Auguste Rodin: Difference between revisions

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In 1883, Rodin agreed to supervise a course for sculptor [[Alfred Boucher]] in his absence, where he met the 18-year-old [[Camille Claudel]]. The two formed a passionate but stormy relationship and influenced each other artistically. Claudel inspired Rodin as a model for many of his figures, and she was a talented sculptor, assisting him on commissions.
 
Although busy with ''The Gates of Hell'', Rodin won other commissions. He pursued an opportunity to create ana historical monument for the town of [[Calais]]. For a monument to French author [[Honoré de Balzac]], Rodin was chosen in 1891. His execution of both sculptures clashed with traditional tastes, and met with varying degrees of disapproval from the organizations that sponsored the commissions. Still, Rodin was gaining support from diverse sources that propelled him toward fame.
 
In 1889, the Paris Salon invited Rodin to be a judge on its artistic jury. Though Rodin's career was on the rise, Claudel and Beuret were becoming increasingly impatient with Rodin's "double life". Claudel and Rodin shared an [[wikt:atelier|atelier]] at a small old castle, but Rodin refused to relinquish his ties to Beuret, his loyal companion during the lean years, and mother of his son. During one absence, Rodin wrote to Beuret, "I think of how much you must have loved me to put up with my caprices…I remain, in all tenderness, your Rodin."<ref>Hale, 75.</ref> <!-- no source: He never fulfilled a contract with Claudel to give up all contact with other women and marry her.--> Claudel and Rodin parted in 1898.<ref>{{cite web|title=(1) Camille Claudel|publisher=Grove Art Online, Oxford University Press|url=http://www.groveart.com/shared/views/article.html?section=art.018005.1|author=Ward-Jackson, Philip|accessdate=2006-12-19}}</ref> Claudel suffered a nervous breakdown several years later and was confined to an institution by her family until her death.