Content deleted Content added
No edit summary |
No edit summary |
||
Line 16:
</score>
It has all the notes in both the major scale and the Mixolydian scale of the same root. This scale is often used over [[dominant seventh chord]]s <ref name="Miller">Miller, Michael (2004). ''Complete Idiot's Guide to Solos and Improvisation'', p. 96. {{ISBN|1-59257-210-3}}.</ref> and over [[Ii–V–I progression|II-V chord progressions]].
Note that in bebop, according to [[Barry Harris]], the dominant scale is played over the entire ii V chord sequence. Harris explained there is no time to switch from a ii scale to a V scale. Thus, over a ii V, such as | Dmi7 G7 |, according to Harris, a bop musician would simply play the G7 (bebop) scale.
|