Content deleted Content added
Rochelimit (talk | contribs) create a redirect |
Lemongirl942 (talk | contribs) Reverted 1 edit by Rochelimit (talk): Revert cut paste move. (TW) Tag: nowiki added |
||
Line 1:
[[File:Wayang Pandawa.jpg|thumb|315x315px|Wayang Kulit in [[Indonesia]]]]
#redirect [[Wayang kulit]]▼
'''Wayang Kulit''' is a type of traditional puppet-shadow play that originated in India and is now performed in [[Indonesia]]. The Indonesian word "''wayang"'' is derived from a word meaning ''shadow'' or ''ghost'', while ''Kulit'' means ''leather'' or ''skin''.
Wayang Theatre in Indonesia comes in many different forms (''[[wayang Beber#Wayang beber|Beber]], [[wayang#Wayang karucil or wayang klitik|Kelitik]], '''Kulit''', [[wayang Golek|Golek]], [[wayang Topeng|Topeng]], [[wayang Wong|Wong]]'').
Wayang Kulit is among the best known, offering a unique combination of ritual, lesson and entertainment. The classic form is named Wayang Purwa.
Lacy shadow images are rear-projected on a taut linen screen with a coconut-oil or electric light. The Dalang (shadow artist) manipulates carved leather figures between the lamp and the screen to bring the shadows to life. Wayang Kulit is often performed during [[wedding]] celebrations, especially in [[Java]].
There are '''important differences''', between the 3 Islands where Wayang Kulit is played (due to local religious canon) :
<ref>Art in Indonesia, Continuities and Changes - Claire Holt - Cornell University Press</ref>
<ref>Das Indonesische Schattenspiel - Guenter Spitzing- Dumont Taschenbuecher</ref>
* in '''[[Java]]''' (where [[Islam]] is predominant), the puppets (named "ringgit") are elongated, the play lasts all night and the lamp (named blencong) is, nowadays, almost always electric. A full [[Gamelan]] with (pe)sinden is typically used.<ref>On thrones of Gold, Javanese Shadow Plays - James R. Brandon - Harvad University Press</ref>
* In '''[[Bali]]''' (where [[Hinduism]] is predominant), the puppets look more real, the play last a few hours and, if at night, the lamp uses coconut oil. Music is mainly by the four "[[Gamelan gender wayang|Gender]]" wayang, with drums only if the story is from the [[Ramayana]] . There are no sinden. The Dalang does the singing.<br>Balinese dalangs are often also priests (amangku dalang). As such, they may also perform during daylight, for religious purposes (''exorcism''), without lamp and without screen (wayang sakral, or "lemah")<ref>[https://books.google.com/books?id=qbz-WGBustUC&pg=PA14&lpg=PA14&dq=amangku+dalang&source=bl&ots=_5wDGcDzB5&sig=5nRimy7vrYKohV-xCrX7OQSlZcE&hl=en&sa=X&ved=0ahUKEwiO-tjXlKPOAhWLHB4KHbt-AdcQ6AEIKDAB#v=onepage&q=amangku%20dalang&f=false Religion in Bali, by C. Hooykaas, University of Leiden]</ref>
* In '''[[Lombok]]''' (where [[Islam]] is predominant and Bali's influence is strong), vernacular Wayang Kulit is known as '''Wayang Sasak''', with puppets similar than Javanese ringgits, a small orchestre with no sinden, but flutes, [[metallophones]] and drums. The repertoire is unique to the Island and is based on the [[Muslim]] Menak Cycle (adventures of [[Amir Hamzah]]).
See the gallery below, where the [[Mahabarata]] character shown is [[Kresna]] (all pictures, except the last one)
<gallery>
Wayang Kulit, Central Java.jpg|Central '''Java''' ringgit
Wayang Kulit maker.jpg|''Carving'' the leather, in a [[Jogjakarta|Jogyakarta]] factory
Wayang kulit painter.jpg|Painting the Ringgit, in a [[Jogjakarta|Jogyakarta]] factory
Making of a Ringgit.jpg|All stages of the making of a ringgit
Wayang Kulit, Bali.jpg|'''Bali''' ringgit
Wayang Kulit in Bali.jpg|In the specialized village of [[Sukawati]], Bali
</gallery>
== Components ==
Wayang Kulit shows involve the Dalang (puppeteer), Gamelan (traditional orchestra), Sinden (singers) in Java and Wayang (puppets).
=== Dalang ===
The ''Dalang'' sits behind a cotton screen with a light source above him. Softwood logs, traditionally made of banana wood, are placed between the puppeteer and the screen. During the performance, the dalang can stick the rods of the puppets into the soft wood, holding them in place. To the right of the dalang sits the puppet chest, which the dalang uses as a drum during the performance, hitting it with a wooden mallet. Usually (in Java), he has a cymbal-like percussion instrument at his feet that he uses for emphasis or to cue musicians.
=== Gamelan (in Java)===
[[Gamelan]] is an orchestra consisting of bowed stringed instruments, flutes and a variety of percussion instruments. The musicians are the Niyogo. It is the traditional ensemble music of Java and [[Bali]]. The most common instruments used are [[metallophone]]s played with mallets and a set of hand-played drums called ''[[Kendang|kendhang]],'' which keep the beat.
Many styles of Gamelan instruments and music exist in Indonesia. Each area takes its own approach to accompaniment evolving from similar roots.
The repertoire typically consists of an [[overture]], music for traveling, character pieces and battle music.
=== Sinden (in Java)===
[[File:Pagelaran-wayang-kulit.jpg|thumb|215x215px|Pagelaran Wayang]]
The singers are divided into Pesinden (female singers) and Wirasuara (male singers).
[[File:ShadowMusicJava2.jpg|thumb|Shadow Music of Java <ref>Shadow Music of Java. Rounder CD 5060</ref>]]
=== Wayang ===
The wayang comes in sizes from 25 cm to 75 cm. The important characters are usually represented by several puppets each. The wayang is usually made out of [[water buffalo]] and goat hide and mounted on bamboo sticks. However, the best wayang is typically made from young female buffalo parchment, cured for up to ten years. The carving and punching of the [[Rawhide (material)|rawhide]], which is most responsible for the character's image and the shadows that are cast, are guided by this sketch. A mallet is used to tap special tools, called ''tatah'', to punch the holes through the rawhide. Making the wayang sticks from horn is a complicated process of sawing, heating, hand-molding, and sanding until the desired effect is achieved. When the materials are ready, the artist attaches the handle by precisely molding the ends of the horn around the individual wayang figure and securing it with thread. A large character may take months to produce.
=== Performance ===
''Wayang'' shadow plays are usually tales from the two major Hindu epics, the ''[[Ramayana]]'' and ''[[Mahabharata]]''. The puppet master contextualizes stories from the plays, making them relevant to current community, national or global issues. Gamelan players respond to the direction of the Dalang.
== Etymology ==
"Wayang" derives from a word meaning "shadow" or "ghost", in turn originating from two ancient words: "Waya" meaning "ancestor or descending", and "Ang" meaning "symbol". Another source is the phrase "Ma Hyang", meaning spirit, God or God Almighty.
Wayang, in modern [[Indonesian language]], is loosely translated to mean puppet. Kulit means [[skin]] or [[leather]], the material from which the figures are carved.
== History ==
[[File:Wayang kulit lit.jpg|thumb|353x353px|history wayang in Indonesia]]
[[Hinduism]] arrived in Indonesia from [[India]] before the [[Christianity|Christian]] era. Sanskrit became the literary and court language of [[Java]] and later of [[Bali]].
The [[Hinduism|Hindus]] changed the ''Wayang'' (as did the [[Muslim]]<nowiki/>s, later) to spread their religion, mostly telling stories from the [[Mahabharata]] or the [[Ramayana]]. This mixture of religion and ''wayang'' play was later praised as harmony between Hinduism and traditional [[Culture of Indonesia|Indonesian culture]].
When [[Islam]] began spreading in Indonesia, the display of God or gods in human form was prohibited, and thus this style of painting and shadow play was suppressed. King [[Raden Patah]] of Demak, Java, wanted to see the ''wayang'' in its traditional form, but failed to obtain permission from [[Muslim]] religious leaders.
Religious leaders attempted to skirt the Muslim prohibition by converting the ''[[Wayang Golek|wayang golek]]'' into ''[[Wayang|wayang purwa]]'' made from leather and displayed only the shadow instead of the puppets themselves.
== See also ==
==References==
{{Reflist}}
== Sources ==
* {{Cite web|url=http://www.balibeyond.com/wayang.html|title=Bali & Beyond Educational Resources|website=www.balibeyond.com|access-date=2016-05-21}}
* {{Cite web|url=https://kandabuwana.wordpress.com/about-wayang-kulit/|title=About wayang kulit|date=2010-06-13|website=Kanda Buwana: Wayang Kulit Puppet Theatre|language=en-US|access-date=2016-05-21}}
* {{Cite web|url=http://minyos.its.rmit.edu.au/~dwa/WayangKulit.html|title=Wayang Kulit - a shadow play|website=minyos.its.rmit.edu.au|access-date=2016-05-21}}
* {{Cite web|url=http://shadowtheatre-ika.blogspot.co.id/2010/08/history-of-wayang-kulit.html|title=History of Wayang Kulit - Wayang|website=shadowtheatre-ika.blogspot.co.id|access-date=2016-05-21}}
[[Category:Puppetry| ]]
|