Cheshire vernacular is actually brown and cream. There's a house in Frodsham that's been restored in this fashion, and it looks really good. Cheers. --Peter I. Vardy (talk) 19:31, 21 November 2012 (UTC)Reply
I'll see what I can add on that later, but black and white definitely doesn't seem to have been how the Tudors would have seen the house; from what I've found so far it might actually have been very colourful. I had a look at the other three houses you mentioned. Bramall Hall is an FA and looks pretty good, but Speke Hall and Rufford Old Hall could do with some work. Might be a worthwhile project to get both of those up to at least GA. George Ponderevo (talk) 20:11, 21 November 2012 (UTC)Reply

I've updated the refs, and hope all is well with those. The only "old" Pevsner link remaining is the one saying "the overhanging jetties are hidden by coving" (Ref 25), which I cannot find in the current volume. I think you said you have other sources for that; if you were to use one of these, the "old" Pevsner could be deleted completely (unless you are romantic about keeping it!). IRO Speke Hall and Rufford Old Hall, I completely agree — so much to do! --Peter I. Vardy (talk) 11:17, 22 November 2012 (UTC)Reply

That's great Peter, thanks very much. No. I've got no romantic attachment to the old Pevsner, so I'll try and dig out a new source for the coving. George Ponderevo (talk) 15:19, 22 November 2012 (UTC)Reply
... actually I think we'll have to keep the old Pevsner & Hubbard anyway, as note b explicitly refers to it as one of the older sources that incorrectly attributes the earliest parts of the house to 1450. George Ponderevo (talk) 15:51, 22 November 2012 (UTC)Reply

Do you mind if I wade in and do some editing on this, with the sources I've wrestled out of the library? Regards, Espresso Addict (talk) 21:04, 29 November 2012 (UTC)Reply

No, of course not. I just saw from reading through the FAC again that you'd managed to dig up some more material on the family. I've been wrestling with the SVG problem that forced me to upload the png floor plans you were complaining about the fuzziness of, and I have to admit that the svg versions I've just uploaded do look significantly crisper at thumbnail size. George Ponderevo (talk) 21:38, 29 November 2012 (UTC)Reply
I'll have a go! The stuff on the family is a bit impenetrable, but I'll see if I can make it make sense with the names you give. The new svgs are much less fuzzy -- thanks! Espresso Addict (talk) 22:48, 29 November 2012 (UTC)Reply
Ok, added some stuff about family & land extent. Feel free (of course) to trim & reorder (it overlaps with the house construction, so William II gets introduced before he's defined). Angus-Butterworth also has a lot more on the family that might be marginally relevant, including when it acquired the lordship of the manor, and a marriage with the Brereton family (apparently there are Brereton arms in the house). Cheers, Espresso Addict (talk) 00:21, 30 November 2012 (UTC)Reply
I believe there are; can't immediately remember whether they're in one of the windows or one of the fireplaces. Thanks for your additions anyway. George Ponderevo (talk) 04:55, 2 December 2012 (UTC)Reply
Deck the featured Hall, precious ;) --Gerda Arendt (talk) 13:35, 18 December 2012 (UTC)Reply
Gosh, that seemed like hard work, but you made it at last! Thanks from the Cheshire Wikiproject for all you have done to raise the status of this most important building. A nice Christmas gift. Best wishes and many. many thanks. --Peter I. Vardy (talk) 16:48, 18 December 2012 (UTC)Reply
Thanks. At one point I thought it would go on forever. I'll have to take a look through the Cheshire articles and see if there's anything else I could maybe improve a little. I think it'll be a while before I tackle another house though. George Ponderevo (talk) 21:00, 21 December 2012 (UTC)Reply

Infobox

Did you know that I have a history of reverting infoboxes? I learned a bit, so did Tim riley ;) --Gerda Arendt (talk) 22:39, 11 February 2013 (UTC)Reply

I have no stomach for an infobox battle. But Giano didn't want one, and it was he who made it invisible. I still regard the article as his, so I'd rather it was gone than made visible again. There was almost nothing in it anyway. George Ponderevo (talk) 23:16, 11 February 2013 (UTC)Reply
I don't like infobox battles. Just yesterday one was reverted that I added to an article I created ;) discussion on Talk:Bach cantata. I have JSB and Wagner in sandboxes, not ready for battle. - So here we are, you and I respect the wish of another editor, in mutual respect ;) --Gerda Arendt (talk) 08:39, 12 February 2013 (UTC)Reply
ps: you saw that one of our respected editors designed the user page for the other? --Gerda Arendt (talk) 12:11, 12 February 2013 (UTC)Reply
It's not difficult to find articles visually destroyed by the use of infoboxes, with great slabs of stuff down the right-hand side of the screen displacing everything in their path and forcing text to be squeezed between images on the left and infobox on the right. The conflation of infoboxes and metadata is dishonesty pure and simple, and against the backdrop of the recent QRpedia scandal looks decidedly fishy. In this specific case the infobox contained so little information at the expense of greatly reducing the size of the lead image as to be bordering on vandalism IMO. I have never added an infobox nor have I ever removed one; I consider that to be a matter for the judgement of the article's authors, not some man on a mission. George Ponderevo (talk) 17:33, 12 February 2013 (UTC)Reply
I have added several, to all Bach cantatas since December for example, de/fr/it/nn all have them. - Space: they reduce white space next to the TOC. I have only few pics on the left. Example: BWV 76. - "The conflation of infoboxes and metadata is dishonesty pure and simple", sorry, that phrase is not simple enough for me. - You know that the pic size can be adjusted, right? - As to "invisible", I don't know whom to believe, very conflicting statements, and I don't have the time to find out myself ;) --Gerda Arendt (talk) 18:21, 12 February 2013 (UTC)Reply
The image in an infobox can't be resized without also resizing the infobox, which simply makes a bad situation worse. And put simply there is absolutely no good reason to link the metadata and infobox issues except dishonesty leading to a potential commercial gain, as with the QRpedia scandal that Pigsonthewing was also involved in. George Ponderevo (talk) 19:09, 12 February 2013 (UTC)Reply
Thanks for explaining, understood a bit more, --Gerda Arendt (talk) 19:15, 12 February 2013 (UTC)Reply
How do you like this one? I didn't add the box, but it's my pic ;) --Gerda Arendt (talk) 09:22, 14 February 2013 (UTC)Reply
I think that the infobox, as is often the case, takes up too much screen real estate and distorts the layout of the article. The more I think about it the more I think that all infoboxes should be hived off to some kind of Micropedia along with their associated leads, linked to the Wikipedia article uncluttered by any infoboxes. That could then serve as a useful summary and index of Wikipedia, and anyone who wants to see the summary infobox could click on a link to the Micropedia entry. Nice picture BTW. George Ponderevo (talk) 14:24, 14 February 2013 (UTC)Reply
For some things, such as gems (e.g. Yogo sapphire) and people such as Presidents (Harry S. Truman) they make sense as a quick summary. That said, I also have seen infobox overkill in some geography articles, where there could be multiple infoboxes... Montanabw(talk) 16:57, 14 February 2013 (UTC)Reply

Main page appearance: William the Conqueror

This is a note to let the main editors of William the Conqueror know that the article will be appearing as today's featured article on December 25, 2012. You can view the TFA blurb at Wikipedia:Today's featured article/December 25, 2012. If you prefer that the article appear as TFA on a different date, or not at all, please ask featured article director Raul654 (talk · contribs) or his delegates Dabomb87 (talk · contribs), Gimmetoo (talk · contribs), and Bencherlite (talk · contribs), or start a discussion at Wikipedia talk:Today's featured article/requests. If the previous blurb needs tweaking, you might change it—following the instructions at Wikipedia:Today's featured article/requests/instructions. If this article needs any attention or maintenance, it would be preferable if that could be done before its appearance on the Main Page. The blurb as it stands now is below:

William the Conqueror (c. 1028 – 1087) was the first Norman King of England. He had been Duke of Normandy since 1035, although his illegitimate status and youth caused him difficulties and he did not secure his hold over the Duchy until about 1060. In the 1050s and early 1060s William became a contender for the English throne, then held by his childless relative Edward the Confessor. Other potential claimants included the powerful English earl Harold Godwinson, who Edward named as the next king on his deathbed in January 1066. William argued that Edward had previously promised him the throne, and that Harold had sworn to support William's claim. William invaded England in September 1066, defeating Harold at the Battle of Hastings, and was crowned on Christmas Day 1066. Several unsuccessful rebellions followed, but by 1075 William's hold on England was mostly secure. William's final years were marked by difficulties in his continental domains, troubles with his eldest son, and threatened invasions of England by the Danes. In 1086 he ordered the compilation of the Domesday Book, listing all the landholders in England and their holdings. He died in September 1087 on campaign in northern France, and was buried in Caen. (Full article...)

UcuchaBot (talk) 23:01, 8 December 2012 (UTC)Reply

Thanks

Thanks for your help with Grade I listed churches in Lancashire which eventually made it to FL. Cumbria next! --Peter I. Vardy (talk) 15:00, 15 December 2012 (UTC)Reply

Seasons greetings...

  Happy Holidays
Wishing you and yours a Happy Holiday Season, from the horse and bishop person. May the year ahead be productive and troll-free. Ealdgyth - Talk 17:25, 21 December 2011 (UTC)Reply

Thanks Ealdgyth. Troll-free sounds good. George Ponderevo (talk) 06:16, 25 December 2012 (UTC)Reply

Season's greetings

  Best wishes at Christmas time!
Happy holidays! -- Dianna (talk) 06:26, 25 December 2012 (UTC)Reply

Little Moreton Hall

Just to let you know that I've picked this for Wikipedia:Today's featured article/January 12, 2013. Hope this is OK. If you want to tweak the blurb before it appears on the main page, please do. Congratulations on a lovely article! Regards, BencherliteTalk 11:49, 3 January 2013 (UTC)Reply

Nice to see a bit of a dream come true ;) --Gerda Arendt (talk) 12:30, 3 January 2013 (UTC)Reply
What a pleasant surprise! George Ponderevo (talk) 16:43, 3 January 2013 (UTC)Reply
Two TFAs in a few weeks, extra precious! --Gerda Arendt (talk) 15:28, 12 January 2013 (UTC)Reply
fr, it, tempted to do a German stub --Gerda Arendt (talk) 00:01, 13 January 2013 (UTC)Reply
I have a little problem to change the coordinates to the format the German infobox wants, --Gerda Arendt (talk) 19:14, 18 January 2013 (UTC)Reply
What format does it want? George Ponderevo (talk) 20:49, 18 January 2013 (UTC)Reply
example Kathedrale von Florenz, description tells me nothing (no music), takes to two others, --Gerda Arendt (talk) 22:33, 18 January 2013 (UTC)Reply
I see. If you click on the coordinates you'll get them in different formats. The one you want (I think) is |BREITENGRAD=53/7/38/N, |LÄNGENGRAD=2/15/6/W. George Ponderevo (talk) 22:50, 18 January 2013 (UTC)Reply
That looks good, but I get a message of a missing parameter, probably "REGION-ISO=", - any idea? --Gerda Arendt (talk) 23:05, 18 January 2013 (UTC)Reply
Can you give me a link to the article? I worked for Siemens for many years, so I had to be able to read a little German. The ISO code for the UK is GBR. George Ponderevo (talk) 23:12, 18 January 2013 (UTC)Reply
Link? you go to it and then "deutsch" ;) --Gerda Arendt (talk) 23:21, 18 January 2013 (UTC)Reply
"swallowed" - something seems wrong with that ISO but not wrong enough to prevent the coords from showing - as before ;) --Gerda Arendt (talk) 23:27, 18 January 2013 (UTC)Reply
All seems fine now. Anything else you'd like me to help with on the German Wikipedia? George Ponderevo (talk) 23:34, 18 January 2013 (UTC)Reply
even found the ISO: GB-CHW, and a few more cats ;) --Gerda Arendt (talk) 00:05, 19 January 2013 (UTC)Reply

Little Moreton Hall de

New day: thanks for the formatting! I changed it to cite web, otherwise you should say "abgerufen" for "retrieved", the template does the translation for you ;) - The template does not change the date format, so when going to de, you have to add the dots and change names of months. Going to de: you are welcome! Others did it before, see? If you know of an article you would like to see in German, have it imported to your userspace, do what you can there (translation,selection of sections), ping me by leaving a note on your de-user, I will do what I can in translation. When you are happy I move to article space. If you wrote the English article yourself, you can skip the import. I see plenty of red links in the List of Grade I buildings ;) --Gerda Arendt (talk) 07:54, 19 January 2013 (UTC)Reply

Another FLC

Happy New Year! I feel it's time to try to get Grade I listed churches in Cumbria to FL status, and wonder if you would cast your eye over it, improve the text, and advise on anything else that might be necessary. Cheers. --Peter I. Vardy (talk) 11:39, 5 January 2013 (UTC)Reply

Happy New Year to you as well. Copyedit done. The only outstanding problem I can see is that the format of refs #6 and #7 are slightly different from the rest: "Hyde & Pevsner 2010" vs. "Hyde & Pevsner (2010)", caused by using the {{Harvnb}} template for those two as opposed to the {{sfnp}} template used for all the other citations. The best way I've seen of handling what I think it is you want to do, attribute a section of a book, is to treat McMillan, say, just like any other author, with a full {{citation}} entry in the Bibliography describing the name of the section he wrote in the |contribution parameter and the page range of that section in the |pages parameter. I've done that for ref #6 to show you what I mean. George Ponderevo (talk) 21:51, 5 January 2013 (UTC)Reply
Thanks again for your ultra-fast attention. I'd no idea how to fix the references — and it works (of course). All done now, so I'll nominate it and see if it attracts any interest. --Peter I. Vardy (talk) 11:55, 6 January 2013 (UTC)Reply

Thanks and a ping

Thank you for your work cleaning up United States v. Jackalow. I did notice that the references to the New York Times are now in a mixed format, several in smallcaps and others in the citenews template. I passed the article for references, both forms can be viewed as correct and everything else looks like it was fixed. However, it is a bit inconsistent and probably should be cleaned up before I give the article an overall pass. So, will you still be cleaning up the remaining NYT cites so they are all consistent with one another? Just checking... Also, I dove in and reworded one particularly awkward section of the article, I do not think I altered the meaning of anything, but as I am the GA reviewer, I would be more comfortable if you checked my edits and fixed anything I may have done improperly. I see some need to fix a few other small errors in the article, (some comma problems and run0on sentences, mostly) but didn't want to get too involved with it directly. Montanabw(talk) 20:41, 18 January 2013 (UTC)Reply

Yeah, I was still working on that, but I will finish the job, promise. I haven't really looked at the article overall yet, but I'll do that when I've finished with the citations. I do understand your reluctance to dive into the article too deeply, so I'll do what I can. Like you, I think it's too good to fail. George Ponderevo (talk) 20:47, 18 January 2013 (UTC)Reply
And the lead editor has apparently bailed from WP, hasn't edited since November. Thanks for stepping up. Montanabw(talk) 23:34, 18 January 2013 (UTC)Reply
I came across the article completely by chance, by clicking on the Random article option as is my habit, and then on investigating the GA review I saw your question on the GA talk page and decided to try and help out. It's my impression that many, if not most, of Wikipedia's 3000 or so active editors are only interested in creating articles, not in improving existing articles, as there's no glory in that, just hard graft. Which I think is a shame, but not anything I can change except by example. George Ponderevo (talk) 23:47, 18 January 2013 (UTC)Reply
I've been stalking Montana's edits ;P ! Hi George; I'm hoping, at some point, to get all the British Mountain and Moorland native pony breeds articles up to at least GA standard, ideally (longer-term) FA standard, with the aim of getting a featured topic kinda thing going. (the New Forest pony article was a TFA the other day; that's the first one I've got to FA level.) If you could pass an eye over any / all of them to tighten up the prose, improve, etc. then I'd be incredibly grateful, as Real Life issues have me a bit short of time and energy for article improvement just at the minute. Pesky (talk) 11:17, 19 January 2013 (UTC)Reply
The list is here. Perhaps a place to start is Shetland pony, for obvious reasons (high traffic article that currently is pretty marginal). However, the less-known breeds get less traffic and are perhaps easier, as there are relatively few sources (they can easily get to GA, but probably will always lack comprehensiveness of material for FA). Other than Pesky, User:Dana boomer has sort of been singlehandedly taking stuff to GA, most recently Kerry Bog Pony, and I'm sure she would love some more hands on deck. Dana, Pesky and I are willing to take point on the equestrian details if someone else wants to dive in and write! Let us know, we can shoot you some decent WP:RS links via Google Books, etc... Montanabw(talk) 20:12, 21 January 2013 (UTC)Reply
I won't be doing more than a bit of copyediting to help out Montanabw; horses aren't really my thing. George Ponderevo (talk) 20:57, 21 January 2013 (UTC)Reply
... having said that, I've done some work on Exmoor pony this evening, more to come tomorrow. I think that with a bit more tidying up that would make a very plausible GA candidate. How are you on early British childrens' TV programmes? I could do with some help with Four Feather Falls for instance, which is set in Kansas, so that ought to be bread and butter for you. ;-) George Ponderevo (talk) 01:38, 22 January 2013 (UTC)Reply
Will peek at the TV show, I made one tweak on the Exmoor article, you may want to redo the ref links (I kind of suck at that). But I think all the sources were intended as footnotes, as I think there was a whine about the accuracy at one point and a need to dogpile the data occurred, but ask Pesky. Montanabw(talk) 01:31, 24 January 2013 (UTC) Follow up Peeked at FFF and tweaked. Hope it helped. Montanabw(talk) 18:03, 24 January 2013 (UTC)Reply
That looks great, thanks. George Ponderevo (talk) 18:13, 24 January 2013 (UTC)Reply
... and I also took a look at Dana's Kerry Bog Pony you mentioned. What a GA nomination that was, quite extraordinary. Does that kind of thing often happen at GAN? George Ponderevo (talk) 02:16, 22 January 2013 (UTC)Reply
When it involves me arguing with a soon-to-be-blocked troll about a horse article, yes (check out the GA for horse, just as an example). I sincerely believe that Murphy's Law governs the known universe. Or at least WikiProject Equine. Montanabw(talk) 01:23, 24 January 2013 (UTC)Reply

PONY!

Pony!
Congratulations! For helping with British Isles pony breed articles, you have received a pony! Ponies are cute, intelligent, cuddly, friendly (most of the time, though with notable exceptions), promote good will, encourage patience, and enjoy carrots. Treat your pony with respect and he will be your faithful friend! Montanabw(talk) 01:23, 24 January 2013 (UTC)Reply

Your comments at the Qeshm FAC

George, I think we've addressed the last batch of suggestions. Just wanted to let you know. ceranthor 17:00, 25 January 2013 (UTC)Reply

I think I've struck my oppose now haven't I? Good luck with the rest of the review. George Ponderevo (talk) 19:49, 1 February 2013 (UTC)Reply

Crescent (John Coltrane album)

Hello George: I saw one of your edits go by on Recent changes and couldn't resist looking at it; I don't know this album but Amazon will soon remedy that. As you can see I also couldn't resist messing with it, and I did see that you use that referencing style I'm not familiar with. Now, I never know if that format calls for articles to be listed separately or not, so I left them with the regular templates in hopes of your not minding reworking if this isn't right. I found a few tidbits through ProQuest, nothing much exciting. Looking through the archives of Jazziz I saw that it's the fave album of a bunch of musicians, esp. guitar players (I saw Mike Stern and Andy Summers) but I don't know if that is worthwhile mentioning so I didn't. Unfortunately my databases do not index Down Beat, and that's a shame. Thank you, and my apologies if I indeed messed up your formatting, Drmies (talk) 18:20, 1 February 2013 (UTC)Reply

I came across the article just by clicking on the Random article button, and it seemed like one that could do with a bit of TLC. What is it about my referencing style you find opaque? On articles where I have a free choice I only actually use three templates: {{citation}}, {{sfnp}}, and {{r}}. This article's citation style was inconsistent, but I've updated it to conform to what seems to be your preferred style, using the {{cite}} templates, as you're more likely than me to continue working on the article. BTW, the |accessdate parameter is only used if you're providing a web address, irrelevant otherwise and thus ignored by the template. George Ponderevo (talk) 19:48, 1 February 2013 (UTC)Reply
Sorry, you clearly know much more than I ever will: I use the citation templates that I can pull down via some (Twinkle?) menu. I've seen articles with the sfn style that have a bibliography for books and a parenthetic reference pointing there, and "regular" footnotes with the entire reference in it for articles and websites. I thought maybe that's what you were going for but wasn't sure, hence my apology. (That accessdate field comes automotically; I'll make sure to leave it blank next time if there is no URL.) I just looked at the Template:R page and that goes right over my head. My curiosity was piqued but my involvement probably short-lived since I don't have a jazz library and, as I said, no access to the relevant publications. Please don't let anything conform to my "preference"--it's my preferred method only by default. Thanks for cleaning it up, Drmies (talk) 20:36, 1 February 2013 (UTC)Reply
I learned what little I know about citations by being picked up by the late Jack Merridew/Br'er Rabbit while I was trying to do a bit with The Coral Island for doing it "wrong". I took a bit of convincing, but I'm a convert now. George Ponderevo (talk) 20:52, 1 February 2013 (UTC)Reply
Uncle G has been trying to teach me things, apparently, but not with much success I'm afraid. It would be a blast if it turned out that G was Merridew. Anyway, the book template has this handy button: paste in the URL (or the ISBN) and it's filled in automatically--which is probably one reason I prefer this (semi-automated pull-down) method. I'm going to look at those pages you linked again. Thank you, Drmies (talk) 20:59, 1 February 2013 (UTC)Reply

Brown

I think you may be interested to know that William Robinson Brown is officially up for FA. Just an FYI. Montanabw(talk) 00:48, 5 February 2013 (UTC)Reply

Good luck with that. Let me me know if there's anything I can do to help. George Ponderevo (talk) 02:46, 5 February 2013 (UTC)Reply
Maybe just watchlist the review and if there is a need to explain why something needs to be done a certain way (to me or to a reviewer), point to some useful links. I have respect for your views on editing. Montanabw(talk) 21:30, 6 February 2013 (UTC)Reply
As you may have seen, I've been bold and tweaked your inflation calculations. For one thing they were far too misleadingly "precise", and for another I'm pretty certain that CPI/RPI isn't appropriate in cases like this one. George Ponderevo (talk) 16:13, 7 February 2013 (UTC)Reply
No problem with bold, the point was the perception that Blunt was selling at fire sale prices, however we get there. Montanabw(talk) 23:42, 7 February 2013 (UTC)Reply

Commentary on edits

Hello, my fellow George,

I noted your edits on Paul Strähle. I am not writing to complain. Instead, I thought I would point out a couple of details that may (or may not be) be peculiar to my self-chosen niche in WP. No complaints, here–just some tips.

  • I list both 10 and 13 digit ISBNs so that either number can be used to retrieve biblio info. I intend to do so until I have indisputable proof that the migration to 13 digits is complete. In this case, you may be a bit over-tidy.
    I think that's pointless, but it's your choice of course. Bumming around as I tend to do I not infrequently also see ISBNs give for both hardback and paperback versions, which I think is even more pointless. But as I say, it's your choice. George Ponderevo (talk) 20:32, 8 February 2013 (UTC)Reply
  • Osprey Publishing books are often credited to differing authors, depending on whether you refer to Amazon or to Google Advanced Book Search for biblio info. The two sites often disagree with one another when it comes to authorship of its World War I aviation books; the most common difference is crediting Harry Dempsey as an author instead of an illustrator.
    I simply went by what the front cover of the book says is the author. George Ponderevo (talk) 20:32, 8 February 2013 (UTC)Reply
  • And I do note an error when the article says Strähle flew a plane bearing Rudolph Berthold's markings. Berthold and Strähle's planes shared common background markings, as was usual in German jastas. However, each pilot's plane additionally also had distinctive personal markings.
    The article could obviously do with quite a bit more work in several areas. George Ponderevo (talk) 20:32, 8 February 2013 (UTC)Reply

Hope these tips seem helpful.

Georgejdorner (talk) 17:10, 8 February 2013 (UTC)Reply

The citations are still a bit unsightly with their raw URLs; any objection to me trying to tidy them up a bit? George Ponderevo (talk) 20:32, 8 February 2013 (UTC)Reply

I wonder why

I bother with this featured stuff. --Peter I. Vardy (talk) 09:46, 9 February 2013 (UTC)Reply

So do I Peter, so do I. ;-) After my own Little Moreton Hall marathon it may well be a while before I try again, doesn't seem worth the hassle really, for a few marginal improvements and an inordinate amount of nit-picking. George Ponderevo (talk) 14:41, 9 February 2013 (UTC)Reply
I suppose vanity may have something to do with it. Although in my naivety I suppose I think I am supporting the various Wikiprojects. --Peter I. Vardy (talk) 14:51, 9 February 2013 (UTC)Reply
All very worthy, but not so good for your blood pressure. George Ponderevo (talk) 15:03, 9 February 2013 (UTC)Reply

To avoid further drama involving 3rr accusations, may be moving Little Moreton Hall to a personal sandbox and making edits there would be best? You can always restrict editing of it by making a suitable announcement on the talk page? (I know its not ideal, but it may help stop a band of editors who have seemingly emerged from nowhere changing back to Mabbett's infobox.)  DDStretch  (talk) 18:22, 15 February 2013 (UTC)Reply

I'd rather stick pins in my eyes than let Mabbett and his supporters win, and I suspect that Giano feels the same. If there's a rational argument in favour of visible infoboxes I've yet to see it. George Ponderevo (talk) 18:27, 15 February 2013 (UTC)Reply
It was just a thought to allow the tweaks to be done without constantly having to deal with an apparent tag-team of editors who revert everything without any discussion.  DDStretch  (talk) 18:38, 15 February 2013 (UTC)Reply
I'll just have to take my chances with Mabbett and his tag team. Have you ever seen him answer a question? George Ponderevo (talk) 19:05, 15 February 2013 (UTC)Reply
Giano feels the same!  Giano  19:50, 15 February 2013 (UTC)Reply

Practice tip: May not work for everyone, but I've found that ever since I added that wkikstress thermometer to my talk page, it has had the paradoxical effect of keeping me a bit saner -- I up the stress level BEFORE I go totally nuts (though usually AFTER I've said somehthing bitey and snarky that will have people whining at me for the following week, so it's not perfect). Montanabw(talk) 00:08, 18 February 2013 (UTC) Reply

SG for Little Moreton Hall

--Gerda Arendt (talk) 10:02, 19 February 2013 (UTC)Reply

Impressive stats already ;) - Would you please take a look at the infobox of Structure of Handel's Messiah? Complex music - like architecture - is beyond description and boxing, sure, but then we can't write about it at all, --Gerda Arendt (talk) 17:11, 20 February 2013 (UTC)Reply

My editing days are over, sorry. Wikikpedia is for me just a repository until something better comes along, preferably not run by unsupervised and unaccountable children. George Ponderevo (talk) 17:55, 20 February 2013 (UTC)Reply
Look, I tell you as gently as I can that I only said: look, - "it's always good to learn something new". - I will miss that - and you, --Gerda Arendt (talk) 18:56, 20 February 2013 (UTC)Reply
Look and listen to something new. - Readers liked LMH, even came over to English, --Gerda Arendt (talk) 23:48, 21 February 2013 (UTC)Reply

Narrow minded

Could you please admit that I did not call you narrow minded?[3] FunkMonk (talk) 08:59, 20 February 2013 (UTC)Reply

You seem to have an unusually single-tracked mind, even for a Wikipedian. George Ponderevo (talk) 09:11, 20 February 2013 (UTC)Reply
Lol. So did I call you narrow minded or not? Either you admit you're wrong, or you quit falsely accusing me. FunkMonk (talk) 09:12, 20 February 2013 (UTC)Reply
So it wan't you who posted this? it seems some people are so emotionally attached to arbitrarily separated processes to be willing to compromise the Wikipedia project itself, and prevent mere discussion of integration, as can be seen in the below thread. Such zealousness and antagonism between mere assessment processes does not belong on Wikipedia, and should be flushed out on sight. George Ponderevo (talk) 09:21, 20 February 2013 (UTC)Reply
That's irrelevant, it was after the below discussion was closed. I give up on you, but the history is there for all to see; prior to my comments, you threatened me with revenge edits, and falsely accused me of calling you narrow minded. But I see you're on a "break" now, so I won't bother you anymore, as long as you quit falsely accusing me. FunkMonk (talk) 09:24, 20 February 2013 (UTC)Reply
It's only irrelevant in your silly and childish little world. And I seem to remember that the term "revenge edits" was yours, not mine. Didn't I ask you to explain your use of that term? Did you explain? George Ponderevo (talk) 10:06, 20 February 2013 (UTC)Reply
The threas wad closed before I got a chance to reply. And these comments speak for themselves, don't they?[4][5] FunkMonk (talk) 10:13, 20 February 2013 (UTC)Reply
If the thread was closed then you ought not to be replying, but you did nevertheless, although not to my question. Speaks for itself doesn't it? But you could always explain here what you meant by "revenge edits". George Ponderevo (talk) 11:56, 20 February 2013 (UTC)Reply
I just did. But let's leave it at that, have a nice break... FunkMonk (talk) 12:06, 20 February 2013 (UTC)Reply
You just explained what you meant by "revenge edits" where? I haven't seen it. George Ponderevo (talk) 12:14, 20 February 2013 (UTC)Reply
I repeat: [6][7] FunkMonk (talk) 12:15, 20 February 2013 (UTC)Reply
Your repetition explains nothing. What did you mean by "revenge edits"? Revenge for what? George Ponderevo (talk) 12:19, 20 February 2013 (UTC)Reply
Sheesh, I give up. I'll leave Wizardman's analysis here[8], and you can have a good day. If you want to ask me something further, go to my talk page. FunkMonk (talk) 12:21, 20 February 2013 (UTC)Reply
Perhaps before you give up you might consider apologising for your accusation that I might make "revenge edits"? Or is that expecting too much of you? That Wizardman is a self-confessed moron is no concern of mine. George Ponderevo (talk) 12:23, 20 February 2013 (UTC)Reply

Hi

Maybe you don't know me .. but sometimes I really wonder about you. But hey .. you are one hell of a writer. — Ched :  ?  04:50, 21 February 2013 (UTC)Reply

What is it that you wonder Ched? George Ponderevo (talk) 10:20, 22 February 2013 (UTC)Reply
To be honest I hadn't really thought through a conversation here. I tend to read much more than I write, and I stumbled upon a few conversations that piqued my interest. Perhaps it's the "conspiracy theorist" in me, but I often wonder things like: "What's the plan for this direction"? "Where is this going"? "Was something said with forethought, and what's the intent"? I suspect that often when I'm looking for a tree in the forest, it's simply an innocuous "oops, I didn't mean to do that" moment, and my mind imagines what sorts of experiment or test is being presented.
A long-winded background to simply say that I suppose I wonder what it would be like to sit down in an informal setting; beer, tea, wine, coffee, ... whatever; and get to know the person behind a particular moniker. Complex people (such as Steve McQueen), are often interesting studies. And I just wonder what it would be like to know them in real life. Either way, congratulations on the new vehicle. Cheers. — Ched :  ?  00:49, 23 February 2013 (UTC)Reply
The new vehicle is far too complicated for me. It took me three days to work out how to switch off the reversing sonar, which until then had been constantly flashing on the dashboard – very distracting. And about half of the times I try to drive off I can't get the car out of Park until I undo and then redo my seat belt, or fiddle with the handbrake, or some other random and increasingly desperate manoeuvring. I like the rear-facing camera pictures that come up on the sat nav display when I'm reversing though, that's really cool. George Ponderevo (talk) 01:17, 23 February 2013 (UTC)Reply
I recall a family motorhome that had such a rear-facing camera, it always fascinated me. But alas, there seems to be so much new and improved technology these days (and I still question that "improved" = better). Mitsubishi is in my view one of the finest car makers in the world however, so I'm sure it will be well worth the learning curve. I'm sure if you took a list of questions back to the dealer they would be happy to help out; that is if you would rather not figure out these things on your own. Hope you enjoy all that comes with the new experience. — Ched :  ?  03:44, 24 February 2013 (UTC)Reply

Pingy ping ping

Added more stuff to Brown. Needs your eyeballs. Also changed some stuff (which might have been your edits) per requests by reviewer Wehwalt. Would appreciate you trotting over there to peek (if I may pun a bit). And speaking of trotting, there is a requested move discussion at Talk:Trot (horse gait) over whether WP:PRIMARY applies. Given your language interest, you may want to weigh in; I thought we had a WP:SNOW close on the way, but it now appears that a Korean form of music is challenging us. (And I didn't start this...) Montanabw(talk) 21:51, 21 February 2013 (UTC)Reply

It looks pretty good to me, some nice additions there. I made a few minor tweaks, but it was just fiddling around really. Looks like you might have enough supports now, so fingers crossed. George Ponderevo (talk) 10:22, 22 February 2013 (UTC)Reply
Who does the vote-checking and official promotion? Will it randomly happen by magic or do I have to ping someone? (wanting to lay fairly low...) Montanabw(talk) 20:59, 22 February 2013 (UTC)Reply
The FA delegates will get around to it in due course, you just need to be patient. George Ponderevo (talk) 21:20, 22 February 2013 (UTC)Reply

OK, by the way, while I wait, Wehwalt suggested this site at FAC for a historic dollars/pounds conversion. Think it will pass muster if I used the $4.70 rate, or is that too fuzzy? (Wehwalt wants a pounds to dollars conversion, which as a Yank myself, I'd like to pull off, but not at the cost of blowing FA) Montanabw(talk) 01:34, 25 February 2013 (UTC) Reply

I don't think you'd get away with that as a reliable source for FAC purposes. What is it Wehwalt's asking for? A contemporary £->$ conversion, a conversion adjusted for present-day value, or both? Whichever, why not use the exchange rate converter at Measuring Worth here? It shows that the value of £2727 in 1916 was $13,000 (which is a rate of $4.77 to the £, not too far from your suggested $4.70), the historic opportunity cost equivalent of which (the same measure we used for the sterling calculation) is $192,000 as of 2011. Job done? George Ponderevo (talk) 15:48, 25 February 2013 (UTC)Reply
I think that will work, though I think I need 1918! Let me tweak that note and see what you think (give me about 30 minutes from now to work on it) Feel free to tweak further if need be. And Thanks!
I'm sure you'll be able to use those conversion calculators just as easily as I could. Don't know where I got the idea from that we were talking about 1916 though, maybe I need new glasses. Or at least clean the ones I'm wearing now. George Ponderevo (talk) 21:32, 25 February 2013 (UTC)Reply
I think you've just confused the conversion issue. Would you like me to write something to clarify what's going on here? George Ponderevo (talk) 02:35, 26 February 2013 (UTC)Reply
MOre than likely. Go peek at the edits I made to the note on conversion and see if I did it right, feel free to fix as needed! Montanabw(talk) 23:27, 28 February 2013 (UTC)Reply

Belated thanks

Hi George!

You and Pesky maintained my spirits and my affection for WP writers during a block last year. I regret having never properly thanked you for your copy editing of Tom Kahn. Thanks again for your many great contributions.

Best regards, Kiefer.Wolfowitz 10:39, 24 February 2013 (UTC)Reply

Edward Coke

Thanks for your comments here; I've now responded to them, if you want to take a second look :). Ironholds (talk) 22:47, 24 February 2013 (UTC)Reply

I will, but probably not until this evening. George Ponderevo (talk) 15:52, 25 February 2013 (UTC)Reply
Cool; thanks for your additional feedback (which I have now addressed, I think). Ironholds (talk) 13:55, 3 March 2013 (UTC)Reply
I think it's maybe still a bit dodgey prose-wise in a few places. Any objection to me trying to primp it up a bit instead of bothering you at the FAC again? George Ponderevo (talk) 14:00, 3 March 2013 (UTC)Reply

Dana

Dana boomer has an article languishing in the GA queue. I know she's in the wikicup. Should be easy passes, I think: American Saddlebred/GA1 (I helped some, but she's leading the push). If you can't review, maybe ping a good reviewer for us? Thanks! Montanabw(talk) 20:58, 25 February 2013 (UTC)Reply

I don't know any good GA reviewers other than Ealdgyth. or at least not any who are still active George Ponderevo (talk) 21:35, 25 February 2013 (UTC)Reply
(watching) try Grapple X or Mkativerata, --Gerda Arendt (talk) 10:35, 26 February 2013 (UTC)Reply

fyi... becareful in removing interwiki links. Not all of them are in Wikidata. You need to add them to Wikidata before removing all the interwiki links.

More importantly, Montanabw, Gerda Arendt, Ironholds and Kiefer all on your talk page. Man, you have some mighty fine friends in high places. I'm jealous. All I have is my puppy licking my face because she is hungry. Bgwhite (talk) 21:47, 28 February 2013 (UTC)Reply

I'll try and bear that in mind. George Ponderevo (talk) 21:58, 28 February 2013 (UTC)Reply

Could you ...

I am sorry the Coke FAC degenerated so badly; perhaps when it is returned it will be more worthy. Do you think you would have time to review the FAC for Flying Eagle cent, which is languishing rather? It goes without saying I would be happy to review one of your articles in due course.--Wehwalt (talk) 22:26, 8 March 2013 (UTC)Reply

I'm sorry it did too, and I was particularly disappointed with the personal tone adopted by the nominator. But I made a deal with myself a short while ago that I would focus on those topics that interested me or caught my imagination in some way, and reviewing random articles isn't on my list of enjoyable things to spend time on I'm afraid. I'm sure you understand. As for my own contributions, I've tried FAC and I've got no plans to go back there in the foreseeable future. George Ponderevo (talk) 22:42, 8 March 2013 (UTC)Reply
Ah. Well, sorry to hear that. May I call on you when I have an article I think might interest you at the pre-FAC stage?--Wehwalt (talk) 00:22, 9 March 2013 (UTC)Reply
Of course. George Ponderevo (talk) 01:03, 9 March 2013 (UTC)Reply

Treats!

Treats!
As a previous recipient of the Pony Prize, here is some sugar for your pony, recognizing your invaluable assistance in bringing William Robinson Brown to featured article status. Ponies do not really need sugar because they are prone to be easy keepers, so this is a special treat, only given once! (Subsequent awards shall consist of carrots). Montanabw(talk) 22:40, 8 March 2013 (UTC)Reply

To send a pony or a treat to other wonderful and responsible editors, click here.

Congratulations, you deserved it for all the work you put in. George Ponderevo (talk) 22:44, 8 March 2013 (UTC)Reply
Your help was immensely valuable and much appreciated! Montanabw(talk) 23:07, 8 March 2013 (UTC)Reply

Queen Street Mill

Thanks for taking an interest in Queen Street Mill and doing such a fantastic clean up job. If you are ever short of ideas- just dive into my contributions list- I don't see my own mistakes.--ClemRutter (talk) 02:28, 9 March 2013 (UTC)Reply

I just stumbled across a copy of Williams & Farnie's Cotton Mills in Greater Manchester in the library recently, so I've been looking through it and seeing what we have here and what we don't. I was surprised to find that we didn't have an article on Old Mill for instance, it being Manchester's oldest surviving cotton mill. The articles on trades in the cotton mills, such as tackler, obviously need a lot of work as well. George Ponderevo (talk) 02:48, 9 March 2013 (UTC)Reply
Thats more or less where I started- but I inherited the rare book on the 53 mills of the Lancashire Cotton Corporation. After ruminating, and being reverted several times for lack of notability, I persisted and used pp.185-189 to build up the list articles List of mills in Manchester etc. The intention was/is to build up any information in the the list item- and when there is enough to write a separate article on each. I used a custom template for each mill- so the fields are in the correct order to build up the {{Infobox mill building}} with the minimum of cut and paste. On Citations you will find many of the main references I use- some are on line, but others are on paper.
I see you found Murrays' Mills.
It followed on naturally from Old Mill, of course. Decker Mill is also a Grade II* listed building, so that could do with an article as well I think. George Ponderevo (talk) 13:57, 9 March 2013 (UTC)Reply
With Queen Street Mill, I started the article and I am so pleased that it has led to LCC working with wikipedia. Cotton mill is one of my articles and it really only addresses spinning. I have nearly completed Weavers' cottage and am looking to write one on Weaving sheds. W&F p76 gives some direction- give me a few days (to plan it though). Yes there is a lot to do.--ClemRutter (talk) 11:59, 9 March 2013 (UTC)Reply
Given the importance of the cotton trade to the region that seems like a worthwhile project you've undertaken, and I'll be only too happy to help where I can. George Ponderevo (talk) 13:57, 9 March 2013 (UTC)Reply
I've just done a tiny bit to clean up tackler, and I've ordered a book that I hope might help to flesh it out a little more. Moving on to scutcher, I found that we have an article on scutching, but it focuses pretty heavily on flax for some reason, so I'm going to have a go at expanding and generalising that with more emphasis on cotton. I suppose there must be an article somewhere that addresses the whole cotton processing cycle; is that what you intend cotton mill to be? George Ponderevo (talk) 16:31, 10 March 2013 (UTC)Reply
Thats quite a big question. When I started the article it was in sheer frustration that there was nothing on the cotton industry- and all the articles on cotton had handy tips for the hobbyist. Excellent stuff but nothing industrial processing. To explain the mill, one had to describe the process and the Cotton mill article had to do all that, as there was nothing you could link to. Add to that the dearth of recent material- Lancashire had tried to bury the remains-- it was like a shameful big family secret. So as I found out more and more, it went into that article. When I wrote my first copy of articles on individual mills they were deleted as not fulfilling Notability. That stage is over. We have recognition, and officially LCC has opened the doors. So where does that leave Cotton mill. To be honest I had no clear plan- where do you see it going?

So to put on my managers hat:

  • There is an article Cotton that none of us save Richerman has contributed. (4000+ edits from 2002)
  • Now we come to the level on the individual mills, the individual machines, the individual tasks, the individual manufacturers and the individual personalities. These are in some respects easiest but regard must be made to make them cross fibre.
  • Back to the mills Cotton mill is principally about spinning mills, I have weaving sheds in my sandbox, we have also got combined mills- and nothing has been done on finishing processes, or making up. All tasks to-do.
    • (I will post this now an place it on the GLAM/QSMM page: but my thoughts are not fixed- and the list is not definitive )
  • There's obviously a lot to do, and a lot of articles to be stitched together. With regard to cotton mill, what I'd be inclined to do would be to focus on the history, architecture and structure as it related to the various processes taking place, machinery installed and power source used, and deal with the end to end process in a spin-off article with only a summary style section in the mill article. But I haven't really thought about it any any great depth. George Ponderevo (talk) 14:33, 13 March 2013 (UTC)Reply

If you have the inclination

Hi George, I see you have been copyediting on a few pages on my watchlist. Your comments on Nitrogen narcosis encourage me to suggest Decompression (diving) as a possible target for your discerning eye. It needs an outsiders view and comments on its strengths and weaknesses. I am too involved to see the wood for the trees, and have no idea of how understandable it is to a layperson. Cheers, • • • Peter (Southwood) (talk): 09:25, 11 March 2013 (UTC)Reply

My first impression is that at 128 kB of readable prose the article is way too big, probably by a factor of three or four. The guidelines at WP:Article Size suggest a maximum of 30 kB to 50 kB, and less for technical articles like this one, so I think there's a lot of summarising and farming out of material required to achieve a proper summary style. Only when that's done would it be worthwhile to spend time on copyediting IMO. George Ponderevo (talk) 10:42, 11 March 2013 (UTC)Reply
Thanks for the comment, Would you post it on the article talk page? I am aware of the size problem, but don't really know how best to make the split. If you have an opinion on that, please also put your recommendation on the talk page. Cheers, • • • Peter (Southwood) (talk): 16:14, 11 March 2013 (UTC)Reply
Feel free to copy my comment over to the article talk page. I'll have a think about how I'd make the split and get back to you. George Ponderevo (talk) 16:16, 11 March 2013 (UTC)Reply
Done, Cheers, • • • Peter (Southwood) (talk): 06:22, 12 March 2013 (UTC)Reply

Planyavsky

Thank you for your interest in the article. I recommend to read his website (now not in the box, but in the external links), full of surprises (too bad that it's only in German). Sample "Kaum hat jemand nichts zu sagen, stellt er es auch schon ins Netz, damit möglichst viele nichts erfahren." (As soon as someone has nothing to say he puts it on the web so that many can learn nothing.) --Gerda Arendt (talk) 21:54, 11 March 2013 (UTC)Reply

Planyavsky is an interesting case (his article I mean). If the lead were expanded, as it ought to be, I'd have no particular objection to an infobox. My major objection is to those infoboxes that bleed interminably down the page, disrupting everything in their path, or those that simply repeat what's in the first sentence of the lead. Contrary to what some may think I'm agnostic about infoboxes, neither for nor against, but I do believe they need a serious rethink. George Ponderevo (talk) 22:15, 11 March 2013 (UTC)Reply
Feel free to expand the lead. - I think to see from when to when he held which post is easier to read in the box. (I didn't try to add for what part of his time as cathedral organist he was director of music there.) More generally: numbers to the box, personality in the text. - I am also an agnostic, but - repeating - if someone supplied a box for me I would just say thank you, no discussion. - The next TFA without a box is Messiah (Handel), the box is "hidden" in the structure, --Gerda Arendt (talk) 22:32, 11 March 2013 (UTC)Reply
I hear all the arguments about accessibility, and I agree with many of them, but not to the point of compromising the basic article layout. As Giano said, we have to be in somebody's comfort zone, else we're in nobody's comfort zone. The way to handle devices with different form factors and so on is to offer different interfaces, not to compromise the base interface. This is all just so basic I really can't understand what the objections are. Anyway, I'll have a go at expanding the lead, and you can see what you think. If you don't like it then you know what you can do, revert it. :-)
BTW, there's an article on the BBC's web site today about how Germans are coming to love us Brits, even to the point of preferring tea to coffee. Have you seen it? George Ponderevo (talk) 22:48, 11 March 2013 (UTC)Reply
Do you see what I mean now? With a proper lead the infobox doesn't bleed into the article. George Ponderevo (talk) 23:41, 11 March 2013 (UTC)Reply
Thank you for the lead! (I hope it is ok with you that I removed "also", twice.) - For the box, you will watch the "heart of the matter". I resisted the temptation to mention "homework", also, or likewise ;) --Gerda Arendt (talk) 09:21, 12 March 2013 (UTC)Reply
ps: (quoting you) I have a confession to make --Gerda Arendt (talk) 11:43, 12 March 2013 (UTC)Reply
Looking at your exquisite wording in that lead (and elsewhere), please have a look at another with insufficient lead (and more), Andreas Scholl, - I came late to the article, --Gerda Arendt (talk) 18:00, 12 March 2013 (UTC)Reply
Thanks for picking it up, looks much better already. Did you know that he sang He was despised for us? --Gerda Arendt (talk) 23:22, 13 March 2013 (UTC)Reply
I haven't finished yet Gerda, I'll be back tomorrow to add a little more. I'm always a little puzzled as to why it is that many editors seem to find it so difficult to write leads, when I think it's like falling off a log. Is it perhaps something to do with the way that our education systems have changed? I recall sitting in primary school classes listening to the teacher read a story and then asking us to summarise it in a paragraph or two. Wasn't so hard then and it isn't so hard now. What do you think? George Ponderevo (talk) 23:33, 13 March 2013 (UTC)Reply

Infoboxes:

I've archived the debate [9]. Nothing more productive was going to come, and the majority approved the motion that info boxes are not always necessary. Seems a good compromise.  Giano  19:06, 12 March 2013 (UTC)Reply

I'm sure we haven't heard the end of this. I'm certain that articles on historic houses or works of art have particular issues with tiny images in infoboxes, but for run of the mill articles such as Pendine Museum of Speed I think the approach now adopted at Peter Planyavsky works pretty well. George Ponderevo (talk) 19:14, 12 March 2013 (UTC)Reply

Medieval

Please don't change the letter case in articles about English churches. Almost every ancient English church, and certainly the cathedrals (with only three exceptions) are more simply designated as Medieval architecture rather than Gothic or Romanesque. The term is used in the same manner as Renaissance, Jacobean, Georgian, Victorian and Baroque. Amandajm (talk) 23:24, 12 March 2013 (UTC)Reply

Please try and get it right Amandajm, just follow the link. Honestly! George Ponderevo (talk) 23:33, 12 March 2013 (UTC)Reply
I'll go with that, until there is an appropriate link. It could go to the article about English cathedral architecture.
Re the cathedral school. Simpler is not necessarily better. The two statements were written very precisely and for good reason. The establishment of a choir does not necessarily indicate the founding of a school. It is the school that chooses to date their foundation to that point. Note that I have written "point" because a specific date is not available. The matter of dating of the foundation of the Cathedral School, as against the Choir, is somewhat contentious.
Re: "At the lowest level of the facade is a plain base, contrasting with and stabilising the ornate arcades that rise above it."
Please leave this exactly as it is. While I realise that your edit is simpler, let me stress that the subject of the section is the "facade", not the "base".
Simpler is not necessarily better.
Amandajm (talk) 00:07, 13 March 2013 (UTC)Reply
  • "At this time a choir of boys was established to sing the liturgy, which Wells Cathedral School considers to mark its foundation."
The precise meaning on this sentence is now that the Cathedral School considers that the the liturgy marks its foundation. Try again!
I very much doubt that no matter how hard I try I could ever be as trying as you. George Ponderevo (talk) 00:54, 13 March 2013 (UTC)Reply
Since when did you get to be my master and tell me what I can or can't do Amandajm? I suggest that you get off my case and find something useful to do elsewhere; I think you need to reconsider your whole approach here, which is frankly completely counterproductive and unlikely to achieve the outcome you're hoping for. George Ponderevo (talk) 00:13, 13 March 2013 (UTC)Reply

George Ponderevo,

What on earth is the matter with you? Can't you be told anything?

You have been given reasons why these two changes are not appropriate. I have taken the trouble to write them on your page, rather than simply deleting what you have done. Why does that mean I'm "on your case"? What have you got to be so precious about?

  • I have accepted your change to "medieval", having given a reason why I would prefer it otherwise.
  • I don't see any value in changing "which" to "that" except that most Americans prefer it that way. It doesn't follow an English rule. But since many prefer it that way, it's better, not worse.
  • Thank you for the practical changes you have made to the formatting.
  • Pleased don't continue to make changes that affect the meaning.
  • Here is an example of a non-helpful edit: "The statues are of life size."
Your addition of the hyphen was fine. The removal of the "of" was not. It took the language from precise to journalistic.
An art/architecture writer can say either "The statues are of life-size" or The statues are life-sized", but not "The statues are life-size".

Amandajm (talk) 00:36, 13 March 2013 (UTC)Reply

I don't think "dean" is a proper noun in that context, either :P --RexxS (talk) 00:28, 13 March 2013 (UTC)Reply
It isn't, but who dare argue with the mighty Amandajm. George Ponderevo (talk) 00:53, 13 March 2013 (UTC)Reply
I can be told many things, and I will consider each of them on their merits. But I cannot be bullied. I will, or I will not, continue to make edits to Wells Cathedral as I choose, not you. Amandajm. George Ponderevo (talk) 00:50, 13 March 2013 (UTC)Reply
And as for the distinction between "which" and "that", I suggest you invest in a good English grammar book. You might learn something. God knows, you've got plenty of gaps to fill. George Ponderevo (talk) 00:52, 13 March 2013 (UTC)Reply
And let's be quite brutally frank. You came here with a rant that was frankly a lie; the architecture of Wells Cathedral, as the lead says is Gothic, not "Medieval". George Ponderevo (talk) 01:12, 13 March 2013 (UTC)Reply
  • Response
OK. I'll explain:
The Early Medieval period of architecture covers a very wide variety of styles that were all essentially local and include Carolingian architecture, Saxon architecture, Merovingian architecture and Byzantine architecture.
The Late Medieval period of architecture includes two styles that were pan-European: Romanesque architecture (which is called Norman architecture in some regions including Great Britain), and Gothic architecture.
In Northern France, in Germany and in Italy there is usually a very clear division between the Romanesque buildings and the Gothic buildings e.g. Notre Dame de Paris, Cologne Cathedral and Florence Cathedral are all most definitely Gothic while Saint-Etienne, Caen, Pisa Cathedral and Worms Cathedral are without question Romanesque.
In England, this clear division does not exist.
In England, the majority of the ancient cathedrals span a time period of about 400 years, and include Norman (Romanesque) and Gothic architecture.
For example:
1. If someone talks about Peterborough Cathedral as one of the finest Norman buildings in England, then the statement is made with the understanding that it also has a unique and superbly magnificent Gothic facade, and a remarkable eastern end that was not added until 300 years after the facade, being very late Gothic. This means that any book about English Gothic architecture would include descriptions of Peterborough Cathedral, of which the greater part was designed in 1117 and is most definitely Norman.
2.The buildings dates of Canterbury Cathedral range from 1070 to 1505 (with its north tower not finished until the 19th century). The Choir of Canterbury and the Choir of Wells were under construction at exactly the same time. One could describe Canterbury as a "Gothic Cathedral" but where does that leave the Norman crypt, the Norman chapels and the two small Norman towers?
3. Another case is Winchester Cathedral. When you enter the building you see one of the finest Gothic naves in Europe. But here is the problem. It is incredibly long! This is entirely dependent on the fact that most of the stone at which one is looking was in fact put in place by Norman builders in about 1080. But 300 years later William Wynford remodelled the whole blinking thing by carving Gothic fluting into the old piers, and fitting Gothic arches into the Norman ones. The form of what he created was in part dictated by what was already there. The extreme length, for example, is typically Norman, not Gothic. The distance between the piers etc, was set in stone, so to speak.
The extended time-frame over which almost all the ancient cathedrals and many of the abbeys were built means that in making comparisons between English cathedrals, it is better to use the term "Medieval" than either "Gothic" or "Norman".
  • So when I indicate that the term Medieval architecture is preferable to Gothic architecture when summarising and comparing English cathedral, this is the reason.
  • I would like you to withdraw the statement that You came here with a rant that was frankly a lie; the architecture of Wells Cathedral, as the lead says is Gothic, not "Medieval"
  • I would also like you to withdraw this "But I cannot be bullied."
No-one has tried to bully you.
You have simply been requested not to make certain changes, to several aspects of the expression.
  • I am cutting and pasting this discussion to the talk page of the article. I am sorry that I didn't post it there in the first place!

Amandajm (talk) 04:55, 13 March 2013 (UTC)Reply

There's no need for you to explain, I know exactly where you're coming from, and it isn't a nice place unless you're a bully. So I suggest you leave me alone now, because I'm completely immune to bullies. George Ponderevo (talk) 05:00, 13 March 2013 (UTC)Reply

Headings

Hi George, You took out a heading I added to the debate [10]. Was that an accident? Best. --Kleinzach 01:41, 13 March 2013 (UTC)Reply

Did I? Definitely wasn't intentional on my part, sorry. George Ponderevo (talk) 01:42, 13 March 2013 (UTC)Reply
Thanks. I've fixed it now. --Kleinzach 03:42, 13 March 2013 (UTC)Reply

Article Feedback deployment

Hey George Ponderevo; I'm dropping you this note because you've used the article feedback tool in the last month or so. On Thursday and Friday the tool will be down for a major deployment; it should be up by Saturday, failing anything going wrong, and by Monday if something does :). Thanks, Okeyes (WMF) (talk) 22:39, 13 March 2013 (UTC)Reply