Chop Suey from Frankie Yankovic

The is a spin-off from the post on my main blog of Malcolm Arnold's score for the 1958 war drama The Key. Included in the music was a theme confoundingly called the "Chop Suey Polka." The Columbia honchos decided it made sense for their prize polkateer, Frankie Yankovic, to take up the tune, and he dutifully etched it for this single release.

Arnold was a fine composer, but polkas were perhaps not his main line of interest, so this one, while insistently memorable, did not result in one of Yankovic's best records.

Fortunately, the flip side is a superb number called the "Roseann Polka," which shows off the bandleader's crack musicians to great effect. Unfortunately I don't know who plays on these particular cuts.

I enjoyed this so much that I plan to feature some of Yankovic's early Columbia LPs on my main blog in the near future.

A Pajama Party with Julius La Rosa!

Julius La Rosa was not with RCA Victor records very long (only in 1956-57), but he was popular enough to be chosen as the face of the promotional efforts for the label's spring 1957 release. Considering that Elvis Presley's first LP was among those releases, this was quite an honor.

As part of its campaign, RCA saw fit to release a promotional EP and call it the "Julius La Rosa Pajama Party," an almost excessively odd idea until you consider that it was co-sponsored by the folks from Schrank's Dreamware, a pajama company. You received the EP with each purchase of a nightie. Also on board for the promotion were Canada Dry ginger ale and Coty cosmetics.

The Life magazine ad below ties all these themes together, while displaying La Rosa's LP along with those from Perry Como, Eddie Fisher and Elvis, who do not appear on the promotional record. The EPs in the background are by Ralph Flanagan and Teddi King, who are represented on the promo.

I suppose I could imagine La Rosa, Flanagan and King as entertainment at a pajama party. But Bob Scobey and his clunky Frisco Jazz Band? Dennis Farnon and his "Mother Magoo Suite"? The Three Suns and Pipe Organ?? Having been a young person in good standing during the 1950s, I cannot conceive of any situation that would have caused me to play the any of these records for my friends.

Anyway, I do love the portrait of Julie on the wall. And I especially love his spoken introductions to each number, the texts of which must have been thrust in front of him about 30 seconds before they was recorded. Only Bing Crosby and occasionally Frank Sinatra could make such scripted nonsense work - but nonetheless I find it endearing. The truth is, I avidly enjoy all such promotional items.

The download includes RCA's trade ad for this promotion, which utilizes the grim-looking La Rosa portrait from his sole Victor LP. Please head on over to my main blog for a transfer of that LP along with 12 sides taken from Julie's single output for the label.