Elaine Margaret Frankel (née Anderson; 2 October 1902 – December 1997) was a New Zealand painter, potter, printmaker and art teacher. She was a founding member of The Group, an association of New Zealand artists.
Lady Margaret Frankel | |
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| Born | Elaine Margaret Anderson 2 October 1902 Christchurch, New Zealand |
| Died | December (aged 94) Canberra, Australia |
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Early life
Frankel was born in Christchurch on 8 October 1902. She was the middle of three children of engineer Frederick Anderson and his wife Phoebe. She attended Rangi Ruru Girls' School. The family moved to Opawa in 1918.[1] In April 1923 she left New Zealand to study painting in France for a year.[1]
In 1925 Frankel enrolled at the Canterbury College School of Art and became an artist member of the Canterbury Society of Arts. Four of her impressionist watercolour paintings were exhibited by the society.[1]
The Group and career
In 1927, Frankel and friends (Cora Wilding, Viola Macmillan Brown, Ngaio Marsh, Evelyn Polson (later Page), Edith Wall, William H. Montgomery and Billy S. Baverstock) founded artist's association The Group and held their first exhibition on 3 August 1927.[1] Frankel at this time was responsible for The Group's finances.[1]
In 1929 Frankel exhibited fourteen paintings with The Group, mainly of local subjects and landscapes.[1] In the same year she began teaching art at Rangi Ruru and began her diploma of fine arts at the Canterbury College School of Art.[1] In 1933 she exhibited linocut prints with the New Zealand Society of Artists.[1] She married scientist Otto Frankel on 8 December 1939.[1][2] Frankel's notable landscapes around this time include Lyttelton Harbour – Rāpaki (1939) and Old Houses, Lyttelton (1946).[1]
Frankel and her husband developed her childhood home into an arts and crafts centre called Risingholme Community Centre, which opened in 1945.[1] Frankel taught pottery at the centre together with Doris Lusk.[1] At a 1950 fête at the centre, Frankel was the "craft queen" and was crowned overall queen of the fête "by a narrow margin".[3] Frankel became a committee member of the Canterbury Society of Arts in 1947.[1]
From 1947 to 1951, Frankel worked to purchase Pleasure Garden for Christchurch by Frances Hodgkins for the city of Christchurch.[1] Following Frankel's public appeal for subscriptions, the work was successfully purchased in 1949;[4] however, the city council rejected the painting on the grounds that it was too modern.[5][6] Frankel responded:[7]
It is proper that any art gallery should have the right – indeed it has the duty – to refuse gifts which are not in keeping with high artistic standards. But can the painting in question seriously be challenged on these grounds? It is the work of an artist recently described by the art critic of Time and Tide as one of our greatest contemporary English painters at the time of her death.
Frankel received public support from other artists and members of The Group.[7] A renewed offer in 1951 was accepted and the painting was given to the Robert McDougall Art Gallery.[7][8][9] Bill Sutton created a large painting based on this incident, with Frankel at the centre;[1][10] his painting was later accidentally destroyed but his sketches are still in existence.[11][12]
Move to Canberra and later life
In 1951 Frankel and her husband moved to live in Canberra.[1] At the time of her last exhibition with The Group in October 1951, newspaper The Press described Frankel as having been "the moving spirit of [The Group] ever since it was founded".[13]
After the move,, Frankel gave up painting but continued with her pottery.[1] Frankel joined the Canberra Art Club and assisted with its efforts to establish the Australian National Gallery; she and her husband would eventually leave a bequest to the gallery to fund the purchase of New Zealand art.[1] In 1961 she ran an exhibition of Pacific and south-east Asian artworks as part of the Pan Pacific and Southeast Asia Women's Association's international conference.[14] She became entitled to use the honorific Lady following her husband's knighthood in 1966.[15]
Her pottery works were shown in exhibitions and art galleries in Australia. In 1972 she spoke to The Press about the acceptance of pottery as an art form rather than a hobby.[16]
Frankel died in Canberra in December 1997.[15]
References
- ^ a b c d e f g h i j k l m n o p q r Vial, Jane (30 August 2021). "In Plain Sight". Bulletin (205). Christchurch Art Gallery Te Puna o Waiwhetū. Retrieved 31 July 2023.
- ^ "Marriage". The Press. 9 December 1939. p. 1. Retrieved 31 July 2023.
- ^ "News for Women: Fete held at Risingholme". The Press. 16 October 1950. p. 2. Retrieved 31 July 2023.
- ^ "Frances Hodgkins Picture: Total expenses £105". The Press. 23 May 1949. p. 2. Retrieved 31 July 2023.
- ^ "Painting Rejected: Gift to Christchurch". The Otago Daily Times. 21 June 1949. p. 4. Retrieved 31 July 2023.
- ^ "Work by Frances Hodgkins: Council Rejects "The Pleasure Garden"". The Press. 19 July 1949. p. 4. Retrieved 31 July 2023.
- ^ a b c Vance, Michael (19 June 2010). "One painting started a cultural war". The Press. p. C10. Retrieved 31 July 2023.
- ^ "Frankel, Margaret, 1903-1977". National Library of New Zealand. Retrieved 31 July 2023.
- ^ ""The Pleasure Garden": Renewed offer to City Council". The Press. 19 July 1951. p. 6. Retrieved 31 July 2023.
- ^ ""The Pleasure Garden" Controversy Recalled". The Press. 6 March 1951. p. 8. Retrieved 31 July 2023.
- ^ ""Homage to Frances Hodgkins"". The Press. 19 May 1981. p. 29. Retrieved 31 July 2023.
- ^ Phillips, Jock (11 March 2010). "'Homage to Frances Hodgkins' (2nd of 2)". Te Ara: The Encyclopedia of New Zealand. Retrieved 31 July 2023.
- ^ "The Group Art Exhibition". The Press. 16 October 1951. p. 3. Retrieved 31 July 2023.
- ^ "Entertainment At Conference". The Press. 25 January 1961. p. 2. Retrieved 31 July 2023.
- ^ a b "Margaret Frankel, artist". The Press. 20 December 1997. Retrieved 31 July 2023.
- ^ "Crafts accepted as art forms". The Press. 7 April 1972. p. 5. Retrieved 31 July 2023.