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Line 16: </score> It has all the notes in both the major scale and the Mixolydian scale of the same root. This scale is often used over [[dominant seventh chord]]s <ref name="Miller">Miller, Michael (2004). ''Complete Idiot's Guide to Solos and Improvisation'', p. 96. {{ISBN\|1-59257-210-3}}.</ref> and over [[Ii–V–I progression\|II-V chord progressions]]. ~~According to Michael Miller, "[w]hen someone says they're playing 'the bebop scale,' the dominant bebop scale is the one they're talking about."<ref name="Miller"/>~~ Note that in bebop, according to [[Barry Harris]], the dominant scale is played over the entire ii V chord sequence. Harris explained there is no time to switch from a ii scale to a V scale. Thus, over a ii V, such as \| Dmi7 G7 \|, according to Harris, a bop musician would simply play the G7 (bebop) scale.

Bebop scale: Difference between revisions