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{{about||other uses|Til I Die (disambiguation)}}
{{use mdy dates|date=March 2020}}
{{Infobox song
| name = {{-'}}Til I Die
| cover = 'Til I Die single.jpg
| alt =
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| recorded = {{startdate|1970|8|15}}{{snd}}{{startdate|1971|7|30}}
| studio = [[Beach Boys Studio|Beach Boys]], Los Angeles
| genre = [[Darkness in music|Dark pop]], [[progressiveProgressive pop]]<ref>{{cite book|last=Gaines|first=Steven|author-link=Steven Gaines|title=Heroes and Villains: The True Story of The Beach Boys|url=https://books.google.com/books?id=-qkJvajmU4EC|year=1986|publisher=Da Capo Press|location=New York|isbn=978-0-45300-519-7|page=242}}</ref>, [[dark pop]]<ref>{{cite web|url=https://musicalyst.com/genre/dark-pop |title=Dark Pop artists and listeners — Musicalyst }}</ref>
| length = 2:29
| label = [[Brother Records|Brother]]/[[Reprise Records|Reprise]]
| writer = [[Brian Wilson]]
| producer = Brian Wilson, Carl Wilson (credited to theThe Beach Boys)
| chronology = [[The Beach Boys]]
| prev_title = [[Long Promised Road]]
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| prev_year = 1971
| title = [[Long Promised Road]]
| title2 = {{-'}}Til I Die
| next_title = [[Surf'sStudent UpDemonstration (song)|Surf's UpTime]]
| next_title2 = [[Don't Go Near the Water (The Beach Boys song)|Don't Go Near the Water]]
| next_year = 1971
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| type = single
| file = Til I Die Beach Boys.ogg
| description = {{ffdc|1=Til I Die Beach Boys.ogg|log=2024 November 8}}
}}
}}
"'''{{-'}}Til I Die'''" is a song by American [[rock music|rock]] band [[the Beach Boys]] from their 1971 album ''[[Surf's Up (album)|Surf's Up]]'', subsequently issued as the B-side of the single "[[Long Promised Road]]". With autobiographical lyrics about death and hopelessness, it is one of the few songs in which both the words and music were written solely by [[Brian Wilson]]. An extended mix of the original recording, created by engineer [[Stephen Desper]], was included on the 1998 ''[[Endless Harmony Soundtrack]]''.
 
== Background and composition ==
Brian Wilson reportedly wrote {{"'}}Til I Die" while suffering from an [[existential crisis]], having recently threatened to drive his car off the [[Santa Monica]] pier and ordered his gardener to dig a grave in his backyard.<ref name="badman288"/> According to biographer [[David Leaf]], these episodes were treated as jokes by Wilson's family and friends.{{sfn|Leaf|1978|p=147}} In a November 1970 interview, Wilson discussed his daily routine of "go[ing] to bed in the early hours of the morning and sleep[ing] until the early afternoon". He added: "I'm not unhappy with life; in fact I'm quite happy living at home."{{sfn|Badman|2004|p=279}} According to Wilson's (since-discredited) 1991 autobiography ''[[Wouldn't It Be Nice: My Own Story]]'', the song was inspired by a late night trip to the beach:
{{quotation|Lately, I'd been depressed and preoccupied with death…Lookingdeath...Looking out toward the ocean, my mind, as it did almost every hour of every day, worked to explain the inconsistencies that dominated my life; the pain, torment, and confusion and the beautiful music I was able to make. Was there an answer? Did I have no control? Had I ever? Feeling shipwrecked on an existential island, I lost myself in the balance of darkness that stretched beyond the breaking waves to the other side of the earth. The ocean was so incredibly vast, the universe was so large, and suddenly I saw myself in proportion to that, a little pebble of sand, a jellyfish floating on top of the water; traveling with the current I felt dwarfed, temporary. The next day I began writing "Til I Die", perhaps the most personal song I ever wrote for The Beach Boys…InBoys...In doing so, I wanted to re-create the swell of emotions that I'd felt at the beach the previous night.<ref name="wilson194">{{cite book |first=Brian |last=Wilson |title=Wouldn't It Be Nice: My own Story|url=https://archive.org/details/wouldntitbenicem00wils |url-access=registration |year=1991 |page=[https://archive.org/details/wouldntitbenicem00wils/page/194 194]|publisher=HarperCollins |isbn=9780060183134 }}</ref>}}
 
The song was written over the course of several weeks as Wilson tried to express the feelings he had experienced on that night he had spent alone at the beach. As he explains, "I struggled at the piano, experimenting with rhythms and chord changes, trying to emulate in sound the ocean's shifting tides and moods as well as its sheer enormity. I wanted the music to reflect the loneliness of floating a raft in the middle of the Pacific. I wanted each note to sound as if it was disappearing into the hugeness of the universe.<ref name="badman288">{{cite book |first=Keith |last=Badman |title=The Beach Boys: The Definitive Diary of America's Greatest Band on Stage and in the Studio |url=https://archive.org/details/beachboysdefinit0000badm |url-access=registration |year=2004 |page=[https://archive.org/details/beachboysdefinit0000badm/page/288 288]|publisher=Hal Leonard Corporation |isbn=9780879308186 }}</ref>
 
Explaining how Wilson came up with the chords, [[Don Was]] recalled, "he told me that he was sitting at a piano, creating geometric patterns with his fingers, trying not to move the fingers on the outside of the patterns, but limiting changes to internal movements. When he landed on a shape that both looked cool and sounded good, he wrote it down. So, essentially he created this masterpiece by contorting his fingers into really groovy shapes."<ref name="williams212-13"/> However, Was said, "I've absolutely no idea whether this story has any basis in truth or whether he was just making it up on the spot to entertain me."<ref name="williams212-13">{{cite book |editor-first=Paul |editor-last=Williams |title=How Deep is the Ocean? |year=2003 |pages=212–213}}</ref>
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== Recording ==
Wilson recorded a solo piano demo of the song on November 4, 1969.{{sfn|Badman|2004|p=257}} According to some sources, when he presented the song to the band, one member initially voiced criticisms.<ref name="white286">{{cite book |first=Timothy |last=White |title=The Nearest Faraway Place |year=1996 |page=286}}</ref><ref name="granata211">{{cite book |first=Charles L. |last=Granata |title=I Just Wasn't Made For These Times |year=2003 |page=211}}</ref> [[Bruce Johnston]] remembered Brian "playing it for the band and one member of the band didn't understand it and put it down, and Brian just decided not to show it to us for a few months. He just put it away. I mean, he was absolutely crushed. This other person just didn't like it."<ref name="leaf144">{{cite book |first=David |last=Leaf |title=The Beach Boys And The California Myth |url=https://archive.org/details/beachboyscalifor00leaf |url-access=registration |year=1978 |page=[https://archive.org/details/beachboyscalifor00leaf/page/144 144]|publisher=Grosset & Dunlap |isbn=9780448146256 }}</ref> Various sources state that [[Mike Love]] had called the song a "downer".<ref name="carlin172"/><ref name=mojo2009>{{cite book|editor1-last=Irvin|editor1-first=Jim|title=The Mojo Collection|date=2009|publisher=Canongate|location=Edinburgh|isbn=9781847676436|page=245|url=https://books.google.com/books?id=AVQbF9lTBwgC&pg=PA245}}</ref> Engineer [[Stephen Desper]] wrote that "the guys often thought the original lyrics to ['Til I Die] were drug derived."<ref>{{cite web |last1=Desper |first1=Stephen |title=Re: Beach Boys studio disasters and screwups? |url=http://smileysmile.net/board/index.php/topic,26134.msg641253/topicseen.html#msg641253 |website=smileysmile.net |access-date=October 24, 2020 |date=September 23, 2018}}</ref> At one stage, to address the criticism, Wilson changed the lyrics from "It kills my soul" to "It holds me up" or "It fills my soul" and "I lost my way" to "I found my way". Ultimately, the rest of the group insisted that the original lyrics be kept as the new lyrics contradicted the lyrics in the verses.<ref name="carlin172">{{cite book |first=Peter Ames |last=Carlin |title=Catch A Wave: The Rise, Fall, and Redemption of the Beach Boys' Brian Wilson |url=https://archive.org/details/catchwaverise00carl |url-access=registration |year=2006 |page=[https://archive.org/details/catchwaverise00carl/page/172 172]|publisher=Rodale |isbn=9781594863202 }}</ref> A recording of the song with these alternate lyrics still exists, and was released on the 2021 compilation [[Feel Flows (album)|Feel Flows]].<ref>{{cite magazine |last1=Chidester |first1=Brian |title=Busy Doin' Somethin': Uncovering Brian Wilson's Lost Bedroom Tapes |url=http://www.pastemagazine.com/articles/2014/03/busy-doin-somethin-uncovering-brian-wilsons-lost-b.html?a=1 |magazine=[[Paste (magazine)|Paste]] |access-date=December 11, 2014 |date=March 7, 2014 |archive-date=December 11, 2014 |archive-url=https://web.archive.org/web/20141211033306/http://www.pastemagazine.com/articles/2014/03/busy-doin-somethin-uncovering-brian-wilsons-lost-b.html?a=1 |url-status=dead }}</ref>
 
The first dated session for the song was at [[Beach Boys Studio]] on August 15, 1970.<ref>{{cite web |last1=Doe |first1=Andrew G. |title=GIGS70 |url=http://bellagio10452.com/gigs70.html |website=Bellagio 10452}}</ref> {{citation span|text=Brian recorded five takes of the song although the song would be left only partially completed. Dennis Wilson was not present during this session due to filming dates for ''[[Two-Lane Blacktop]]'', which resulted in a Maestro Rhythm King [[drum machine]] being used on the basic track. On August 26, the partially completed track was mixed although very little work was done on the recording until later the following year.|date=June 2014}} The last dated session occurred on July 30, 1971.<ref>{{cite web |last1=Doe |first1=Andrew G. |title=GIGS71 |url=http://bellagio10452.com/gigs71.html |website=Bellagio 10452}}</ref> In Desper's recollection, Wilson played [[Hammond B3 organ]] while touring musician [[Daryl Dragon]] played vibraphone.<ref>{{cite web |last1=Desper |first1=Stephen |author-link1=Stephen Desper |title=Re: Brian Wilson's instrumental contributions to the Surf's Up album |url=http://smileysmile.net/board/index.php/topic,21314.msg516754/topicseen.html#msg516754 |website=smileysmile.net |access-date=October 24, 2020 |date=May 12, 2015}}</ref>
 
{{Quote box
[[Al Jardine]] said of the song, "it's really a good vocal sound, I think Desper deserves all the credit on that one, I mean we just had the best microphones, the best microphone technique and engineering on that particular piece and that particular time."<ref name="podcast">{{Cite web|url=http://filmeekeeda.com/|archive-url=https://web.archive.org/web/20180329005044/http://filmeekeeda.com/|url-status=dead|archive-date=March 29, 2018|title=Filmee Keeda - Hollywood & Bollywood Movie review&#124; TV Shows&#124;|date=March 29, 2018}}</ref> Johnston expressed similar feelings towards the song as he states that "the track is very simple...and the great, great vocal arrangement that he wrote. Really, a great piece of work."<ref name="podcast"/>
| quote = "Til I Die" was more or less an achievement in sound. ... After it was done I took a certain part of where I was singing and I made a mono tape loop and put my voice on the tape loop. I sent the loop into an echo chamber. I went into the echo chamber and listened to my voice in a circle and walked out of there in another world.
| source = —Brian Wilson<ref name="Sharp09">{{cite web |last1=Sharp |first1=Ken |title=Brian Wilson: God's Messenger |url=https://americansongwriter.com/brian-wilson-gods-messenger/5/ |website=[[American Songwriter]] |date=January 2, 2009}}</ref>
| width = 25%
| align = right
}}
 
[[Al Jardine]] said of the song, "it's really a good vocal sound, I think Desper deserves all the credit on that one, I mean we just had the best microphones, the best microphone technique and engineering on that particular piece and that particular time."<ref name="podcast">{{Cite web|url=http://filmeekeeda.com/|archive-url=https://web.archive.org/web/20180329005044/http://filmeekeeda.com/|url-status=dead|archive-date=March 29, 2018|title=Filmee Keeda - Hollywood & Bollywood Movie review&#124;{{pipe}} TV Shows&#124;{{pipe}}|date=March 29, 2018}}</ref> Johnston expressed similar feelings towards the song as he states that "the track is very simple...and the great, great vocal arrangement that he wrote. Really, a great piece of work."<ref name="podcast"/>
 
An extended mix of the original recording, created by Desper, was included on the 1998 ''[[Endless Harmony Soundtrack]]''. It is notable for having each instrumental layer come in after the other as an introduction and features more prominent vibraphone and organ throughout. The mix was reportedly done only for the engineer's self-interest. As Desper explains, the band "went out for lunch or something like that and since the song was already mounted and a mix up, I put together what I thought was a structure that better showcased the harmonic beauty of Brian's writing. Somewhere thereafter I did play the track for Carl, but only in the interest of disclosure, not to sway him to change the structure that Brian intended."<ref>{{cite web |last1=Desper |first1=Stephen |author-link1=Stephen Desper |title=Re: The Stephen Desper Thread |url=https://smileysmile.net/board/index.php/topic,1203.msg56851.html#msg56851 |website=smileysmile.com |access-date=October 24, 2020 |date=December 31, 2006}}</ref>
 
== Release ==
The song was first released on the band's album ''Surf's Up'' on August 30, 1971. On October 11, 1971, the song was released in the United States as the flip-side of the "Long Promised Road" single, which had also been released earlier that year in May with a different B-side. The single entered the ''Billboard'' charts on October 30 in the No. 93 position. It peaked three weeks later at No. 89 on the ''Billboard'' charts, where it remained for one more week until the single dropped off the charts altogether.<ref>{{sfncite book |first=Brad |last=Elliott |title=Surf's Up: The Beach Boys On Record 1961-1981 |year=2003 |ppage=421}}</ref> It was the first single by the group in 19 months to chart. However, at the time it was the lowest charting single in the group's history and it remained so for a further eighteen years.{{sfn|Badman|2004|p=[https://archive.org/details/beachboysdefinit0000badm/page/300 300]}}
 
In February 1970, an alternate version of the song with a different backing track was played on the WPLJ FM radio station in New York.<ref name="elliott183">{{cite book |first=Brad |last=Elliott |title=Surf's Up: The Beach Boys On Record 1961-1981 |year=2003 |page=183}}</ref>
 
==Legacy and recognition==
Bruce Johnston praised it as the last great Brian Wilson song<ref name="leaf144"/><ref>{{cite AV media | people = Boyd, Alan (Director) | title = Endless Harmony: The Beach Boys Story | medium = Documentary | publisher = Eagle Eye Media |date = 1998}}</ref> as well as describing it as Wilson's "heaviest song."<ref name="leaf144"/> Johnston has also stated that "the words absolutely fit his mindset".<ref name="podcast"/> Wilson also felt this was the case when he stated that "the song summed up everything I had to say at the time."<ref name="badman288"/> In 2015, Love named the lyrics of {{"'}}Til I Die" his favorite of any written solely by Wilson, although he admitted, "I don't like the line 'it kills my soul' but I understand what he's saying."<ref name=Sharp1on1>{{cite web|last1=Sharp|first1=Ken|title=Mike Love of the Beach Boys: One-On-One (The Interview Part 1)|url=http://www.rockcellarmagazine.com/2015/09/09/mike-love-of-the-beach-boys-one-on-one-the-interview-part-1/2/#sthash.om8yj2AB.dpbs|publisher=[[Rock Cellar Magazine]]|date=September 9, 2015|access-date=September 10, 2015|archive-url=https://web.archive.org/web/20180612170213/https://www.rockcellarmagazine.com/2015/09/09/mike-love-of-the-beach-boys-one-on-one-the-interview-part-1/2/#sthash.om8yj2AB.dpbs|archive-date=June 12, 2018|url-status=dead}}</ref> Biographer [[Jon Stebbins]] wrote: {{"'}}{{'}}Til I Die' proves that Brian could not only write beautiful music, but that he had the ability to communicate honestly and artfully with his lyrics as well. The track is decorated with a haunting vibraphone and organ bed, which frames the strong harmony vocal arrangement perfectly."<ref>{{cite book|last1=Stebbins|first1=Jon|author-link=Jon Stebbins|title=The Beach Boys FAQ: All That's Left to Know About America's Band|date=2011|isbn=9781458429148|page=124|publisher=Backbeat Books }}</ref>
 
As a solo artist, a remake of the song was recorded – along with an accompanying video – by Brian Wilson for inclusion in the 1995 documentary ''[[Brian Wilson: I Just Wasn't Made for These Times|I Just Wasn't Made for These Times]]'' and it would later appear on the film's soundtrack. This version, produced by Brian and [[Don Was]], is much more sparse than the original. Brian's re-recording of the song was released as the second track on a relatively rare UK single in 1995. However, the single failed to make any impact on the charts.{{Citation needed|date=March 2010}} In 2000, over a period of two days on April 7 and 8, Brian and his band recorded a live version of the song—based on Desper's extended mix—for inclusion on Brian's 2000 live album ''[[Live at the Roxy Theatre]]''.
 
A sample of the song appears as part of the [[Music from Love & Mercy|soundtrack]] to the 2014 film ''[[Love & Mercy (film)|Love & Mercy]]'' on the track "The Bed Montage", composed by [[Atticus Ross]].
 
==Personnel==
Credits from Craig Slowinski<ref name="Slowinski2021">{{cite magazine |last=Slowinski|first=Craig |date=Summer 2021 |title=Surf's Up: 50th Anniversary Edition|issue=134|volume=34|magazine=Endless Summer Quarterly Magazine |location=Charlotte, North Carolina|editor-first=David|editor-last=Beard}}</ref>
 
'''The Beach Boys'''
As a solo artist, a remake of the song was recorded – along with an accompanying video – by Brian Wilson for inclusion in the 1995 documentary ''[[I Just Wasn't Made for These Times]]'' and it would later appear on the film's soundtrack. This version, produced by Brian and [[Don Was]], is much more sparse than the original. Brian's re-recording of the song was released as the second track on a relatively rare UK single in 1995. However, the single failed to make any impact on the charts.{{Citation needed|date=March 2010}} In 2000, over a period of two days on April 7 and 8, Brian and his band recorded a live version of the song—based on Desper's extended mix—for inclusion on Brian's 2000 live album ''[[Live at the Roxy Theatre]]''.
*[[Al Jardine]] - backing vocals
*[[Bruce Johnston]] - backing vocals, Hammond organ
*[[Mike Love]] - lead and backing vocals
*[[Brian Wilson]] - lead and backing vocals, Hammond organ, [[Rocky Mount Instruments|Rocksichord]], snare drum, Maestro Rhythm King MRK-2 [[drum machine]]
*[[Carl Wilson]] - lead and backing vocals, acoustic guitar
 
'''Additional musicians'''
A sample of the song appears as part of the [[Music from Love & Mercy|soundtrack]] to the 2014 film ''[[Love & Mercy]]'' on the track "The Bed Montage", composed by [[Atticus Ross]].
*[[Daryl Dragon]] - bass guitar, vibraphone
*[[Stephen Desper|Stephen W. Desper]] - [[Moog synthesizer]]
 
== Cover versions ==
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*1992 – [[Downy Mildew]], "Elevator" EP
*1993 – [[Medicine (band)|Medicine]], "Never Click" single
*1996 – [[Josephine Wiggs|The Josephine Wiggs Experience]], ''Bon Bon Lifestyle''
*1997 – The Wilsons, ''[[The Wilsons (album)|The Wilsons]]'' (co-produced by Brian)
*1997 – The Elements, ''Wouldn't It Be Nice: A Jazz Portrait of Brian Wilson''