Art Institute of Chicago: Difference between revisions

Content deleted Content added
Undid revision 1263779422 by 2601:589:8000:2D01:116F:FE51:76FE:BBC6 (talk) - better before
(28 intermediate revisions by 14 users not shown)
Line 3:
{{Use mdy dates|date=October 2023}} {{Use American English|date=October 2023}}
{{Infobox museum
| logo = File:Art Institute of Chicago logoLogo.svgpng
| logo_size = 150px
| name = Art Institute of Chicago
Line 19:
| established = 1879; in present location since 1893
| location = 111 South [[Michigan Avenue (Chicago)|Michigan Avenue]]<br />[[Chicago]], [[Illinois]] 60603,<br />U.S.
| visitors = 1,322,195 (2023)<ref name=cheshire>{{cite web |title=The 100 most popular art museums in the world—blockbusters, bots and bounce-backs |url=https://www.theartnewspaper.com/2024/03/26/the-100-most-popular-art-museums-in-the-world-2023 |websitedate=theartnewspaper.comMarch 26, 2024|publisher first1=Lee| last1=Cheshire| first2=José| last2=da Silva| website=[[The Art Newspaper]] |access-date=4 September 21, 2024}}</ref>
| collection size = 300,000 works
| director = James Rondeau
Line 36:
==History==
===19th century===
[[File:Art Institute of Chicago 1890.jpg|thumb|What is believed to be the oldest image of the Art Institute taken in 1890, and published in the ''[[Detroit]] Catalogue J.'' in 1901.<ref>{{cite web |title=The Art Institute, Chicago, Ill. |url=https://www.loc.gov/resource/det.4a08062/ |website=Library of Congress |publisher=Detroit Publishing Co |access-date=October 30, 2024 |date=1890}}</ref>]]
 
[[File:Art Institute 1893.gif|thumb|An 1893 sketch of the new Art Institute of Chicago showing most of today's [[Grant Park (Chicago)|Grant Park]] still submerged under [[Lake Michigan]] with the railroad tracks running along the shoreline behind the museum]]
In 1866, a group of 35 artists founded the '''Chicago Academy of Design''' in a studio on Dearborn Street, with the intent to run a free school with its own art gallery. The organization was modeled after European art academies, such as the [[Royal Academy]], with Academicians and Associate Academicians. The academy's charter was granted in March 1867.
Line 43 ⟶ 45:
When the [[Great Chicago Fire]] destroyed the building in 1871, the academy was thrown into debt. Attempts to continue despite the loss by using rented facilities failed. By 1878, the academy was $10,000 in debt. Members tried to rescue the ailing institution by making deals with local businessmen, before some finally abandoned it in 1879 to found a new organization, named the '''Chicago Academy of Fine Arts'''. When the Chicago Academy of Design went bankrupt the same year, the new Chicago Academy of Fine Arts bought its assets at auction.
 
In 1882, the Chicago Academy of Fine Arts changed its name to the current '''Art Institute of Chicago''' and elected as its first president the banker and philanthropist [[Charles L. Hutchinson]], who "is arguably the single most important individual to have shaped the direction and fortunes of the Art Institute of Chicago".<ref name="Hilliard"/>{{rp|5}} Hutchinson was a director of many prominent Chicago organizations, including the [[University of Chicago]],<ref>{{cite journal |title=Few Changes Made - University of Chicago Trustees Hold an Election - Two Vacancies Filled - Other Members Whose Terms Expired Re-Elected - Examinations for Positions as Teachers in the Public Schools of the City| journal=The Daily Inter-Ocean| date=June 28, 1893| page=1}}</ref> and would transform the Art Institute into a world-class museum during his presidency, which he held until his death in 1924.<ref>{{cite bookencyclopedia| title=Art Institute of Chicago| workencyclopedia=Encyclopedia of Chicago| url=http://www.encyclopedia.chicagohistory.org/pages/79.html| authorlast=Dillon,| first=Diane| publisher=The Newberry Library| date=September 18, 2004| access-date=2015-07-24}}</ref> Also in 1882, the organization purchased a lot on the southwest corner of [[Michigan Avenue (Chicago)|Michigan Avenue]] and Van Buren Street for $45,000. The existing commercial building on that property was used for the organization's headquarters, and a new addition was constructed behind it to provide gallery space and to house the school's facilities.<ref name="Hilliard">{{cite book| title="The Prime Mover" -: Charles L. Hutchinson and the making of the Art Institute of Chicago| publisher=The Art Institute of Chicago | last=Hilliard| first=Celia| year=2010| location=Chicago| isbn=978-086559-238-4}}</ref>{{rp|19}} By January 1885 the trustees recognized the need to provide additional space for the organization's growing collection, and to this end purchased the vacant lot directly south on Michigan Avenue. The commercial building was demolished,<ref>{{cite journal |title=The Art Institute – The Western Art Movement and its Splendid Achievements in Chicago – The New Home of the Fine Arts – The Ward Collection – The Century, Harper's - The Formal Opening of the New Museum – The Loan Collection – A Noble Triumph| journal=The (Chicago) Inter Ocean| volume=XVI| issue=239| date=November 20, 1887 |page=9}}</ref> and the noted architect [[John Wellborn Root]] was hired by Hutchinson to design a building that would create an "impressive presence" on Michigan Avenue,<ref name="Hilliard"/>{{rp|22–23}} and these facilities opened to great fanfare in 1887.<ref name="Hilliard"/>{{rp|24}}
 
With the announcement of the [[World's Columbian Exposition]] to be held in 1892&ndash;93, the Art Institute pressed for a building on the lakefront to be constructed for the fair, but to be used by the institute afterwards. The city agreed, and the building was completed in time for the second year of the fair. Construction costs were met by selling the Michigan/Van Buren property. On October 31, 1893, the institute moved into the new building. For the opening reception on December 8, 1893, [[Theodore Thomas (conductor)|Theodore Thomas]] and the [[Chicago Symphony Orchestra]] performed.
Line 51 ⟶ 53:
 
As director of the museum starting in the early 1980s, [[James N. Wood]] conducted a major expansion of its collection and oversaw a major renovation and expansion project for its facilities. As "one of the most respected museum leaders in the country", as described by ''[[The New York Times]]'', Wood created major exhibitions of works by [[Paul Gauguin]], [[Claude Monet]], and [[Vincent van Gogh]] that set records for attendance at the museum. He retired from the museum in 2004.<ref>Kennedy, Randy (June 14, 2010). [https://www.nytimes.com/2010/06/15/arts/design/15wood.html "James N. Wood, President of the Getty Trust, Dies at 69"]. ''The New York Times''. Retrieved 2010-06-21.</ref>
 
===21st century===
The institute began construction of "The Modern Wing", an addition situated on the southwest corner of Columbus and Monroe in the early 21st century.<ref>{{cite news| url=http://www.chicagotribune.com/news/nationworld/chi-0505310147may31-story.html| title=Art Institute to Add New Wing| last=Kamin| first=Blair| newspaper=Chicago Tribune| date=May 31, 2005| access-date=2021-01-29| language=en-US| url-access=subscription}}</ref> The project, designed by [[Pritzker Prize]]–winning architect [[Renzo Piano]], was completed and officially opened to the public on May 16, 2009. The {{convert|264000|sqft|m2|adj=on}} building addition made the Art Institute the second-largest art museum in the United States. The building houses the museum's world-renowned collections of 20th and 21st century art, specifically modern European painting and sculpture, contemporary art, architecture and design, and photography. In its inaugural survey in 2014, travel review website and forum, [[Tripadvisor]], reviewed millions of travelers' surveys and named the Art Institute the world's best museum.<ref>{{cite magazine| title=These Are the 25 Best Museums in the World |url=httphttps://time.com/3393565/best-museums-trip-advisor/| last=Grossman| first=Samantha| magazine=[[Time (magazine)|Time]]| date=September 18, 2014| access-date=2014-09-19}}</ref>
 
The museum received perhaps the largest gift of art in its history in 2015.<ref>{{cite news| url=http://www.chicagotribune.com/entertainment/museums/chi-art-institute-donation-andy-warhol-20150421-20150421-column.html| title=Art Institute of Chicago gets its largest gift ever, including 9 Warhols| first=Steve| last=Johnson| newspaper=Chicago Tribune| date=April 22, 2015}}</ref> Collectors [[Stefan Edlis]] and Gael Neeson donated a "collection [that] is among the world's greatest groups of postwar Pop art ever assembled".<ref name=":0">{{cite news| url=https://www.npr.org/blogs/thetwo-way/2015/04/22/401469571/gift-worth-400-million-to-art-institute-of-chicago-includes-works-by-warhol| title=Gift Worth $400 Million To Art Institute Of Chicago Includes Works By Warhol| date=April 22, 2015| work=WBEZ News| last=Chappell| first=Bill}}</ref> The donation includes works by [[Andy Warhol]], [[Jasper Johns]], [[Cy Twombly]], [[Jeff Koons]], [[Charles Ray (artist)|Charles Ray]], [[Richard Prince]], [[Cindy Sherman]], [[Roy Lichtenstein]] and [[Gerhard Richter]]. The museum agreed to keep the donated work on display for at least 50 years.<ref name=":0" /> In June 2018, the museum received a $50&nbsp;million donation, the largest single announced unrestricted monetary donation in its history.<ref>{{cite news| url=http://www.chicagotribune.com/entertainment/museums/ct-ent-art-institute-70-million-gift-0418-story.html| title=Art Institute lands largest announced cash donation, $70 million in total| date=April 17, 2018| last=Johnson| first=Steve| newspaper=Chicago Tribune| access-date=2021-01-29| language=en-US}}</ref> ThatA gift$75 wasmillion eclipseddonation in 2024 byis ato $75go milliontoward gifta new gallery.<ref>{{Citecite webnews |date=2024-09-10 |title=Art Institute receives $75M gift to be used for a new modern art building |url=https://www.wbez.org/arts/2024/09/10/art-institute-chicago-gift-modern-art-building?subscription=true&utm_source=Newsletter_Daily-Rundown-Member&utm_medium=WBEZEmail&utm_campaign=Daily_Newsletter_Daily-Rundown_Sponsored_20240910&utm_content=9/10/2024&DE=WBEZEmail |access-date=2024-09-10 |website=WBEZ News |first=Courtney |last=Kueppers |language=en}}</ref>
 
==Collection==
{{further|List of painters in the Art Institute of Chicago}}
The collection of the Art Institute of Chicago encompasses more than 5,000 years of human expression from cultures around the world and contains more than 300,000 works of art in 11 curatorial departments, ranging from early Japanese prints to the art of the [[Byzantine Empire]] to contemporary American art. It is principally known for one of the United States' finest collection of paintings produced in Western culture.<ref name=Oxford>{{cite book| title=The Oxford Dictionary of Art: The Art Institute of Chicago| publisher=[[Oxford University Press]]| editor-last=Chilvers| editor-first=Ian| year=2004| pages=[https://archive.org/details/oxforddictionary00chil/page/813 813–814]| isbn=978-0-1928-0022-0| quote=Celebrated masterpieces: ''Nighthawks''; ''American Gothic''; ''A Sunday Afternoon on the Island of La Grande Jatte.''| url-access=registration| url=https://archive.org/details/oxforddictionary00chil/page/813}}</ref><ref>{{cite news| url=httphttps://www.foxnews.com/travel/2013/05/03/worldworlds-most-beautiful-museums/| title=World's most beautiful museums| work=Fox News| date=May 3, 2013| access-date=2013-05-04| quote=Must-see masterpieces: Georges Seurat's ''A Sunday on the Island of La Grande Jatte'', ''Nighthawks'', and Vincent Van Gogh's ''Bedroom in Arles''.}}</ref>
 
===African Art and Indian Art of the Americas===
Line 74 ⟶ 76:
 
=== Ancient and Byzantine ===
The Art Institute's ancient collection spans nearly 4,000 years of art and history, showcasing Greek, Etruscan, Roman, and Egyptian sculpture, mosaics, pottery, jewelry, glass, and bronze and a robust and well-maintained collection of ancient coins. There are around 5,000 works in the collection, offering a comprehensive survey of the ancient and medieval Mediterranean world, beginning with the third millennium B.C. and extending to the [[Byzantine Empire]].<ref>{{cite web| url=http://www.artic.edu/aic/collections/ancient| title=Ancient and Byzantine| website=Art Institute of Chicago| access-date=2016-08-03}}</ref> The collection also holds the mummy and mummy case of Paankhenamun.<ref>{{cite newsweb| url=http://www.artic.edu/aic/collections/citi/resources/Rsrc_001412.pdf| title=Coffin and Mummy Case of Paankhenamun| newspaperwebsite=The Art Institute of Chicago| access-date=2013-01-13}}</ref><ref>{{cite web| url=http://www.artic.edu/aic/collections/artwork/64339?search_no=1&index=11| title=Coffin and Mummy of Paankhenamun| website=Art Institute of Chicago| access-date=2016-08-03}}</ref>
 
=== Architecture and Design ===
Line 102 ⟶ 104:
 
=== Prints and Drawings ===
The print and drawings collection began with a donation by Elizabeth S. Stickney of 460 works in 1887, and was organized into its own department of the museum in 1911.<ref>Engelbrecht, Theresa Moir (July–August 2017). [http://artinprint.org/article/inter-collected-the-shared-history-of-the-print-club-and-museum-collection/ "Inter-Collected: The Shared History of the Print Club and Museum Collection,"] ''Art in Print''. Vol. 7 No. 2 (July–August 2017),. 30.</ref> Their holdings have subsequently grown to 11,500 drawings and 60,000 prints, ranging from 15th-century works to contemporary. The collection contains a strong group of the works of [[Albrecht Dürer]], [[Rembrandt van Rijn]], [[Francisco Goya]], and [[James Abbott McNeill Whistler|James McNeill Whistler]]. Because works on paper are sensitive to light and degrade quickly, the works are on display infrequently in order to keep them in good condition for as long as possible.
 
=== Textiles ===
Line 135 ⟶ 137:
The Art Institute building has the unusual property of straddling open-air railroad tracks. Two stories of gallery space connect the east and west buildings while the [[Metra Electric]] and [[South Shore Line (NICTD)|South Shore]] lines operate below. The lower level of gallery space was formerly the windowless Gunsaulus hall, but is now home to the Alsdorf Galleries showcasing Indian, Southeast Asian and Himalayan Art. During renovation, windows facing north toward Millennium Park were added. The gallery space was designed by [[Renzo Piano]] in conjunction with his design of the Modern Wing and features the same window screening used there to protect the art from direct sunlight. The upper level formerly held the modern European galleries, but was renovated in 2008 and now features the Impressionist and Post-Impressionist galleries.
 
In September 2024, the museum announced a gift of $75 million for a new gallery building or wing named for benefactors Aaron I. Fleischman and Lin Lougheed. The gallery is intended to increase space for 19th century, modern, and contemporary art. The design and placement of the new gallery or gallery building are yet to be decided.<ref>{{Citecite news |last=Pogrebin |first=Robin |date=September 10, 2024- |url=https://www.nytimes.com/2024/09-/10/arts/art-institute-of-chicago-fleischman-lougheed-gift.html |title=Art Institute of Chicago Receives $75 Million Gift |worknewspaper=The New York Times |url-access=subscription |access-date=2024-09-21}}</ref>
 
===Libraries===
Line 144 ⟶ 146:
[[File:Art Institute Modern Wing Night.jpg|thumb|Art Institute of Chicago Modern Wing]]
On May 16, 2009, the Art Institute opened the Modern Wing, the largest expansion in the museum's history.<ref name="architecutre">{{cite news| title=Renzo Piano Embraces Chicago| url=https://www.nytimes.com/2009/05/14/arts/design/14muse.html| first=Nicolai| last=Ourossof| date=May 13, 2009| newspaper=The New York Times| access-date=2011-06-13| archive-url=https://web.archive.org/web/20110513210441/http://www.nytimes.com/2009/05/14/arts/design/14muse.html| archive-date=2011-05-13| url-status=live| df=mdy}}</ref> The {{convert|264000|sqft|m2|adj=on}} addition, designed by [[Renzo Piano]], makes the Art Institute the second-largest museum in the US.<ref name=secondlargest/> The [[architect of record]] in the City of Chicago for this building was Interactive Design.<ref>{{cite web| title=The Modern Wing At The Art Institute Of Chicago| website=Interactive Design Architects| url=https://interactivedesignarchitects.com/portfolio-post/the-modern-wing-at-the-art-institute-of-chicago/| access-date=2020-08-06| language=en-US}}</ref> The Modern Wing is home to the museum's collection of early 20th-century European art, including [[Pablo Picasso]]'s ''[[The Old Guitarist]]'', [[Henri Matisse]]'s ''Bathers by a River'', and [[René Magritte]]'s ''[[Time Transfixed]].'' The Lindy and Edwin Bergman Collection of Surrealist art includes the largest public display of [[Joseph Cornell]]'s works (37 boxes and collages).<ref>{{cite news |title=Joseph Cornell's Works At The Art Institute |url=https://www.chicagotribune.com/1997/03/23/joseph-cornells-works-at-the-art-institute/ |last=Seaman |first=Donna |newspaper=Chicago Tribune |date=March 23, 1997}}</ref> The Wing also houses [[contemporary art]] from after 1960; new photography, video media, architecture and design galleries including original renderings by [[Frank Lloyd Wright]], [[Ludwig Mies van der Rohe]] and [[Bruce Goff]]; temporary exhibition space; shops and classrooms; and a cafe. In addition, the [[Nichols Bridgeway]] connects a sculpture garden on the roof of the new wing with the adjacent [[Millennium Park]] to the north and a courtyard designed by Gustafson Guthrie Nichol.
 
In 2009, the Modern Wing won at the Chicago Innovation Awards.<ref>{{ cite news |title=2009 Chicago Innovation Award winners |url=http://www.chicagoinnovationawards.com/past-winners/2009 |website=Chicago Innovation Awards |url-status=dead |archive-url=https://web.archive.org/web/20100311044420/http://www.chicagoinnovationawards.com/past-winners/2009 |archive-date=2010-03-11}}</ref>
 
==Selections from the permanent collection==
Other notable works are in the collection but the following examples are ones in the public domain and for which pictures are available. In 2018, as it redesigned its website, the Art Institute released images of 52,438 of its public domain works, under the [[Creative Commons Zero]] (CC0) licence.<ref>{{cite journalweb |url=https://www.artic.edu/articles/713/behind-the-scenes-of-the-website-redesign |title=Behind the Scenes of the Website Redesign |website=Art Institute of Chicago |date=22 October 2018 |language=en |access-date=2018-11-29|last1=Neault |first1=Michael }}</ref>
 
===Paintings===
<gallery widths="170px" heights="170px" mode="packed">
File:Bernat Martorell - Saint George Killing the Dragon - Google Art Project.jpg|[[Bernat Martorell|Martorell]], ''[[Saint George Killingand the Dragon (Martorell)|Saint George and the Dragon]]'', c. 1434/35
File:Saint Martin and the Beggar (c1597-1600) by El Greco - Chicago.jpg|[[El Greco]], ''[[Saint Martin and the Beggar (El Greco)|Saint Martin and the Beggar]]'', c. 1597–1600
File:Rembrandt Harmensz. van Rijn - Old Man with a Gold Chain - Google Art Project.jpg|[[Rembrandt]], ''[[Old Man with a Gold Chain]]'', c. 1631
Line 191 ⟶ 194:
===Sculptures===
<gallery widths="170px" heights="170px" mode="packed">
File:AIC-chimera.jpg|A [[Han Dynastydynasty]] (206 BC – 220 AD), tomb sculpture of a [[pixiu]] (or [[Qilin|chimera]]) creature
File:1981.11 - Statue of the Aphrodite of Knidos.jpg|''Aphrodite of Knidos'', 2nd Century Roman, inspired by [[Praxiteles]]
File:Alapini vina @ Art Institute of Chicago - detail of black schist of God Vishnu with His Consorts Lakshmi and Sarasvati - Bangladesh or Eastern India, Pala period, 10th-12th century.jpg|[[Saraswati]] playing an [[alapini vina]], Bangladesh, Pala period 10th–12th century CEAD
File:Coronation_stone_of_motecuhzoma_ii.jpg|[[Aztec]], ''Coronation Stone of [[Motecuhzoma II]]'' (''Stone of the Five Suns'') 1503
File:Rodin - Adam.jpg|[[Auguste Rodin]], ''Adam'' (1881) cast in bronze 1924
Line 213 ⟶ 216:
== Governance ==
=== Attendance ===
During 2009, attendance was around 2 million—up 33 percent from 2008—in addition to a total of approximately 100,000 museum memberships. Despite a 25 percent boost in museum admission fees, the Modern Wing was a major catalyst for a rise in visitor traffic.<ref>Viera, Lauren (May 9, 2011). [https://www.chicagotribune.com/2011/05/09/art-institute-leader-resigns/ "Art Institute leader resigns"]. ''[[Chicago Tribune]]''.</ref> In 2022, the museum welcomed 1.04 million visitors, an increase of 20 percent from 2021, but still well below 2018 attendance (before the [[COVID-19]] pandemic). It was ranked tenth among the [[List of most-visited museums in the United States|most-visited museums in the United States]], and was the sixth most-visited U.S. art museum.<ref>{{cite news| titlename=The 100 most popular art museums in the world—who has recovered and who is still struggling?| url=https:cheshire//www.theartnewspaper.com/2023/03/27/the-100-most-popular-art-museums-in-the-worldwho-has-recovered-and-who-is-still-struggling| first1=Lee| last1=Cheshire| first2=José| last2=da Silva| newspaper=[[The Art Newspaper]]| date=March 27, 2023| access-date=August 6, 2023}}</ref>
 
=== Finances ===
[[File:Art Institute of Chicago Michigan Avenue.jpg|thumb|Art Institute of Chicago on [[Michigan Avenue (Chicago)|Michigan Avenue]]]]
As of 2011, the Art Institute continues to rebuild its $783&nbsp;million endowment since the [[Great Recession|recession]].<ref>Crow, Kelly. (August 24, 2011),. [https://www.wsj.com/articles/SB10001424053111904875404576528873604216228 "Chicago's Art Institute Names New Director"]. ''[[The Wall Street Journal]]''.</ref> In June 2008, its endowment was $827&nbsp;million. As of 2012, the museum is rated A1 by [[Moody's]], its fifth-highest grade, in part reflecting the museum's pension and retirement liabilities; [[Standard & Poor's]] rates the museum A+, fifth-best. In October 2012, the Art Institute sold about $100&nbsp;million of taxable and tax-exempt bonds partly to shore -up unfunded pension obligations.<ref>Chappatta, Brian. (October 9, 2012). [https://archive.today/20130118162817/http://www.businessweek.com/news/2012-10-09/chicago-art-institute-borrows-100-million-for-pensions "Chicago Art Institute Borrows $100 Million for Pensions"]. ''[[Bloomberg Businessweek]]''.</ref>
 
The $294&nbsp;million extension in 2009 was the culmination of a $385&nbsp;million fundraising campaign—roughly $300&nbsp;million for design and construction and $85&nbsp;million for the endowment. Around $370&nbsp;million were raised primarily from private patrons in Chicago.<ref>Kaufman, Jason Edward. (May 13, 2009). [http://theartnewspaper.com/articles/Art-Institute-of-Chicago-s-massive-extension-opens/17325 "Art Institute of Chicago's massive extension opens"]. {{webarchive |url=https://web.archive.org/web/20121016131345/http://theartnewspaper.com/articles/Art-Institute-of-Chicago-s-massive-extension-opens/17325 |date=October 16, 2012}}. ''[[The Art Newspaper]]''.</ref> In 2011, the Art Institute received a $10&nbsp;million gift from the Jaharis Family Foundation to renovate and expand galleries devoted to Greek, Roman and Byzantine art, and to support acquisitions and special exhibitions of that art.<ref>Taylor, Kate (February 27, 2011). [https://www.nytimes.com/2011/02/28/arts/design/28arts-AGIFTFORARTI_BRF.html "A Gift for Art Institute"]. ''[[The New York Times]]''.</ref> In 2016 the Art Institute received a $35 million gift from Dorothy Braude Edinburg, a longtime supporter.<ref>{{Cite web |last=Candid |title=Art Institute of Chicago Receives $35 Million Bequest |url=https://philanthropynewsdigest.org/news/art-institute-of-chicago-receives-35-million-bequest |access-date=2024-11-13 |website=Philanthropy News Digest (PND) |language=en}}</ref>
 
=== Acquisitions and deaccessioning ===
In 1990, the Art Institute of Chicago sold 11 works at auction, including paintings by [[Claude Monet]], [[Pablo Picasso]], [[Amedeo Modigliani]], [[Maurice Utrillo]] and [[Edgar Degas]], to raise the $12&nbsp;million purchase price of a bronze sculpture, ''Golden Bird'', by [[Constantin Brâncuși]]. At the time, the sculpture was owned by the [[Arts Club of Chicago]], which was selling it to buy a new gallery for its other works.<ref>[https://www.latimes.com/archives/la-xpm-1990-05-10-ca-1857-story.html "Chicago Gallery to Sell 11 Works to Buy Brancusi"]. ''[[Los Angeles Times]]''. [[United Press International]],. May 10, 1990.</ref> In 2005, the museum sold two paintings by [[Marc Chagall]] and [[Auguste Renoir]] at [[Sotheby's]].<ref>Vogel, Carol (October 26, 2005). [https://www.nytimes.com/2005/10/26/arts/design/26muse.html "Museums Set to Sell Art, and Some Experts Cringe"]. ''The New York Times''.</ref> In 2011, it auctioned two Picassos (''Sur l'impériale traversant la Seine'' (1901) and ''Verre et pipe'' (1919)), [[Henri Matisse]]'s {{Lang|fr|Femme au fauteuil}} (1919), and [[Georges Braque]]'s {{Lang|fr|Nature morte à la guitare (rideaux rouge)}} (1938) at [[Christie's]] in London.<ref>Viera, Lauren (January 11, 2011). [https://www.chicagotribune.com/2011/01/11/art-institute-paintings-to-fetch-10-16-million-at-auction/ "Art Institute paintings to fetch $10-$16 million at auction"]. ''Chicago Tribune''.</ref><ref name=Pogrebin11>{{cite news| first=Robin| last=Pogrebin| date=January 26, 2011| url=https://www.nytimes.com/2011/01/27/arts/design/27sell.html| title=The Permanent Collection May Not Be So Permanent| newspaper=The New York Times| url-access=subscription}}</ref>
 
=== Directors ===
* [[William M.R. French]] (1885–1914)
* [[Newton Carpenter]] (1914–1916)
* [[George Eggers]] (1918–1921)
* [[Robert Harshe]] (1921–1938)
* [[Daniel Catton Rich]] (1938–1958)
* Allen McNab (1956–1965)
* Charles Cunningham (1965–1972)
* [[E. Laurence Chalmers]] (1972–1986)
* [[James N. Wood]] (1980–2004)
* [[James Cuno]] (2004–2011)
* [[Douglas Druick]] (2011–2016)
* James Rondeau (2016–present)
 
=== Controversy ===
====Management of investments dispute====
In 2002, the Art Institute of Chicago filed suit alleging fraud by a small Dallas firm called Integral Investment Management, along with related parties. The museum, which put $43&nbsp;million of its endowment into funds run by the defendants, claimed that it faced losses of up to 90% on the investments after they soured.<ref name=Economist>{{cite news| url=http://www.economist.com/node/922809| title=Stick to paintings| newspapermagazine=[[The Economist]]| date=3 January 2002| access-date=2014-10-24}}</ref>
 
====Construction disputes====
In 2010, the year after the opening of its massive Modern Wing, the Art Institute of Chicago sued the engineering firm [[Arup Group Limited|Ove Arup]] for $10&nbsp;million over what it said were flaws in the [[concrete]] floors and air-circulation systems. The suit was [[settled out of court]].<ref name=Finkel14>{{cite news| first=Jori| last=Finkel| date=3 June 2014| title=Eli Broad's Art Showcase, Still Unfinished, Sues Over Delays in Los Angeles| url=https://www.nytimes.com/2014/06/04/arts/design/eli-broads-los-angeles-art-showcase-still-unfinished-sues-over-delays.html| newspaper=The New York Times| url-access=subscription}}</ref><ref name=Kapos13>{{cite news| title=Art Institute closes Modern Wing's 3rd floor for 7 months| url=http://www.chicagobusiness.com/article/20130917/NEWS07/130919817/art-institute-closes-modern-wings-3rd-floor-for-7-months#| last=Kapos| first=Shia| date=17 September 17, 2013| newspaper=[[Crain's Chicago Business]]| access-date=2014-10-24}}</ref>
 
====Docent program diversity dispute====
In 2021, the Art Institute ended its unpaid volunteer docents program to move to a paid model. The ''Chicago Tribune'' editorial page criticized the Institute's letter announcing the change and the move to a new model, arguing that "[o]nce you cut through the blather, the letter basically said the museum had looked critically at its corps of docents, a group dominated by mostly (but not entirely) white, retired women with some time to spare, and found them wanting as a demographic."<ref>{{cite news |title=Shame on the Art Institute for Summarily Canning Its Docents | newspaper=[[Chicago Tribune]] | date=September 21, 2021 |url=https://www.chicagotribune.com/opinion/editorials/ct-edit-art-institute-docents-firing-20210927-dfrho66bjba2bp27phz2yndwzu-story.html| |url-access=subscription}}</ref> The Chair of the Institute's Board of Trustees, Robert M. Levy, responded in a ''Tribune'' op-ed supporting the change, and described the ''Tribune''<nowiki/>'s editorial as having "numerous inaccuracies and mischaracterizations", noted that the docent program had already been largely on pause for the past 15 months due to the [[COVID pandemic]], and argued that the decision was not about anyone's identity, it was in keeping with changing modern museum practices around the world.<ref>{{cite news |last=Levy |first=Robert M. |title=Op-ed: The Art Institute — and its critics — must embrace change |url=https://www.chicagotribune.com/opinion/commentary/ct-opinion-art-institute-docent-change-response-20210930-himtjin2xne2jkkkb7hzz5xpra-story.html |date=September 30, 2021| newspaper=Chicago Tribune| access-date=2021-10-11| url-access=subscription}}</ref>
 
Following a volunteerism surge in the late 1940s, the program had been created in 1961 to revitalize and expand "programming for children."<ref>{{cite web |title=Expanding the Museum's Impact |url=https://www.artic.edu/learn-with-us |website=Learn with Us |publisher=TheUs—The Art Institute Chicago |access-date=12 October 2021 |archive-url=https://web.archive.org/web/20200321200418/https://www.artic.edu/learn-with-us |archive-date=21 March 21, 2020 |quote=Volunteerism surged in the United States in the postwar period […] In this context, the Art Institute's Woman's Board was established in 1952 […] The Woman's Board also helped to create the museum's Docent Program in 1961 with the Junior League of Chicago as a means of revitalizing and expanding programming for children}}</ref> Among other matters, since 2014 the program had been trying to attract a more diverse socioeconomic perspective set of art-tour guides, given the unpaid time commitment needed.<ref>{{cite news |title=Art Institute of Chicago Ends Its Volunteer Docent Program |work=[[WBEZ]] News| date=1 October 1, 2021 |url=https://www.wbez.org/stories/art-institute-of-chicago-ends-its-volunteer-docent-program/bb71f6da-5825-4d30-a47f-c334aac564a6}}</ref>
 
== Looted art ==
In 1996, heirs to Jewish art collectors Louise and [[Friedrich Gutmann]], who died in Nazi concentration camps, sued museum trustee [[Daniel C. Searle|Daniel Searle]] for the return of the Edgar Degas painting's, ''Landscape with Smokestacks''.<ref>{{Citecite news |date=2024-01-07July 18, 1996 |title=COLLECTORCollector SUEDSued OVEROver NAZINazi VICTIMSVictims' ARTArt |first=Jo Ann |last=Lewis |url=https://www.washingtonpost.com/archive/lifestyle/1996/07/19/collector-sued-over-nazi-victims-art/aa497d49-f8c3-4ce6-99a9-cc82847760b3/ |access-date=2024-03-09 |newspaper=[[The Washington Post]] |language=en-US |issn=0190-8286}}</ref> <ref>{{Citecite web |last=Tribune |first=Chicago |date=1997-03-24news |title=FAMILYFamily SUESSues COLLECTORCollector, SAYSSays DEGASDegas WORKWork STOLENStolen BYby NAZISNazis |url=https://www.chicagotribune.com/1997/03/24/family-sues-collector-says-degas-work-stolen-by-nazis/ |date=March 24, 1997 |access-date=2024-03-09 |websitenewspaper=Chicago Tribune |language=en-US}}</ref> After years of litigation a settlement was concluded which involved the acquisition of the painting by the Art Institute.<ref>{{Citecite news |last=Dobrzynski |first=Judith H. |date=1998-08-August 14, 1998 |title=Settlement in Dispute Over a Painting Looted by Nazis |url=https://www.nytimes.com/1998/08/14/us/settlement-in-dispute-over-a-painting-looted-by-nazis.html |access-date=2024-03-09 |worknewspaper=The New York Times |language=en-US |issn=0362-4331}}</ref><ref>{{Citecite web |title=Landscape with Smokestacks – Friedrich Gutmann Heirs and Daniel Searle — Centre du droit de l'art |url=https://plone.unige.ch/art-adr/cases-affaires/landscape-with-smokestacks-2013-friedrich-gutmann-heirs-and-daniel-searle |access-date=2024-03-09 |website=plone.unige.chArThemis |quote=The heirs of Holocaust victims Friedrich and Louise Gutmann, Nick and Simon Goodman and Lili Gutmann, filed a claim against the art dealer Daniel Searle. Searle was the owner of the painting “Landscape with Smokestacks” by Edgar Degas and was a Trustee of the Art Institute of Chicago, where the painting was on loan. The painting was allegedly looted by the Nazis during the Second World War. After four years of litigation, the parties agreed to share the ownership of the painting. The Gutmann heirs’ interest in the ownership was bought by the Art Institute of Chicago.}}</ref> A collection of approximately 500 objects from [[Nepal]], India and elsewhere in Asia that was donated to the Art Institute by trustee [[Marilynn Alsdorf]] in 1989 was later found to contain several objects that were looted; nine objects have been returned by the museum to Nepal over the years, while some additional items are still being contested.<ref>{{Citecite webnews |last=CHERNEYCherney |first=ELYSSAElyssa |title=She was the queen of Chicago's arts community. But her collection now means trouble for the Art Institute. |date=March 20, 2023 |url=https://www.chicagobusiness.com/arts-entertainment/art-institute-chicago-nepal-looted-art-concerns |websitenewspaper=chicagobusiness.comCrain's Chicago Business}}</ref><ref>{{Citecite web |lastfirst1=MillsElyssa |firstlast1=Elyssa Cherney, |first2=Steve |last2=Mills |date=2023-03-March 20, 2023 |title=Questions Shadow These Items From a Renowned Art Collection |url=https://www.propublica.org/article/chicago-art-institute-alsdorf-repatriation-origins |access-date=2023-11-07 |website=ProPublica |language=en |quote=Crain’s Chicago Business and ProPublica have identified at least nine objects once owned by James and Marilynn Alsdorf that have been sent back to their countries of origin since the late 1980s. Nepali activists — and government officials, in one case — are pressing for the return of more Alsdorf objects donated to the Art Institute of Chicago, saying they have evidence the pieces may have been looted and sold on the art market.}}</ref><ref>{{Citecite webnews |date=2023-03-22 |title=Investigation raises concerns over Art Institute's Nepal items |url=https://www.chicagotribune.com/entertainment/museums/ct-ent-nepal-looted-antiquities-aic-20230322-4y4vueyjxrebrk5v7f5lanyelu-story.html |access-date=2023-11-07 |websitenewspaper=Chicago Tribune}}</ref> In 2023, the [[Manhattan District Attorney]]'s Office moved to seize [[Egon Schiele]] paintings from several museums on the grounds that they had been looted by the Nazis from [[Fritz Grünbaum]], who was killed in the [[The Holocaust|Holocaust]]. The paintings included, ''Russian War Prisoner,'' a watercolor in the Art Institute.<ref>{{Citecite webnews |last=Ho |first=Karen K. |date=2023-09-14 |title=US Investigators Move to Seize Three Egon Schiele Works from Museums on Claims From Jewish Heirs of Stolen Property |url=https://www.artnews.com/art-news/news/us-investigators-seize-three-egon-schiele-museums-jewish-heirs-stolen-property-claims-1234679610/ |access-date=2023-11-07 |websitemagazine=[[ARTnews.com]] |language=en-US}}</ref><ref>{{Citecite news |date=2023-09-14 |title=Egon Schiele art seized in US over Holocaust claim |language=en-GB |work=BBC News |url=https://www.bbc.com/news/world-us-canada-66815694 |access-date=2023-11-07}}</ref> The Art Institute continues to hold the work, as it is contesting the seizure in court. According to its investigation, it acquired the watercolor drawing in 1966 from an American art dealer through a proper provenance from Grünbaum's legal heir, and it also argues that the claim is time-barred because Grünbaum's heirs were aware.<ref>{{Citecite news |last=Cohan |first=William D. |date=2023-11-06 |title=Were These Artworks Looted? After Seizures and Lawsuits, Some Still Debate |language=en-US |worknewspaper=The New York Times |url=https://www.nytimes.com/2023/11/06/arts/design/egon-schiele-art-lawsuits-looted.html |access-date=2023-11-07 |issn=0362-4331 |url-access=subscription}}</ref><ref>{{Citecite news |last=Sheppard |first=Carrie |date=2024-01-17 |title=Art Institute fights to hold on to disputed Egon Schiele artwork |workwebsite=[[Axios (website)|Axios]] |url=https://www.axios.com/local/chicago/2024/01/17/art-institute-holocaust-painting-franz-friedrich-grunbaum |access-date=2024-02-01}}</ref> In February 2024, the Manhattan District Attorney filed a motion accusing the Art Institute of "blatantly ignoring evidence of an elaborate fraud undertaken to conceal that the artwork had been looted". According to the ''The New York Times'', the court filing provided detailed evidence that provenance documents provided by the Swiss art dealer [[Eberhard Kornfeld]] contained forged signatures or were altered long after he came into possession of the paintings and sold them to other art dealers in the mid-1950s. Court hearings on the matter are expected in 2024.<ref>{{Citecite news |last1=Mashberg |first1=Tom |last2=Bowley |first2=Graham |date=2024-02-23 |title=Investigators Say Chicago's Art Institute Is Holding onto 'Looted Art' |url=https://www.nytimes.com/2024/02/23/arts/investigators-say-chicagos-art-institute-is-holding-onto-looted-art.html |access-date=2024-02-26 |worknewspaper=The New York Times |language=en-US |issn=0362-4331 |url-access=subscription}}</ref>
 
==In popular culture==