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'''Norman John Rowe''' {{post-nominals|country=AUS|AM}} (born 1 February 1947)<ref name="LarkinGE">{{cite book|title=[[Encyclopedia of Popular Music|The Guinness Encyclopedia of Popular Music]]|editor=[[Colin Larkin (writer)|Colin Larkin]]|publisher=[[Guinness Publishing]]|date=1992|edition=First|isbn=0-85112-939-0|page=2153}}</ref> is an Australian singer and songwriter. He rose to national prominence in the mid-1960s as a pop star and teen idol, backed by The Playboys. His 1965 double A-side "[[Que Sera, Sera (Whatever Will Be, Will Be)|Que Sera Sera]]"/"[[Shakin' All Over]]" was one of the most successful Australian singles of the decade.
 
Born in Melbourne, Rowe was inspired by [[rock and roll]] as a teenager and began performing while still in high school, leaving his job to become a professional entertainer. He was signed by local label [[Sunshine Records (Australia)|Sunshine]], where he released his biggest hits. He was credited for his bright and edgy tenor voice and dynamic stage presence, and was named "[[Australian pop music awards|King Of Pop]]" by ''[[Go-Set]]'' in 1967 and 1968. Many of his most successful recordings were produced by [[Nat Kipner]] and later by [[Pat Aulton]], house producers for the Sunshine label. Rowe's string of consecutive top ten singles in the mid-1960s made him the most popular solo performer of the era, although attempts to break into the [[United Kingdom]] were unsuccessful.
 
Rowe was drafted for [[Conscription in Australia|National Service]] in late 1967. His subsequent [[Vietnam war|tour of duty in Vietnam]], which lasted from 1968 to 1970, effectively ended his pop career, and his reputation was affected by the anti-war movement and stigma around returning soldiers. Unable to recapture the musical success he enjoyed at his peak in the 1960s, he pursued a career in theatre and television, including a role on [[Seven Network]] soap opera [[Sons and Daughters (Australian TV series)|''Sons and Daughters'']]. In 1991, he was involved in a physical fight on live television with [[Ron Casey (Sydney broadcaster)|Ron Casey]] after the latter made remarks about Rowe's service in Vietnam. Sadly, in October 1979 his first child, Adam, died in a tragic accident, and his daughter, Erin, died just before Christmas in December 2022.{{cn|date=November 2023}}
Sadly in October 1979 he lost his oldest and first child Adam in a tragic accident and he lost his youngest daughter Erin in December 2022 just before Christmas.
 
==Biography==
===Early life: 1947–1964===
Rowe was born and raised in Northcote in [[Melbourne]], [[Victoria, Australia]].<ref name="LarkinGE"/> He was drawn to music early in life., Heand began singing with his local church choir in Melbourne while at primary school. He was hooked on rock and roll music even before his teens, and [[Col Joye]] became one of his early idols and inspirations. He took up guitar and formed his first amateur band, The Valiants, whilst attending [[Northcote High School]]. TheyThe band performed once a month at Alphington Methodist Hall. He concentrated on singing and made his first stage appearance as a lead vocalist in a music school concert, aged 14.
 
{{blockquote|When I was just aspiring to be a singer, only nine years of age, Col Joye was my idol. He was the boy next door that I could identify with, not the wild [[Johnny O'Keefe]]. In fact it was as my first concert, at the Lou Toppano Music School end of the year concert in 1959 or '60, that I sang Col's "[[Rock 'n' Rollin' Clementine]]". I still have the trophy I received for that show. It reads: "The Best Performance of the Night".|Norman Rowe}}
 
By luck, the show was compered by top Melbourne radio DJ [[Stan Rofe]]. Rofe was impressed by Rowe's talent and arranged for him to work with local dance promoter Kevin McClellan. He began performing regularly at Melbourne dances and discos, backed by instrumental groups like The Thunderbirds, The Impostors and, finally, The Playboys, who became his permanent band until 1967.
 
After leaving high school at the end of 1962, Rowe had joined the [[Postmaster-General's Department]] (PMG) on 14 January 1963. He worked as a trainee technician, but, in late 1964, his long hair became an issue with his employers and, in the face of a "cut it or quit" ultimatum, he left the PMG to become a professional entertainer. Working on the Melbourne dance circuit, he became a popular attraction and it was not long before he was picked to become a regular on Melbourne pop TV shows like ''Teen Scene'' and ''[[The Go!! Show]]''. According to music historian [[Ed Nimmervoll]], [[EMI]] apparently had the chance to sign him but turned him down, claiming that he could not sing. He was signed to a recording deal with the independent label, [[Sunshine Records (Australia)|Sunshine]], which included a management deal with the [[Ivan Dayman]] organisation.
 
==Music career==
===Sixties stardom===
Rowe's first single, released in April 1965, was a brooding "beat" arrangement of [[George Gershwin]]'s "[[It Ain't Necessarily So]]" (from ''[[Porgy & Bess]]'') a choice suggested by Stan Rofe. It was a [[Number 1 hit]] in Melbourne and a Top Ten hit in most other capitals cities (No. 6 in Sydney, No. 5 in Adelaide, No. 3 in Brisbane),<ref>{{cite web |url=http://www.poparchives.com.au/feature.php?id=183 |title=Normie Rowe - It Ain'tAin’t Necessarily So – NORMIE ROWE (1965) |website=Pop Archives – Sources of Australian Pop Records from the 50s, 60s and 70s|website=Poparchives.com.au|access-date=26 January 2018}}</ref> even though Sydney pop station [[2SM]], (then owned by the [[Catholic Church]]), banned it because of its supposedly [[sacrilegious]] lyrics. The inspiration for Rowe's version was apparently a 1963 version by the United Kingdom band [[Ian and the Zodiacs]]. Some references cite the source as a version by [[The Merseybeats]], but that band never recorded "It Ain't Necessarily So". The name of the Ian &and Thethe Zodiacs' album, ''This Is Merseybeat'', has apparently been confused with the name of the band The Merseybeats.
 
Rowe's first LP was released in July 1965. His second single (also, apparently discovered while trawling through Rofe's vast record collection), released in August, was a cover of [[Ben E. King]]'s "[[I Who Have Nothing|I (Who Have Nothing)]]". It became his second Top 10 hit (No. 10 in Sydney, No. 6 in Adelaide, No. 4 in Melbourne) (and a Number 23 in Brisbane).<ref>{{cite web |url=http://www.poparchives.com.au/feature.php?id=593 |title=Normie Rowe - I (Who Have Nothing) – NORMIE ROWE (1965) |website=Pop Archives – Sources of Australian Pop Records from the 50s, 60s and 70s|website=Poparchives.com.au|access-date=26 January 2018}}</ref>
 
Although Rowe's third single, "I Confess" / "Everything's Alright", was apparently withdrawn before or soon after release, the next single became the biggest hit of his career. The A-side was a cover of "[[Que Sera, Sera (Whatever Will Be, Will Be)|Que Sera Sera]]" (best known from the Doris Day original), which was given a "[[Merseybeat]]" treatment, (in the manner of [[The Beatles]]' "[[Twist & Shout]]"). Paired with a powerful version of the [[Johnny Kidd & The Pirates]]' classic "[[Shakin' All Over]]", the single became a double-sided No. 1 hit in most capitals (#1 Sydney, #1 Melbourne, #1 Brisbane, #1 Adelaide<ref>{{cite web |url=http://www.poparchives.com.au/feature.php?id=101 |title=Shakin'Normie AllRowe Over& The NORMIEPlayboys ROWE- &Shakin’ THEAll PLAYBOYSOver (1965) |website=Pop Archives – Sources of Australian Pop Records from the 50s, 60s and 70s|website=Poparchives.com.au|access-date=26 January 2018}}</ref>) in September, charting for 28 weeks and selling in unprecedented numbers—rock historian Ian McFarlane reports sales of 80,000 copies<ref>Ian McFarlane: ''Encyclopedia of Australian Rock & Pop'' (Allen & Unwin, 1999)</ref> while 1970s encyclopedist Noel McGrath claimed sales of 100,000,<ref>Noel McGrath – ''Australian Encyclopedia of Rock'' (Outback Press, 1978)</ref> and it is reputed to be the biggest-selling Australian single of the 1960s. NormieRowe scored another first in October by having three hit singles in the Melbourne Top 40 simultaneously.
 
An oft-repeated story that the whistle used in the arrangement was an innovation by the record's producer appears to be unfounded, because very similar arrangements, complete with whistle, had been recorded on earlier versions by [[Earl Royce & The Olympics]] (UK, 1964) and by [[The High Keys]] (USA, 1963).<ref>{{cite web |url=http://www.poparchives.com.au/feature.php?id=200 |title=QueNormie SeraRowe Sera& The NORMIEPlayboys ROWE- &Que THESera PLAYBOYSSera (1965) |website=Pop Archives – Sources of Australian Pop Records from the 50s, 60s and 70s|website=Poparchives.com.au|access-date=26 January 2018}}</ref>
 
Rowe's success continued through late 1965 and into the first half of 1966, during which time he scored another three consecutive Top Ten singles. "Tell Him I'm Not Home" (Nov. 1965) – a cover of a song originally recorded by [[Chuck Jackson]] in 1963—was a Top 5 hit in most mainland capitals, reaching #4 in Sydney, #2 in Melbourne, #2 in Adelaide and #1 in Melbourne<ref>{{cite web|url=http://www.poparchives.com.au/feature.php?id=198|title=Tell Him I'm Not Home – NORMIE ROWE (1965) – Pop Archives – Sources of Australian Pop Records from the 50s, 60s and 70s|website=Poparchives.com.au|access-date=26 January 2018}}</ref> It was followed by his version of [[Burt Bacharach]] and [[Hal David]]'s "The Breaking Point" (b/w "Ya Ya", Feb. '66) which became his second double-sided hit, a number #1 in Brisbane and making the Top Ten in all mainland capitals, peaking at #9 in Adelaide, #8 in Sydney, #2 in Melbourne and Perth, #1 in Brisbane<ref>{{cite web|url=http://www.poparchives.com.au/feature.php?id=205|title=The Breaking Point – NORMIE ROWE (1966) – Pop Archives – Sources of Australian Pop Records from the 50s, 60s and 70s|website=Poparchives.com.au|access-date=26 January 2018}}</ref>
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===United Kingdom: 1966–1968===
Rowe was by this time the most popular solo performer in Australia, so, in August 1966, he left to try his luck in the UK. In preparation, he revamped the line-up of his backing band "the Playboys". Several members opted to stay in Australia for family reasons, so Rowe replaced them with bassist Brian Peacock and guitarist Rod Stone, both from the ex-New Zealand band [[The Librettos]], which had recently split.
 
Arriving in London ahead of his band, Rowe engaged one [[Ritchie Yorke]] as his London agent and began to record with producers [[Trevor Kennedy]] and [[John Carter (English musician)|John Carter]], using the cream of London's session musicians, including [[Big Jim Sullivan]], [[Jimmy Page]], [[John Paul Jones (musician)|John Paul Jones]], famed drummer [[Clem Cattini]], and vocal group [[The Breakaways]]. The sessions produced several strong new recordings including "Ooh La La", "It's Not Easy", "Mary Mary", "Turn on the Love Light" and "Can't Do Without Your Love". Despite his absence in London, Rowe's run of chart success in Australia continued—hiscontinued. His next single, "Ooh La La" / "Ain't Nobody Home" (Nov. 1966) was another double-sided hit in Melbourne and a Top 5 hit in most capitals, reaching #2 in Sydney, and #4 in Brisbane and Adelaide.<ref>{{cite web|url=http://www.poparchives.com.au/feature.php?id=1047|title=Ooh La La – NORMIE ROWE (1966) – Pop Archives – Sources of Australian Pop Records from the 50s, 60s and 70s|website=Poparchives.com.au|access-date=26 January 2018}}</ref>
 
Up to this time there was no national pop chart in Australia, with most pop radio stations and newspapers in state capitals and major cities publishing their own competing charts. However, on 5 October 1966 ''[[Go-Set]]'' magazine, which had been launched in February, began publishing its first weekly national Top 40, compiled by [[Ed Nimmervoll]]. "Ooh La La" / "Mary, Mary" debuted at #6 on the new ''Go-Set'' chart on 7 December 1966,<ref>{{cite web|url=http://www.poparchives.com.au/gosetcharts/1966/19661207.html|title=Go-Set Australian charts – 7 December 1966|website=Poparchives.com.au|access-date=26 January 2018}}</ref> and reached #1 in the 21 December chart,<ref>{{cite web|url=http://www.poparchives.com.au/gosetcharts/1966/19661221.html|title=Go-Set Australian charts – 21 December 1966|website=Poparchives.com.au|access-date=26 January 2018}}</ref> hence becoming Rowe's first official national #1 hit. It stayed at #1 for two weeks before being briefly supplanted by The Easybeats' "[[Friday on My Mind]]" on 4 January, but returned to the top for the next two weeks.
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Meanwhile, The Playboys secured a one-off single deal with [[Andrew Loog Oldham]]'s [[Immediate Records]] label, releasing the single "Sad" / "Black Sheep RIP" in August. Written by Brian Peacock, "Sad" is now considered a 'freakbeat' classic and has been widely anthologised, appearing on the British collection ''Chocolate Soup For Diabetics Vol III'', Raven Records' ''Kicks'' and Rhino's ''Nuggets II''. In June, Normie Rowe & The Playboys travelled to North America, supporting [[Roy Orbison]] on a US tour, and along with [[The Seekers]] he represented Australia in performance at [[Expo '67]] in Montreal. He returned to Australia in July, where he appeared as a special guest at the national finals of the 1967 [[Hoadley's Battle of the Sounds]].
 
Rowe had more national chart success in late 1967 with the [[Graham Gouldman]] song "Going Home" (b/w "I Don't Care"), assumed to be about the Vietnam War, but really about a migrant's return to Australia from Britain<ref>Douglas, L. and Geeves, R. (1992) 'Music, counter-culture and the Vietnam era' in Hayward P. (ed.) ''From Pop to Punk to Postmodernism'', Sydney: Allen and Unwin, p. 103, cited in Homan, S. (2003) ''The Mayor's a Square: Live Music and Law and Order in Sydney'', Newtown, NSW: Local Consumption Publications, p. 73.</ref>—which debuted at #22 in the ''Go-Set chart'' in late April and stayed in the national Top Ten until the end of May, peaking at #7 in the second week of May.<ref>{{cite web|url=http://www.poparchives.com.au/gosetcharts/1967/19670510.html|title=Go-Set Australian charts – 10 May 1967|website=Poparchives.com.au|access-date=26 January 2018}}</ref> "Sunshine Secret" / "But I Know", and another single, "[[Turn-Down Day|Turn Down Day]]" charted in Melbourne. But in September 1967 any questions about his career future were dramatically stalled when he received his call-up notice for [[national service]]. Interviewed by the media, Row
 
===National Service: 1968–1970===
[[File:Normie Rowe in a M113 APC during 1969.jpg|thumb|Normie Rowe in an [[M113 armoured personnel carriers in Australian service|M113 armoured personnel]] carrier in South Vietnam]]
Rowe was inducted into the army in February 1968, although he continued to perform part-time until leaving for Vietnam in January 1969. He continued to make television appearances; on 19 October 1968, he appeared on ATV-0's ''[[Uptight (TV show)|Uptight]]'' with a cropped haircut. He also began working with a new backing band, Nature's Own, who also regularly backed [[Johnny Farnham]] and other members of the Sunshine roster. His only charting record during this period was the ballad "Penelope", written by former Playboys member Brian Peacock.
 
Rowe was inducted into the army in February 1968, although he continued to perform part-time until leaving for Vietnam in January 1969. He continuedmade to makevarious television appearances;: on 19 October 1968, he appeared on ATV-0's ''[[Uptight (TV show)|Uptight]]'' with a cropped haircut. He also began working with a new backing band, Nature's Own, who also regularly backed [[Johnny Farnham]] and other members of the Sunshine roster. His only charting record during thisthat period was the ballad "Penelope", written by former Playboys member Brian Peacock.
Rowe's basic training at [[Puckapunyal]] was extensively covered by the Australian media. In Vietnam, Rowe rose to Corporal and was Crew Commander of an [[armoured personnel carrier]]. He was discharged from the army in February 1970. Rowe's final minor hit was "Hello", written by [[Johnny Young]] and released in May 1970; he subsequently released an album with the same name. Rowe was later revealed to have inspired the song "Smiley", written by Johnny Young and recorded by [[Ronnie Burns (singer)|Ronnie Burns]], whose version was a major hit in Australia in 1969 and 1970. The ''Hello'' album marked the end of his Sunshine contract, although the label had been taken over by Festival several years earlier after it got into financial problems. Normie signed to Festival in 1971, for whom he cut three singles. "Que Sera Sera" was re-released in January 1971 and on 6 March he married his girlfriend Sue Powlesland.
 
Rowe's basic training at [[Puckapunyal]] was extensively covered by the Australian media. In Vietnam, Rowe rose to Corporalthe ranks of corporal and was Crewcrew Commandercommander of an [[armoured personnel carrier]]. He was discharged from the army in February 1970. Rowe's final minor hit was "Hello", written by [[Johnny Young]] and released in May 1970;, and he subsequently released an album withof the same name. Rowe was later revealed to have inspired the song "Smiley", written by Johnny Young and recorded by [[Ronnie Burns (singer)|Ronnie Burns]], whose versionwhich was a major hit in Australia in 1969 and 1970. The ''Hello'' album marked the end of hisRowe's Sunshine contract, although the label had been taken over by Festival several years earlier after it gothad run into financial problems. NormieRowe signed to Festival in 1971, for whom heand cut three singles. "Que Sera Sera" was re-released in January 1971 and, on 6 March, he married his girlfriend, Sue Powlesland.
 
His time in Vietnam effectively ended hisRowe's pop music career, and in his absence [[Ronnie Burns (singer)|Ronnie Burns]] and [[John Farnham]] (then billed as Johnny Farnham) replaced him as [[Australian pop music awards#1967–1978: King of Pop Awards|King of Pop]]. The strong anti-war sentiment of the period affected him, and like many Vietnam vets, NormieRowe suffered considerably because of his service. Normie hasHe said that he was treated like a pariah by the very people who had been buying his records and screaming at his concerts only a couple of years before.{{citation needed|date=January 2020}} One of the people Normiehe remembers fondly from thisthat period, who stuck by him and gave him encouragement in tough times, was Meteors drummer [[Stewie Speer]]. NormieRowe remembers that StewieSpeer would often wear "King Normie" and "We Love Normie" badges on his jacket.{{cn|date=November 2023}}
 
===Variety===
Although his pop career was now effectively over, Rowe was able to fall back on the training from his dance hall days, and he began to concentrate on a varied career playing the club and hotel circuit, as well as making TV performances,. where heHe became a popular attractionparticipant on variety programs likesuch as ''[[The Don Lane Show]]'' and ''[[The Mike Walsh Show]]''. He continuedContinuing to record through the 1970s, 1980s and 1990s., Hehe switched to the [[Astor Records]] label in 1975, and had considerable success with the single "Elisabeth", which won the "Best Song" category at that year's [[Tokyo Music Festival]].
 
==Theatre and television==
In the 1980s, Rowe began to expand his career into acting and musical theatre. He studied at the Sydney's famous [[Ensemble Theatre]] and took roles on stage and TV, including an extended role in the TV soapie ''[[Sons and Daughters (Australian TV series)|Sons & Daughters]]''. In 1987 he won great acclaim in his central role of Jean Valjean in [[Cameron Mackintosh|Cameron Mackintosh's]] Sydney production of the musical [[Les Miserables (musical)|Les Misérables]].
 
Among other musical roles in the 1980s and 1990s, Rowe played the lead role on the recording, and in the world premiere concerts of a new Australian musical, ''Cyrano de Bergerac'', which he helped develop, played Daddy Warbucks in ''[[Annie (musical)|Annie]]'', Freddie Trumper (the American) in ''[[Chess (musical)|Chess]]'', and Juan Perón in ''[[Evita (musical)|Evita]]''. One of the highlights of his career was his appointment as a Member of the Order of Australia (AM) for services to Vietnam veterans, the entertainment industry and the community.<ref>{{cite web |title=Norman John Rowe |url=https://honours.pmc.gov.au/honours/awards/872934 |website=Australian Honours Search Facility, Dept of the Prime Minister and Cabinet |access-date=2020-10-12}}</ref> Normie has had a long association with many charity and community groups, with his major concern being the welfare of children. He is a long-serving member of Variety Clubs of Australia, for which he is now a National Ambassador, and he has won several awards for his work with them, including 1996's 'Heart and Soul of Variety' award.
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In 2011 (2 April) Rowe was a guest on episode 115 of SBS show [[RocKwiz]] where he performed [[Shakin' All Over]] and a duet with [[Georgia Fields]] of [[The Beatles]] song [[All I've Got to Do]].
 
In January 2012, NormieRowe appeared in a television advertisement for [[Coles Supermarkets]] promoting their products to the reworked tune of "Shakin All Over".
 
In 2015, he told Noise11.com aboutthat hishe beingwas drafted as a political rusemove to help the popularity of [[Harold Holt]], the Australian Prime Minister (whose death by drowning in December 1967 was never confirmed). Apparently, heRowe was contacted by the son of a military officer who washad been, at thethat time, the military attacheattaché to Primethe Ministerprime [[w:Harold Holt|Harold Holt]]minister. The officer told this story justJust before he died to his son who, inthe turn,officer told Normiehis son that hishe dadhad wasbeen in Harold Holt's office when the PM was struggling with declining popularity and the anti-war movement. So theThe officer saidhad to Haroldadvised Holt: "whatWhat you need is an [[Elvis Presley]], so get Normie Rowe called up"..
 
In June 2017, NormieRowe wrapped filmingthe forshooting of a short film titledentitled ''Holt', in June 2017 wherewhich he, ironically,
played the titular Harold Holt for the third time. Filming took place in Queensland around [[Brisbane]] and the [[Sunshine Coast, Queensland|Sunshine Coast]].<ref>{{cite news |last=Threadingham |first=Tom |url=https://www.sunshinecoastdaily.com.au/news/coolum-proves-ideal-setting-for-harold-holt-film/3185238/ |title=Coolum proves ideal setting for Harold Holt film |date=2 June 2017 |newspaper=[[Sunshine Coast Daily]] |access-date=16 June 2017}}</ref>
 
==Charity==