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{{short description|21st
[[File:Parker_Cheeto_White_Cube_Gallery._(14910200985).jpg|thumb|upright=1.2|Post-Internet art is a contemporary art movement influenced by Internet culture. The installation ''Maid in Heaven / En Plein Air in Hell (My Beautiful Dark and Twisted Cheeto Problem)'' by [[Parker Ito]] ([[White Cube]], 2014) serves as an example.]]
'''Post-Internet''' is a 21st
==Definition==
Post-Internet is a loosely-defined term<ref name="amarca16" /> that was coined by artist/curator [[Marisa Olson]] in an attempt to describe her practice.<ref name=":2">{{Cite web|last=Dunne|first=Carey|date=2014-03-10|title=9 Post-Internet Artists You Should Know|url=https://www.fastcompany.com/3027356/9-post-internet-artists-you-should-know|access-date=2021-01-26|website=Fast Company|language=en-US}}</ref> It emerged from mid-2000s discussions about [[Internet art]] by Gene McHugh (author of a blog titled "Post-Internet"), and [[Artie Vierkant]] (artist, and creator of ''Image Object'' sculpture series).<ref name="rhizome2013">{{cite web|url=http://rhizome.org/editorial/2013/nov/1/postinternet/|title=What's Postinternet Got to do with Net Art?|website=[[Rhizome]]|first=Michael|last=Connor|date=November 1, 2013}}</ref> The movement itself grew out of [[Internet art|Internet Art (or Net Art)]].<ref name="rhizome2013"/> According to the [[UCCA Center for Contemporary Art]] in [[Beijing]], rather than referring "to a time “after” the [[internet]]", the term refers to "an internet state of mind".<ref name=UCCA>{{Cite web|title=Art Post-Internet|url=https://ucca.org.cn/en/exhibition/art-post-internet//|access-date=2021-01-23|website=UCCA Center for Contemporary Art|language=en}}</ref> Eva Folks of AQNB wrote that it "references one so deeply embedded in and propelled by the internet that the notion of a world or culture without or outside it becomes increasingly unimaginable, impossible."<ref name=AQNB/>
The term is controversial and the subject of much criticism in the art community.<ref name="amarca16" /> ''[[Art in America]]''{{'}}s Brian Droitcour in 2014 opined that the term fails to describe the form of the works, instead "alluding only to a hazy contemporary condition and the idea of art being made in the context of digital technology."<ref>{{Cite web|last1=Droitcour|first1=Brian|date=2014-10-29|title=The Perils of Post-Internet Art|url=https://www.artnews.com/art-in-america/features/the-perils-of-post-internet-art-63040/|access-date=2021-01-26|website=ARTnews.com|language=en-US}}</ref> According to a 2015 article in ''[[The New Yorker]]'', the term describes "the practices of artists [whose] artworks move fluidly between spaces, appearing sometimes on a screen, other times in a gallery."<ref name="comesof">{{Cite magazine|url=http://www.newyorker.com/books/page-turner/post-internet-poetry-comes-of-age|title=Post-Internet Poetry Comes of Age|last=Kenneth|first=Goldsmith|date=2015-03-10|magazine=The New Yorker|publisher=|access-date=2016-09-14}}</ref> ''Fast Company''{{'}}s Carey Dunne summarizes they are "artists who are inspired by the visual cacophony of the web" and notes that "mediums from [[Second Life]] portraits to digital paintings on silk to 3-D-printed sculpture" are used.<ref name=":2" />
There is theoretical overlap with writer and artist [[James Bridle]]'s term [[New Aesthetic]].<ref>{{Cite web|title=The New Aesthetic and its Politics {{!}} booktwo.org|url=http://booktwo.org/notebook/new-aesthetic-politics/|access-date=2021-01-24|language=en-US}}</ref><ref name=":1" /> Ian Wallace of ''[[Artspace (website)|Artspace]]'' writes that "the influential blog The New Aesthetic, run since May 2011 by
==Influence==
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== Exhibitions ==
There have been a number of significant group art shows explicitly exploring Post-Internet themes. There was a 2014 exhibition called ''Art Post-Internet'' at Beijing's Ullens Center for Contemporary Art, which ''[[ARTnews]]'' named one of the "most art exhibitions of the 2010s"<ref>{{cite news|url=https://www.artnews.com/art-news/news/most-important-exhibitions-2010s-1202672433/|title=The Most Important Art Exhibitions of the 2010s|date=17 December 2019|work=Artnews|last1=Durón|first1=Maximilíano|last2=Greenberger|first2=Alex}}</ref> which "set out to encapsulate the budding movement."<ref name=":1"/> [[Museum of Modern Art|
* ''Raster Raster'', Aran Cravey Gallery, Los Angeles, 2014<ref name=Raster>{{Cite web|date=2014-04-07|title="Raster Raster" at Aran Cravey Gallery, Los Angeles •|url=http://moussemagazine.it/raster-raster-aran-cravey/|access-date=2021-01-26|website=Mousse Magazine|language=it-IT}}</ref>
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== Notable artists ==
{{div col}}
* AIDS-3D (Daniel Keller and Nik Kosmas)<ref>{{cite news|url=https://hyperallergic.com/481/aids-3d-interview/|title=Information, Aesthetics & Fun: An Interview with AIDS-3D|date=27 October 2009|last= Vierkant|first=Artie|work=[[Hyperallergic]]}}</ref>
*[[Cory Arcangel]]<ref name=":1" />
* Kai (Kari) Altmann<ref name=AQNB>{{cite news|url=https://www.aqnb.com/2014/03/03/life-after-internet-concerning-art-post-internet-in-beijing/|title=Concerning Art Post-Internet|last=Folks|first=Eve|date=3 March 2014|work=AQNB}}</ref><ref>{{cite web|url=https://anthology.rhizome.org/r-u-in-s-garden-club|title=R-U-IN?S / GARDEN CLUB KAI (KARI) ALTMANN 2009 - ONGOING|website=Rhizome Anthology|date=27 October 2016 }}</ref>
*[[Petra Cortright]],<ref name=":1" /> whose work includes YouTube video work and digital paintings. She was included in "Raster Raster"<ref name=Raster /> and the 9th Berlin Biennale
*[[DIS (collective)|DIS]]<ref name=":3" /><ref name=":0" />
* Aleksandra Domanović<ref>{{cite news|url=https://artreview.com/mar-2012-future-greats-aleksandra-domanovic/|work=ArtReview|date=21 July 2014|title=Aleksandra Domanović|last=McLean-Ferris|first=Laura|quote=Domanović has ... created paper-stack sculptures (made by printing to the edge of blank A4 paper, at full bleed) that commemorate the day in 2010 that the .yu domain was taken off the Internet.... The memorialising of this moment makes sense for an artist so committed to the Internet as a form...}}</ref><ref name=AQNB/>
*[[Parker Ito]]<ref>{{Cite web|date=2016-09-11|title=Parker Ito, or the anxiety of over-hyped young artists|url=https://judithbenhamouhuet.com/parker-ito-or-the-anxiety-of-over-hyped-young-artists/|access-date=2021-01-25|website=Judith Benhamou-Huet Reports|language=en-GB}}</ref>
*[[Rachel de Joode]]<ref name="akoya">{{cite web |title=Rachel De Joode |url=https://akoyabooks.com/interviews/rachel-de-joode/ |website=Akoya Books |access-date=30 March 2021 |language=en |date=10 October 2016}}</ref>
* Oliver Laric<ref>{{cite web|url=https://www.ssense.com/en-us/editorial/art/hijacking-classical-sculptures-in-vienna|title=HIJACKING CLASSICAL SCULPTURES IN VIENNA Artist Oliver Laric Open-Sources Museum Sculptures and Shows How Technology Has Changed Authenticity|website=Ssense.com|last=Heuser|first=Biance|date=4 May 2016 }}</ref>
*[[Kalup Linzy]]<ref>{{Cite web|title=Berlin Biennale {{!}} Participants|date=September 2022 |url=https://news.artnet.com/art-world/kalup-linzy-art21-2168437}}</ref>
* [[Jonathan Monaghan]]<ref>{{Cite web|url=https://www.mediaartdesign.net/EN_ars17.html |title=ARS ELECTRONICA 2017 |last=Moulon |first=Dominique }}</ref>
*[[Katja Novitskova]]<ref>{{Cite web|last=Culture|first=Magazine Contemporary|date=2012-01-30|title=Post Internet Survival Guide, 2010|url=http://www.magazinecontemporaryculture.com/post-internet-survival-guide/|access-date=2021-01-24|website=Magazine Contemporary Culture|language=en-US}}</ref> whose work focuses on issues of technology, evolutionary processes, digital imagery and corporate aesthetics and was included in the 9th Berlin Biennale
*[[Seth Price]]<ref name=":1" />
*[[Jon Rafman]], whose work was included in the 9th Berlin Biennale
*[[Ryder Ripps]]<ref>[https://www.gq.com/story/ryder-ripps-cia-redesign No, Ryder Ripps Didn't Do the CIA Redesign|CQ]</ref>
*Bunny Rogers<ref>{{cite web | url=https://www.huffpost.com/entry/postinternet-art_n_4893271 | title=6 'Postinternet' Artists You Should Know | date=5 March 2014 }}</ref>
* Timur Si-Qin<ref name=AQNB/><ref>{{cite news|url=https://www.artforum.com/print/reviews/201903/timur-si-qin-78746|title=Timur Si-Qin MAGICIAN SPACE 魔金石空间|work=Artforum|date=March 2019|last=Frank|first=Simon}}</ref>
*[[Molly Soda]],<ref>[https://1701vb.com/post-internet-art-is-the-fast-food-of-the-contemporary-art-world-by-phoebe-cochran/ Post-Internet Art is the Fast Food of the Contemporary World]</ref> who co-curated and included her own work in "Zero Zero"<ref name=Zero/>
*[[Hito Steyerl]]<ref name=UCCA/><ref name=AQNB/>
*[[Ryan Trecartin]],<ref>{{Cite web|title=Frieze Editors Debate the Artist of the Decade {{!}} Frieze|url=https://www.frieze.com/article/frieze-editors-debate-artist-decade|access-date=2021-01-25|website=Frieze|date=13 December 2019|language=en}}</ref> whose work was included in the 9th Berlin Biennale and who co-curated the [[New Museum]]'s 2015 triennial "Surround Audience" which included DIS<ref name=new/>▼
*Theo Triantafyllidis<ref>{{Cite web|url=https://www.factmag.com/2024/02/12/interview-theo-triantafyllidis/ |title=Interview Theo Triantafyllidis |date=12 February 2024 }}</ref>
*[[Brad Troemel]]<ref>{{Cite web|date=2015-03-18|title=magazine / archive / Ann Hirsch {{!}} MOUSSE CONTEMPORARY ART MAGAZINE|url=http://moussemagazine.it/articolo.mm?id=1093#|access-date=2021-02-02|archive-url=https://web.archive.org/web/20150318222950/http://moussemagazine.it/articolo.mm?id=1093#|archive-date=2015-03-18}}</ref>▼
▲*[[Ryan Trecartin]] and [[Lizzie Fitch]],<ref>{{Cite web|title=Frieze Editors Debate the Artist of the Decade {{!}} Frieze|url=https://www.frieze.com/article/frieze-editors-debate-artist-decade|access-date=2021-01-25|website=Frieze|date=13 December 2019|language=en}}</ref> whose work was included in the 9th Berlin Biennale and who co-curated the [[New Museum]]'s 2015 triennial
▲*[[Brad Troemel]], [[Joshua Citarella]], and [[Molly Soda]]<ref>{{Cite web|date=2015-03-18|title=magazine / archive / Ann Hirsch {{!}} MOUSSE CONTEMPORARY ART MAGAZINE|url=http://moussemagazine.it/articolo.mm?id=1093
*[[Amalia Ulman]], whose work was included in the 9th Berlin Biennale<ref>{{Cite web|title=Berlin Biennale {{!}} Participants|url=http://bb9.berlinbiennale.de/participants/|access-date=2020-12-15|language=en-US}}</ref>
*[[Andrew Norman Wilson (artist)|Andrew Norman Wilson]]<ref name="Nast 2019">{{cite magazine |last=Mallonee |first=Laura |title=Is That a Hand? Glitches Reveal Google Books' Human Scanners |magazine=WIRED |date=2019-02-07 |url=https://www.wired.com/story/google-books-glitches-gallery/ |access-date=2023-11-07}}</ref>
{{div col end}}
== Gallery ==
<gallery widths="200" heights="160" perrow="4">
File:Rihanna-Berlin-Biennale.jpg|Sculpture of [[Rihanna]] as an [[Headless men|Acéfalo]] in the
File:Anna Uddenberg.jpg|Anna Uddenberg at the 9th Berlin Biennale, 2016.
File:GCC (art collective).jpg|GCC collective at the 9th Berlin Biennale, 2016.
File:Artie Vierkant.jpg|Part of [[Artie Vierkant]]'s ''Image Objects'' series.
File:Fair Trade. Frieze Projects 2012.jpg|Photo by [[DIS (collective)|DIS]]. ''Fair Trade'', [[Frieze Art Fair|Frieze Projects]] 2012
File:Katja Novitskova.jpg|Spirit, Curiosity and Opportunity, [[Katja Novitskova]], Kraupa-Tuskany Zeidler, Berlin, 2014.
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* [[Hyperpop]]
* [[New Aesthetic]]
* [[Extremely
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