(no subject)

Jan. 24th, 2026 07:55 pm
thisbluespirit: (winslow boy)
[personal profile] thisbluespirit
Some things that I have had stashed away for a little while:

1. [personal profile] sovay very kindly sent me a copy of Exit Through the Fireplace by Kate Dunn, which was waiting for me at the new house when I got here. It is about repertory theatre with lots of accounts on every aspect from actors and others involved, including a lot of people I have watched in old telly, so I enjoyed it a lot.

But having only recently before tried to make a post explaining what I loved about Terence Rattigan's plays, including floundering about trying to say how effective his dialogue is, I was v pleased to find this quote:

John Moffatt: (On being in rep, and the difficulty of remembering the lines, doing a new play every week): "You got to know who the good writers were. With Rattigan you barely had to learn it at all, even after just blocking it you almost knew it because it is so beautifully written. The only way to reply to something that has just been said is what he's written."


2. Talking of people being kind, [personal profile] swordznsorcery wrote me a lovely Sapphire & Steel story with a new Element and a stealth crossover very RTMI here, and if you also like S&S, I recommend taking a look, as it's great! <3


3. The book I was reading introduced me to the utterly untrue but very S&S like urban myth/ghost story of the Zanetti Train. Sounds like an Assignment to me, or a film I would watch, anyway. (It seems to have been taken from a Ukrainian work of fiction, most likely - certainly not one detail of it has any truth in it).


4. Making personalised bingo cards proved to be exactly in my wheelhouse right now, so I had fun with that. If anyone missed it the other day and would like one, feel free to still ask! (Here or there, whatever).


5. Random AO3 tag found while wrangling that is currently amusing me: It is literally just Twelfth Night but with Moomins.


Otherwise still slowly progressing and all that etc etc etc.

January Meme: The new 1930s?

Jan. 24th, 2026 06:26 pm
selenak: (Charlotte Ritter)
[personal profile] selenak
[personal profile] maia asked: Compare and contrast the US right now and Germany in the 1930s.

Welll, that's the 1 billion question, isn't it. (Literary so, given that the Orange Felon wants to have this sum of money from any fellow autocrat so they can join his "board of peace".

Now: being German, I instinctively shy away from invoking Godwin's law, so I'll start at the outset by declaring that no, I don't think the Orange One is Hitler 2.0, or that ICE are the Gestapo. (The SA during the late Weimar Republic might be a better comparison, as in, paramlitary units lustily doing their best to create and exude violence in the cities so that the dear leader can declare only he can restore order.) Also, I wish we'd have had as many demonstrations against our newly authoritarian government in, say, 1933-1935 as there are in the US right now, instead of, well, none. Individual acts of resistance, sure. Also the SPD being the sole party speaking out against the Ermächtigungsgesetz after the Reichstag burning. (Don't remind me that our current bunch of Neonazis wants to inhabit the very room named after the brave SPD guy who spoke against Hitler on that occasion in 1933.) But no equivalent to the "No Kings" demonstrations, or the current ones in the bitter cold of Minnesota, not until it's the 1940s and the women married to some of the last free Jews in Berlin actually demonstrate in front of Gestapo headquarters when their men get rounded up. I respect and admire the hell out of these women, but given the reaction by Goebbels & Co., who really didn't know how to handle this, I can't help but which these kind of demonstrations had happened in 1933 already, when the ostracisation and taking away of civil rights of everyone's neiighbours started.

Anyway: where I do see parallels is the way rich industrialists paved the way and/or quickly fell in line and profit from the autoritarian government that came to power legally and then promptly started to destroy the republic it was supposed to govern from the inside, and the way huge swaths of the media of the day even before complete state control lis established cleave to the new Overlords. And on the other side of the political spectrum, I see a parallel in the tendency of the left and/or liberal parties to attack each other instead of allying against the authoritarians. (This would be the early 1930s pre 1933.) Now this is hardly unique to the 1930s; a friend of mine who is in his late 80s and actually is a member of the SPD, our traditional centre-left party, said you can always rely on the left to attack each other with more vehemence than anyone else to the profit of their opponents.) Seriously, in the late Weimar Republic the Communists might have had their streetfights with the Nazis, but they kept declaring the SPD was the true enemy, and never mind the communists, your avarage progressive journalist was far more likely to attack and complain moderate or left leaning politicians than the Nazis. (Famously, journalistic icon Karl Kraus declared this was because "nothing about the Nazis inspires my imagination" ("Zu den Nazis fällt mir nichts ein"). Thanks, Kraus.) I'm not saying Democrats should be above criticism, absolutely not, but honestly, I have no time at all for the type of purist who declared they couldn't vote for Kamala Harris (or Hilary Clinton before her) because "Republicans and Democrats are the same anyway" or other arguments along that line. They knew what was at stake, just as anyone paying attention back in the Weimar Republic day did.


Of course, the Orange Menace has been far more open about his grifter status and his unending greed than the Nazis back in the day, but that's because of the difference in eras and societies; financial shakedowns and mafia tactics are getting admiration from huge parts of US society, it seems, whereas the Nazs while being no less interested in robbery by state (some were a bit more blatant about it like Goering, but it really was practised on every level, starting, of course, with forcing German Jews to "sell" their property for ricidiculous little sums) felt the need to dress it up far more, not least because part of Hitler's image included priding himself on "asceticism" and "living for the people". But they - and pretty much every populist/authoritarian system not just in the 1930s - use the same basic structure in their rethoric which unfortunately keeps working through the decades (centuries?).

1) You, the audience, are the best, you're perfect, anyone who wants you to change or adjust is an evil tyrant.

2.) But evidently your life isn't perfect. This is the fault of THEM. (Never, ever, is it the slightest bit your responsibility.) THEY are a mixture of external bogeymen and within-the-society scapegoat. THEY have absolutely no redeeming features and so you don't have to consider talking or negotiating or what not - THEY just deserve to be squashed. Punishing THEM will also magically solve whatever problems your society currently has.

3.) Of course, the squashing and punishing of THEM cannot be done with those lame old laws already existing. On the contrary, these have to be gotten rid off. Any attempt to restrain the punishment and squashing of THEM is clearly treason anyway.

4.) The glorious movement you, you wonderful person, are now a part of is led by the best leader ever. If he doesn't deliver all you want from him immediately, well, he's punishing both the weak traitors and the evil brutes for you, and isn't that the best part anyway?


Meanwhile, any half way responsible take on political situation basically has to start with "it's complicated", analyze and use "maybe it's this way, but maybe there are also other factors" type of qualifications, and any policy of a democratic government is by nature of the government a compromise. Meaning you always leave some disappointment in your electorate. And in an age with an ever shorter attention span, where the majority of people are not bothering with reading or listening to longer explanations anymore and just want short and punchy reassurances, this is possibly more dangerous a fertile ground for the transition of a Republic to a totalitarian state than Germany of the early 1930s was.

Not least because Germany, not as the Kaiserreich nor as the Weimar Republic nor even as the Third Reich, was ever the most powerful state of the world, with the largest miilitary and economic might. The fact the US won't be this for much longer anymore if things continue the way they are going isn't a comfort, because then it will be China.) It did a lot of damage when ruled by evil people anyway. But it had at no point the type of power the US has right now. This is not a comforting thought, either.

Lastly: in school, we were taught that a problem the Weimar Republic had was that there weren't enough republicans with a small r in it, that the Empire had conditioned its subjects to a strictly hiearchical society, that as opposed to England Germany hadn't had a centuries long transitonary period between absolutism and parliamentary rule, let a centuries of a Republic with the resulting self-understanding the way the uS has. On the one hand, I am a bit more sceptical on tha last part now. I mean, I always knew that The West Wing wasn't reality tv, but I didn't think The Handmaid's Tale was, either. Especially with the Nixon precedence, where the Republicans did turn against their blatantly caught at wrong doing President instead of removing their spine and denying he could have possibly done something wrong, I did believe the whole checks and balance thing I had learned about in school did work. For enlightened self interest reasons if not for moral reasons, because who would want their career to depend on the whim of a despot with more self control than a toddler? But no. On the other hand, see above. I only wish we would have had so much visible protest and opposition to horrible injustices in the 1930s as I see every day happening in the US. The Weimar Republic ceased to be within three months of Hitler becoming Chancellor, basically. By autumn, the transformation into hardcore dictatorship was complete. Whereas the US is still a Republic. If you can keep it.

The other days

Recent Reading: Homegoing

Jan. 24th, 2026 09:20 am
rocky41_7: (Default)
[personal profile] rocky41_7 posting in [community profile] books
Homegoing is family epic by Ghanaian-American author Yaa Gyasi. It follows the descendants of two half-sisters in Ghana in the 18th century: One, Effia, marries a British governor there. The other, Esi, is captured in raids and sold into slavery in America by that same governor. Gyasi's novel traces the story of their family from there. 

As I'm sure you can imagine just by the novel's description, Homegoing is a heavy book. It's not long--only 300 pages--but the subjects it deals with are dark. Homegoing shines a very personal, intimate light on historical atrocities and it is unflinching in the stark reality of those things. However, it is not sensationalist--the things that happen, particularly to Esi's family, are shocking, but not because Gyasi is playing a gotcha game with the reader, simply because we know these things really happened. This isn't a story about real people, but it is true, in that sense--these things did happen, to generations of people. 

Each chapter is a generation of the family--chapter 1 is Effia's story about marrying the governor, chapter 2 is Esi's story about her capture and imprisonment, chapter 3 is the story of Effia's son Quey, etc.--which allows Gyasi to span centuries of history, shining a light both on the development of Ghana first as it is brought under the yoke of colonialism, through its fight for independence, to regaining its sovereignty; as well as the struggle of Black Americans first against slavery and then on the successive attempts to maintain racism in the state: Jim Crow, chain gangs, the war on drugs. 

While there is great suffering in Homegoing, Gyasi also shows, I think, that joy exists even in the worst times. Even the hardest-suffering of Gyasi's characters still have hopes and dreams; they still fall in love; they still have inside jokes with friends; they still dance and sing and teach children to walk and try to preserve the memories of their loved ones. Homegoing documents an almost unfathomable amount of hardship, but it also knows that life will always try to find a way.

The novel is obviously very well-researched. Gyasi has put a lot of effort into a holistic understanding of both Ghanaian and American history and it shows.  

Although we don't get long with most of the characters, each of them stands out as distinct from one another. Gyasi does a wonderful job of showing their own mindsets, opinions, virtues and vices, relationships with their family and their history, and how that intersects with that character's particular struggle. 

Really a very well-done book. I know I'm going to be thinking about this one for a long time, and I think it has undoubtedly earned its place on the various recommendation lists where it sits. If you are squeamish about the subject material, or not someone who usually goes for books that deal with such heavy issues, I would strongly suggest giving this one a try anyway. It matters that we remember not only that these things were wrong, but why they were wrong, and Gyasi shows that here in vivid detail. It's really worth the read.

rocky41_7: (Default)
[personal profile] rocky41_7 posting in [community profile] books
I realized as I was approaching the end of this book that it is the third unfinished series sapphic SFF centering the machinations of an empire that I've read lately (the others being The Locked Tomb and The Masquerade). A Memory Called Empire is the first book in the Teixcalaan series by Arkady Martine (narrated by Amy Landon in the audiobook) and tells the story of Mahit Dzmare, a diplomat from an as-yet-unconquered satellite state of the Teixcalaanli Empire entering her role as ambassador for the first time--after the previous ambassador went radio silent. 

For fans of fantasy politics, I highly recommend this one. Mahit enters a political scene on the cusp of boiling over and is thrown not only into navigating a culture and society she's only ever read about, but having to piece together what her predecessor was doing, why he was doing it, and what happened to him. It's a whirlwind of not knowing who to trust, what to lean on, or where to go.

Martine creates such an interesting world here in Teixcalaan and the mindset of a people who pride themselves on being artists above all and yet exist as ruthless conquerors within their corner of space. Furthermore, Mahit herself is in a fascinating position as someone who's been half in love with this empire since childhood, and yet is all too keenly aware of the threat it poses to her and her home. Mahit does well in Teixcalaan--she loves the poetry and literature they so highly prize, she's able to navigate Teixcalaanli society and see the double meanings everywhere, and she's excited to try her hand at these things. And yet--if she plays her cards wrong, it will end with her home being gobbled up by Empire, and as Mahit herself says: Nothing touched by Empire remains unchanged.

I really enjoyed her characters too--3-Seagrass stole the show for me--and they all have believably varied and grounded views and opinions, with the sorts of blind spots and biases you would expect from people in their respective positions. There's character growth and change too, which is always fun to see, and I'm excited to see how that progresses in the next book.

If I had a complaint, and it's a minor one, it's that the prose is sometimes overly repetitive and explanatory, as if Martine doesn't quite trust her audience to remember things from earlier in the book, or understand what's being implied, which occasionally has the effect of making Mahit look less intelligent than her role would demand. However, it didn't happen often enough that I was truly annoyed, and I think the book gets better about it as it goes on.

On the whole, a fun, exciting read (although it takes its time to set up--expect a slow start!) that left me actually looking forward to my commute for a chance to listen to more. Already checking to see if my library has the next book available.

Scourge of the Spaceways

Jan. 21st, 2026 11:27 am
marycatelli: (Golden Hair)
[personal profile] marycatelli posting in [community profile] books
Scourge of the Spaceways by John C. Wright

Starquest book 5. And it is seriously a running story. Spoilers ahead for the earlier volumes.

Read more... )
selenak: (Avalon by Kathyh)
[personal profile] selenak
[personal profile] hannah asked: I'd love to hear you talk about assorted public transportation options you've taken while traveling, both domestically and internationally, and whether or not any stuck out to you for any reason.

Domestically: Well, it's practically a German cliché to complain about Die Bahn, but the truth is that while it truly is in a bad state, due to sixteen years of conservative ministers of transport defining their office as "lobbying for Mercedes, BMW and Audi" and endlessly delaying necessary repairs of the railway system, I still consider our public transport system my favourite way to travel within Germany. Both the trains, and in cities the busses and streetcars and underground trains. In most cases, it's possible to reach any given destination by train and from the railway station by local public transport. And one great invention that was added in, I think, the second Pandemic year, was Das Deutschlandticket, meaning a ticket you pay per month and which you can use for all public transport within Germany that is not - forgive me using now traumatizing initials - ICE or IC. (ICE in Germany means our fastest trains, to put it simply. ICs are second fastest trains. Both are the type of trains which can bring you from Munich to Berlin in less than five hours.) Which means that if, say, you live in Munich like me, and go to a conference in Hamburg, you do not have to buy extra tickets to use the public transport system in Hamburg, you can simply use your Deutschlandticket . Very neat indeed.

Anyway, the terrible state of our railway system means that currently practically every second long distance train is late, but there are a lot of them, and you do get notified at least an hour before the supposed departure of your train, so you can, using the Bahn app,, easily find a replacement connection. Well, most of the time. Not that people without a mobile device and internet access are screwed, and the are still a considerable part of older folk for whom this is true. Yours truly, in her fiftyseventh year of life, does not have this problem and thus can navigate the perils of the public transport system while using its benefits. Which I still very much prefer to taking the care, believe me. I am a German who isn't crazy about the Autobahn.

Internationally: Back in what turned out to be the last year of the Soviet Uniion (I think? 1991?) my APs and self spent two weeks in Russiai, one in Moscow and one in Leningrad/St. Petersburg, respectively. Among the many memorable things in Moscow were a couple of subway stations which looked like mini palaces, complete with chandeliers. I dimly recall being told these hailed from Stalin's era and were meant to demonstrate how well off the people were in the worker's paradise, which sounds like him, and of course looking like mini palaces does not enhance the usefulness of a subway station, but it still was an unexpected and impressive view! Also, the APs and yours truly actually managed to get to all the sightseeing spots we wanted to visited via the Moscow Metro and armed with a guide book and a map, so all hail the public transport system in Moscow in the year 1991. That same journey also included going by train overnight form Moscow to Leningrad (as it was still called), which worked fine, and while the cabins were hardly luxurious, they were comfortable enough for such a journey.

I also remember the main railway station in Madrid which includes a palm tree garden to relax in, which was lovely. And the cable cars of Lisbon from when I was there two or so years ago; last year, there was a terrible accident featuring one of them, so I don't know whether they'll still continue to be used that way, but they certainly were a signature part of the city (and usually you stand when using them, because they're that crowded.)

The country other than my own where I used the public transport system most often would be the United Kingdom. Generally, I've found British cars to be less comfortable but far more reliable than German ones, and the one time when I did a criss cross journey through the country on my lonesome, I got pretty much anywhere by train easily. As for the London "Tube", it's responsible for some occasions with much adrenaline pumping and transpiration from when I needed to reach the airport but was stuck in the Picadilly Line unexpectedly, but so far - knock on wood - in each of these cases, I did manage to reach the airport in time after all. Oh, and the one time I had to go from Heathrow to Oxford via bus directly, it worked perfectly as well, so good on you, British busses.

Let's see, what else? Oh, right, I once had a chance to housesit a palazzo in Venice for ten days which was awesome, and while I went everywhere on foot, I did take the vaporetto now and then, which was fine, as was the train connection to Padua when I used the chance to see the Giotto frescoes there.

The other days

Personalised bingo card offer

Jan. 20th, 2026 06:16 pm
thisbluespirit: (writing)
[personal profile] thisbluespirit
Hello, I am still recovering, etc. Quite nicely as these things go, but still not up to doing all my usual little things.

Anyway, thought of something fannish and fun I could do if anyone wanted it - I made a personalised bingo card for [personal profile] theseatheseatheopensea once, which was fun, and I do always love doing that kind of thing. So...


... if anyone else would find a custom-made bingo card (for writing/creating prompts) fun/useful/inspiring, comment here and I will have a go at making you one!


(I'll use the Bingo Generator, so it's very easy, and if I fail and include some rubbish prompts, a new card without such prompts can magically be re-generated with no trouble. Will do any size from 2x2 to 5x5.)

So just comment here if you'd like one & say what size card you'd prefer. You can also point me to/away from any fandoms/prompt types etc if you'd like, but no need. (If I'm really stuck for some reason, I'll just ask you for some pointers!)

Snow!

Jan. 19th, 2026 09:58 am
oracne: turtle (Default)
[personal profile] oracne
No dayjob today because we're off for MLK Day.

It snowed all day yesterday, starting before dawn, but nothing stuck to the sidewalk until after dark, by which time it was still snowing and I was just not up for shoveling. Which meant, of course, that first thing this morning, after the overnight freeze, there was a layer of ice on the sidewalk. With a great deal of effort and about an hour in two segments (pre- and post-breakfast), I managed to break up and remove enough to make it reasonably safe. I hope. My hands were a little shaky at the end, which indicates I exerted myself more than I should have. Our house is not that wide, thankfully.

The temperature is supposed to go above freezing this afternoon, so hopefully that softens the remainder enough that I can scrape it up. Putting salt on top of ice doesn't help, it just melts the top so it can refreeze in a new and more slick state. Nope!

I have a free ticket for the Orchestra's MLK Day concert this afternoon; I was originally planning to attend with my friend who is now out of town because of a death in the family. We shall see if I recover from my exertions enough to attend. I am not worried about wasting a spot, they generally hand out more tickets than there are seats for these events, and tell you a seat is not guaranteed.

It's possible more snow will arrive in the coming week. Whee. If it does, I hope it doesn't affect our choir kickoff on Saturday, January 24th. Also, I hope the scores get sent out soon, as I need to make a trip to the library to print mine.

I'm back to the office tomorrow and Wednesday.
selenak: (Thirteen by Fueschgast)
[personal profile] selenak
Given all space and time, and all history and fiction, which offer of adventure would you be most likely to accept - and which one would you definitely decline? [personal profile] ffutures asked.

Well, I'm tempted to say "none, because I'm chicken and would rather read about those adventures than experience them". But that would be a boring answer, and there are some which don't carry the risk of dying of smallpox or being turned into a Cyberman, one presumes. So, let's see....

Fictional: To get the obvious out of the way first: assuming that I'd live in a universe with the Doctor in it for real (the only universe worth thinking about, according to the Master, who ought to know), and that I would not live in one of those eras where one can google at least asome appearances of his which ought to give me an inkling about the risk travelling with him involves... I think I'd say yes if 'Thirteen offered me a trip with the TARDIS. She's not my favourite Doctor, but she conveys trustworthiness if she wants to, and even if I did manage to look up her companions, thehir rate of not just survival but lack of heartbreak (Yaz always excepted) at the end of their travels with her is promising. Most of the other Doctors would in real life make me think "nah, you seem to be interesting and/or crazy, but I wouldn't trust you to bring me home again".

I would definitely say no to Gandalf. Especially if I were in Bilbo's position. Firstly, stagemanaging an intrusion by loads of uninvited guests is just rude, and secondly, no way you're getting me anywhere near a real life dragon to be torched. No thank you. And that's before we're talking about the travel conditions. I can't ride, and while I do like long hikes, taking these in eras where I could get eaten by trolls... no, really not. I'm just not Burglar material.

Real: If I was dared as Nellie Bly was to travel around the world in 80 Days a la Jules Verne, with a newspaper paying for it, absolutely, I would have tried my best.

Would not have joined: any expedition involving the Artic. I like snow in winter, and I also like to ski, but I like it with the perspective of afterwards returning my heated apartment and being able to take a luxurious long hot bath. Not from the perspective of someone looking for the North West Passage on a sailing boat in the 18th century or someone racing to the Pole in the 20th century. I like my limbs unfrozen and uneaten, thanks.


The other days

Zines!

Jan. 18th, 2026 09:44 am
oracne: turtle (Default)
[personal profile] oracne
This is a great video about making zines.

Oh, Look, Another Drabble

Jan. 16th, 2026 01:33 pm
astrogirl: (Bill Cipher)
[personal profile] astrogirl
Yeah, OK, here's another bingo card drabble. Only one more square before I finish this card and can move on to the new(er) one! Pity I have absolutely no idea what to to with it yet.

Title: All Part of Mabel's Multi-Media Memory Extravaganza!
Fandom: Gravity Falls
Characters/Relationships: Mabel Pines
Rating/Warnings: G, none
Tags: Baking, Cookies, Post-Canon, Mabel is adorable but also a little intense and I love that about her, Fluff, Drabble
Length: 100 words
Summary: Sometimes you just have to express yourself with cookies.
Author's Notes: A lil' 100-word drabble written for Gen Prompt Bingo. The prompt was "baking," and I just could not make myself write anything but Mabel for it.

All Part of Mabel's Multi-Media Memory Extravaganza!

Yuletide!

Jan. 15th, 2026 10:49 am
oracne: turtle (Default)
[personal profile] oracne
Please feel free to link me to all your Yuletide recommendations!

I gave up on most of my fanfiction reading logging the last couple of months, but hope to start that up again soon. In the meantime, I post TBR Challenge and monthly reading logs on my website/blog - I haven't been cross-posting here recently, my apologies, but my reading has been pretty sparse anyway. My December reading log goes live there Friday morning.
selenak: (Clone Wars by Jade Blue Eyes)
[personal profile] selenak
Considering this prompt by [personal profile] bimo, it did occur to me that Syril Karn’s part of the Ghorman arc in the second season of Star Wars: Andor in a way is the Mirrorverse, twisted version of a rather popular trope.

Filling the spoilery darkness with order and light )

The other days

Recent Reading: Empty Wardrobes

Jan. 12th, 2026 07:18 pm
rocky41_7: (Default)
[personal profile] rocky41_7 posting in [community profile] books
I collect false treasures in empty wardrobes.

This quote by Paul Eluard opens book #14 from the "Women in Translation" rec list, which continues to fatten up my TBR list. This is Empty Wardrobes by Maria Judite de Carvalho, translated from Portuguese by Margaret Jull Costa. This novella, originally published in the 1960s, is about the ways in which women are subsumed by the men in their lives, or otherwise are buffeted about with less control over their lives than they ought to have.

The forward by Kate Zambreno is a wonderfully complementary piece. She talks about the anger she feels going to a woman's funeral and hearing the dead woman sanctified by men in her life who did nothing but take from her, who can speak of her only to praise what she did for others, and can say nothing about what the woman herself was. 

Sometimes you can read a book and just know the author was angry when she wrote it. This is one of those. The book uses the phrase "discreet rage" about one of its characters, and I think that sentiment succinctly describes the whole book. The protagonist, Dora Rosario, is ten years into widowhood, and she has devoted her entire life to mourning her unremarkable husband as much as she had previous devoted her life to supporting his every opinion regardless of whether or not she agreed with it. Now, a decade on, her mother-in-law reveals something about Dora's late husband that changes her entire perspective.

I would like to believe we are moving away from the world portrayed in Empty Wardrobes (though not with as much success as I'd like), but this is a stark reminder of how even a few generations ago, in the Sixties, a woman's identity was so controlled by her husband's. There are only two men in this book--Duarte, Dora's dead husband, and Ernesto, the longtime partner of a side character--and they both, through social structures, exercise incredible control over the lives of the women around them without any respect or even knowledge of their impact.

The three main women in this book--Dora, her daughter Lisa, and the narrator--each take a different approach to the male romantic partners in their lives, and none of them comes out the better for it (well, perhaps for Lisa, but I personally doubt it will last), because the ultimate problem is societal attitudes about the way men and women are meant to relate to each other. 

It's not a long book, and I can't say much more without spoiling things, but I also think it does some fabulous things with its narration and perspective, and the way it doles out information. Really an excellent framing that allows for a lot of fluidity and filling in gaps with your own visions while remaining clear in the nature of the story it's telling. 

This book was only translated into English in 2021, which is a shame, because I think it would have struck a nerve much earlier, but we have it now! Costa does an excellent job with the work too; the writing is full of punchy phrases like the above, and she captures some realistic dialogue--characters repeating themselves, responding in ways that don't quite match up with what was asked, etc.--while keeping it natural-sounding. 
selenak: (Demerzel and Terminus)
[personal profile] selenak
There were severa new onesl I enjoyed a lot, like Alien: Earth and Pluribus, with the later being hands down the best new series I saw in 2025. And Andor, some minor (for me) nitpicks aside, ended superbly, plus unfortunately more current day politically relevant than ever. But my favourite series in 2025 was Foundation, season 3. And here are some reasons why:

For the third time, this show managed to present a new ensemble of characters per season (plus the few recurring ones) and made me care about them. Now I remember several shows that were originally intended to be "anthology" shows - the one that immediately comes to mind is Heroes - i.e. where the idea was to present a new cast of characters every season - and which when the first season was a success changed their mind because the audience had fallen in love with these characters. Unfortunately, this also meant that the subsequent seasons showed there had been no plan, not even a vague character arc kind of plan, for those characters, and the show quality rapidly diminished, making me wish they'd stuck to the anthology concept. Now Foundation, to me, found a happy medium between the "anthology" concept which its intended huge time spam demands and the fact that most viewers do want some characters to remain attached to, or at least interested in, who are around for more than one season. And they manage it twofold: courtesy of in-universe plot devices, there are in fact some characters around through all three seasons so far - Gail Dornick, Demerzel and sort, kinda, Hari Seldon in a spoilery fashion ). And there are three more actors araound through all three seasons playing different characters who are at the same time variations of the same character, i.e. the Cleonic Dynasty exponents, clones in different stages of aging. (It's not unimportant that they play clones because the stories and developments each Cleon takes in each season are richer and more interesting if you have other Cleons to compare them to.)

But, and this is an important but: the show also offers characters who are around only in one season/era the show takes place. (Or two at most, sob.) And manages to make them interesting and different from each other. Here I would argue the show grew from season 1 - where there were some interesting, memorable characters around, like the Luminarian priestess, but also some which for me didn't work in the way they were intended (the Huntress) - to season 2, where basically every single new character was interesting - Constant, Hober Mallow, Space!Belisarius etc.. In fact, I was so attached to the s2 newbies that I kept wondering whether the show would manage to do it again after the next time jump, and the first s3 episode or two left me a bit sceptical on that count - but then I changed my mind. Granted, I still am lukewarm about Pritcher, but Toran and Bayta were great (not just due to the spoilery thing at the end of the season, though it makes the rewatch of s3 I just finished even more rewarding), I loved Ambassador Quent, and the First Speaker as well.

Another reason: s3 offered the pay off to several long term mysteries and developments - from who was responsible for the destruction of the Star Bridge (and why) to why a spoilery for s2 thing happened ) - , wrapped up one of THE major storylines of the show which is spoilery for s3 ), and did it in a way that was both unepected yet made perfect character sense, and set up enough new questions and storylines which make glad there is a season 4 already secured: For example, Spoilery Questions asked )

And then there's the superb long term character development. [personal profile] bimo commented s1 Gaal would be horrified by s3 Gaal's actions, and yet they are perfecty ic due to the development in between and bring things full circle, in a way. Rewatching s3, I noticed spoilery things about Demerzel in particular. ) And the Cleons! That Lee Pace is excellent is almost a given, and s3's Day's development went from seeming comic relief to absolutely shattering, but s3's Dusk and Dawn both got more to do than in previous seasons, and both Terence Mann and Cassian Bilton ran with it. In fact, when I find the time I'll do a poll asking about everyone's favourites Day, Dawn and Dusk, if such a thing exists, taking all three seasons into account. Speaking of things paying off even more upon rewatch, Dusk's first scene in s3 is watching the recording of other Dusks becoming Brother Darkness and "ascending", which, yeah. S3 does a lot not just with the confrontation with mortality, but also the search for meaning especially for the long term characters. Hari Seldon related spoilery observation )

And there's the way the show asks questions the books couldn't, lacking the concept of the Cleonic Dynasty. Demerzel and the Cleons: A Tale in Three Seasons )

Lastly: I loved s3 for the way it gave us new combinations of long term characters. Which are spoilery. ) And for being such an acting showcase for both recurring actors - Terence Mann certainly owned those last three episodes when he was on screen - and new to the show ones: Synnøve Karlsen as Bayta first and foremost, with again rewatching letting me additionally admire what she does there. (Though this time around I knew she was the same actress who had played Clarice Orsini in I Medici and young Cassandra Austen in Miss Austen, I forgot all about it again when watching her on screen. "We're good at making people love us, you and I", as she says to Magnifico. Indeed.


The other days

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