Gabriel rossetti

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Dante Gabriel Rossetti | Lady Lilith | The Metropolitan Museum of Art Lady Lilith, John William Godward, Everett Millais, Pre Raphaelite Brotherhood, Aesthetic Woman, Pre Raphaelite Art, Gabriel Rossetti, John Everett Millais, Dante Gabriel Rossetti

Signature: at lower left, the artist's monogram "DGR / 1867"Inscription: Surtees, 1971, p. 118 records a label (that no longer exists), once on the back of the frame, inscribed in pen and ink in the artist's hand: "Lady Lilith

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Andrea Leite Marques on Behance. Anthropomorphic digital art dog. Raphaelite Paintings, Jane Morris, Pre Raphaelite Paintings, Infinite Art, Pre Raphaelite Art, Gabriel Rossetti, John Everett Millais, Dante Gabriel Rossetti, Art Movements

This part of the Bella Lenahan's Gallery of Art comprises a series of Pre-Raphalite works, thus I called it "Brotherhood", from Pre-Raphaelite Brotherhood. I mostly used Rosstti's works, probably because he is my favourite, as well as some John Everett Mi…

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Raphaelite Paintings, Pre Raphaelite Paintings, Gabriel Rossetti, Pre Raphaelite Art, John Everett Millais, Dante Gabriel Rossetti, Rennaissance Art, Alicent Hightower, Pre Raphaelite

August 19, 2018There is rarely a middle ground where Pre-Raphaelite art is concerned: People are either seduced by it or underwhelmed. Whichever side you find yourself on, there’s little doubt that the Pre-Raphaelite style is one of the most recognizable in British painting, or that it mirrors the Victorian era, caught as it was between […]

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The Beautiful Necessity: Pre-Raphaelite Tresses Frederick Sandys, Austin Osman Spare, Louise Ebel, Everett Millais, Alfred Stevens, Pre Raphaelite Brotherhood, August Sander, Venetian Art, Gabriel Rossetti

Why were the Pre-Raphaelites so fascinated with a woman's hair? The answer seems obvious....a woman's hair has been considered "her glory" since Biblical days and before. However, further information on the role of a woman's hair in Victorian times gives even more insight into why the hair was such a romantic and erotic image in Pre-Raphaelite art. In a biography of Fannie Cornforth, author Kristy Walker says "Loose hair was seen rarely in Victorian society and had two connotations. A child…

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A Sea-Spell. A Sea-Spell was painted for Rossetti’s patron Frederick Leyland, a ship magnate who owned a large number of paintings by the artist. Rossetti first planned to illustrate lines from Coleridge’s poem Kubla Khan — “A damsel with a dulcimer / In a vision once I saw” ... Edward Robert Hughes, Arthur Hughes, Robert Hughes, Everett Millais, Pre Raphaelite Brotherhood, Pre Raphaelite Art, Gabriel Rossetti, Harvard Art Museum, Burne Jones

A Sea-Spell was painted for Rossetti’s patron Frederick Leyland, a ship magnate who owned a large number of paintings by the artist. Rossetti first planned to illustrate lines from Coleridge’s poem Kubla Khan — “A damsel with a dulcimer / In a vision once I saw” — but the subject was ultimately derived from his own poem, inscribed on the frame that he designed. The musician’s “lashing fingers weave the sweet-strung spell” of the siren, a mythological figure whose voice lures sailors to their…

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